Marian Goodman, the legendary New York gallerist who introduced European avant-garde artists to American audiences, is selling works from her private collection through Christie's. The collection features a standout group of paintings by Gerhard Richter, including his masterpiece *Kerze*, which will lead the Richters & 21st Century Evening Sale. Additional pieces will be offered across 20th and 21st Century Art auctions in New York.
Die Wiederentdeckung der Alten Meisterinnen
The Museum of Fine Arts Ghent (MSK) has launched a major exhibition titled "Unforgettable: Women Artists from Amsterdam to Antwerp, 1600–1750," showcasing over 40 female Baroque artists who were once highly successful but later faded into obscurity. The show highlights figures like Michaelina Wautier, who defied gender norms by painting large-scale history scenes and male nudes, and Rachel Ruysch, whose floral still lifes commanded prices rivaling those of Rembrandt. These women were not merely exceptions but active participants in the art market, running workshops and securing royal patronage across the Low Countries.
Diana Campbell, Chomwan Weeraworawit, and Paris-based art advisors Samy Ghiyati and Nicolas Nahab of NG Partners organized a pizza party called Pizzalo Mundo during the Venice Biennale. Each artist contributed an ingredient from home: Rirkrit Tiravanija brought a Penang coconut base, Precious Okoyomon added flowers, Daria Kim wild honey, Tarek Atoui za'atar on hummus, Miet Warlop artichoke hearts, Tori Wrånes self-grown potatoes, and Alexa Kumiko Hatanaka fig leaf oil with yuzu salt. The event drew a crowd of curators, directors, and collectors from institutions including Tate, Musée d'Orsay, Guggenheim Abu Dhabi, MoMA, and Centre Pompidou.
Since 2024, the nonprofit organization Artists & Mothers has been addressing a critical gap in the art world by offering grants for nine months of childcare to New York-based artists with children under three. The organization was founded by Julia Trotta and Maria De Victoria, with board members including Camille Henrot, Bridget Donahue, Maia Ruth Lee, Sarah Goulet, and Elizabeth Karp-Evans. In a Q&A format, the group discusses their motivations, influences, and hopes for a more equitable art world, highlighting works such as Lea Lublin's 1968 performance "Mon fils" and anticipating Ei Arakawa-Nash's Japanese Pavilion at the Venice Biennale.
Humberto Moro, deputy director of program at the Dia Art Foundation, discusses his role in expanding the institution's focus to include Latin American artists such as Liliana Porter, Delcy Morelos, and David Lamelas, whose major survey he curated. The interview, published by Cultured, covers Moro's career path from his early painting pursuits to positions at Museo Tamayo, Museo Jumex, SCAD's Museum of Art, and the Park Avenue Armory, and his current work at Dia alongside director Jessica Morgan. Moro also shares his personal interests in science fiction and literature, citing authors Ted Chiang, Cixin Liu, and Mariana Enriquez.
The New Museum in New York has reopened after two years with a major expansion designed by OMA / Shohei Shigematsu and Rem Koolhaas, doubling its size to 60,000 additional square feet. The inaugural exhibition, “New Humans: Memories of the Future,” curated by Massimiliano Gioni, features over 800 objects by more than 200 artists, scientists, and designers across three main floors. The show explores how concepts of the human have evolved in response to technological innovation over the past century, with thematic chapters such as “Reproductive Futures” and a site-specific sculpture by Klára Hosnedlová in the new Atrium Stair.
Art critic and writer Jarrett Earnest travels to Warsaw for the opening of "The Woman Question 1550–2025," a major survey of women artists curated by Alison M. Gingeras at the Museum of Modern Art (MSN Warsaw). The exhibition features nearly 200 works spanning from Renaissance to contemporary art, including pieces by Artemisia Gentileschi, Frida Kahlo, Lisa Yuskavage, and many Eastern European artists. Earnest reflects on the enduring theme of the female nude and the political context of Poland, where far-right policies have restricted women's rights.
CULTURED magazine hosted its third annual Frieze London breakfast at the Dorchester hotel, co-hosted by Editor-in-Chief Sarah Harrelson, European Contributor Georgina Cohen, and photographer Mary McCartney. The event drew a mix of art-world figures, celebrities, and cultural tastemakers, including actor Richard E. Grant, Tate director Maria Balshaw, musicians Jess Glynne and Sophie Ellis-Bextor, gallerists Lucy Chadwick and Pilar Corrias, and collectors Laura de Gunzburg and George Wells. Guests enjoyed a plant-based breakfast and copies of CULTURED's September issue amid the buzz of Frieze London.
