Hyperallergic has published its monthly list of opportunities for artists, writers, and art workers, featuring a curated selection of upcoming deadlines for residencies, fellowships, grants, and open calls. The list includes programs from institutions like the Banff Centre for Arts and Creativity, the Center for Craft, the Tulsa Artist Fellowship, and Light Work, offering financial support, studio space, and community.
Deepen Your Creative Practice at Vermont Studio Center
The Vermont Studio Center is now accepting applications for its artist and writer residencies scheduled for the first half of 2027. The program, located in Johnson, Vermont, offers two- to four-week sessions that provide private studio space, lodging, and a structured schedule including resident presentations, open studios, and a Visiting Artist & Writer program. Applications for the January–June 2027 residencies are due by March 31, 2026.
Gagosian has secured special permission from Art Basel Paris to exhibit a rediscovered Old Master painting by Peter Paul Rubens, titled "The Virgin and Christ Child, with Saints Elizabeth and John the Baptist" (c. 1611–14), at a fair that typically restricts its main sector to works created between 1900 and 2025. The painting, last sold at Sotheby’s New York in 2020 for just over $7 million, will be shown alongside modern and contemporary works by artists such as John Currin, Jenny Saville, and Pablo Picasso. The exception was granted by Art Basel’s management and Selection Committee due to the work's exceptional quality and its resonance with the gallery's booth.
The San Francisco Museum of Modern Art (SFMOMA) has announced a new exhibition titled “RM x SFMOMA,” featuring around 200 works from both the museum’s permanent collection and the personal collection of K-pop star RM, a member of BTS. RM will serve as lead curator, alongside assistant curator Hyoeun Kim and curatorial project manager América Castillo. The exhibition, running from October 2026 to February 2027, will pair Korean artists—including historical figures like Yun Hyong-keun, Park Rehyun, Chang Ucchin, and Kwon Okyon, as well as contemporary artists such as To Sangbong and Kim Yun Shin—with Western masters like Mark Rothko, Agnes Martin, Henri Matisse, Georgia O’Keeffe, and Paul Klee. A key highlight is Kim Whanki’s 26-I-70 (1979), owned by SFMOMA.
Protests erupted outside White Cube's London gallery last Thursday over a fireworks piece by Chinese artist Cai Guo-Qiang. The artwork, titled *The Rising Dragon*, was staged on September 19 at a high-altitude plateau in Shigatse, Tibet, and sparked online backlash over environmental concerns. Two UK-based groups, Tibetan Community in Britain and Free Tibet, led the protest, accusing Cai of committing "cultural violence." White Cube acknowledged the groups' concerns but continues to host Cai's exhibition, which opened in June and runs through early November.
The Swiss architect Peter Zumthor's new $724 million building for the Los Angeles County Museum of Art (Lacma), now called the David Geffen Galleries, has opened after nearly two decades of anticipation. The swooping concrete-and-glass structure is praised for its harnessing of natural light and horizontality, creating a stunning showcase for antiquities and inviting the city inside with floor-to-ceiling windows offering views of the La Brea Tar Pits and Wilshire Boulevard. The building performs best with sculpture and decorative objects, with standout works including Liz Glynn's "The Futility of Conquest" (2023) and Manjunath Kamath's "Vikatonarva" (2024).
Refik Anadol's Dataland, billed as the world's first A.I. art museum, will open on June 20 in Los Angeles after more than two and a half years of planning. Founded by Anadol and his partner Efsun Erkiliç, the museum is housed inside the Frank Gehry-designed Grand L.A. complex and features five galleries. Its debut exhibition, "Machine Dreams: Rainforest," uses ecological data processed through Anadol's Large Nature Model to create digital sculptures simulating possible rainforests. The museum, designed by Gensler, dedicates nearly a third of its 35,000 square feet to operational hardware and runs on 87 percent carbon-free energy.
