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‘Art’s Selfish’: Canada Pavilion Artist Abbas Akhavan on What Comes After Venice

Abbas Akhavan, representing Canada at the 2026 Venice Biennale, has transformed the Canada Pavilion into a greenhouse-like installation titled “Abbas Akhavan: Entre chien et loup.” The pavilion’s wooden door has been replaced with glass, revealing a pond of pinkish water illuminated by sunlight and LED grow-lamps. Visitors encounter mossy boulders, a vintage fur coat sprayed with mist, sharpened bronze sticks, and frosted mirrors that blur the architecture. Three giant Bolivian water lilies, grown from seeds sent from Kew Gardens to Padua, will gradually fill the pond over the summer. Akhavan describes his role as a “custodian” rather than a controller, emphasizing the unpredictability of nature.

The National Gallery of Canada, commissioner of Canada's participation in the 61st International Art Exhibition - La Biennale di Venezia, unveils the exhibition Abbas Akhavan: Entre chien et loup

The National Gallery of Canada has unveiled the exhibition "Abbas Akhavan: Entre chien et loup" for the Canada Pavilion at the 61st International Art Exhibition – La Biennale di Venezia in 2026. The site-specific installation reimagines the pavilion's architecture as a Wardian case, a precursor to the terrarium used to transport plants across the British Empire, featuring a custom pool with giant Victoria water lilies. The artist replaced the facade with glass panels, making the plants visible from outside, and the installation is framed by additional sculptural works. The exhibition is curated by Kim Nguyen and accompanied by a fully illustrated publication.

THE MET GETS A NEW GREAT HALL BY PETERSON RICH OFFICE

Peterson Rich Office (PRO) has designed a new Great Hall Gallery for the Metropolitan Museum of Art, occupying 12,000 square feet across five sequential rooms in a former exterior courtyard adjacent to the landmark Great Hall. The renovation exposes and celebrates historic exterior façades from the 1880s and 1890s, creating a layered architectural experience. The space is intended to host rotating exhibitions, particularly the Costume Institute's annual spring show, and is currently under construction.

Lauren Sánchez Bezos unveils Met’s new exhibit amid gala backlash

Lauren Sánchez Bezos appeared alongside Anna Wintour at a press conference in New York to unveil the Metropolitan Museum of Art's new Costume Art exhibit, which opens May 10 ahead of the Met Gala. Sánchez Bezos and her husband Jeff Bezos are primary sponsors of this year's gala and exhibit, a role that has sparked backlash and a boycott campaign from the activist group Everyone Hates Elon. The exhibit explores themes of the dressed body through garments paired with ancient artifacts, featuring categories like "the naked body," "classic body," and "disabled body."

Asian Heritage Month 2026 at the Vancouver Art Gallery

The Vancouver Art Gallery is hosting a month-long program of talks, tours, and workshops for Asian Heritage Month 2026, celebrating Asian art and ideas. Highlights include weekly Lunchtime Look tours led by Senior Curator Diana Freundl and a Mandarin-language tour by Lynn Chen, a panel discussion titled "Modernity in Translation: Art, Architecture and Poetry in Iran" moderated by curator Pantea Haghighi with architect Hossein Amanat and Dr. Jeff Derksen, and a hands-on collage workshop by artist Vanessa Lam. The program also previews the gallery's upcoming landmark exhibition "Modern Iran and the Avant-Gardes, 1948–78," opening December 11, 2026, which will be the largest presentation of Iranian modernism ever mounted in Canada, featuring over 30 artists and approximately 100 works.

Painting LACMA's David Geffen Galleries with Light, Shadow, and Color

LACMA's new David Geffen Galleries, designed by architect Peter Zumthor, feature custom-tinted concrete walls that break from traditional museum aesthetics. The walls are coated with a transparent, nano-scale mineral glaze developed by Zumthor and Swiss craftsman Marius Fontana, manufactured by German company Keim. The palette—dusky red, vibrant blue, and nuanced black—was inspired by ancient Indigenous American pigments prepared by artist Porfirio Gutiérrez for the museum's exhibition "We Live in Painting: The Nature of Color in Mesoamerican Art." Diana Magaloni, LACMA's Senior Deputy Director for Conservation, Curatorial and Exhibitions, led the conceptualization and application of the glazes, which are designed to enhance the building's interplay of light and shadow without obscuring its raw concrete surfaces.

