The Whitney Biennial has announced the 56 artists selected for its 82nd edition, opening March 8, 2026. Curated by Marcela Guerrero and Drew Sawyer, the exhibition explores themes of relationality, kinship, infrastructure, and the US role in global affairs. The curators visited over 300 studios worldwide, and the list includes many emerging and lesser-known artists, with most participants under 45 and a significant number identifying as queer.
Guy Cogeval, the former director of Paris's Musée d'Orsay, died on November 13 at age 70 after a long illness. A specialist in 19th-century art and the Nabis, Cogeval led the Musée d'Orsay from 2008 to 2017, overseeing a major renovation of 80 percent of its galleries and merging it with the Musée de l'Orangerie. He previously directed the Montreal Museum of Fine Arts and the National Museum of French Monuments, and curated acclaimed exhibitions including "Hitchcock and Art" and "Édouard Vuillard, Master of Post-Impressionism."
The state of New Mexico has announced a major conservation effort to preserve 6,000 acres of desert landscape that inspired artist Georgia O’Keeffe. The New Mexico Land Conservancy is partnering with the National Ghost Ranch Foundation to implement the Ghost Ranch Conservation Plan, which will protect land, water, and wildlife habitat around Ghost Ranch—where O’Keeffe lived and worked from 1940 until her death. The plan involves conservation easements held in trust for the public benefit, ensuring the area remains undeveloped while allowing continued visitor access to hiking trails, museums, and the retreat center.
The Center for Curatorial Studies at Bard College (CCS Bard) has awarded its 2026 Audrey Irmas Award for Curatorial Excellence to Los Angeles–based curator Hamza Walker. Walker, executive director of the Brick (formerly LAXART) since 2016, will receive $25,000 and be honored at CCS Bard’s spring gala in April. He is recognized for exhibitions featuring artists like Elizabeth Paige Smith, Gregg Bordowitz, and Postcommodity, and for cocurating the acclaimed "Monuments" exhibition with the Museum of Contemporary Art, Los Angeles, which examines artists' responses to Confederate monument removals. Walker also secured a $1 million donation from collectors Jarl and Pamela Mohn to fund the Brick's move to a new Hollywood space and its rebranding.
The second annual ARTnews Awards have announced their 2025 winners, selected by a jury of five esteemed US-based curators: Ryan N. Dennis (Co-Director & Chief Curator, Contemporary Arts Museum Houston), Anne Ellegood (Executive Director, Institute of Contemporary Art, Los Angeles), Rosario Güiraldes (Curator of Visual Arts, Walker Art Center, Minneapolis), Ruba Katrib (Chief Curator and Director of Curatorial Affairs, MoMA PS1, New York), and Victoria Sung (Phyllis C. Wattis Senior Curator, Berkeley Art Museum and Pacific Film Archive). These jurors reviewed exhibitions held between August 2024 and July 2025, meeting twice alongside two ARTnews senior editors to nominate and select winners across six categories.
The article explores Frederic William Burton's iconic Victorian watercolor *Hellelil and Hildebrand, the Meeting on the Turret Stairs* (1864), held at the National Gallery of Ireland. It recounts the tragic medieval Danish ballad that inspired the painting, in which the noblewoman Hellelil and her guard Heldebrand are doomed lovers. Burton, an Irish painter influenced by the Pre-Raphaelite Brotherhood, worked exclusively in watercolor and gouache, making this delicate piece a technical marvel. The museum displays it only one hour twice weekly to protect it from light damage.
Artnet News offers a lighthearted holiday guide with seven art-historical conversation starters designed to deflect awkward family small talk. The article reveals quirky facts such as a secret apartment atop the Eiffel Tower, the Surrealists' party game 'Exquisite Corpse,' Leonardo da Vinci's role as a wedding planner for Milan's nobility, Marcel Duchamp paying his dentist with a fake check, and Frank Lloyd Wright inspiring Lincoln Logs.
A long-lost painting by Peter Paul Rubens, a dramatic crucifixion scene dated to around 1614–15, was discovered among the possessions of a deceased Parisian homeowner during a routine appraisal. Auctioneer Jean-Pierre Osenat identified the work and consulted Rubens expert Nils Büttner, who confirmed its authenticity through x-ray imaging and pigment analysis. The painting sold at auction on November 30 for €2.3 million ($2.7 million), exceeding its presale estimate of €1–2 million.
