‘Different Strokes’ returns with vibrant contemporary expressions

The fifth edition of the contemporary art exhibition "Different Strokes" has opened at La Galerie of Alliance Française de Dhaka. Curated by artist Alamgir Kabir, the show features 40 artworks from a diverse group of eight Bangladeshi artists, including both emerging and established figures. The collection spans various mediums and subjects, ranging from abstract compositions and portraits to scenes of the Padma River and nature studies.

‘Tender Hell’ exhibit makes graphic design into autobiography

The Yale School of Art is hosting "Tender Hell," an exhibition showcasing the thesis work of five Master of Fine Arts students in graphic design. The show features the work of Michael Stevens, Amy Fang, David Wonsik Jung, Camille J. Gwise, and Izza Alyssa, who utilize diverse media including collage, metal sculpture, and large-scale grids to explore the intersection of design and personal narrative.

Studio Art MFA Thesis Exhibition Pushes Art's Boundaries

American University's Studio Art MFA candidates will present their thesis exhibition, titled "If That Makes Sense," at the AU Museum from April 18 to May 17, 2026. The show features nine artists—Rob Balsewich, Michael Dodson, Julia Fouser, Ryan Kennedy, Kelvin He Hao Low, Lexi Moser, Austin Remetta, Brenay Spencer, and Sarah Bell Wilson—whose works span painting, sculpture, textiles, sound, and installation, exploring themes of memory, identity, materiality, and collective experience.

New Exhibition Showcases Evolution of Virgin Islands Contemporary Art

The group exhibition "Virgin Islands Contemporary" is set to open at Salt of the Earth Tattoo in St. Thomas, featuring the work of ten local artists. Curated by Lucien Downes, the show highlights a diverse range of visual mediums that move beyond traditional Caribbean iconography like seascapes and historical narratives. The participating artists, including Brenda L. Cotto and Jon Euwema, explore themes of cultural evolution and identity through experimental materials and modern techniques.

Pop-up art exhibition set to celebrate diversity and cultural heritage in Salford

The Anadu Art Gallery is launching a pop-up exhibition titled 'Roots: Celebrating Heritage' at The Empty Space in Salford's MediaCity. The one-day event on February 28 features a blend of local and international artists, aiming to showcase diverse cultural traditions and personal histories through visual art.

We’ve Been at the Tapestry Studio Since the 90s

An exhibition titled "We’ve Been at the Tapestry Studio Since the 90s" has opened at Salt Beyoğlu in Istanbul, exploring the unique pedagogical and artistic approach of the Tapestry Studio at Mimar Sinan Fine Arts University (MSGSÜ). Founded in 1976–77 by painter and academic Zekai Ormancı, the studio combined carpet weaving education with contemporary art, fostering a collaborative "learning together" model. In 1992, visual artist and academic Gülçin Aksoy joined as an assistant, transforming the space into a hub of creative dissent and interdisciplinary exchange that spilled into Istanbul's broader contemporary art scene during the 2000s.

‘Endless scrolling induces permanent craving’: panGenerator highlights our unhealthy relationship with technology

An exhibition titled 'Elusive Sense: On the Fluid Boundaries of Perception' at London’s art’otel featured five contemporary Polish artists, including the collective panGenerator. Their interactive installation 'Infinity' (2020) invites viewers to kneel and endlessly scroll through nonsensical digital shapes on a screen, mimicking social media's infinite scroll. The work aims to make users feel uncomfortable and reflect on their daily digital habits, drawing parallels between trust in technology and religious belief. Another panGenerator piece, 'Hash to ash' (2017), lets visitors take a selfie that melts into ash, critiquing selfie culture and the fragility of digital photos.

The Smell of Sanctity: An Olfactory Exploration of Faith, Chemistry, and Decay

Olfactory artist and perfumer Gabriel De Carvalho presents 'The Smell of Sanctity: From Devotion to Decomposition,' a multi-sensory exhibition at The Olfactory Art Studio in London from 26 to 30 November 2025. The installation explores the historical concept of the 'odour of sanctity'—the sweet fragrance said to emanate from saints—through the lens of biochemistry, using bespoke scent compositions, sculptural diffusers, and light to blur the boundaries between sacred spaces and scientific laboratories.

