The New Sotheby's Flagship Sets An Opening Date

Sotheby's has announced that its new flagship auction house and gallery space, located in the iconic Breuer Building on Madison Avenue, will open on November 8. The building, designed by Marcel Breuer in 1966, originally housed the Whitney Museum of American Art and later served as temporary home for The Frick Collection and the Metropolitan Museum of Art. The opening exhibition will feature works for Sotheby's marquee modern and contemporary art auctions, followed by pieces for Luxury Week in December. The building also includes a new restaurant from the team behind La Mercerie, and the galleries will be free and open to the public.

Studio DRIFT brings kinetic sculpture to life in their first solo exhibition in Spain

Studio DRIFT, the Dutch artist duo founded by Lonneke Gordijn and Ralph Nauta, presents their first solo exhibition in Spain at the Museo de Arte Contemporáneo de Castilla y León (MUSAC). Titled *Amplitude / Meadow*, the show runs from July 12 to October 19, 2025, and features two major kinetic installations: *Amplitude*, a choreographed network of glass tubes that sways in response to invisible energies, and *Meadow*, an upside-down garden of robotic flowers that react to human presence. The works blend art, technology, and nature to create immersive environments that explore biological patterns and human connection.

Science inspired art on display at White City

Eight artworks created live during the Great Exhibition Road Festival, as part of the annual science-art project Paint Lab, will go on display at Imperial College London's White City campus from July 16 to September 18. The large-scale paintings were produced by local London artists collaborating with Imperial scientists, drawing inspiration from research topics such as space weather prediction, plant self-preservation, early Parkinson's detection, and human connection during cancer treatment. The festival, organized by Imperial in partnership with the Science Museum, Natural History Museum, and V&A, attracted 55,000 visitors.

Mavis Pusey’s First Solo Museum Exhibition Spotlights Her Work in Geometric Abstraction

Mavis Pusey: Mobile Images, the first major museum survey of the Jamaica-born artist and educator Mavis Pusey (1928–2019), opens at the Institute of Contemporary Art (ICA) Philadelphia on July 12 and runs through December 7. Co-organized with the Studio Museum in Harlem, where it will travel in spring 2027, the exhibition features over 50 years of Pusey’s work in geometric abstraction, including paintings, prints, and works on paper. It highlights her Broken Construction series (1960s–1990s) and incorporates photographs, personal notes, and archival materials to contextualize her practice.

‘She rips your heart out’: This Japanese artist’s fiery red installation swallows this S.F. museum

The article describes a fiery red installation by Japanese artist Yayoi Kusama that has taken over a San Francisco museum. The immersive work, characterized by its intense red color and engulfing presence, is noted for its emotional impact, with the artist described as someone who 'rips your heart out.' The installation is a major draw for the museum, offering visitors a visceral experience.

India Phillips Appointed Managing Director, Modern & Contemporary Art, Europe at Phillips

Phillips has appointed India Phillips as Managing Director, Modern & Contemporary Art, Europe, effective February 2026. Based in London and reporting directly to the CEO, she will focus on expanding the auction house's presence across Europe. Phillips joins after a decade at Bonhams, where she most recently served as Managing Director, EMEA. The announcement also includes promotions for Marianne Hoet to Chairman, Modern and Contemporary Art Europe, Olivia Thornton to Deputy Chairwoman, and Matt Langton to Deputy Chairman, Modern and Contemporary Art, Europe.

Phillips Hosts Landmark Hong Kong Auction To Celebrate 10 Years in Asia

Phillips celebrated its 10th anniversary in Asia with a landmark auction in Hong Kong on September 27 and 28, featuring a wide range of modern and contemporary art. The sale generated $28 million across evening and day auctions, with top lots including Yoshitomo Nara's "Pinky" ($7.2 million), Zao Wou-Ki's "27.01.86" ($3.83 million), and Tom Wesselman's "Smoker #17" ($1.8 million). The auction also included works by Andy Warhol, Takashi Murakami, Yayoi Kusama, and others, with a public preview held from September 22 to 28 at Phillips' West Kowloon galleries.

Hera Büyüktaşçıyan Channels Istanbul’s Haunted Histories

Hera Büyüktaşçıyan Channels Istanbul’s Haunted Histories

Hera Büyüktaşçıyan has opened a major solo exhibition, 'I Know You As Her', at Istanbul's Arter museum. The show features new and existing works, including sculptures, installations, and watercolors, that explore submerged histories and spectral presences within the city's urban fabric, particularly around the historic Pera district.

artist renee good last words new york ice office

Performance artist Maria De Victoria spent Tuesday chanting the last words of Renee Nicole Good—a poet and mother killed by an ICE agent in Minneapolis—outside the ICE field office in New York City's Jacob K. Javits Federal Building. Dressed in a coat bearing Good's phrase "I'm not mad at you, dude," De Victoria performed the endurance piece from sunrise to sunset as an act of dissent against federal immigration crackdowns. The work concluded with a silent vigil, and De Victoria, an immigrant from Peru represented by Desnivel Gallery, has a history of politically charged endurance performances.