Prokofiev Studio: new gallery devoted to the abstract art of Oleg Prokofiev son of the composer & father of composer Gabriel Prokofiev

Composer Gabriel Prokofiev has opened Prokofiev Studio in Hackney, London, a new gallery dedicated to the abstract art of his father, Oleg Prokofiev (1928-1998). Oleg, son of the famed composer Sergei Prokofiev, created abstract works in the 1950s that defied the Soviet Union’s strict socialist realism doctrine. His career was shaped by his relationship with British art historian Camilla Gray, whom he married in 1969 after hiding his art for a decade; she died two years later. Oleg moved to the UK but believed his abstract works lost until a 1994 return to Moscow revealed they had been preserved. The gallery houses Oleg’s archive, including 1950s abstract artworks, letters, sketchbooks, and sculptures, with an inaugural exhibition titled "Bending Time" reconstructing his 1990s studio in Hackney Wick.

How LACMA Is Centering Curation Around Cross-Cultural Exchange

The Los Angeles County Museum of Art (LACMA) opened its new David Geffen Galleries on April 19, featuring a groundbreaking installation organized around four bodies of water—the Pacific, Atlantic, and Indian Oceans, and the Mediterranean Sea—rather than by country of origin or chronological sequence. Designed by architect Peter Zumthor, the 900-foot-long single-level space holds 2,500 to 3,000 objects, with 45 curators collaborating to arrange works from vastly different cultures and centuries together, allowing visitors to meander without prescribed pathways.

Design Museum Stages First-Ever Retrospective For Streetwear Pioneer Nigo

London's Design Museum is opening "NIGO: From Japan with Love," the first UK retrospective dedicated to Japanese designer Nigo, founder of streetwear brand A Bathing Ape (BAPE) and current artistic director of Kenzo. The exhibition, featuring over 700 objects including rare archival garments, a recreation of Nigo's teenage bedroom, and ceramics inside a life-size glass tea house, traces his career from 1980s Tokyo street culture to global fashion influence.

Kansas City’s Nelson-Atkins Museum Welcomes World Cup Fans in 2026

The Nelson-Atkins Museum of Art in Kansas City has introduced a new exhibition, "Personal Best," designed to welcome international visitors during the 2026 FIFA World Cup. The exhibition blends fine art and athletics, connecting the global sporting event with Kansas City's cultural scene. The museum offers free general admission, making it an accessible attraction for soccer fans attending six matches at Arrowhead Stadium starting June 16, 2026.

Andreas Angelidakis: Escape Room

The Greek Ministry of Culture has selected artist Andreas Angelidakis to represent Greece at the 61st Venice Biennale in 2026. Angelidakis will present an installation titled "Escape Room" at the Greek Pavilion, curated by George Bekirakis with MOMUS as National Commissioner. The project reimagines Plato's allegory of the cave as an immersive environment addressing post-truth, nationalism, and digital illusions, while also confronting the troubled history of the Pavilion itself, including its 1934 inauguration amid the rise of fascism.

Daniel Roseberry plays tour guide at V&A Museum’s Schiaparelli exhibit

Creative director Daniel Roseberry led an intimate tour of the Victoria and Albert Museum’s landmark exhibition, "Schiaparelli: Fashion Becomes Art," which opened in London on March 28, 2026. The retrospective features over 400 objects, ranging from Elsa Schiaparelli’s 1927 trompe l’oeil sweaters and the 1938 Skeleton Dress to Roseberry’s contemporary surrealist designs. During the walkthrough with British Vogue, Roseberry highlighted the historical continuity between the house’s archival disruption and his modern innovations like the hand-painted puzzle dress.

Mysterious Lake District barn joins national treasures on heritage list

The Department for Culture, Media and Sport has granted Grade II* listed status to "Henry’s Castle," a mysterious limestone structure in the Lake District previously used as a livestock shelter. Following a four-year restoration project involving archaeologists and conservation engineers, experts identified high-status architectural features including a 14th-century oak roof truss, a corbelled chimneystack, and a garderobe. These elements suggest the building was originally a significant residence, such as a hunting lodge or a lookout dwelling, rather than a simple barn.

Hastings College art professor has solo exhibition at Museum of Nebraska Art

Dr. Brian Corr, an associate professor at Hastings College and internationally recognized glass artist, is presenting his first solo museum exhibition at the Museum of Nebraska Art (MONA). Titled "Of Light and Shadow," the show serves as a 20-year retrospective of Corr’s career, featuring large-scale glass installations and sculptures that explore the interplay of light, shadow, and contemplative space. A highlight of the exhibition is the U.S. debut of "One," a significant architectural installation originally created in 2007.

Art professor Brian Corr debuts solo exhibition at the Museum of Nebraska Art

The Museum of Nebraska Art (MONA) is hosting "Of Light and Shadow," the first solo museum exhibition for internationally recognized glass artist and Hastings College professor Dr. Brian Corr. The survey spans two decades of Corr’s career, featuring large-scale sculptures and installations that utilize light and shadow as primary materials. A highlight of the show is the U.S. debut of "One," a significant architectural installation originally created for his master’s thesis in Australia.

