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Meet the Curator Who’s Bringing Fashion Into the Fold at the Cleveland Museum of Art

Darnell-Jamal Lisby, the Cleveland Museum of Art's first fashion curator since 2021, has organized the exhibition "Renaissance to Runway: The Enduring Italian Houses," on view through February 1. The show connects Renaissance artworks from the museum's collection with modern garments by major Italian brands like Armani, Versace, and Capucci, including pieces worn by celebrities such as Blake Lively, Zendaya, and Judy Garland. Lisby, who previously worked at Cooper Hewitt, Smithsonian Design Museum, the Costume Institute of the Met, and the Museum at the Fashion Institute of Technology, has also curated exhibitions like The New Black Vanguard, Egyptomania, and Korean Couture. The exhibition features a generative AI video created by Francesco Carrozzini and Henry Hargreaves to show the garments in motion.

National Endowment for the Humanities awards $75.1m to 84 projects across the US

The National Endowment for the Humanities (NEH) has awarded $75.1 million to 84 projects across the United States, marking the first grants since the Trump administration dismissed most members of the National Council on the Humanities. Major recipients include the University of Texas at Austin and the Foundation for Excellence in Higher Education, each receiving $10 million for programs focused on civics, strategy, and "Great Books." Other notable grants include $2.2 million for Philadelphia's Museum of the American Revolution and $2 million for Grand Central Atelier, a small art school in Queens that teaches classical realist techniques.

Remembering the fight for equality: Tuskegee Airmen project enters next chapter at Cleveland History Center

The Cleveland History Center has opened a new exhibition honoring local Tuskegee Airmen, featuring hand-drawn portraits by students from the Cleveland School of the Arts. The exhibition, part of the Cleveland Heroes Project, is displayed at the Crawford Auto-Aviation Museum and runs through April 30. It highlights airmen with Northeast Ohio roots, including 2nd Lt. Gilbert Cargill, Capt. Erwin Bernard Lawrence Jr., and Cpl. Howard Arthur Tibbs.

The Phoenix and Hesterly Black galleries host art openings Jan. 16 & 23

The Phoenix Gallery and Music Hall in Burlington, Vermont, will host the exhibition “Sensual Turns” opening January 23, with a reception from 6 to 8 p.m. The show features new work by guest curator and featured artist Elizabeth Powell, alongside pieces by artists Jenny Kemp and Bonnie Morano. Powell, a painter and printmaker, holds an MA and MFA from the University of Iowa and has exhibited at Kishka Gallery and Hexum Gallery. Morano, based in Brooklyn, earned an MFA from Hunter College and has been selected for the XL Catlin Artist Prize. Kemp, a 2015 NYFA Fellowship recipient, has shown work nationally and internationally.

Flowers laid after Bondi terror attack will form new work of art at Sydney Jewish Museum

Floral tributes left at Bondi Beach after a deadly terrorist attack on a Hanukkah celebration in December 2024 have been collected and will be transformed into an art installation at the Sydney Jewish Museum. Jewish Australian artist Nina Sanadze, born in Georgia and based in Melbourne, is working with volunteers to dry and process the flowers in a Sydney warehouse, experimenting with resin, bronze casting, and composted materials to create a work that may depict beachgoers fleeing the attack. The museum, currently closed for redevelopment, plans to feature the installation in a special exhibition when it reopens in 2027.

Why is the French government spending millions on art no one sees?

The French government agency Centre national des arts plastiques (CNAP), established in 1982 to support living artists and collect their work, has come under scrutiny following two opposing government reports. A July white paper by Martin Bethenod recommended refocusing CNAP's acquisitions on France-based artists and galleries, while a November report from the Cour des Comptes by Julien Aubert found the agency financially fragile and redundant, noting that 24,472 works—one quarter of its collection—have never been exhibited. Aubert recommended closing the CNAP by 2030, sparking backlash from over 1,000 art professionals who signed an open letter criticizing the ideological attack on public cultural service.

UK government insures Bayeux Tapestry for £800m during loan to British Museum

The UK Treasury will insure the Bayeux Tapestry for an estimated £800 million under the Government Indemnity Scheme during its loan to the British Museum next year. The tapestry, created in the 1070s, will travel from Normandy to London via the Channel Tunnel and be displayed in the Sainsbury Exhibitions Gallery from September 2025 to July 2027 while its home museum in Bayeux undergoes renovations. The loan agreement, announced by French President Emmanuel Macron and UK Prime Minister Keir Starmer, includes a dry run with a facsimile and vibration monitoring, and in exchange, British Museum treasures such as the Lewis chessmen and Sutton Hoo helmet will travel to Normandy.