Exhibition | Andrea Torres Balaguer, 'T-10 Project' at Alzueta Gallery, Séneca, Barcelona, Spain

Alzueta Gallery in Barcelona is presenting 'T-10 Project', an exhibition by artist Andrea Torres Balaguer. The show is part of the gallery's ongoing program, which spans five locations across Barcelona, Madrid, Casavells, and Paris, and includes exhibitions, art fairs, residencies, and collaborative projects.

An exhibition in Milan brings visionary contemporary landscapes into dialogue with a great Turner watercolor. Review and interview

Una mostra a Milano fa dialogare visionari paesaggi contemporanei con un acquerello del grande Turner. Recensione e intervista

The exhibition "Continuum" at Robilant+Voena in Milan marks the first solo show in the city for American artist Maria Kreyn. It presents a selection of her contemporary landscapes—charged with pathos, abstract geometries, and references to art history—alongside a rare watercolor by J.M.W. Turner, *The Splügen Pass* (1842–43). Kreyn’s seascapes, influenced by her background in mathematics and philosophy, feature turbulent waves, ovoid and parabolic forms, and a sense of latent tension, creating a visual dialogue with Turner’s Romantic vision of nature.

The Craziest Venice Biennale Ever: One Week Before Opening, the Jury Resigns (The Public Will Decide the Lions!)

La Biennale di Venezia più pazza di sempre: a una settimana dall’apertura si dimette la giuria (I Leoni li deciderà il pubblico!)

The entire international jury of the 61st Venice Biennale has resigned en masse just one week before the opening. The jury, chaired by Solange Oliveira Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, had publicly announced they would not consider countries whose leaders are accused of crimes against humanity by the International Criminal Court—effectively excluding Russia and Israel from the Golden Lion competition. This decision came amid ongoing tensions between Italian Culture Minister Alessandro Giuli and Biennale President Pietrangelo Buttafuoco over Russia's participation, as well as controversy surrounding Israel's presence. After a meeting with Buttafuoco, the jury resigned, leaving the Biennale without a key body to award its top prizes.

Art Beat feature: A gallerist rooted in craft

Leana Hoadley has opened Hoadley Gallery West in downtown Edmonds, Washington, a boutique gallery specializing in handmade ceramics, jewelry, glass, and sculptural objects. The gallery builds on the legacy of the original Hoadley Gallery in Lenox, Massachusetts, founded over 40 years ago by her aunt and uncle, Stephanie and Thomas Hoadley. After a winding career that included studying at the School of the Museum of Fine Arts in Boston and working as a creative director for an AI company, a 2023 layoff prompted Hoadley to reassess her path and pursue opening her own gallery. The space features works including porcelain vessels by Thomas Hoadley made using the ancient Japanese Nerikomi technique, which are held in collections such as the Smithsonian American Art Museum's Renwick Gallery and the Museum of Fine Arts, Boston.

Famous face among guests at official opening of local art exhibition

The mayor of Bewdley, Councillor Nicole Harper, officially opened a new art exhibition at Bewdley Museum on October 3, with rock legend Robert Plant among the invited guests. The exhibition features works by artists Colin Simmonds and Peter Shread, both members of the Royal Birmingham Society of Artists, showcasing Simmonds’ expressive oil paintings and Shread’s detailed lino and woodcut relief prints. The show is part of the 37th Bewdley Festival, which runs from October 10 to 26 and includes music, comedy, and literary events.

Cultural workers at Venice Biennale to strike over Israel’s participation

Cultural workers and participants at the Venice Biennale plan to strike on 8 May during the opening week of the 61st edition, protesting Israel’s participation in the event. The strike, organized by the Art Not Genocide Alliance (ANGA) and supported by Italian trade unions, includes a rally near the Arsenale site. ANGA previously sent a letter signed by over 230 artists and curators demanding the cancellation of the Israeli pavilion, citing opposition to "genocide normalisation in culture" and precarious labor conditions. Israel is represented this year by sculptor Belu-Simion Fainaru, who opposes cultural boycotts.

