gloria klein anat ebgi crisis management

Gloria Klein, a late New York-based painter known for anxious acrylic arrangements and methodical mathematical systems, is the subject of a new solo exhibition titled "Crisis Management" opening January 9, 2026, at Anat Ebgi New York. The show presents many of her later paintings for the first time, and coincides with the announcement that Anat Ebgi now represents her estate. Klein, born in Brooklyn in 1936, was a queer artist who participated in the feminist publication HERESIES, created portraits of critics Arlene Raven and Lucy Lippard, curated the 1977 exhibition "10 Downtown: 10 Years" at PS1, and was a member of the Criss Cross art cooperative. Despite a recent sale of her work for $30,000 at Frieze Los Angeles in 2023, she remains relatively unknown.

mattress factory anthony elms artistic director

The Mattress Factory, a contemporary art museum and residency program in Pittsburgh, has appointed Anthony Elms as its artistic director, effective February 2024. Elms, who previously served as chief curator at the Institute of Contemporary Art, Philadelphia and as a director at Peter Freeman, Inc., will oversee all artistic programming, including exhibitions, commissions, and the residency program. He was also a cocurator of the 2014 Whitney Biennial and recently organized a solo exhibition for Rodney McMillian at the Henry Art Gallery.

ufo contemporary art

Two concurrent exhibitions in New York explore the intersection of art and UFOs, paranormal phenomena, and extraterrestrial life. "Voice of Space: UFOs and Paranormal Phenomena" at the Drawing Center (through February 1, 2026) features some three dozen works from artists including René Magritte and Isa Genzken, with Magritte's 1931 painting "Voice of Space" as the conceptual centerpiece. Meanwhile, "Paintings Made for Aliens Above" at P.P.O.W (through December 20, 2025) presents new works by Romanian artist Hortensia Mi Kafchin, probing technofuturism's promises and failures. The shows include historical pieces like Paulina Peavy's multimedia works co-credited to her personal UFO, and contemporary works by Char Jeré that interrogate technology and consumerism.

must see fall gallery shows new york

The article highlights four must-see fall gallery shows in New York City for September-October 2025. It features Mercedes Matter's first solo show at Berry Campbell, reviving the overlooked Abstract Expressionist; Julio Torres's theatrical debut "Color Stories" at Performance Space New York; Gabrielle Garland's first New York solo exhibition at Miles McEnery Gallery, showcasing surreal suburban paintings; and Omar Ba's exhibition "Promises and Glory" at Templon, presenting fantastical mixed-media works.

remembering robert grosvenor paula cooper

The article is a personal remembrance of artist Robert Grosvenor, written by a former student who encountered him as a visiting speaker at the Rhode Island School of Design in 1978. It recounts the profound impact Grosvenor's work and teaching had on the author's own artistic practice, describing his use of ordinary materials, his sculptural innovations like the cantilever and "hover," and his influence on her approach to art-making. The piece also references Grosvenor's 2025 exhibition at Paula Cooper Gallery and his earlier commission at Storm King Art Center.

how darren bader makes show amy winehouse weight machine

Darren Bader's first exhibition with Matthew Brown Gallery in New York, titled "Youth," features his signature conceptual works that blur the line between humor and philosophical inquiry. The show includes pieces like "jam on It," a mound of fruit spread placed on a Stephen King novel, and a bin soliciting sock donations, including a pair printed with Edgar Allan Poe's face and injected with Botox. Gallery director Jack Eisenberg describes the challenges of sourcing jam in New York, highlighting the absurd yet meticulous nature of Bader's practice.

hong kong fire bamboo culture

A deadly fire in Hong Kong's Tai Po district, which killed at least 159 people and left 31 missing, has sparked an online battle over the role of bamboo scaffolding in the blaze. Photographer Elaine Li and other artists, architects, and cultural historians are defending the centuries-old craft against early news reports that implicated it, fearing it may be unfairly blamed and regulated out of existence. Officials have ordered all scaffolding mesh removed and arrested 21 people on suspicion of manslaughter, but the conversation has grown into a broader fight to protect a cultural symbol of Hong Kong's identity.

