Hamptons-based abstract painter Mark Seidenfeld presents *Uncharted Waters*, a solo exhibition of paintings inaugurating the newly renovated Corwith Homestead Tractor Barn at the Bridgehampton Museum. The show runs from June 4 through June 21, 2026, and features works that transition from representational to fully abstract, exploring themes of depth, gesture, and the unknown through layered, revised compositions.
Fractured Horizons: Imaging After Images, the second edition of VSDesign's international exhibition series, returned to the NYCxDesign Festival in 2026, running for a week in New York. Organized by VSDesign in partnership with RAC Studio and Asia Design Week, the exhibition featured 60 works by artists and designers from across Asia and North America, spanning architecture, urbanism, product design, visual communication, and interactive media. The show explored how images no longer simply depict space but actively produce, operate, and regulate it, treating the image as a spatial mechanism rather than a neutral surface.
The Go Troppo exhibition opened on May 18, 2026, at the historic Sugar Wharf in Port Douglas, Australia, kicking off the Carnivale 2026 festivities. Organized by Port Douglas Artists Inc., the show features contemporary art from across Far North Queensland, tied to this year's Carnivale theme, "Ancient Wonders." The free exhibition runs daily from May 19 to May 24, drawing locals and visitors to view regional talent.
Bangladeshi visual artist Ashfika Rahman has been recognized by The New York Times as one of the six must-see shows at the Venice Biennale, with her work "Than Para — No Land Without Us" featured in the collateral exhibition "Still Joy — From Ukraine into the World." The installation, presented by the PinchukArtCentre and curated by Björn Geldhof and Oleksandra Pohrebnyak, incorporates thousands of small temple bells gathered from different spiritual traditions and draws on testimonies from Ukraine as well as the struggles of Indigenous communities in Bangladesh's Hill Tracts.
Mixed media artist Michelle Sider will showcase more than 50 colorful mosaic art pieces in her biggest solo exhibition, titled “Seeking Light,” opening Wednesday, May 20 at the University of Michigan-Dearborn’s Stamelos Gallery Center. The show highlights her work in glass mosaics and mixed media, and was previewed on the WDIV program 'Live in the D.'
The Fort Worth African American Museum and Cultural Center will officially open on June 12 with its inaugural exhibition, "All ’N All: Artists Embracing Community," in partnership with Kinfolk House and the National Juneteenth Museum. The show features paintings, photographs, and mixed-media works by 11 North Texas artists exploring memory, culture, and the Black experience, and is part of the larger Freedom Vibes festival running June 11-20. The museum, which has been in development since 2020, secured its final funding from the Fort Worth City Council in January and purchased a 5,000-square-foot building on East Rosedale Street last summer.
An art exhibition titled "El Arte de la Resistencia" opened in Tucson, featuring artwork created by migrant children who have participated in La Ristra's art therapy program. The show includes life-size paintings, such as a boy's self-portrait with an excavator in his belly symbolizing his deported father's work, and a colorful cactus painted by another child. The exhibition, held in a small gallery near Fourth Avenue and Seventh Street, runs until May 17, 2026, with original pieces for sale to benefit the young artists and prints sold to raise funds for La Ristra, a nonprofit providing emotional support to migrant families.
Artist Amadour presents his first solo institutional show in Nevada, titled *Nevada Proscenium*, at Truckee Meadows Community College’s Main Gallery from May 18 to June 18. The exhibition reexamines Nevada’s landscape through the lens of mining history, labor, and cultural memory, using layered geometric forms to challenge frontier myths and highlight overlooked Latinx histories. A public reception is scheduled for June 10.
The article reports on 'Still Joy — From Ukraine Into the World,' a collateral exhibition at the 61st Venice Biennale presented by the Victor Pinchuk Foundation and PinchukArtCentre. The show features works by Ukrainian artists including Malashchuk & Khimei, Simone Post, and Zhanna Kadyrova, exploring themes of joy, survival, and resilience amid war. Highlights include a two-channel video juxtaposing a Kyiv rave before and after Russia's full-scale invasion, letters from Ukrainian soldiers printed on foam panels, and installations that transform everyday objects into meditations on sweetness and endurance.
Casa Romantica Cultural Center and Gardens in San Clemente, California, will present an exhibition titled "Through the Decades: Artists That Shaped the Festival of Arts." The show highlights the work of artists who have participated in the Festival of Arts, a longstanding local art event, tracing its evolution across different decades. The exhibition aims to showcase the diverse artistic styles and contributions that have defined the festival over time.
