The 11th JIDAR Rabat Street Art Festival has transformed Morocco's capital into an open-air gallery, with artists from Ecuador, South Africa, Peru, Russia, and Morocco painting large-scale murals on buildings. Works include Oscar Medina's bird clutching the sun and moon, Keya Tama's lion with Arabic script, and Mohamed Roshdi's portrait of a woman holding fish. The festival runs until 27 April.
The Bangkok Art and Culture Centre (BACC) has established itself as the primary hub for contemporary art in Thailand's capital. Located at the Pathum Wan intersection, the facility features a distinctive circular design with a spiral walkway that hosts a diverse range of programming, including contemporary art exhibitions, music, theater, and film screenings.
Hessink’s Tbilisi Auction House has announced its inaugural international auction, "Contemporary Georgian Art," scheduled for April 27, 2026, at the Museum of Modern Art in Tbilisi. The sale will feature 90 works ranging from the late Soviet era to contemporary pieces, highlighting prominent figures such as Alexander Bandzeladze and Vera Pagava alongside emerging talents. To ensure global reach, the auction will be broadcast via digital platforms including Drouot and Invaluable, preceded by a week-long public preview.
The Greater Washington region launches "Women Artists of the DMV," the largest curated fine arts exhibition ever dedicated to contemporary female artists in the United States. Featuring more than 500 artists across Maryland, Virginia, and Washington, D.C., the landmark survey spans 16 galleries and cultural venues from late August through January 2026, with the American University Museum at the Katzen Arts Center serving as the central hub. Curated by Florencio Lennox Campello, the exhibition highlights both established and emerging voices across genres including painting, sculpture, glasswork, textiles, and public art, with strong representation from Southern Maryland and Prince George's County.
Mexico is commemorating the 700th anniversary of the founding of México-Tenochtitlan with a series of public events including art installations, urban routes, performances, and dances organized by federal and local authorities. The festivities, centered on the Zócalo near the Templo Mayor site, feature large-scale reproductions of Mexica artifacts such as the Aztec Calendar Stone and the Coatlicue statue, along with a video-mapping projection titled "Memoria Luminosa" that narrates the city's history. The celebration follows a similar event in 2021 led by then-president Andrés Manuel López Obrador, which drew criticism for historical inaccuracies and political manipulation.
The article surveys notable art exhibitions in Kenya for June 2025, highlighting a range of venues and artists. Key shows include 'The Print Press' at Alliance Française de Nairobi (June 13–29), featuring printmakers such as Michael Soi, Mari Endo, Dennis Muraguri, and James Mbuthia, and 'The Promise' by Moses Nyawanda at Talisman Restaurant in Karen (May 27–June 27). The piece also covers exhibitions by Jonathan Sölanke Gathaara Fraser at Circle Art Gallery, Michelle Nyambura at Tafaria Castle, Annick Mitchell in Rosslyn, and Khalid Shatta and Onesmus Okamar, emphasizing both established and emerging voices across media.
The article examines the impact of the first 100 days of Donald Trump's second term on the U.S. cultural sector, detailing executive actions that force museums, libraries, and arts institutions into ideological conformity. Orders targeting diversity, equity, inclusion, and gender threaten funding from the National Endowment for the Arts and the National Endowment for the Humanities, while the Smithsonian Institution and Kennedy Center face direct political oversight. The administration also redirects funds toward patriotic projects like a sculpture garden of 'American Heroes,' and private institutions such as the Rhode Island School of Design and Creative Capital face pressure over pro-Palestinian expression and diversity-focused programs.
Upstate Art Weekend is bringing back its OPEN HOURS program to Kaatsbaan Cultural Park in Tivoli, New York. The event, organized by BroadwayWorld, offers extended hours for visitors to explore the park's artistic and cultural offerings, including exhibitions and performances, during a dedicated weekend in the Hudson Valley region.
Houston is set to host the U.S. debut of artworks by Pablo Picasso, Paul Klee, and Henri Matisse, as announced by CW39 Houston. The exhibition will bring these major modern masters to a local venue, marking the first time these specific pieces are shown in the United States.
Five Canadian artists have been selected for the main exhibition of the Venice Biennale, titled *In Minor Keys*, which opens to the public next Saturday. The participants are Abbas Akhavan (featured in the Canada Pavilion), Manuel Mathieu, Rajni Perera, Marigold Santos, and one additional artist. The exhibition is the first Biennale curated by a Black woman, Cameroonian-Swiss curator Koyo Kouoh, who died suddenly in May last year after a cancer diagnosis, just six months after her appointment. Despite her death, the Biennale proceeded with her plans, with her team completing the work.