Smithsonian’s National Museum of Asian Art returns three sculptures to Cambodia

The Smithsonian’s National Museum of Asian Art (NMAA) in Washington, DC, has voluntarily returned three sculptures to the Cambodian government after an internal provenance investigation determined the objects were likely removed from Cambodia during the country’s civil war (1967-75). The returned artifacts include a tenth-century sandstone head of Harihara, a tenth-century sandstone sculpture of the goddess Uma, and a bronze statue of Prajnaparamita from around 1200. The museum’s director, Chase F. Robinson, stated that strong evidence linked the pieces to problematic dealers and a context of war and violence, and that no documentation supported their lawful export. The objects were donated to the NMAA by Arthur M. Sackler and Gilbert and Ann Kinney without proper provenance papers.

Louvre staff vote to strike, citing failures of management and building maintenance

Staff at the Louvre Museum in Paris voted unanimously to strike, with rolling walkouts set to begin on December 15. The unions, representing around 200 employees, filed a strike notice with the French culture ministry, citing insufficient staff, technical failures, and the building's aging condition. They also criticized the museum's director, Laurence des Cars, for a top-down management system that ignores staff alerts. The strike follows a series of incidents, including the theft of the French crown jewels in October, a forced closure of the Campana Gallery due to structural issues, and a water leak that damaged hundreds of books in the Egyptian antiquities library.

Illustration Major Justine Massabny Thrives as Education & Design Intern at the Montclair Art Museum

Illustration major Justine Massabny has gained extensive professional experience at the Montclair Art Museum (MAM) through a series of roles including Education Intern, SummerArt Associate, and currently Education Design Intern. She led the redesign of the Family Learning Lab in conjunction with exhibitions featuring Tom Nussbaum and Christine Romanell, managed the project from concept to completion, and assisted with installation of educational vinyls. Her work also includes designing educational materials, supporting events like exhibition openings and docent training, leading gallery tours, and exhibiting her own artwork in MAM's Summer Staff Gallery. She discovered the internship through Handshake, supported by Montclair State University's partnership with MAM.

“Water’s Edge: The Art of Truman Lowe” Opens Nov. 25 at the National Museum of the American Indian

The Smithsonian’s National Museum of the American Indian in Washington, D.C., will open “Water’s Edge: The Art of Truman Lowe” on November 25, 2025, running through January 2027. This is the first major retrospective of Hoocąk (Ho-Chunk) artist Truman Lowe (1944–2019), featuring nearly 50 sculptures, drawings, and paintings from public and private collections, including 28 from the museum’s own holdings. The exhibition is organized around four themes—Moving Water, The Land Holds Memory, Woodland Structures, and Memory and Shared Knowledge—highlighting Lowe’s use of natural materials like willow branches and feathers to evoke the waterways and woodlands of his Wisconsin upbringing.

Historic opening: Studio Museum in Harlem welcomes the public to its new architectural landmark

The Studio Museum in Harlem has opened its long-awaited new building, a seven-story, 82,000-square-foot structure on West 125th Street, designed by Adjaye Associates with Cooper Robertson. A Community Day on November 15th marked the public debut, featuring inaugural exhibitions including a major show on Tom Lloyd, whose work launched the museum's first exhibition in 1968, as well as "From Now: A Collection in Context" and a survey of works by over 100 residency alumni. The building expands exhibition space by over 50% and public areas by nearly 60%, with dedicated education spaces and artist-in-residence studios.

Toi Tauranga Art Gallery reopens with new vision

Toi Tauranga Art Gallery in New Zealand reopens on November 15, 2025, after a two-year closure and transformation. The revamped space features a new entrance at Masonic Park, a Mauri Stones installation, a gallery store highlighting regional artists, a creativity centre, improved accessibility, and a café. The reopening exhibitions include 'Whakairo' by Kereama Taepa, 'Old Friends' curated by Dr Penelope Jackson, 'Glimmer' in the new Meldrum Gallery, and works by Pusi Urale, Vaimaila Urale, and Darcy Nicholas, among others.

Legendary visual artist gets first solo exhibition at Emily Lowe Gallery at Hofstra University's Museum of Art

Legendary visual artist Jamel Shabazz, a retired New York City correction officer, has opened his first solo exhibition on Long Island at the Emily Lowe Gallery inside Hofstra University's Museum of Art in Hempstead. Titled "Love is the Message," the show features photographs spanning over five decades, capturing love and humanity in overlooked urban communities. Shabazz's work is also held in major institutions including the Metropolitan Museum of Art, Brooklyn Museum, and the Smithsonian.

Diana Eusebio’s 'Field of Dreams' exhibit at MOCA is rooted in culture

The Museum of Contemporary Art North Miami (MOCA) has opened three new exhibits as part of its 30th anniversary programming, including 'Field of Dreams,' the first solo exhibition for Miami-based fashion designer and multidisciplinary artist Diana Eusebio. The 27-year-old artist presents 38 works that draw on her Indigenous Peruvian-Quechua and Afro-Dominican heritage, using textiles and fabrics sourced from Miami, Peru, and the Dominican Republic, along with ancestral dyeing techniques and materials native to Miami.