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Art Basel Miami Beach is set to open this week, and Artnet News highlights four emerging artists to watch. Among them are Nour Malas, a Syrian painter whose four-panel work for Dubai's Carbon 12 gallery reflects on her childhood and the fall of the regime, blending abstraction with political memory. Zé Tepedino, a Brazilian artist from Rio de Janeiro, creates eco-minded sculptures from beach detritus like flip-flops and umbrellas, riffing on Brazil's social history and consumer culture. Other featured artists include those working with ethereal staged worlds, memory-soaked abstraction, and sculptural experiments in Lycra, offering a vivid snapshot of new voices at the fair.

andrea fraser lexicon banned words trump art basel

At Art Basel Miami Beach 2025, Los Angeles–based gallery Commonwealth and Council is distributing a stack of posters featuring Andrea Fraser's latest project, *Lexicon* (2025). The work reproduces a list of approximately 200 words that have been banned or censored under the Trump administration, originally published in the *New York Times* in March 2025. The list includes terms related to diversity, equity, and inclusion (DEI), such as “racial diversity,” “activism,” “women,” and “they/them.” Fraser, known for her institutional critique works like *Museum Highlights: A Gallery Talk* (1989), created *Lexicon* as a direct response to executive orders terminating DEI programs and the subsequent preemptive censorship by federal agencies. She describes the project as an affirmation of art's role in fighting censorship, and it is linked to her ongoing research on museum boards and political donations.

Who is Alma Allen, US Pavilion Artist for the 2026 Venice Biennale?

who is alma allen us pavilion artist 2026 venice biennale

The US Department of State has confirmed that sculptor Alma Allen will represent the United States at the 2026 Venice Biennale. Allen, a Utah-born, Mexico-based artist known for abstract biomorphic sculptures, was selected after a fraught selection cycle that included updated guidelines requiring proposals to promote American values. He was approached directly by curator Jeffrey Uslip, who will organize the US pavilion, and accepted the offer despite reportedly being advised against it by his former galleries Mendes Wood DM and Olney Gleason, which subsequently cut ties with him.

who is alma allen venice biennale

Alma Allen, a self-taught Utah-born sculptor based in Mexico, has been confirmed as the U.S. representative for the 61st Venice Biennale, opening in May. His pavilion exhibition, titled “Alma Allen: Call Me the Breeze,” will be curated by Jeffrey Uslip and commissioned by Jenni Parido of the American Arts Conservancy. Allen’s selection is notably unconventional: he has no major museum solo exhibitions and was dropped by his galleries, Mendes Wood and Olney Gleason, after accepting the commission. The U.S. State Department’s brief release frames the presentation as highlighting “alchemical transformation of matter” and “elevation,” aligning with the Trump Administration’s focus on “American excellence.”

emerging artist aiza ahmed up next

Emerging artist Aiza Ahmed, a 28-year-old Pakistani-born painter and sculptor who recently completed her MFA at the Rhode Island School of Design, is having a breakout moment in New York. Her first solo show, "The Music Room," is on view at Sargent's Daughters, while she participates in two prestigious residencies: Silver Art Projects at 4 World Trade Center and the Fire Station residency in Doha, directed by Wael Shawky. Ahmed's work explores themes of migration, belonging, and identity, drawing on her family's experience of Partition and her own upbringing across Dubai, London, and the U.S. She will also be the youngest artist at the inaugural Art Basel Qatar in February 2025.

page nyc machteld rullens

Machteld Rullens, a Dutch artist based in The Hague, is presenting her second solo exhibition with Page (NYC) titled “Beacon Road,” jointly staged at Andrew Kreps Gallery in New York. The show features works created during a residency at the Josef and Anni Albers Foundation in Connecticut, using discarded cardboard boxes that Rullens collects from recycling bins and other sources. Her sculptures, which initially appear ceramic or metallic, are actually intricate assemblages of cardboard, exploring form, commodity, and waste. The exhibition marks a departure from her earlier work, with crushed and folded forms and exposed bolts conveying a sense of restrained energy.

ethel stein puppeteer weaver

The article profiles 20th-century textile artist Ethel Stein, who remained largely unrecognized during her lifetime despite creating technically rigorous weavings. A new exhibition titled "Master of the Loom" at New York's Sapar Contemporary (on view through November 17) showcases her geometric, rhythmic works. Stein, who studied under Josef Albers at the Bauhaus and designed a unique loom now held by the Art Institute of Chicago, also had a playful side: she began her career as a puppeteer and created the puppet that became Lamb Chop, the beloved character performed by Shari Lewis on PBS. The exhibition highlights works such as "Rust Abstract," "Indigo 25," and "Black and White," which demonstrate her mastery of complex weaving structures and geometric abstraction.