Cultured magazine highlights several fall gallery shows in Los Angeles, featuring solo exhibitions by Mire Lee at Sprüth Magers, Rebecca Morris at Regen Projects, Lukas Geronimas at Parker Gallery, Christina Kimeze at Hauser & Wirth, and Herman Cherry at Sebastian Gladstone. The shows run through October and November 2025, showcasing a range of media from Lee's industrial paintings and Morris's abstract compositions to Geronimas's architectural sculptures, Kimeze's mystical figurative works, and Cherry's abstract expressionist paintings.
Anderson Ranch Arts Center held its 2025 gala on July 10 in Snowmass Village, honoring artist Titus Kaphar with the International Artist Award. The evening featured a seated dinner, a gala auction with works donated by galleries including Gagosian, Hauser & Wirth, White Cube, and Marianne Boesky Gallery, and drew a crowd of collectors, artists, patrons, and cultural figures such as Peter Waanders, Sarah Harrelson, Jessica Silverman, and Kristina Newman-Scott.
The Museum of Contemporary Art, Los Angeles (MOCA) held its annual gala, presented by BVLGARI, at the Geffen Contemporary space in Little Tokyo. The evening introduced a new format called MOCA Legends, honoring artist Theaster Gates, architect Frank Gehry, and philanthropist Wendy Schmidt. Guests included actors Jane Fonda, David Alan Grier, Sarah Paulson, director Ava DuVernay, and artists Andrea Bowers, Charles Gaines, Henry Taylor, and Olafur Eliasson, whose exhibition OPEN was on view. After a performance by the TAIKOPROJECT Japanese drum ensemble, House Speaker Emerita Nancy Pelosi surprised attendees by introducing Gehry. Rapper Tierra Whack performed during dinner, and the event raised $3.1 million for museum operations.
The 2026 Venice Biennale is defined by themes of ruin and decay, with standout national pavilions exploring bodily, infrastructural, and archaeological collapse. The Slovenian Pavilion features the Nonument Group repurposing materials from past Biennales into a ruin of a mosque for Bosnian Muslim soldiers from World War I. Syria presents its first national pavilion since the Civil War, with Sara Shamma invoking Palmyra, destroyed by ISIS. Germany's pavilion, titled "Ruin," features works by Henrike Naumann (who died in February) and Sung Tieu, questioning the pavilion's fascist architecture and nationalist residue. The Austrian Pavilion, curated by Florentina Holzinger, offers a visceral performance titled "Sea World." The Biennale is also marked by the abrupt resignation of its five-member jury, who refused to consider nations charged with crimes against humanity, leading to awards being chosen by public vote. Additionally, the main exhibition "In Minor Keys" was affected by the death of its curator, Koyo Kouoh.
The 61st Venice Biennale, titled "In Minor Keys," opens amid turmoil: its curator Koyo Kouoh died of cancer during planning, and the festival jury resigned after a controversial statement about excluding Israel and Russia from prizes, replaced by a Eurovision-style people's choice award. The main exhibition, completed by a team of five collaborators using Kouoh's plans, features over 110 artists and collectives, with highlights including works by Big Chief Demond Melanchon, Tammy Nguyen, Guadalupe Maravilla, Ayrson Heráclito, and a section focused on Michael Armitage's Nairobi Contemporary Art Institute.
The Art Not Genocide Alliance (ANGA) has announced a 24-hour strike and rally on May 8, the day before the 2026 Venice Biennale opens to the public, in protest of the Israeli Pavilion. ANGA, formed in opposition to Israel's inclusion in the 2024 Biennale, refers to the current Israeli presentation—featuring Haifa-based artist Belu-Simion Fainaru—as the "Genocide Pavilion." Over 200 artists, curators, and culture workers have signed an open letter demanding Israel's exclusion, and a separate action called Solidarity Drone Chorus involved 60 artists. ANGA is collaborating with local labor and culture organizations including Biennalocene, Vogliamo Tutt'altro, S.a.L.E. Docks, and Mi Riconosci.