California nonprofits keep losing funding in what new study calls ‘the shadow of the pandemic cliff’

A new Otis College Report on the Creative Economy, titled "In the Shadow of the Pandemic Cliff," was presented at the Getty Center in Los Angeles. The report, prepared by Westwood Economics and Planning Associates, analyzes financial data from 2011 to 2023 for nonprofit cultural organizations in Los Angeles County, including museums, art schools, and performing-arts groups. It reveals that while revenues for these nonprofits surged by 47% during the early pandemic years due to special relief funding, that support has since faded. By 2023, 60% of surveyed organizations reported less public funding and 51% saw declines in private donations, a trend the report calls the "Covid cliff."

New Cope House exhibit highlights the art of collecting

William Skeet Jiggetts, a longtime art collector and trustee of several museums, founded the Museum of African American Art Collections (MAAAC) to celebrate Black collectors and display their private holdings. The organization's inaugural exhibition, “Collectors’ Life,” runs from Nov. 1 to Dec. 30 at Awbury Arboretum’s Cope House Gallery in Germantown, featuring works curated by local collectors including Diana Tyson, Stephanie A. Daniel, Vashti Dubois, Dr. Robyn Jones, and Adrian Moody. Two accompanying talks will explore portraiture and the evolving relationship between collectors and artists.

Absa L’Atelier ambassador opens Solo Exhibition in Uganda, challenges hair bias

Absa Group has announced that Eric Joe Gayi, an Absa L’Atelier 2023 Ambassador, will open his solo exhibition *Breaking the Norm* on November 1, 2025, at The Summit Residences in Naguru, Kampala, in collaboration with Amasaka Gallery. The show features intricate ballpoint pen drawings exploring Afro hair as a symbol of identity, resistance, and cultural pride, using blue figures to represent conformity and black figures with honeycomb textures to symbolize authenticity and resilience against Eurocentric beauty standards.

“Come in and learn” - Sunrise Moon Art Gallery now open in High River

Virginia Aldoff-Pinay, a Cree Kokum from the Foothills School Division, has opened the Sunrise Moon Art Gallery in High River, Alberta. The gallery features Indigenous art, artifacts, and educational displays representing the Blackfoot Confederation, Métis, and Inuit cultures, along with a tea room and library. Aldoff-Pinay, who comes from a family of artists, named the gallery after a morning prayer when she saw both the sunrise and moon. The business is managed by her grandson Ethan Carpenter, and the sign was made by her daughter Vanessa.

In historic move, MFA Boston returns works by 19th-century enslaved artist David Drake to his heirs

The Museum of Fine Arts (MFA) Boston has agreed to return two 1857 ceramic jars by David Drake, an enslaved Black potter, to his living descendants. One vessel will remain on loan to the museum for at least two years, while the other—the "Poem Jar"—has been purchased back by the MFA from the heirs for an undisclosed sum, now carrying a "certificate of ethical ownership." The museum acknowledges that Drake created the works involuntarily and without compensation, marking the first time the MFA has resolved a claim for art wrongfully taken under U.S. slavery.

Artist Eric Joe Gayi challenges beauty standards in new exhibition

Ugandan artist Eric Joe Gayi, an Absa L’Atelier 2023 Ambassador, is presenting his solo exhibition "Breaking the Norm" at The Summit Residences in Naguru, in collaboration with Amasaka Gallery. The show features intricate ballpoint pen drawings in blue and black ink, exploring Afro hair as a symbol of identity, resistance, and cultural pride, while challenging colonial and Eurocentric beauty standards. Blue figures represent conformity, while black figures with honeycomb-textured faces symbolize authenticity and resilience.

‘An important piece of Black history’: Topher Campbell's Tate commission at risk of destruction

Artist Topher Campbell's large-scale sculpture *My Body Is An Archive*, commissioned by Tate Modern for his exhibition *Topher Campbell My ruckus. Heart!*, faces destruction if a new home is not found by the end of October 2025. The polished mahogany and collage work, which weighs over a ton, was temporarily housed at Birmingham Museums Trust after the show closed in January 2025, but the trust can no longer store it due to warehouse pressures. Campbell has launched a Go Fund Me campaign, which has raised 85% of its £2,000 target, to cover transport and storage costs.