Living Arts of Tulsa is presenting “Who Lives, Who Dies, Who Decides?”, an exhibition by Kenneth and Isabelle Watson Reams, with support from JustArts Gallery. Kenneth Reams, a former Arkansas death row inmate now serving a life sentence, created over 50 works including paintings, drawings, sculptures, and poetry alongside his wife Isabelle. The show opened April 3 and runs through April and May, exploring themes of incarceration, capital punishment, and social justice through the lens of Reams’ 31 years on death row.
The Longmont Museum in Colorado has successfully raised $10.2 million for a 7,000-square-foot expansion, surpassing its original funding goal. The project, largely funded by a $6 million gift from the Stewart Family Foundation, will introduce a dedicated children's gallery, a permanent history gallery, and a larger 4,000-square-foot space for major art exhibitions. Construction is set to begin in July 2025, with the first major art show, a photographic portrait of Frida Kahlo, scheduled for October 2026.
Gerd Harry ‘Judy’ Lybke, the founder of the influential German gallery Eigen + Art, is making his debut at the inaugural Art Cologne Palma Mallorca. Lybke, who began his career as a nude artist's model in East Germany before opening an underground flat-gallery in 1983, reflects on the evolution of the art market from a socialist system defined by censorship to the modern capitalist landscape. For this fair, he is presenting a diverse roster ranging from New Leipzig School star Neo Rauch to emerging talent Maja Behrmann, with works priced between €2,000 and €20,000.
Major auction houses in London are preparing for a series of high-profile sales in March, featuring significant works by Francis Bacon, René Magritte, and Osman Hamdi Bey. Highlights include a 1972 Bacon self-portrait gifted to his doctor following a studio injury, a rare Magritte "leaf-bird" painting appearing at auction for the first time in 25 years, and a monumental 19th-century work by Turkish artist Osman Hamdi Bey being sold by the Penn Museum.
Western Sicily is emerging as an unexpected arts hub, driven by grassroots cultural initiatives that are repurposing abandoned historic buildings. The article highlights several key projects: the Museum of World Cities in Palermo, opening in a former convent; Farm Cultural Park in Favara, which transformed a depopulated mining town into a vibrant arts destination; Fondazione RIV in a deconsecrated church; and the artist-built town of Gibellina, which was reconstructed after a 1968 earthquake with art woven into its urban fabric. These efforts are led by local figures including Andrea Bartoli and Florinda Saievi, who have rehabilitated multiple sites across the region.
Three major art fairs in Mexico City—Salón Acme, Clavo, and Material Fair—are prominently featuring works from artist-run spaces during the city's Art Week. These fairs are providing platforms for non-commercial, experimental projects from across Mexico, with a particular focus on supporting spaces from outside the capital.
The group exhibition "Electric Dreams" is now on view at isnotgallery in Nicosia, Cyprus, running until January 6. The show expands on the earlier summer exhibition "In Paradise I Have Marked an Island" held at the Almyra Boutique Hotel, bringing many of the same works into a new curatorial framework in the capital. Sixteen Cypriot and international artists participate, including Elysia Athanatou, Savvas Christodoulidis, Alekos Fasianos, and Fikos, among others.
Today the Brave, an independent creative agency, has opened Gallery Brave, a street-facing gallery and activation space in Sydney. The gallery launched with original works from American contemporary artist and activist Shepard Fairey, alongside pieces from local and emerging creatives. It will host an evolving program of exhibitions, installations, and immersive experiences across art and design, aiming to become a cultural contributor beyond advertising.
Spike Island, a creative hub in Bristol housed in a historic tea packing factory, has been recognized by the Gallery Climate Coalition (GCC) as a model of environmentally sustainable practice. After an energy audit revealed that 85% of its emissions and running costs came from heating the leaky 1950s building, the organization installed solar panels and began a major retrofit. Since March, the panels have saved 6,000 kilograms of CO2, and further upgrades—including heat pumps and insulation—are planned as part of a long-term capital masterplan developed with Max Fordham and 6a Architects.
The Kawamura Memorial DIC Museum of Art, a private museum near Tokyo that closed permanently in March 2025, has consigned 80 works from its collection of Western modernism to Christie’s. The consignment is expected to generate at least $60 million across multiple sales in New York this autumn, led by a 1907 Claude Monet *Nymphéas* painting estimated at $40 million. Other highlights include a Pierre-Auguste Renoir *Baigneuse* from 1891, two Marc Chagall paintings, and works by artists such as Mark Rothko, Pablo Picasso, and Cy Twombly. The museum’s parent company, DIC Corporation, plans to retain only about 100 works and sell the remaining roughly 280 pieces gradually.
