‘What Color is Your Sky Today?’: The Becoming of the Image

Armineh Negahdari, a Bordeaux-based artist, presents her first institutional solo exhibition in France at the Fondation Louis Vuitton's Open Space series. Titled 'What Color is Your Sky Today?': The Becoming of the Image, the show features a new body of drawings that use charcoal, pastel, and oil paint to explore unstable morphologies between human, vegetal, and animal forms. The works resist narrative closure, emphasizing drawing as an event rather than representation, with lines that accumulate, falter, and begin again. The exhibition is on view at Gallery 8 until 30 August 2026.

WURUS – Light catches before form does.

Artist Caroline Gueye presents 'WURUS', a new installation for the Senegal Pavilion at the 61st Venice Biennale. Curated by Massamba Mbaye, the work is a shifting field of brass and polymer bronze elements, using mirrors and light to create an environment where perception is contingent on the viewer's movement and position. The title invokes gold, opening onto histories of extraction, but the work deliberately resists singular meaning.

Quelques œuvres choisies au gré des 6 salles d’exposition

The article presents a thematic tour through six exhibition rooms dedicated to still life painting, focusing on works by Giorgio Morandi and Pablo Picasso. Each room explores a different conceptual angle: the grammar of objects in Morandi's metaphysical still lifes, the poetic dimension of Picasso's cubist compositions, contemporary vanitas motifs, the anti-Albertian nature of the genre, the interplay of presence and erasure, and the dislocation of form in Morandi's etchings. The exhibition draws on art historical references from Norman Bryson and Cesare Brandi to frame the evolution of still life from tradition to radical abstraction.

À Bordeaux, la métamorphose du MADD

The Musée des arts décoratifs et du design (MADD) in Bordeaux has reopened its design-focused wing after three years of renovation, featuring a new entrance pavilion designed by Antoine Dufour Architectes that connects the historic Hôtel de Lalande and the former municipal prison. The overhaul includes a monumental shelving display of eighty vases by designers such as Andrea Branzi and Gaetano Pesce, a new "gallery of know-how" dedicated to rotating thematic presentations (starting with ceramics), a graphic arts cabinet showcasing the Jacques Sargos collection of over 130 drawings, and improved climate control for conservation.

Au musée de l’Image d’Épinal, les talents multiples de Frans Masereel, entre autres inventeur du roman graphique

The Musée de l'Image d'Épinal is presenting a comprehensive exhibition on Belgian artist Frans Masereel (1889–1972), widely credited as the inventor of the graphic novel in 1918 with his wordless narratives composed of black-and-white woodcuts. The show, curated by Samuel Dégardin, brings together loans from major institutions and a private collection to reveal the full breadth of Masereel's practice, which spanned drawing, animation, painting, theater, ceramics, tapestry, and satirical press illustration. It highlights his pacifist activism during World War I, his collaborations with writers such as Stefan Zweig and Romain Rolland, and his humanist vision of a unified Europe.

À Annecy, le cinéma d’animation célébré toute l’année grâce à l’ouverture d’un lieu hybride et ambitieux en juin

A new permanent home for animation cinema, the Cité internationale du cinéma d'animation, will open in Annecy, France, on June 19, 2025, just before the annual Annecy International Animation Film Festival. Housed in a restored 19th-century horse stable (haras) listed as a historic monument, the 54-million-euro project includes a 450 m² permanent museum, a 332-seat cinema, temporary exhibition spaces, educational workshops, artist residencies, and image-education facilities. The city of Annecy contributes 30 million euros, with additional funding from the Haute-Savoie department, the state, and the Auvergne-Rhône-Alpes region. Designed by architecture firm dd.a and landscape architect Philippe Deliau, the center aims to be a hybrid, year-round hub for animation, blending heritage, creation, and transmission.