5 latinx artists transforming everyday materials from cobijas to pinatas into statements on identity

Ballroom Marfa in Marfa, Texas, presents the exhibition “Los Encuentros,” on view through March 29, 2026, featuring five Latinx artists—Ozzie Juarez, Justin Favela, Antonio Lechuga, Narsiso Martinez, and Yvette Mayorga—who transform everyday materials like blankets (cobijas) and piñatas into works exploring Latinx identity. Curated by Maggie Adler, the show prioritizes local community engagement over the international art world, with works such as Juarez's "Coatzomaki" (2025) synthesizing LA street art and Aztec culture. The exhibition grew from Adler's existing relationships with the artists and her belief in working beyond institutional walls.

paris photo women photographers

The 28th edition of Paris Photo, which closed November 16, saw a surge in representation of women photographers, rising to 39 percent of artists on view from 20 percent in 2018. This shift is driven by the fair's Elles program, launched with France's ministry of culture, and a broader market appetite for rediscovered women artists. Notable sales included works by Ming Smith, whose vintage prints sold for up to €60,000 at M77 gallery, and offerings from Les Filles du Calvaire featuring Helena Almeida and Katalin Ladik. Richard Saltoun gallery returned after six years with a booth focused on women photographers.

the art angle alison gingeras the woman question

Alison M. Gingeras, an American curator and writer, has organized a major new exhibition titled “The Woman Question: 1550–2025” at the recently opened Museum of Modern Art in Warsaw. The show brings together over 200 artworks spanning nearly 500 years of women’s creative production, from Renaissance figures like Sofonisba Anguissola and Lavinia Fontana to Baroque artists such as Elisabetta Sirani and Artemisia Gentileschi, and contemporary names like Betty Tompkins and Lisa Brice. The exhibition explores how women artists have depicted themselves, power, resistance, desire, and violence, drawing on the historical concept of the "querelle des femmes" and Linda Nochlin’s famous 1971 essay. Gingeras discusses the project on the podcast The Art Angle.

mel leipzig painter dead

Mel Leipzig, a painter known for his intensely detailed, realistic portraits of everyday people and places, died on November 1 at age 90. Over a career spanning more than five decades, the Brooklyn-born artist taught at Mercer County Community College from 1968 to 2013, founded the Trenton Artist Workshop Association (TAWA) in 1979, and never painted from photographs, instead practicing what he called 'designing with reality.' His work is held by major institutions including the Whitney Museum, the National Academy Museum, and the New Jersey State Museum.

gladstone gallery robert colescott estate representation

The estate of Robert Colescott, the influential American painter who died in 2009, has signed with Gladstone Gallery for representation. Gladstone will debut Colescott's work at Art Basel Miami Beach next month and mount its first solo exhibition for the artist in 2025. Colescott is best known for satirical, large-scale paintings like "George Washington Carver Crossing the Delaware: Page from an American History Textbook" (1975), which critiques the exclusion and caricaturing of Black figures in American history and art. The estate sought new representation after its longtime gallery, Blum, closed this summer. Gladstone senior partner Max Falkenstein said the gallery had long admired Colescott and that the partnership felt like a natural fit given the gallery's focus on identity and politics.

the studio museum in harlem basquiat painting

The Studio Museum in Harlem revealed its new building to the press ahead of its public reopening on November 15, showcasing a major new acquisition: Jean-Michel Basquiat's 1984 painting *Bayou*, the first Basquiat painting to enter the museum's collection. The work was gifted in 2023 by financier Joseph Perella and his wife Amy, with Joseph having mentored Raymond J. McGuire, an ARTnews Top 200 Collector and the museum's board chair.

us pavilion venice biennale robert lazzarini proposal

The United States Pavilion at the upcoming Venice Biennale faces an uncertain future after a proposal by artist Robert Lazzarini and independent curator John Ravenal collapsed. The proposal, selected by the US State Department in early September, fell through when the University of South Florida’s Contemporary Art Museum declined to sign the contract, citing a shortened timeline and financial obligations. Ravenal attributed the breakdown to bureaucratic misalignment rather than ideological disagreement, while the State Department declined to comment. The selection process also shifted this year, with the National Endowment for the Arts excluding itself due to staffing transitions, leaving the State Department to handle it alone.

raquelin mendieta ana mendieta estate administrator dead

Raquelín Mendieta, the longtime administrator of the estate of her sister, artist Ana Mendieta, died on October 24 in Miami at age 79 due to a long illness. Raquelín took charge of Ana's legacy after the artist's death in 1985, organizing a retrospective at the New Museum in 1987 and partnering with Galerie Lelong in 1991 to establish a market for Ana's work. Under her stewardship, Ana's art was acquired by major museums like the Whitney Museum and included in over 600 group shows and 55 solo exhibitions, including 16 museum retrospectives.

alex katz paul taylor dance gala lincoln center 2025

On November 11, the Paul Taylor Dance Foundation will honor painter Alex Katz at Lincoln Center’s David H. Koch Theater, celebrating a decades-long creative partnership between Katz and the late choreographer Paul Taylor. The collaboration began in 1960 when poet Edwin Denby introduced them for a commission at the Spoleto Festival, leading to 16 works together including "Meridian," "Scudorama," "Private Domain," "Diggity," and "Sunset." At the gala, the company will perform "Sunset," which Katz conceived after observing soldiers in Madrid’s Retiro Park. Katz is also showing new paintings at Gladstone Gallery in New York, while the Museum of Contemporary Art San Diego hosts "Alex Katz: Theater and Dance," the first major survey of his stage work.