Austrian artist Florentina Holzinger has created 'Seaworld Venice,' an immersive and confrontational installation for the Austrian Pavilion at the 2024 Venice Biennale. The work explores climate change, technology, and a dystopian flooded future, drawing comparisons to the 1995 film 'Waterworld'—though neither Holzinger nor curator Nora-Swantje Almes had seen it. Known for extreme performance art involving nudity, blood, live piercing, and heavy machinery, Holzinger's previous works have caused audience members to faint or require medical treatment. The pavilion marks a significant platform for her radical, hybrid practice that blends theatre, dance, opera, and performance art.
The 61st Venice Biennale is embroiled in geopolitical controversy over Russia's return to the event in 2026, which has sparked widespread backlash. Nearly 10,000 artists and cultural leaders signed an open letter opposing Russia's participation, and the European Union withdrew €2 million in funding for the 2028 edition. Leaked emails reveal Biennale officials worked with Russian pavilion commissioner Anastasia Karneeva to circumvent EU sanctions, while Italy's culture minister Alessandro Giuli plans to boycott the opening week. Meanwhile, activists continue to push for Israel's removal from the Biennale, though Israel will be accommodated in the Arsenale this year.
The Museum für Fotografie in Berlin is hosting a major exhibition titled "New Woman, New Vision," featuring approximately 300 photographs by 29 women associated with the Bauhaus. The show aims to dismantle the persistent myth that female students at the influential German school were restricted to the weaving workshop. By showcasing works from figures like Lucia Moholy, Ise Gropius, and Marianne Brandt, the exhibition highlights how women were integral to the school’s photographic documentation and its development as a standalone artistic medium.
A rare cassette tape containing one of the earliest known recordings of rapper Tupac Shakur, made in 1988 at his friend Ge-ology's home, is being auctioned by the music collecting platform Wax Poetics with an estimate of $120,000–$150,000. The sale includes other personal artifacts like handwritten lyrics and photos from Tupac's pre-fame years in Baltimore, with bidding ending February 11.
The opening ceremony of the 2026 Milano Cortina Winter Olympics featured significant art-historical references, including a flame cauldron inspired by Leonardo da Vinci's knot drawings and performances that brought to life the marble sculptures of Antonio Canova. Dancers animated recreations of works like 'Psyche Revived by Cupid's Kiss,' and the ceremony included symbolic representations of Italian architectural landmarks like the Colosseum and Florence's Duomo.
Casa Batlló, a UNESCO World Heritage Site in Barcelona designed by Antoni Gaudí, has opened a new exhibition space called Casa Batlló Contemporary dedicated to contemporary art. The program launched with a show by United Visual Artists (UVA), a London-based collective founded by Matt Clark, running from January 31 to May 17. The space, located on the second floor and restored by architecture studio Mesura, will host two annual exhibitions. This initiative expands on Casa Batlló’s existing "Mapping" series, which commissions artists to project audiovisual works onto Gaudí’s façade.
Three films by Gerard Malanga, a key figure in Andy Warhol's Factory, have been restored and will premiere in Pittsburgh. The 16mm works, transferred to 4K, include "Film Notebooks, 1964–1970," "The Filmmaker Records a Portion of His Life in the Month of August, 1968," and "Andy Warhol: Portraits of the Artist as a Young Man (1964)."
Archaeologists in Fano, Italy, have unearthed the remains of a 2,000-year-old Roman basilica during redevelopment work on Piazza Andrea Costa. The rectangular structure, bordered by eight columns on the long side and four on the shorter sides, matches the precise measurements and layout described by the ancient Roman architect Vitruvius in Book V of his treatise *De Architectura*. This is the first time a physical building has been attributed to Vitruvius, whose writings have long been studied but whose structures had never before been found.
Marina Abramović has announced production dates for her upcoming performance piece "Seven Deaths," a seven-part film incorporating death scenes from influential operas such as "Madam Butterfly" and "Carmen." The 68-year-old artist has invited controversial filmmaker Roman Polanski, along with directors Alejandro González Iñárritu, Marco Brambilla, Giada Colagrande, Yorgos Lanthimos, and screenwriter Petter Skavlan, to contribute segments. Abramović will portray singer Maria Callas, whom she describes as a muse, and plans to produce a making-of documentary and a biography on Callas's life. Lars von Trier was invited but declined due to scheduling conflicts.