The 70th annual Fine Arts Fiesta opened on Thursday, May 14, 2026, on Public Square in Wilkes-Barre, Pennsylvania, and runs through Sunday. The event features artists, crafts, entertainment, and music, with headliners including the Phil Giordano Jazz Orchestra and Doug Smith & The Dixieland Band. A tribute to the late trumpeter Bobby Baird Jr. is scheduled, and eight local dance companies will perform at the F.M. Kirby Center. During the opening ceremony, Wilkes-Barre official George Brown presented a proclamation and key to the city to Fine Arts Fiesta board president Ann Saxton, executive director Brian Benedetti, and second vice president Gina Malsky.
Frieze New York has opened with strong early sales, particularly in the Focus section, which is dedicated to emerging and underrepresented artists. This year's Focus prize was awarded to W Galería for its presentation of Seba Calfuqueo, a Mapuche artist whose work addresses colonialism, environmentalism, and gender identity through ceramic sculptures and hair-based materials. Her pieces are priced between $8,000 and $40,000, reflecting the market's growing interest in politically engaged contemporary art.
The Minnesota Marine Art Museum in Winona is hosting a "Spring New Look Weekend" from Friday through Sunday to celebrate two new collections. The first, "Myths & Legends of Minnesota: An Exhibition of the Minnesota Plein Air Collective," features 43 paintings by 32 artists created outdoors across the state, focusing on folklore, oral traditions, and waterways. The second, "Gordon Coons: Gidibaajimomin / We Tell Stories," showcases 18 new works by Ojibwa artist Gordon Coons, along with earlier pieces and examples of Woodland Style art from Norval Morrisseau and Sam Ash. The weekend includes plein air painting demonstrations, a printmaking activity with Coons, meet-the-artist tours, and an evening social.
The Rahr-West Art Museum in Manitowoc, Wisconsin, is offering free, monthly drop-in gallery tours throughout summer 2026, led by museum staff and guest experts. Tours include sessions on the art of David Roberts, recent acquisitions, salon-style installations, and a local artists exhibition, with no registration required. Additionally, docent-led tours of the historic Vilas-Rahr Mansion will be available on Thursdays from June through September.
The article is a photo gallery showcasing the senior art exhibition 'sonder' at the University of Texas Rio Grande Valley (UTRGV). It features the work of graduating art students, highlighting their individual projects and creative processes as part of their final academic showcase.
Martha McDonald will perform original songs on a glass armonica at the Fairmount Water Works in Philadelphia as part of 'Currents,' a new multimedia art exhibit. The show features installations by 10 local artists that animate the historic water system's underground corridors, coinciding with the 250th anniversary of the Declaration of Independence. Works include a 3D animation timeline of the Schuylkill River by Nadia Hironaka and Matthew Suib, photographic pieces by Julianna Foster, and an installation by Taji Ra’oof Nahl addressing water and honey bees. The exhibit runs through Aug. 8.
The Santa Monica College (SMC) Emeritus Art Gallery will host the SMC Emeritus Annual Student Art Exhibition 2026 – Part 1 from May 14 to June 19, with a free opening reception on May 14 from 5 p.m. to 6:30 p.m. The exhibition features works by 47 student artists from SMC's noncredit Emeritus program for older adults, which was founded in 1975 and serves over 3,000 students annually. Due to high participation, the exhibition is split into two parts, with Part 1 displayed in the gallery and Part 2 opening online on June 11.
The article reviews "Before We Knew Better," a group exhibition at Elise Seigenthaler Gallery featuring artists Sarah Bedford, Day Brièrre, Josiah Ellner, and Léa LeFloc'h. The critic reflects on the show's thematic framing around narrative, folklore, and personal mythology, while expressing frustration with its open-endedness and lack of clear intent. Specific works are discussed, including Ellner's psychedelic unicorn paintings, LeFloc'h's enigmatic works on paper, Bedford's nocturnal flowers, and Brièrre's intricate ceramics, though the critic notes the installation does not always serve the pieces well.
The Venice Biennale of Art has officially opened, showcasing national pavilions and exhibitions from around the world. The article highlights key pavilions that visitors should prioritize this year, offering a curated guide to the most notable presentations at the prestigious international art event.
The Sehwa Museum of Art in Seoul, operated by the Taekwang Group Sehwa Arts and Culture Foundation, has launched a series of artist-led participatory programs tied to its current exhibitions. On May 17, artist Yesol Kim will lead "Perhaps Scribbling on the World Crookedly," where participants draw and view their work through a kaleidoscope. On May 23, artist Jeong Manyoung will host "Sound Exploration: Finding My Own Sound Space," involving outdoor sound recording. Every Tuesday and Sunday at 3 p.m., visitors can enjoy a performance while holding cotton candy, linked to Lee Wonwoo's work "Gentle Prince." Additional ongoing activities include a handmade zine-making station and a social media review giveaway offering an "Artist Puzzle" from the museum shop.