Two cars painted by Keith Haring in the 1980s are being exhibited together in New York for the first time. The 1963 Buick Special and 1971 Land Rover are on display at the new West Village gallery Free Parking, operated by the platform CART Dept., from April 9 to 19. The exhibition, "Keith Haring: In The Street," coincides with the release of the book *Keith Haring in 3D* and is owned by collector Larry Warsh.
During Singapore Art Week, the merger of the boutique fair S.E.A. Focus into the larger Art SG fair sparked quiet concern among some participants. Dealers worry the move is a precursor to S.E.A. Focus being absorbed entirely, potentially sidelining its regional focus and making participation more expensive for Southeast Asian galleries. The future of the Singapore Biennale was also debated after a local newspaper article called for its termination.
The Art Dealers Association of America (ADAA) has canceled the 2025 edition of its annual New York art fair, The Art Show, which was scheduled to open at the Park Avenue Armory on October 28. The decision was communicated to members via email and confirmed by ADAA president Susan Sheehan, with the board citing a strategic pause to reimagine the fair for long-term sustainability. The fair has been a staple of the New York social calendar, with its VIP opening night serving as a fundraiser for the Henry Street Settlement, raising over $38 million for the nonprofit over three decades.
Qui sont les membres du jury de la Biennale de Venise ?
The 61st Venice Biennale, opening May 9, 2026, has announced its international jury, which is composed entirely of women. The five members are Solange Oliveira Farkas (president), Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, hailing from Brazil, Thailand, Spain, the United States, and Switzerland. Their backgrounds span the Global South, feminist studies, and transnational curatorial practices.
Quels expos et musées voir en nocturne en ce mois de mai à Paris ?
Paris museums and galleries are extending their hours for evening visits in May, with many offering late-night openings on specific weekdays. The Palais de Tokyo is open until 10pm daily except Tuesday, the Musée du Luxembourg stays open until 10pm on Mondays, and the BnF Richelieu site is open until 8pm on Tuesdays. The Fondation Cartier pour l'art contemporain, newly relocated near the Louvre, welcomes visitors until 10pm on Tuesdays, while the Jeu de Paume stays open until 9pm on Tuesdays. On Wednesdays, the Musée du Louvre extends its hours until 9pm, alongside other museums. Current exhibitions include shows dedicated to Leonora Carrington, Martin Parr, and Nan Goldin, among others.
Tout ce qu’il faut savoir sur Henri Matisse, star du Grand Palais ce printemps
The Grand Palais in Paris is hosting a major retrospective focusing on the final masterpieces of Henri Matisse, the pioneer of Fauvism. The exhibition highlights the artist's late-career reinvention between 1941 and 1954, featuring his innovative gouache cut-outs, illustrated books, and stained glass designs created while he was bedridden in Nice.
À Genève, la renversante leçon d’histoire de l’art de John M Armleder
The Musée d’Art et d’Histoire (MAH) in Geneva has unveiled its sixth "carte blanche" exhibition, curated by the influential Swiss artist John M Armleder. Following in the footsteps of figures like Ugo Rondinone and Wim Delvoye, Armleder was invited by museum director Marc-Olivier Wahler to mine the institution's vast collection of 800,000 objects. The resulting show defies traditional museum hierarchies by juxtaposing fine art with decorative objects, such as silver-topped corks and musical instruments, alongside Armleder's own prolific output of multiples.
Alexander Calder, génial sculpteur de l’air et de la couleur célébré à la fondation Vuitton
The Fondation Louis Vuitton is hosting a major celebration of Alexander Calder, the American sculptor who revolutionized 20th-century art by introducing movement and play into the medium. The article traces Calder's formative years in Paris starting in 1926, where the young engineer-turned-artist gained avant-garde fame with his 'Cirque Calder'—a miniature circus of wire and fabric figurines. This period marked his transition from traditional painting to his signature 'drawings in space,' featuring wire sculptures of figures like Josephine Baker that projected dancing shadows and captured the kinetic energy of the era.