On Thursday night, Sotheby’s concluded a week of evening sales with a three-part modern art auction that achieved $304.6 million, far exceeding its pre-sale estimate of $211.3–$289.3 million. The evening featured 13 works from the collection of Cindy and Jay Pritzker, which sold for $109.5 million, followed by the 'Exquisite Corpus' Surrealist sale from Selma Ertegun’s collection totaling $98 million, and a multiple-owner modern art auction that brought in $97 million. The standout was Frida Kahlo’s self-portrait *El sueño (La cama)* (1940), which sold for $55 million, setting records for Kahlo, a Latin American artist, and a female artist at auction. Vincent van Gogh’s *Piles de romans parisiens et roses dans une verre (Romans parisiens)* (1887) achieved $62.7 million after a seven-minute bidding war.
Abu Dhabi’s Department of Culture and Tourism has organized the second edition of its public light art event, titled “The Light Compass,” for the 2025-26 season. Curated by a four-person team led by artistic director Khai Hori, the event features 15 installations by international and Emirati artists, including DRIFT, KAWS, Rafael Lozano-Hemmer, Shaikha Al Mazrou, Ammar Al Attar, and Christian Brinkmann. Works are displayed across multiple sites: Jubail Island and Souq Al Mina in Abu Dhabi, and Al Qattara Oasis and Al Jimi Oasis in Al Ain, a UNESCO World Heritage Site. Highlights include DRIFT’s biometric dome and drone show, KAWS’s giant “Companion” figure holding a glowing orb, and site-specific pieces by Lozano-Hemmer and others.
"Fata Morgana," an exhibition organized by the Fondazione Nicola Trussardi at Palazzo Morando in Milan, presents works by 78 artists past and present who embody Marcel Duchamp's idea of the artist as a "mediumistic being." The show includes nuns, mediums, psychiatric patients, and contemporary stars like Marianna Simnett and Rosemarie Trockel, alongside avant-garde icons such as Man Ray and Duchamp himself. Curated by Massimiliano Gioni, Daniel Birnbaum, and Martha Papini, the exhibition explores creativity as compulsion, featuring drawings by James Tilly Matthews, séance photographs by Stanisława Popielska, and works by Madge Gill and Emma Jung, among others.
The Kochi-Muziris Biennial, South Asia's largest contemporary art biennial, has announced the 66 artists from over 20 countries participating in its 2025 edition, titled “For The Time Being.” Running from December 12 to March 31 across venues including Aspinwall House and Pepper House in Kochi, India, the event features around 50 new commissions and a theme centered on the body, memory, and temporality. The announcement comes after the 2023 edition was marred by controversy, with more than half of its 90 artists signing a public letter alleging communication breakdowns, unpaid fees, and production issues, as well as the Kerala government reportedly pulling out of a deal to acquire the main venue.
A Moscow court sentenced five members of the Russian activist art collective Pussy Riot in absentia to between eight and 13 years in prison. The charges stem from a 2022 music video titled *Mama, Don’t Watch TV*, which denounced the war in Ukraine, and a 2024 protest performance in Munich. The targeted artists are Maria Alyokhina, Diana Burkot, Taso Pletner, Olga Borisova, and Alina Petrova. They were found guilty of “discrediting the Russian Armed Forces” and “spreading false information” about the military.
Five members of the punk art collective Pussy Riot—Maria (Masha) Alekhina, Olga Borisova, Diana Burkot, Alina Petrova, and Taso Pletner—have been sentenced in absentia by a Moscow court to prison terms ranging from 8 to 13 years. The charges stem from spreading “knowingly false information” about the Russian Armed Forces, linked to the collective’s 2022 antiwar video referencing the siege of Mariupol. The sentences were reported by the state-owned news agency Tass and first covered by the Art Newspaper.
This article explores the enduring fascination with Johannes Vermeer's "Girl with a Pearl Earring" (1665–67), examining the mystery of the unknown subject and the painting's history. It debunks popular theories about the sitter's identity, clarifying that the work is a "tronie"—a formal study of facial features, not a portrait—and traces Vermeer's life, his limited output of 34 known paintings, and his posthumous obscurity for 200 years before rediscovery in the mid-19th century.