Buhlebezwe Siwani “uYana umhlaba” at Consonni Radziszewski, Milan

Consonni Radziszewski inaugurates its Milan space with "uYana umhlaba," the first solo exhibition in Italy by South African artist Buhlebezwe Siwani. The show presents a new body of work that expands on research begun in 2020 with the Inkanyamba series, first exhibited at the Galeria Municipal de Almada in Portugal.

In Monica Rohan’s Paintings, Tablecloths and Chairs Uncannily Perch in Remote Landscapes

Monica Rohan, a Brisbane-based artist, creates vibrant oil paintings in which domestic objects like patterned tablecloths and bentwood dining chairs appear in remote, natural landscapes. Her recent works, including those from her upcoming solo exhibition "Invitations" at Sophie Gannon Gallery in Melbourne this June, increasingly omit human figures, allowing the objects themselves to become stand-ins for people. The scenes are inspired by her hiking trip through Tasmania, featuring alpine summits, streams, and meadows.

Da Carrà e de Chirico a Giorgio Morandi, ecco le nuove aste di Farsetti a Prato

Farsettiarte in Prato will hold two auctions at the end of May 2026, featuring modern and contemporary art. The Contemporary Art sale takes place on May 29, followed by the Modern Art sale on May 30, with highlights including works by Giorgio Morandi, Carlo Carrà, Giorgio de Chirico, Afro, Giuseppe Capogrossi, Piero Dorazio, and Hans Hartung. A rare Morandi still life from 1921 is estimated at €1.3-1.6 million, while de Chirico's 'Piazza d'Italia' (1963) carries an estimate of €220,000-320,000.

Video interview with Cecilia Canziani and Chiara Camoni, curator and artist of the Italy Pavilion at the Venice Biennale

Video intervista a Cecilia Canziani e Chiara Camoni curatrice e artista del Padiglione Italia alla Biennale di Venezia

The article is a video interview with curator Cecilia Canziani and artist Chiara Camoni about the Italy Pavilion at the 61st Venice Biennale. Camoni's installation, titled "Con te e con tutto," features large, monumental figures called "Sisters" that evoke ancient yet contemporary presences, created through a slow, collective, and materially responsive process. The pavilion is divided into two spaces: a vertical, sacred-like area and a horizontal, convivial one that includes a sub-exhibition called "Dialoghi." The project builds on years of friendship and collaboration between Canziani and Camoni, and involves a fluid community of international students, weavers, midwives, and artists working at Camoni's studio in Fabbiano, on the Apuan Alps.

There is an absent pavilion at the 2026 Venice Art Biennale that no one has talked about: Venezuela

C’è un padiglione assente alla Biennale d’Arte di Venezia 2026 di cui nessuno ha parlato: il Venezuela

The Venezuelan pavilion at the 2026 Venice Art Biennale remains closed, an absence that has gone largely unnoticed amid other controversies surrounding the Russian, Israeli, South African, and Iranian pavilions. Designed by architect Carlo Scarpa and built between 1953 and 1956, the pavilion now displays a trilingual sign stating it will "rise again soon," reflecting the country's collapse after the kidnapping and imprisonment of President Nicolás Maduro by the United States and the installation of a fragile pro-American interim government.

L’artista Kader Attia ci racconta la sua opera alla Biennale di Venezia 2026. L’intervista

Kader Attia presents his multimedia installation "Whisper of Traces" at the 2026 Venice Biennale, curated by Koyo Kouoh under the theme "In Minor Keys." The work explores the intersections of magic, spirituality, traditional healing, and digitalization, drawing on Attia's long-standing interest in how colonialism, neoliberalism, and technology have transformed shamanic and healing practices. Attia describes the project as an accumulation of psychic traces from human history, which his mother called "ghosts."

Nick Cave at the 2026 Biennale. Seven works between loss, memory and protest

Nick Cave è alla Biennale 2026. Sette opere tra perdita, memoria e protesta

Nick Cave presents "Two Points in Time at Once" at the 2026 Venice Biennale, a project spanning seven locations across Venice. The installation features a series of bronze works, including the "Amalgam" series (Seated, Origin, Plot, Resuscitation, Meditation) along with "Grapht" and "Siren." This marks a significant material shift from Cave's iconic fabric Soundsuits to bronze, exploring themes of loss, memory, trauma, and protest through a more static yet politically charged presence.

Intervista all’artista italiano che ha riempito la città di Stoccolma di sculture-animali

Italian artist Davide Rivalta has installed thirteen monumental bronze sculptures of lions, buffalo, and rhinoceroses across Stockholm, Sweden, in a project titled "Blowing Figures into Space." Organized by the Italian Cultural Institute of Stockholm, the works are placed in strategic locations including Mynttorget, Gamla Stan, Ladugårdsgärdet, and Hagaparken, with installations rolling out from April 2025 through summer 2027. The first sculpture was unveiled near the Swedish Parliament during Stockholm Art Week, and additional animals will appear in public parks on August 29.