Artist John E. Dowell, Jr. explores life experiences in exhibition titled 'I Got Through It'

Philadelphia-based artist John E. Dowell, Jr., now 84, is preparing for a solo exhibition titled 'I Got Through It' at the James Oliver Gallery, opening October 18, 2025. The show features over 20 works spanning printmaking, painting, photography, and music-inspired pieces. Dowell, a professor emeritus at Temple University's Tyler School of Art and Architecture, discusses his lifelong creative journey, his use of jazz and blues as inspiration, and his experiments with translating visual art into sound.

Byungjun Kwon: ‘I want to break away from the passive, one-sided way of experiencing performances’

Byungjun Kwon, a South Korean artist whose practice spans sound, technology, and performance, has been selected for the 2025 Korean Artists Today project. Kwon began his career as a singer-songwriter in the 1990s, later earning a degree in Art Science from the Royal Conservatoire in The Hague and working as a hardware engineer at the Studio for Electro-Instrumental Music in Amsterdam. His works include immersive sound installations, custom-built instruments, and robotic stage machinery, with pieces such as 'Self-sounding Town Resonant Village' (2019) exhibited at the Museum of Contemporary Art in Busan. He is currently preparing a new project, 'Speak Slowly, and It Will Become a Song', for the Aichi Triennale in Japan.

Under Water, We Who Are Deaf Are Freer

"Unter Wasser sind wir Gehörlosen freier"

Artists Bogna Burska and Daniel Kotowski have been selected to represent Poland at the upcoming Venice Biennale with their collaborative project, "Liquid Tongues." The exhibition features elaborate video works that draw parallels between the ancient, complex vocalizations of whales and the visual communication of sign language. By filming underwater, the duo explores an environment where the traditional sensory advantages of hearing people are neutralized, and the gestural fluency of the Deaf community becomes a primary mode of connection.

Exhibition Before the Ashes: Fantôme explores black and abstraction at La Lison Gallery

The La Lison gallery in Paris is set to host "Avant les cendres," a solo exhibition by the Nancy-based artist Fantôme running from April 9 to May 16, 2026. The showcase focuses on the artist's exploration of the color black, utilizing texture, line, and abstraction to create a "space of projection" that emphasizes sensory experience over literal messaging.

Little Artists Art Studio, Singapore Shines at Art Capital 2026

Little Artists Art Studio, a Singapore-based institution, marked its second consecutive year of participation at Art Capital 2026 held at the Grand Palais in Paris. Following their historic 2025 debut as the first children ever included in the event's 200-year history, the studio presented a curated body of work from students across various age groups, including neurodiverse and special-needs artists. The young artists exhibited alongside established professionals within the main salon framework, engaging with international media, critics, and collectors.

Here's what the much-talked-about Russian Pavilion at the Venice Biennale looks like. Photos and video

Ecco com’è il chiacchieratissimo Padiglione Russia della Biennale di Venezia. Foto e video

The Russian Pavilion at the 2026 Venice Biennale has opened amid intense controversy over its unauthorized participation. The pavilion, housed in a 1914 building recently restored by Italian architects 2050+, features a program of musical improvisations, ensemble performances, techno concerts, and interactive actions, including free used clothing. The space is designed as a fragrant flower shop with a chill-out room featuring a conifer grove and video installations. The exhibition, titled "L’Albero Radicato nel Cielo" (The Tree Rooted in the Sky), is organized by young poets, musicians, and philosophers who prefer to remain anonymous as a collective, coordinated by the Gnessin Russian Academy of Music. However, due to sanctions, the pavilion is only open from May 5 to 8, as organizers cannot obtain the necessary permit to operate beyond the private opening.