Le Centre Pompidou inaugurera début juin son antenne sud-coréenne dans un ancien aquarium de Séoul
The Centre Pompidou has announced the official opening date for its new South Korean satellite, the Centre Pompidou Hanwha, scheduled for June 4, 2026. Located in a former aquarium within Seoul’s financial district, the 11,000-square-meter space was redesigned by architect Jean-Michel Wilmotte and will launch with a major cubism exhibition featuring 90 works by masters such as Picasso and Braque. The inauguration was recently marked by a site visit from French President Emmanuel Macron and key cultural officials.
MOMENTA Biennale d’art contemporain in Montreal has appointed curator and educator Toleen Touq to organize its 20th edition, scheduled for 2027. The biennial will be titled 'The Long Now' and will focus on interrogating concepts of time and duration.
The Saatchi Gallery in London is hosting 'Textile Art Redefined,' a group exhibition featuring 15 artists who push the boundaries of fiber and fabric. Curated by Helen Adams, the show includes diverse works ranging from Ian Berry’s immersive installations made of recycled denim to Kenny Nguyen’s undulating silk wall pieces and Anne von Freyburg’s textile reinterpretations of Rococo paintings. The exhibition coincides with the release of Adams' new book, 'Textile Fine Art,' which explores the medium's evolution from functional craft to a celebrated pillar of contemporary art.
À la Tate Modern, la bouleversante renaissance de Tracey Emin
Tracey Emin has returned to the Tate Modern for a major retrospective titled "A Second Life," marking a poignant milestone in her career. The exhibition features over a hundred works, including the iconic and once-scandalous "My Bed," which first catapulted her to international fame during the 1999 Turner Prize. This survey explores her evolution from the "enfant terrible" of the Young British Artists to a Dame of the British Empire, showcasing her multidisciplinary practice across painting, sculpture, and installation.
The Seoul Museum of Art (SeMA) is hosting "Proximities: Contemporary Art from the United Arab Emirates," a major survey featuring over 110 works by 47 artists. Co-curated by Maya El Khalil and Eunju Kim in collaboration with the Abu Dhabi Music & Arts Foundation (ADMAF), the exhibition eschews traditional chronological narratives in favor of a dense, non-linear exploration of Emirati identity. The show is organized into thematic chapters led by artist-curators, featuring works ranging from Shaikha Al Mazrou’s precarious sculptures to Raja’a Khalid’s olfactory installations.
A coalition of Los Angeles’s leading art institutions, including the Getty, LACMA, MOCA, and the Hammer Museum, has officially pledged to adopt the Bizot Green Protocol. This collective commitment, which also includes the gallery Hauser & Wirth, establishes climate-minded guidelines for museum operations such as widening temperature and humidity parameters for galleries and reducing air travel for loans. The move was largely catalyzed by the devastating impact of recent wildfires on the region's cultural infrastructure.
Laura Phipps has been appointed as the director of the Gochman Family Collection, a significant private collection primarily focused on contemporary Indigenous art. Phipps joins the organization following a distinguished 15-year tenure at the Whitney Museum of American Art, where she most recently served as an associate curator. In her new role, she succeeds Zach Feuer and will oversee a collection of over 750 works while managing the development of a new 10,000-square-foot public-facing exhibition space in Katonah, New York.
The European Alliance of Academies has launched 'Re:Create Europe,' a four-year, $2 million initiative designed to safeguard artistic freedom and cultural autonomy across the continent. Funded largely by the European Union, the program will provide financial aid, residencies, and digital resources to artists and institutions facing political censorship, economic precarity, and the impacts of war. Notable beneficiaries include Madrid’s Círculo de Bellas Artes, which will receive funding to offset recent politically motivated local budget cuts.