Qatar's Pavilion at the Venice Biennale Is Not Yet Built. But It Takes Shape Under a Tent in the Giardini with a Rich Cultural Program

Il Padiglione del Qatar alla Biennale di Venezia ancora non c’è. Ma prende forma sotto una tenda ai Giardini con un ricco programma culturale

Qatar's national pavilion at the Venice Biennale, designed by architect Lina Ghotmeh, is still under construction in the Giardini. For the 2026 Venice Art Biennale, Qatar Museums and Rubaiya Qatar have commissioned artist Rirkrit Tiravanija to present "Untitled 2026 (a gathering of remarkable people)" under a tent structure on the site. The project, curated by Tom Eccles and Ruba Katrib, will feature a film by Sophia Al-Maria, live performances by Tarek Atoui, a culinary program by chef Fadi Kattan, and a large-scale sculpture by Alia Farid, bringing together artists, musicians, and chefs from the Arab world.

Italian culture minister will not attend opening of Venice Biennale

Italian culture minister Alessandro Giuli has announced he will not attend the opening of the Venice Biennale next week, protesting Russia's involvement in the exhibition. Russia, which has a permanent pavilion in the Giardini, has been absent from the Biennale since 2022 but is returning this year, sparking widespread criticism. The European Union recently cut its €2 million grant to the Biennale following Russia's return, and Golden and Silver Lion jurors have stated they will not consider pavilions from countries whose leaders are charged with crimes against humanity by the International Criminal Court, effectively excluding Russia.

Quietly in Milan, a collector has opened a new exhibition space: "Finally I can see my works"

In sordina a Milano un collezionista ha aperto un nuovo spazio espositivo: “Finalmente posso vedere le mie opere”

Collector Pier Luigi Guzzetti has quietly opened Gallerie Guzzetti, a new 300-square-meter private exhibition space in Milan's Cenisio/Mac Mahon district. The minimalist basement venue serves as a dedicated home for Guzzetti’s eclectic collection of over 300 works, which spans 20th-century masters, emerging artists, and a significant photography archive. Managed alongside Corinne Cortinovis, the space operates with a philosophy of discretion, favoring word-of-mouth over traditional press offices or social media presence.

Artist and former boxer Omar Hassan exhibits his powerful gestures in Rome

L’artista ed ex pugile Omar Hassan che è in mostra a Roma coi suoi gesti forti

Artist and former boxer Omar Hassan has debuted his first solo exhibition in Rome, titled "Tempo al Tempo," at Galleria Latina. The showcase features large-scale works from his "Breaking Through" series, where Hassan uses boxing gloves to strike canvases, alongside a massive map of Rome constructed from nearly 9,000 hand-painted spray can caps. The exhibition emphasizes the physical trace of time and action, blending street art aesthetics with the energy of action painting.

Why Does Italy No Longer Qualify for the World Cup or the Biennials?

Perché l’Italia non si qualifica più né ai Mondiali né alle Biennali?

Artist Oscar Giaconia draws a provocative parallel between the decline of Italian football and the diminishing presence of Italian contemporary artists in major international forums like the Venice Biennale and Manifesta. He argues that both sectors suffer from a systemic failure to nurture young talent, characterized by a lack of strategic scouting, a preference for foreign trends, and a bureaucratic deafness that stifles growth.

Stephen Morrison’s Trompe-L’œil ‘Dog World’ Paintings Are Fetching

Artist Stephen Morrison is presenting a solo exhibition titled 'Dog Show #5: Field Recordings' at SLAG&RX gallery in New York. The show features his vibrant, trompe-l'œil paintings that embed canine features into compositions of everyday objects and textiles, referencing his personal connections to Paris, New York City, and Maine.

‘Africa in the Spotlight’ exhibition in Lisbon

An exhibition titled 'Africa in the Spotlight' has opened at the Lisbon Alliance Française, curated by Tatyana Jolivet. The show features seven contemporary African artists from Burkina Faso, Angola, and São Tomé e Príncipe, including Casimir Bationo (CasziB), SDZabila, Flore Kaboré, and Valdemar Dória. Jolivet, a Russian-born curator based in Lisbon who runs the online Jolie Art Gallery, organized the exhibition to promote cultural diversity and dialogue, highlighting the deep-rooted African presence in Portugal dating back five centuries.