McMichael Canadian Art Collection picks architect for museum expansion

The McMichael Canadian Art Collection in Kleinburg, Ontario, has selected Toronto-based Hariri Pontarini Architects (HPA) to lead a transformative redevelopment of its campus, the first major investment in the museum in over 40 years. The announcement was made during the opening night of the Art Toronto fair, where the museum hosted a fundraiser. The project, which includes expanded exhibition, education, and public programming spaces, is backed by up to C$50 million from the Ontario government (contingent on matching funds) and a previous C$25 million federal investment, though additional funding is still being sought.

Grace Rosario Perkins: Circles, Spokes, Zigzags, Rivers

The Whitney Museum of American Art in New York is presenting "Grace Rosario Perkins: Circles, Spokes, Zigzags, Rivers," an exhibition of nine recent paintings and a large-scale sculpture by the Akimel O’odham/Diné artist (b. 1986, Santa Fe). The show runs from October 18, 2025, to February 8, 2026, and is organized by senior curator Adrienne Edwards and curatorial assistant Rose Pallone. Perkins’s densely layered works incorporate acrylic, spray paint, found materials, and textual fragments, drawing on petroglyphs, ancestral storytelling, and personal experience to explore themes of grief, love, and hope while resisting reductive representations of Indigenous identity.

Putting young galleries at the front: Frieze London’s bold strategy holds

Frieze London's 22nd edition in October 2025 will retain a bold floor plan debuted in 2024 that places emerging galleries near the main entrance, pushing blue-chip heavyweights like Gagosian and David Zwirner further inside. Fair director Eva Langret confirms the layout is permanent, citing overwhelmingly positive feedback and renewed energy. The Focus section for galleries under 12 years old gets a boost, with a rotating system ensuring fresh stands near the entrance each year. A new curated section, Echoes in the Present, explores artistic links between West Africa, Brazil, and their diasporas. Meanwhile, Frieze Masters, dedicated to pre-20th-century art, will be run by new director Emanuela Tarizzo.

An underground art park by Mike Hewson opens beneath the Art Gallery of NSW

New Zealand-born engineer-turned-artist Mike Hewson has opened 'The Key’s Under The Mat,' an interactive social sculpture inside the subterranean Nelson Packer Tank at the Art Gallery of New South Wales in Sydney. The free exhibition, running from October 4, 2025 through 2026, transforms a former WWII oil reservoir into an art park featuring dozens of usable sculptures—including a functioning sauna, steam room, laundromat, playground, and barbecue—all made from thousands of salvaged objects. Visitors are encouraged to dwell, play, create, and even do laundry, with the artist describing the work as a 'handmade utopia.'

Sasha Fishman '24 Fixates on Fish in Solo Exhibition at ILY2 Gallery

Sasha Fishman '24, an alum and adjunct assistant professor at Columbia, presents her solo exhibition 'Shad Mode' at ILY2 Gallery in Portland, Oregon. The show, which culminates her summer residency at ILY2, features sculptures made from materials like egg yolk-tanned sturgeon skin, ceramics, and lamprey teeth, exploring the relationships between fish, their ecosystems, and human intervention. Works such as 'Immortal by Wifi' and 'Each Time You Bathe Me' blend natural and synthetic elements, while a fish cannon encircles the gallery to highlight modern technologies used to transport fish over dams.

From street gang to civil rights group, the Young Lords’ impact is on display in a new DePaul art exhibition

The DePaul Art Museum in Chicago has opened a new exhibition titled "Tengo Lincoln Park en mi Corazón: Young Lords in Chicago," curated by Jacqueline Lazú. The show explores the history and activism of the Young Lords Organization, a group that began as a Puerto Rican street gang in the 1950s and evolved into a civil rights advocacy group fighting against displacement and discrimination in Lincoln Park. The exhibition features objects like purple berets, protest art, and photographs, and is the result of decades of collaboration between DePaul University and the Young Lords.

Piecing together ancient Andean stories at Krannert Art Museum

Krannert Art Museum has reopened its reimagined exhibition 'Fragmented Histories: Andean Art before 1600' after a year-long closure, following nearly a decade of collaborative research. Co-curators Allyson Purpura and Kasia Szremski worked with pre-contact Andean art historians and Peruvian archaeologists to restore context to looted artifacts from the Fred Olsen Collection, donated in 1967. The exhibition is organized into four themes—Unfinished Stories, The Mobile Life of Objects, Powerful Images, and Object Biographies—and includes digital displays that acknowledge the violent histories of looting and aim to share knowledge with descendant communities in Peru.

Figge Art Museum marks 100 years with new exhibition

The Figge Art Museum in Davenport, Iowa, is celebrating its 100th anniversary with a new exhibition titled "100 Years of Collecting," opening September 13 and running through January 11, 2026. The show highlights major gifts and donations that have shaped the museum's collection, including American, Haitian, Spanish Colonial, and contemporary works, tracing back to founder Charles August Ficke's initial 334-piece donation in 1925.