The Barnes Foundation has promoted Will Cary to Executive Vice President and Chief Operating Officer, where he will oversee new revenue initiatives, the Calder Gardens partnership, and a newly formed Brand department. Bukia Vakhania Gallery (formerly Gallery Artbeat) is opening a Berlin location on January 15 with a solo show by Nina Kintsurashvili. Heritage Auctions reported $2.2 billion in sales for 2025, its highest-ever annual total, driven by coins, comics, sports memorabilia, and illustration art. Antenna Space will open a Hong Kong outpost in March 2026, directed by Jeff Li. A Deloitte Private and ArtTactic report reveals that 50% of non-bank art lenders experienced loan defaults in 2024, up from 17% in 2023.
MoMA PS1 has announced details for the 2026 edition of Greater New York, its quinquennial survey of art made in and around New York City, coinciding with the institution's 50th anniversary. Unlike previous editions that brought in outside curators, this iteration will be organized entirely by PS1's in-house curatorial team, led by director Connie Butler, chief curator Ruba Katrib, and associate curators Jody Graf and Elena Ketelsen González, with support from assistant curator Kari Rittenbach, curatorial assistant Sheldon Gooch, and curatorial coordinator Andrea Sánchez. The exhibition, featuring more than 50 artists, opens on April 16, 2026, though a specific theme has yet to be announced.
The Palais de Tokyo in Paris removed Cameron Rowland's artwork "Replacement" (2025) just one day after it went on view in the exhibition "ECHO DELAY REVERB." The piece replaced the French flag above the museum with the flag of Martinique, adopted in 2023, and included a wall text criticizing French colonial rule and quoting the Martinican independence movement. The museum appended a new label stating the work "could be considered illegal" and was no longer included. Neither the Palais de Tokyo nor Rowland's representative commented.
Two key staffers have been fired from the Kennedy Center following President Trump's takeover: Kevin Struthers, senior director of music programming, and Malka Lasky, a social impact staffer and coordinator for the free Millennium Stage shows. Meanwhile, Canadian artist Armand Vaillancourt, 96, has sent a cease-and-desist letter to San Francisco officials to block the demolition of his 1971 Brutalist fountain in Embarcadero Plaza, which is fenced off due to structural hazards. Two Nazi-looted still life paintings by 17th-century Dutch artist Ambrosius Bosschaert have reportedly surfaced from an abandoned safety deposit box at an Ohio auction house, and if authenticated, will be returned to the descendants of a Jewish family. Additionally, the Maison Européenne de la Photographie in Paris has fired its director Simon Baker after an internal investigation for psychological harassment.
A powerful hailstorm caused water to leak through the Louvre's roof into the Salle Rosa room, where the exhibition "A New Look at Cimabue: At the Origins of Italian Painting" is on view. The water narrowly missed Giovanni Cimabue's unprotected "Maestà" panel painting (circa 1280), but drips hit the base of Nicola Pisano's "Three Acolytes" (1264-67) on loan from Florence's Museo Nazionale del Bargello. Another near miss occurred near Duccio di Buoninsegna's "Madonna of the Franciscans" (1285-88), which was protected by glass. The museum closed the exhibition early for firefighter inspection, identified a damaged glass seal as the cause, and reopened the next morning after repairs.
Inside Los Angeles County Museum of Art’s Radical Reinvention
Milan’s art scene takes center stage during the Miart fair with a diverse array of institutional and gallery exhibitions. Highlights include Cao Fei’s exploration of global farming and technology at Pirelli HangarBicocca, Anselm Kiefer’s monumental tributes to female alchemists at Palazzo Reale, and a survey of Italian conceptualist Salvo at Pinacoteca di Brera.
The non-profit organization Earshot, founded by artist Lawrence Abu Hamdan, has been awarded a three-year studio bursary at London's Gasworks. The bursary, backed by Spanish patron Mercedes Vilardell, provides an annual stipend and covers monthly rent for a studio space at the south London exhibition and residency space. Earshot uses sound in the defense of human and environmental rights, and the residency gives it a platform to operate independently after an incubation period with Forensic Architecture. Abu Hamdan and Earshot will also take over the Barbican Centre this autumn for an event titled Repercussions, featuring installations, performances, screenings, and live music.