A man was killed on September 17 on the National Mall in Washington, DC, while unloading a 1979 BMW M1 Art Car custom-painted by Andy Warhol. The vehicle was being prepared for the pop-up exhibition 'Cars at the Capital,' scheduled to run from September 17-23 in temporary pavilions near the Smithsonian National Museum of American History. A winch holding the car on a flatbed truck came loose, pinning the victim, who was pronounced dead at the scene; his identity has not been released. Exhibition organizer Hagerty Drivers Foundation canceled the event out of respect for the deceased.
RH (formerly Restoration Hardware) has opened a sprawling new gallery on the Champs-Élysées in Paris, blending high-end furniture showrooms with art, fine dining, and a garden. The space, located at 23 Avenue des Champs-Élysées, was transformed from a former cinema and Abercrombie & Fitch flagship over six years. The opening event during Paris Design Week drew nearly one thousand guests, including Ellen DeGeneres, Portia de Rossi, Catherine Deneuve, Zoë Saldaña, and Theo James, with catering by chef Cyril Lignac and cocktails by Colin Field.
Ser Serpas, an American artist and activist, presents her multifaceted practice in the exhibition 'Of my life' at Kunsthalle Basel. Known for assemblages from found and discarded materials, she now emphasizes painting, creating large-scale works that double as props and backdrops for a collaboration with the Margo Korableva Performance Theatre from Tbilisi, Georgia. Serpas discusses her sourcing process in Basel, her partnership with director David Chikhladze, and the evolution of her work from sculptures to paintings that record studio activities.
The Mystic Seaport Museum in Connecticut has opened a new exhibition titled "Monstrous: Whaling and Its Colossal Impact," which explores the deep connection between the US whaling industry and capitalism. Featuring objects from the museum's permanent collection—including 19th-century photographs, blubber hooks, ship models, captain's logbooks, a sperm whale jawbone, a jar of blue whale fetuses, and whale oil products—the show illustrates how whale oil lit lamps and greased machines for over a century. A giant scratchboard mural by contemporary artist Jos Sances, titled "Or, The Whale" (2019-20), dominates the space, while references to Herman Melville's "Moby-Dick" permeate the exhibition, which also includes a copy of a 1930 illustrated three-volume edition.
Fifty-three students from Little Artists Art Studio in Singapore, including four with special needs, were selected to exhibit their work at Art Capital Paris: Le Salon des Artistes Français, held at the Grand Palais Éphémère in February 2025. Forty of the students, ranging from tweens to teens, traveled to Paris to present their pieces in person, marking the first time in the event's over 200-year history that children's artworks have been included. The studio also won the Prix D’Innovation award, and students received certificates from the salon's president, Bruno Madelaine, and French painter Alain Bazard.
Adam Pendleton, a contemporary artist known for his abstract and text-based works, has a major exhibition in Washington, D.C., that challenges viewers to engage in deep contemplation. The show, likely at a prominent institution, features his signature blend of painting, collage, and language, exploring themes of history, identity, and social justice.
Four Milanese galleries—eastcontemporary, MATTA, Martina Simeti, and zaza’—are gaining significant attention for their dynamic programming and role in shaping the city's contemporary art scene. These spaces are championing emerging and mid-career artists, often with a focus on conceptual and research-based practices, and are contributing to a shift in the city's artistic energy, particularly beyond its traditional commercial centers.
L’Università Bocconi ha aperto una galleria d’arte nella sua nuova sede a Roma: la prima mostra parla di sacro
Bocconi University has inaugurated a new art gallery at its Rome campus, Villa Morgagni, launching the Bocconi Art Gallery (BAG) program in the capital. The debut exhibition features the work of Brazilian artist and Franciscan friar Sidival Fila, who is known for transforming discarded ecclesiastical textiles and liturgical objects into contemporary art. His practice involves stitching, cutting, and remodeling ancient fabrics to explore themes of transcendence, immanence, and human history.
C/O Berlin is hosting "Eyes to Fly With," the first major retrospective of Mexican photographer Graciela Iturbide in the German capital. The exhibition features approximately 250 works spanning over five decades, ranging from her iconic documentary series of the Seri and Juchitán people to her more introspective studies of Chicano culture in Los Angeles and the personal belongings of Frida Kahlo at Casa Azul.
Alzueta Gallery has opened a new exhibition space in the Saint-Germain-des-Prés neighborhood of Paris, launching with a group exhibition running from June 24 to July 30, 2026. The gallery positions this move as a strategic expansion into a key cultural hub.