Space: the ultimate wardrobe challenge – in pictures

Thames and Hudson has released Space Journal: The Art and Science of Cosmic Exploration, a new visual compendium curated by BBC presenter Dallas Campbell. The book chronicles humanity’s aesthetic and technical obsession with the cosmos, featuring a diverse array of archival imagery ranging from 17th-century illustrations and 1930s rocket experiments to high-fidelity spacesuit replicas and mid-century astronomical art.

Moomin and Tove Jansson exhibitions worldwide

A global series of exhibitions celebrating the legacy of Tove Jansson and the Moomins has been announced for 2026, with major programming centered in Finland. Key highlights include the expansion of the Tove Jansson Gallery at the Helsinki Art Museum (HAM) with the 'Artist Family Jansson' exhibition, a design-focused showcase at the Architecture & Design Museum, and a contemporary dialogue at Chappe featuring artists Erika Adamsson and Katja Syrjä. The programming coincides with the 80th anniversary of the book 'Comet in Moominland'.

art exhibition bernard frize perrotin paris

French-born, Berlin-based artist Bernard Frize presents his 21st exhibition with Perrotin and 10th in Paris, titled “Les 26,” on view through May 30. The show features his signature geometric latticework paintings, where interlocking grids of uniform brushstrokes create hazy chromatic architectures. Works include both resin-layered canvases with overlapping bands of bright color and tempera paintings on glass with strict compositional rules—each color moving in three straight lines to form two right angles. Frize continues his practice of using utilitarian, nonsensical titles like “Vido,” “Sioc,” and “Vesem” to decenter subjective interpretation.

kengo kuma's first US museum emerges within vast art and nature campus in pennsylvania

Kengo Kuma & Associates has unveiled the design for its first museum in the United States, a wood-clad pavilion complex at the Brandywine Conservancy & Museum of Art in Pennsylvania. The 3,716-square-meter structure, part of a major expansion, will transform the 6-hectare campus into a 131.52-hectare public preserve and garden designed with Field Operations. Construction is planned to begin in spring 2027, with an opening in fall 2029, adding 80% more exhibition space and integrating art, ecology, and conservation.

An exhibition of an artist who brought post-impressionism to England

The Museum of Somerset is hosting "A Life in Art: Roger Fry," an exhibition dedicated to the painter, critic, and curator Roger Fry, who introduced post-impressionism to England. The show features nearly 40 of Fry's paintings from a recent Charleston exhibition, alongside works by his wife, Arts & Crafts artist Helen Coombe, whose career and life have been largely overlooked. Through artwork, archival photos, and a film, the exhibition explores Fry's complex personal life, including Coombe's institutionalization for mental illness, and his role within the Bloomsbury Group.

Lowe Art Museum to host two major exhibitions on Afro-Cuban art curated by Alejandro de la Fuente

The Lowe Art Museum at the University of Miami will present two complementary exhibitions on Afro-Cuban art from May 1 to Sept. 12, 2025, both guest-curated by Alejandro de la Fuente, director of the Afro-Latin American Research Institute at Harvard University. "El Pasado Mío/My Own Past" features 43 Afro-Cuban artists from the 1820s to the present in an amplified version with 83 works, while "Afrocubanismo: Highlights from the Ramón and Nercys Cernuda Collection" focuses on early 20th-century Afrocubanista works, including pieces by Wifredo Lam.

Kengo Kuma & Associates to expand campus of Pennsylvania’s Brandywine Conservancy & Museum of Art

Kengo Kuma & Associates has been selected to design an expansion of the Brandywine Conservancy & Museum of Art in Pennsylvania. The project will add new gallery spaces, educational facilities, and improved visitor amenities to the institution, which is known for its collection of American art and its conservation work along the Brandywine River.

Hiroshi Sugimoto's first Southeast Asian show opens at SAM on May 29

Hiroshi Sugimoto's first major Southeast Asian exhibition, "Hiroshi Sugimoto: Form Is Emptiness," opens at the Singapore Art Museum (SAM) on May 29, 2026, running through October 4, 2026. The show spans five decades and features 63 works from 11 series across photography, sculpture, installation, and architecture, plus 14 fossils from the artist's personal collection. Sugimoto designed the exhibition as a mandala, with a circular layout that encourages visitors to drift through interconnected sections reflecting the Buddhist Five Elements.