The Animals We Are. The New Metamorphosis of the Apartment-Showroom Casaornella in Milan

Gli animali che siamo. La nuova metamorfosi dell’appartamento-showroom Casaornella a Milano

Interior designer Maria Vittoria Paggini has unveiled the 2026 edition of Casaornella, her apartment-showroom in Milan's Via Conca del Naviglio 10, during Design Week. Titled "L'animale sociale" (The Social Animal) with the subtitle "Nessuno mi può giudicare" (Nobody Can Judge Me), the space is completely restructured each year. For this edition, Paggini removed all doors to create a fluid, open-plan layout, using curtains for privacy. The project explores themes of authenticity and human relationships in the digital age, inspired by Italian pop songs from Mina to Luigi Tenco, which form the exhibition's soundtrack.

Withdrawing from Intense Labor: 'Quiet Quitting' Discussed in a Milan Exhibition

Sottrarsi al lavoro troppo intenso. Si parla di ‘quite quitting’ in una mostra a Milano

Artist Niccolò de Napoli explores the phenomenon of "quiet quitting" in his solo exhibition, "I’m here, but not entirely yours," hosted at Studio Lombard DCA in Milan. The exhibition, produced by PROGETTO LUDOVICO, utilizes the unconventional setting of a strategic consultancy firm to showcase works that critique modern labor expectations. Key pieces include a blue neon sign mimicking corporate aesthetics, a sound installation referencing the 1983 film "Vieni avanti cretino," and monochromatic cases made of switchable glass that obscures itself as viewers approach, symbolizing the withdrawal of the self from the workplace.

African Artists shine at Boomer Gallery’s “Vogued First Edition” in London

Boomer Gallery in London's Tower Bridge district hosted the opening of "Vogued | First Edition" on August 8, 2025, a group exhibition celebrating contemporary artists who push creative boundaries. Among the featured talents were African artists Kikelomo Solomon-Ayeni, Olamide Bakare, Bukola Abiodun, Mercy Odukogbe, and Olalekan Adetunji, whose works explored themes of tradition, innovation, heritage, and urban life through oil paintings, portraits, and mixed media. Guest of Honour Tabish Khan, an art critic and curator, delivered an opening talk on the relevance of contemporary art in a rapidly changing world.

Exhibition reflects on the seven deadly sins

Artist CO-MA presents his second solo exhibition, 'Every Saint Has a Past and Every Sinner Has a Future,' at Spazju Kreattiv in Malta from May 9 to June 29. Curated by Lily Agius, the show interprets the seven deadly sins—pride, greed, lust, envy, gluttony, wrath, and sloth—through large-scale oil paintings on canvas and wood, marking a shift from the charcoal medium used in his 2021 debut. The artist draws inspiration from Norse mythology, Renaissance and Baroque art, and Dante's Divine Comedy, exploring these vices as universal human failings rather than strictly Catholic concepts.

Refreshing Turn to Craft at AIPAD’s Photography Show

The AIPAD Photography Show, a major fair dedicated to fine art photography, took a refreshing turn by emphasizing craft and handmade processes. The event featured a notable shift away from purely digital and commercial photography, highlighting works that incorporate traditional techniques such as cyanotypes, photogravures, and hand-applied color. Galleries presented pieces that blurred the line between photography and other media, including mixed-media works and artist books, reflecting a growing interest in the tactile and artisanal aspects of the medium.

Artist’s sausage display eaten by gallery visitors

A conceptual art installation featuring a display of sausages was reportedly consumed by visitors at an art gallery. The incident occurred during an exhibition where the edible components of the artwork were mistaken for refreshments or intentionally consumed as an act of defiance or misunderstanding of the work's boundaries.

What’s That Musky Aroma at the New Museum?

The New Museum in New York has unveiled a sensory-driven installation that utilizes scent as a primary medium, challenging the traditional ocular-centric experience of contemporary art spaces. Visitors are greeted by a distinct, musky aroma that permeates the galleries, part of a curated effort to explore the intersection of olfaction, memory, and physical space.