alison knowles dead make a salad fluxus

Alison Knowles, a pioneering artist of the Fluxus movement, died at age 92 in New York on October 29. Her gallery, James Fuentes, announced her passing but did not specify a cause. Knowles was best known for works like *Make a Salad* (1962) and *The Identical Lunch*, which used everyday materials and simple text-based instructions to create participatory art. Her most famous piece, *Make a Salad*, consists only of its title as a directive, allowing performers to interpret it freely; it has been staged at venues from Art Basel to Tate Modern. Knowles was a key figure in Fluxus, a movement formalized in 1963 by George Maciunas that rejected traditional art in favor of performance and accessible materials.

matthew wong paintings venice biennale show

A rare exhibition of works by the late artist Matthew Wong, including never-before-exhibited pieces, will open in Venice during the 2026 Biennale. Titled “Matthew Wong: Interiors,” the show is curated by John Cheim and organized by the artist’s foundation, run by his mother Monita Wong. The 35-work exhibition focuses on interior spaces, both physical and psychological, and highlights Wong’s vibrant color palette and expressive brushwork, which he developed before his death by suicide at age 35 in 2019.

reginald madison uffner liu john sandroni industry moves

Reginald Madison, a self-taught painter and sculptor from the Black Arts Movement in Chicago, has joined Uffner & Liu gallery for representation. Paul Soto Gallery now represents John Sandroni, whose work is currently on view in New York. KSS Architects completed a new Learning and Engagement Center at the Newark Museum of Art. Meanwhile, at least eight blue-chip galleries have dropped out of Art Basel Miami Beach, and Karim Crippa has been appointed director of Art Basel Paris. Christie’s four auctions held concurrently with Art Basel Paris totaled $107.4 million, with Yves Klein’s "California (1KB 71)" selling for $21.3 million, a record for the artist in France.

ica san francisco to adopt citywide model

The Institute of Contemporary Art San Francisco (ICA SF) will leave its current home at The Cube in December 2025 to adopt a fully nomadic, citywide model, presenting exhibitions and programs at various sites across the Bay Area starting in early 2026. Its final shows at The Cube are solo exhibitions for Masako Miki and David Antonio Cruz, on view through December 7. The museum has already secured support from the Office of the Mayor of San Francisco and lined up programs for the next year, including exhibitions at the Transamerica Pyramid Center featuring Tara Donovan and Lily Kwong, and a two-person show for Dominique Fung and Heidi Lau at Pier 24 in 2026, with a partnership planned for 2027.

taipei art week taiwan market review

The second edition of Taipei Art Week has drawn a large crowd, anchored by Art Taipei—Asia's longest-running art fair—and the 14th Taipei Biennale. Galleries have raised their ambitions, with pop-up shows, talks, and collectors' parties filling the city. However, Taiwan's art market faces significant headwinds: art imports fell 15.2% in 2024, Ravenel's spring auction sales plummeted from $14.6 million in 2020 to $3.6 million in 2025, and Taipei Dangdai announced it would cease operations after its sixth edition. Geopolitical tensions with China have reduced Chinese collector participation and visitor numbers at the National Palace Museum.

racquel chevremont mickalene thomas lawsuit new allegations

Racquel Chevremont, a model, curator, and reality TV star, has filed a 31-page lawsuit against her former romantic partner, artist Mickalene Thomas, in the Supreme Court of the State of New York. The suit expands on earlier harassment allegations from August, detailing claims of an abusive work environment and financial exploitation. Chevremont alleges that Thomas denied her promised compensation from sales of artworks featuring Chevremont, including a painting that sold for $1.83 million, and that Thomas paid herself significant sums while Chevremont received nothing from their joint company, MT Special Projects (also known as Deux Femmes Noires). Thomas has denied the allegations through a spokesperson, calling them false and a desperate attempt to profit from her reputation.

art always too late after avant garde

This article argues that the traditional view of art as a vanguard force predicting cultural change is outdated in the early 21st century. It contends that the rapid acceleration of mainstream culture, driven by social media and news cycles, makes it nearly impossible for traditional fine art media like painting and sculpture to stay ahead of the curve. The author suggests that forward-looking art now emerges from para-artistic digital practices such as AI experiments, Red Chip art, NFTs, memes, and TikTok lore, which often challenge conventional aesthetic and ethical standards. Citing Claire Bishop's 2024 book *Disordered Attention*, the piece notes that contemporary artworks tend to be symptomatic of larger conditions rather than anticipatory, and that artists like Artie Vierkant, Joshua Citarella, and Brad Troemel have pivoted from art-making to art-adjacent content creation.