Inside The Met's New 'Costume Art' Exhibition

The Metropolitan Museum of Art's Costume Institute has announced a new exhibition titled 'Costume Art,' opening to the public on May 10 and running through January 10, 2027. The show inaugurates the Met's nearly 12,000-square-foot expansion adjacent to the Great Hall, providing a permanent home for the Costume Institute's annual spring exhibitions. Featuring nearly 400 objects—half garments and half traditional art like sculpture and painting—the exhibition explores how clothing alters and enhances the human body, dividing 'the body' into 13 types such as 'The Classical Body' and 'The Corpulent Body.' The show includes works from designers like Coco Chanel, Jean Paul Gaultier, Thom Browne, and Alexander McQueen, paired with historical artifacts and contemporary art. The exhibition follows this year's Met Gala, co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, which raised a record $42 million for the Costume Institute.

The Art of Transparency: Reiko Sudō’s Textile Innovation for LACMA

The Los Angeles County Museum of Art (LACMA) commissioned Tokyo-based textile designer Reiko Sudō to create custom curtains for its new David Geffen Galleries, which feature floor-to-ceiling glass windows. Sudō developed sputter-plated chrome textiles—in matte and gloss finishes—that are both transparent and light-protective, solving the challenge of shielding light-sensitive artworks while preserving panoramic views of the surrounding city. The textiles, produced by Sudō’s company NUNO, are now installed as curtains and will also appear in her retrospective "Textile Alchemy: The Art of Reiko Sudō and NUNO" at LACMA opening September 20, 2026.

The Metropolitan Museum of Art's new exhibition celebrates the human body as art

The Metropolitan Museum of Art's Costume Institute opened a new exhibition titled "Costume Art," curated by Andrew Bolton, which pairs historical and contemporary garments with artworks from the Met's collection spanning 5,000 years. The exhibition debuted at the 2026 Met Gala, co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with celebrities like Rihanna, Emma Chamberlain, and Hunter Schafer wearing looks inspired by masterpieces such as Van Gogh's "The Starry Night" and Klimt's "Mäda Primavesi." The show runs from May 10, 2026, to January 10, 2027, in the new Condé Nast Galleries, a 12,000-square-foot space that centralizes fashion displays within the museum.

Take a Look Inside This Year's 2026 Met Gala 'Costume Art' Exhibition

The Metropolitan Museum of Art has announced its spring 2026 Costume Institute exhibition titled "Costume Art," along with the accompanying Met Gala fundraiser scheduled for May 4, 2026, with a "Fashion is Art" dress code. The exhibition will debut in the newly designed 12,000-square-foot Condé M. Nast Galleries, featuring nearly 400 objects that juxtapose historical garments with fine art across thematic bodily categories such as the "Classical Body" and "Pregnant Body." Curated by Andrew Bolton, the show includes standout pairings like a Glenn Martens suit with an ancient marble statue and a Comme des Garçons ensemble with a Max Weber painting, with mannequins featuring polished steel heads by artist Samar Hejazi.

Here is what you'll see at the Lucas Museum of Narrative Art when it finally opens

The Lucas Museum of Narrative Art in Los Angeles will finally open on September 22, 2026, at Exposition Park. Founded by George Lucas and Mellody Hobson, the 300,000-square-foot spaceship-like building designed by MAD Architects will house a collection of over 40,000 objects, with 1,200 works on display across 30 galleries. The inaugural exhibitions span children's literature illustrations, manga and anime, comics, photography, cinematic storytelling, and classic American illustration, featuring artists from Norman Rockwell and Frida Kahlo to Jack Kirby and Alison Bechdel. A special cinema exhibition, 'Star Wars in Motion,' will showcase props and costumes from the first six films.

Met Museum show at new Costume Institute puts fashion in same spotlight as Egyptian artefacts

The Metropolitan Museum of Art's Costume Institute has opened its spring exhibition 'Costume Art' in a new 12,000-square-foot space called the Condé M Nast Galleries, located off the museum's Great Hall. The show pairs 200 garments and accessories with 200 artworks from the Met's collection, organized into 13 thematic body types such as Naked and Nude, Abstracted Body, Corpulent Body, Disabled Body, and Mortal Body. Lead curator Andrew Bolton aims to challenge traditional hierarchies by placing fashion on equal footing with fine art. The exhibition's launch is overshadowed by controversy over sponsorship by Jeff Bezos and Lauren Sánchez Bezos for the Met Gala.

Musée d’Orsay displays Renoir and Degas works looted by Nazis

The Musée d’Orsay in Paris has opened a new gallery dedicated exclusively to artworks suspected of being looted or forcibly sold during the Nazi occupation of France. Among the 13 works on display is Edgar Degas's *Dinner at the Ball* (1919), originally owned by Jewish collector Fernand Ochsé, who was deported to Auschwitz with his wife in 1941. The painting passed through multiple hands before being identified as one of over 100,000 artworks plundered by the Nazis. The museum has assembled a team of six provenance researchers to spend three years tracing the original owners of these works, which are part of the "MNR" (Musées nationaux récupération) collection—some 2,200 pieces deemed too important to sell but whose owners remain unknown.