Black Designers as Fine Artists: Fashion Meets Sculpture

The article from Ebony.com explores the intersection of fashion and fine art, highlighting how Black designers are increasingly being recognized as fine artists whose work bridges clothing design and sculpture. It profiles several contemporary Black designers who create garments that function as sculptural objects, exhibited in galleries and museums rather than solely on runways. The piece examines how these creators challenge traditional boundaries between fashion and art, using materials and techniques that elevate their work into the realm of fine art.

Renowned artist turns venue into gallery

The article describes how a renowned artist has transformed a venue into a gallery space. The specific details of the artist, venue, and exhibition are not available due to the article being blocked by a security verification page, which prevents access to the full text.

Not an exhibition, but a game: Vietnamese artist’s lifelong dialogue with fallen leaves

The Vietnam Fine Arts Museum in Hanoi is hosting "Cuộc Chơi Với Lá (A Game with Leaves)," an exhibition showcasing over six decades of work by self-taught Vietnamese artist Tạ Hải. The show features dozens of artworks selected from more than 500 pieces he has created entirely from natural materials, primarily fallen leaves, since his first work in 1965. Hải, who works outside formal artistic traditions, transforms leaves into landscapes depicting rivers, rooftops, and village paths, driven by a philosophy that sees fallen leaves as enduring symbols of life rather than discarded remnants.

SCULPTURE IN THE GARDEN: THE STORYTELLERS

The article titled 'SCULPTURE IN THE GARDEN: THE STORYTELLERS' appears to be about a sculpture exhibition or installation set in a garden context, focusing on narrative-driven works. The text is heavily corrupted and unreadable due to encoding issues, but the title and fragmentary content suggest it covers a group of sculptors or a specific show where artworks function as storytellers within a natural setting.

Red Sea Museum Hosts Contemporary Art Exhibition to Showcase Marine Biodiversity

The King Abdulaziz Center for World Culture (Ithra), an Aramco initiative, is participating in Milan Design Week 2026 (April 20-26) by presenting the exhibition “Default is Not Universal” at the Isola Design Festival. The exhibition features works by eight designers from the Middle East and North Africa, including seven interactive stations that use artificial intelligence to collect visitor data and map cognitive patterns shaped by cultural influences. After its debut in Milan, the exhibition will travel to Saudi Arabia as the anchor international exhibition of Ithra Design Week later this year.

Immersive Room-Sized Exhibit Environments

Spazio Viruly is presenting the exhibition 'UNBOXING: A Room as Instrument' at Superattico in Milan during Milan Design Week. The installation, created by designers Matthijs Koerts and Merijn Haenen, deconstructs everyday devices to reveal core elements like energy and sound, then rebuilds them into immersive, room-sized environments. The experience is enhanced with live dance performances by Eleonora Cattaneo and custom soundscapes.

The power of fandom

The art world is increasingly grappling with the rise of 'fandom' culture, where the intense, collective energy of online communities and pop-culture enthusiasts is reshaping traditional institutional engagement. This shift sees museums and galleries moving away from purely academic or elitist frameworks to embrace the participatory and often commercial power of dedicated fan bases.

Exhibition by textile artist Kadi Pajupuu to be opened at the Riigikogu

Textile artist Kadi Pajupuu has opened a solo exhibition titled "Sinane" (This Very) at the Art Gallery of Toompea Castle, the seat of the Estonian Parliament. Inaugurated by Riigikogu President Lauri Hussar, the showcase features experimental works that blend archaic Estonian linguistic themes with modern material technologies. The exhibition highlights Pajupuu’s innovative weaving techniques, including her patented RailReed and MultiWeave systems, which allow for adjustable warp density and three-dimensional textile structures.

Germany warns Goethe-Institut over exhibition with Palestinian artist

Germany's Federal Foreign Office issued a formal warning to the Goethe-Institut in Ramallah for hosting an exhibition by Palestinian artist Jumana Emil Abboud. The warning, delivered via letter, criticized the institute for displaying Abboud's work, which includes themes related to the Palestinian experience, suggesting it could be seen as endorsing a political position and might violate the institute's mandate of cultural diplomacy.