A devastating fire in Hong Kong's Tai Po neighborhood, which killed at least 151 people, has prompted a period of mourning and led several major cultural institutions to cancel or postpone public events. The Hong Kong Arts Festival and the Hong Kong Jockey Club Charities Trust cancelled a press conference for the "No Limits" program, while M+ rescheduled its "Night: Festive Play" event. Meanwhile, art fairs and galleries continue to announce developments: Kiaf Seoul will run concurrently with Frieze Seoul in 2026, Contemporary Istanbul will introduce a new Focus Asia section, and Art Basel Hong Kong 2026 will feature new sectors Echoes and Zero 10. In the market, On Kawara's "NOV. 27, 1984" sold for HK$8.5 million at Bonhams Hong Kong, and standout results were seen at Sotheby's Hong Kong.
Komal Shah, a prominent art collector, announced the renaming of her Shah Garg Foundation to the Making Their Mark Foundation, coinciding with a three-day forum in Washington, D.C., scheduled for March 2025. The foundation takes its name from the traveling exhibition "Making Their Mark: Works from the Shah Garg Collection," curated by Cecilia Alemani, which highlights women artists from Shah and her husband Gaurav Garg's collection. The forum, held at the Martin Luther King Jr. Memorial Library, will feature panels, keynotes, and performances organized around themes like Visionary Voices and Changemakers, with Alemani as curatorial director and Loring Randolph as director.
René Magritte’s *L’empire des lumières* series, comprising 17 oil paintings and 10 gouaches created between the late 1940s and early 1960s, juxtaposes a nocturnal street scene with a bright daytime sky. The article explores the origins, meaning, and market performance of these works, noting that they were inspired by a line from André Breton’s poem *L’Aigrette* and reflect Magritte’s own Brussels neighborhood. Recent auction sales have shattered records, including a 1954 version that sold for $121.2 million at Christie’s New York in November 2024, making it the most expensive Surrealist artwork ever sold at auction.
A rediscovered Renoir painting, *L'enfant et ses jouets – Gabrielle et le fils de l'artiste, Jean* (created before 1910), sold for over €1.8 million ($2 million) at Hôtel Drouot in Paris on November 25. The intimate portrait of Renoir's young son Jean with his nursemaid Gabrielle had remained in the same private collection for over a century, never before published or exhibited. It was offered by auctioneer Christophe Joron-Derem in the "Tableaux Modernes" sale and purchased by an international buyer, with the hammer price of €1.45 million falling within the presale estimate.
A Renoir painting that had been missing for a century sold for $2 million at auction in Paris. The work, titled *L’enfant et ses jouets – Gabrielle et le fils de l’artiste, Jean* (circa 1910), depicts the artist’s young son Jean with his nursemaid Gabrielle. It had never been published or exhibited and was discovered in remarkably good condition. Auction house Joron-Derem offered the painting in its Tableaux Modernes sale at Hôtel Drouot on November 25, where an international collector secured it for a hammer price of €1.45 million ($1.68 million), with buyer’s fees bringing the total to about €1.8 million ($2 million). The painting had been gifted by Renoir to his pupil and close friend Jeanne Baudot, then passed to her adopted son Jean Griot, who kept it in his bedroom until his death in 2011.
A painting by Swiss-French artist Félix Vallotton, *Femme couchée dormant (Le Sommeil)* (1899), sold for $2.8 million at Sotheby’s New York on Thursday night, exceeding its high estimate of $2.5 million. The work was part of the Pritzker Collection sale, which also featured masterpieces by Van Gogh, Matisse, and Gauguin. Vallotton’s auction record remains at nearly $4.5 million, set by *Cinq heures* (1898) at Christie’s London in late 2023.
The childhood home of legendary singer and activist Nina Simone in Tryon, North Carolina, has been fully restored after nine years of effort by an artist coalition led by Adam Pendleton, alongside Julie Mehretu, Rashid Johnson, and Ellen Gallagher. The restoration, completed with a $6 million boost from a charity auction and gala co-hosted by tennis star Venus Williams and Pace Gallery, preserved the 650-square-foot clapboard house to its 1933–1937 condition, including historically accurate materials, an ADA ramp, geothermal climate control, and a century-old magnolia tree named “Sweetie Mae.” The African American Cultural Heritage Action Fund announced the completion, and the property remains closed to the public while community programming and ethical cultural tourism are being planned.