The Norman Firehouse Art Center in Norman, Oklahoma, will present "Sohail & Co.," a summer exhibition focused on figure drawing and sculpture, on view from May 13 to August 7, 2026. The show brings together artists connected to the University of Oklahoma School of Visual Arts, exploring how the human figure evolves from observation to finished form across drawing, ceramics, and sculpture. An opening reception on May 13 will also feature the unveiling of "Rooted," a new public sculpture by undergraduate student Isabella Clark, installed in the Firehouse park as part of the Lions Park Sculpture Garden initiative.
The Santa Monica College Emeritus Art Gallery will present Part 1 of its 2026 Annual Student Art Exhibition from May 14 through June 19, featuring works by student artists from SMC's noncredit Emeritus program for older adults. A free opening reception will be held May 14, and due to high participation, the exhibition is split into two parts, with Part 2 opening online on June 11. The show includes 47 artists, each contributing one piece.
South African artist Gabrielle Goliath inaugurated an off-site Venice exhibition with a public poetry reading after her official presentation at the South African Pavilion was canceled. The performance, part of her ongoing series *Elegy* (2015), features seven singers sustaining a single tone for an hour as a mourning ritual. The work addresses femicide, rape culture, and the killing of Palestinian civilians, and includes new video and sound installations lamenting specific victims: South African teenager Ipeleng Christine Moholane, Nama women killed during Germany’s colonization of Namibia, and Palestinian poet Hiba Abu Nada. The South African Department of Sport, Arts and Culture rescinded Goliath’s invitation in January, deeming the work “related to an ongoing international conflict that is widely polarising.” Goliath unsuccessfully challenged the decision in South Africa’s high court, and the exhibition now runs throughout the Venice Biennale outside the official program before traveling to London in October.
Afton's Third Friday Night Art Exhibits return for the 2025 season, running from May 15 through November at 146 Main Street in Afton, New York. The monthly events, held in the HUG/HALos building (formerly the Great American Food Store), feature rotating selections of artwork from local artists, with the first exhibit showcasing youth art from Afton students. Gallery curator and artist Michael Bolde, who launched the series three years ago, organizes the shows in a community room provided free of charge by Joyce Humphrey, founder of the HALos grief counseling program. Artists who sell work contribute a 20% commission to HALos, far below the typical 50% gallery split, supporting both creators and local programming.
The article is about Reginald Sylvester II's exhibition titled "Until Then." The text is heavily corrupted and unreadable, but the title and source indicate it covers a show by this artist.
The article highlights three cultural destinations in Palm Beach County, Florida, as part of the MOSAIC (Month of Shows, Art, Ideas and Culture) celebration in May. Visitors can enjoy discounted admission to Morikami Museum and Japanese Gardens in Delray Beach, free admission to the Schmidt Boca Raton History Museum, and reduced entry to the Schoolhouse Children’s Museum in Boynton Beach, which hosts a weekly "Artist of the Week" series with hands-on art activities for families.
The Torch, a First Peoples-led arts organization in Victoria, Australia, runs a program supporting Indigenous artists who have experienced incarceration. Its annual exhibition, Confined 17, features nearly 500 artworks by 424 First Nations artists at the Glen Eira City Council gallery in Naarm. The organization provides art materials, cultural connection, and economic support, with artists receiving 100% of their income from sales. Participants like Tegan, a Palawa woman, describe improvising with food dye in prison to create watercolor-style works, while CEO Susannah Day and founder Kent Morris emphasize the program's role in reducing reincarceration rates.
The Westchester Regional Library in Miami is hosting "Circular Reflections," an exhibition featuring over 80 contemporary Cuban artists, each working within a 21-inch circular format. Organized in collaboration with the Miami-Dade Public Library System, the show opened on April 3 and runs through June 25. Curated by Miami-based artist and independent curator Miguel Rodez, the project began nearly a decade ago and has evolved into a traveling, ongoing documentation of Cuban visual culture. Artists like Ismael Gómez Peralta discuss how the circular constraint challenged traditional rectangular composition, pushing them to rethink spatial organization while maintaining their individual visual languages.
Sanya Kantarovsky presents 'Basic Failure,' an exhibition of paintings, ceramics, and a glass sculpture at Palazzo Loredan in Venice, running concurrently with the Venice Art Biennale 2026. The show features haunting, figurative works that resist linear narrative, drawing on themes of religion, history, philosophy, and human emotion, with the artist describing his intuitive, fragmentary approach to composition.
The Venice Biennale previews have descended into chaos, with the event overshadowed by controversies surrounding Israeli and Russian participation. Protests and disruptions have marked the lead-up to the prestigious international art exhibition, as demonstrators voice opposition to the inclusion of Israel amid the Gaza conflict and Russia's ongoing war in Ukraine. The situation has created a tense atmosphere, drawing significant media attention and complicating the Biennale's usual celebratory preview period.