Anonymous Was a Woman, a grant-making organization supporting woman-identifying artists, has announced 15 recipients of its $50,000 grants for 2025. The winners include Candida Alvarez, Park McArthur, Lola Flash, Kunié Sugiura, and Sonya Kelliher-Combs, among others. Founder Susan Unterberg, who initially remained anonymous, revealed herself in 2018 and named the organization after a Virginia Woolf quotation. The grants are primarily for artists over 40, and the organization has recently expanded to fund environmentally minded projects.
Filmmaker Ira Sachs has released a new film titled *Peter Hujar's Day*, based on a 1974 audio recording and subsequent book by writer Linda Rosenkrantz. The film captures a single day in the life of photographer Peter Hujar, who died of AIDS-related complications in 1987, as he recounts mundane details and artistic anxieties to Rosenkrantz. Starring Ben Whishaw as Hujar and Rebecca Hall as Rosenkrantz, the movie adapts a transcript Rosenkrantz rediscovered and published in 2021. Sachs describes the project as an exploration of portraiture, light, and emotion, contrasting with his earlier, more turbulent film *Passages*.
Christie’s fall auction season in New York opened with a robust evening sale of 20th-century art on Monday night at Rockefeller Center, achieving a total of $690 million after fees. The sale featured an 18-lot offering from the private collection of Robert and Patricia Weis, followed by the main 20th-century auction. The top lot was Mark Rothko’s *No. 31 (Yellow Stripe)* (1958), which sold for $62 million, while Claude Monet’s *Nymphéas* (1907) brought $45.5 million. The sale had a 95 percent sell-through rate, with 55 of 80 lots guaranteed, and strong in-person bidding provided a boost of market confidence after months of art fair cancellations and gallery closures.
At Brooklyn's Pioneer Works, a drag queen professional wrestling event called Choke Hole, part of artist Raúl de Nieves's exhibition, was disrupted when audience member and performer Chiquitita stormed the stage. She objected to a skit that made light of Immigration and Customs Enforcement (ICE) deportations, shouting that 'ICE is not entertainment!' and hurling the microphone into a video screen. The performance, titled ARMAGEDDON, featured an alien queen plot involving nuclear codes and ICE, and Choke Hole later apologized, removing the segment from subsequent shows.
Artist Friedrich Kunath, known for his sincere yet absurd paintings, discusses his unlikely friendship with tennis star Reilly Opelka, who is also an art collector. The two share a mutual obsession with each other's crafts—Kunath coaches Opelka in tennis, while Opelka seeks Kunath's insights on artists like Philip Guston. Kunath is preparing for his solo debut at Pace Gallery in New York this November, following his move from Blum Gallery, which closed shortly after. He reflects on the loneliness of both tennis and art, and his creative process, which draws heavily from music and film.
Italian fashion house Dolce & Gabbana announced that its exhibition “From the Heart to the Hands” will travel to the Institute of Contemporary Art, Miami, opening February 6, 2026, and running through June 14. Curated by fashion historian Florence Müller, the show features over 300 pieces from the brand’s archival and recent collections, including its Alta Moda, Alta Sartoria, and Alta Gioielleria lines, displayed in immersive rooms inspired by art, architecture, folklore, and the dolce vita. The exhibition also includes collaborations with visual artists such as Quayola, Alberto Maria Colombo, Obvious, Vittorio Bonapace, and Felice Limosani.
The Fondation Cartier pour l’art contemporain will reopen its new space at 2 Place du Palais-Royal in Paris on October 25, 2025, during Paris Art Week. Designed by architect Jean Nouvel, the building—originally constructed for the 1855 Exposition Universelle and later a hotel, department store, and antiques center—has been transformed with a modular system of five movable platforms, a glass canopy, and transparent ground-floor windows to create an open, flexible exhibition environment. The inaugural show, titled “Exposition Générale,” features nearly 600 works by over 100 artists from the foundation’s history.
Barack Obama discussed the Obama Presidential Center, set to open spring 2025 on Chicago's South Side, in a New York Times interview. The four-building complex will include a museum, library, auditorium, basketball court, gardens, and commissioned works by 25 artists, including Julie Mehretu, Maya Lin, Nick Cave, Jenny Holzer, Kiki Smith, and Richard Hunt. Designed by Tod Williams and Billie Tsien Architects, the centerpiece is an eight-story granite museum nicknamed "the Obamalisk," featuring an 83-foot-tall abstract glass work by Mehretu. Obama emphasized the center's role as a public space to inspire community action, not a presidential mausoleum.
The Manhattan duplex of the late sculptor Joel Shapiro and his wife, painter Ellen Phelan, has been listed for $4.75 million. Located in a 1907 Lenox Hill building on East 67th Street, the home was purchased in the early 2000s and renovated with beveled glass doors, brass hardware, and a sculptural staircase. The listing is held by Eileen Angelo and Max Collins of Sotheby’s International Realty. The couple also owned a lakeside estate in Westport, New York, called Kenjockety, which is also on the market, reduced from $5.49 million to $4.8 million.
Offscreen, the nomadic Parisian art salon founded by former Paris Photo director Julien Frydman, returns for its fourth edition from October 21 to 26, 2025, held concurrently with Art Basel Paris. This year, the event takes over La Chapelle Saint-Louis de la Salpêtrière, a historic church on the grounds of a former hospital that once detained and studied women labeled as “degenerate” or “insane.” The venue previously hosted exhibitions by Anselm Kiefer, Nan Goldin, and Christian Boltanski. Offscreen features 28 artists from 27 galleries, including a guest of honor tribute to late video-sculpture pioneer Shigeko Kubota, a durational performance by Maria Stamenković Herranz, and new talks and museum acquisitions from the Centre Pompidou and ZKM.
Painter Amy Sherald has revealed in a "60 Minutes" interview with Anderson Cooper that she pulled out of her solo exhibition at the Smithsonian's National Portrait Gallery because the museum considered removing her painting of a Black transgender Statue of Liberty, titled "Trans Forming Liberty." Sherald stated that the Smithsonian secretary, Lonnie G. Bunch III, proposed replacing the painting with a video discussing trans issues that would include anti-trans views, which she deemed unacceptable censorship. The exhibition, "American Sublime," was originally organized by the San Francisco Museum of Modern Art and last shown at the Whitney Museum; it is now expected to open at the Baltimore Museum of Art on November 2.
The Getty has appointed Joan Weinstein, current director of the Getty Foundation, to the newly created role of vice president for Getty-wide program planning. Weinstein will continue as foundation director until a successor is named, and in her new position she will develop strategy across the institution’s four divisions: the Museum, Research Institute, Conservation Institute, and Foundation, focusing on art historical scholarship and community partnerships. She is best known for co-directing PST ART, a major Southern California cultural collaboration, and has overseen significant relief funds for artists affected by wildfires and the COVID-19 pandemic.
The John D. and Catherine T. MacArthur Foundation announced its 2025 class of 22 MacArthur Fellows, each receiving an $800,000 no-strings-attached grant. Among the winners are several visual artists: Garrett Bradley, known for her Oscar-nominated documentary *Time* (2020) and works centering Black resistance; Gala Porras-Kim, whose practice questions how art institutions convey or conceal information about objects; Tuan Andrew Nguyen, whose films and installations explore trauma and colonization; and Jeremy Frey, a seventh-generation Passamaquoddy basket maker whose midcareer survey is on view at the Bruce Museum. Photographers Matt Black and Tonika Lewis Johnson also received fellowships, along with archaeologist Kristina Douglass and non-artists such as novelist Tommy Orange and astrophysicist Kareem El-Badry.
The Frick Collection in New York has promoted Aimee Ng to chief curator, effective November. She succeeds Xavier F. Salomon, who is leaving to become director of the Calouste Gulbenkian Museum in Lisbon. Ng, a curator at the Frick since 2015, has organized exhibitions on Italian Renaissance artists and co-curated the landmark 2023 show "Barkley L. Hendricks: Portraits at the Frick." Her appointment is the second senior leadership choice under director Axel Rüger, who joined in March ahead of the museum's long-awaited reopening.
The Aspen Art Museum is undergoing a strategic shift under director Nicola Lees, moving away from its reputation as a collector's clubhouse toward becoming a global institution. The museum's annual ArtCrush gala and fundraiser week, once centered on wealth-displaying collector home visits and glitzy parties, now emphasizes intellectual programming like the inaugural AIR festival, a $20 million artist-led interdisciplinary initiative featuring talks by Werner Herzog and Hans Ulrich Obrist. This change comes amid soaring local real estate prices, including a $108 million home co-purchased by Steve Wynn and Thomas Peterffy, and contrasts the area's deep pockets with the museum's free admission since 2008.