The Fruitful Dialogue Between AI, Knowledge, and Creation in a Free Festival at the BnF

Le dialogue fécond entre IA, savoir et création dans un festival gratuit à la BnF

The Bibliothèque nationale de France (BnF) is hosting the inaugural edition of "Noûs," a free festival exploring the intersection of artificial intelligence, archival knowledge, and artistic creation. Located in the hall of the François-Mitterrand site, the event features eight artistic projects that utilize the library's vast catalog to reveal hidden histories rather than generate falsehoods. Highlights include Audrey Large’s 3D-printed sculptures exploring suppressed female knowledge, Justine Emard’s immersive digital cave of AI-generated sirens, and the collective Obvious’s speculative botanical frescoes based on historical scientific plates.

The Spiritual Ear: On Daniel Heller-Roazen’s Far Calls

The article is a critical review of Daniel Heller-Roazen's new book, 'Far Calls: On Omens, Slips, & Epiphanies.' It examines the book's central thesis, which explores the historical and philosophical concept of a 'spiritual ear'—the interval between speaking and hearing where language escapes its intended meaning, giving rise to omens, slips of the tongue, and epiphanies. The review traces Heller-Roazen's genealogical investigation from ancient divinatory practices to modern psychoanalysis, highlighting his argument that linguistic accidents hold prophetic potential.

Art Central Enters Its Second Decade with a Discovery‑Led 11th Edition

Art Central 2026, the Hong Kong art fair, is launching its 11th edition with a record 117 galleries and over 500 artists. The event, staged on the Central Harbourfront, emphasizes discovery through large-scale installations, performances, and moving-image works, transforming its architecture into an immersive arena. It solidifies its role as a key regional platform.

Israel Addresses Venice Biennale Jury’s ‘Boycott’ of Pavilion: ‘A Contamination of the Art World’

Israel’s foreign ministry has condemned a statement by the Venice Biennale jury, in which the five curators declared they would not consider pavilions from countries charged with crimes against humanity by the International Criminal Court. The jury’s decision effectively boycotts Israel and Russia, whose leaders face ICC arrest warrants. Israel called the move a “contamination of the art world,” while the artist representing Israel, Belu-Simion Fainaru, also denounced the jury for creating a hostile environment. The Biennale’s organizers have distanced themselves from the jury, stating they cannot exclude any recognized state from the exhibition.

riyadh art tuwaiq sculpture 2026 launches open call 1234753124

Riyadh Art has launched an open call for the seventh edition of Tuwaiq Sculpture, scheduled for January and February 2026 under the theme 'Traces of What Will Be.' The open call runs from August 27 to October 1, 2025, inviting sculptors worldwide to submit proposals for a live sculpting experience in Riyadh. Twenty-five artists will be selected to create original works that will be permanently installed across the city. An international curatorial team has been announced: U.K.-based Sarah Staton, German-born Rut Blees Luxemburg, and Saudi artist Lulwah Al Homoud. The edition introduces two new sculpting categories—Granite + Stainless Steel Integration and Reclaimed Metal—and selected artists receive an honorarium plus travel and accommodation support.

estonian museum director russian prison 1234753656

Maria Smorzhevskikh-Smirnova, the director of the Narva Museum in Estonia, was sentenced in absentia to 10 years in prison by a Russian court. The charges stem from her hanging banners on Narva Castle that label Russian President Vladimir Putin a “war criminal,” including one that fuses Putin’s face with Adolf Hitler’s and another showing a bloodied mug shot of Putin. The court cited laws against disseminating “war fakes” and “rehabilitating Nazism.” Smorzhevskikh-Smirnova has been displaying such banners since 2023 on Russian Victory Day, and Russian authorities have projected Victory Day parades toward Narva from the nearby town of Ivangorod.

art fashion dirty looks barbican

A new exhibition titled "Dirty Looks: Desire and Decay in Fashion" opens September 25 at the Barbican in London, exploring how fashion designers have embraced decay, dirt, and imperfection. Curated by Karen Van Godtsenhoven, the show features garments from over 60 designers, including Hussein Chalayan's iron-filing-stained dresses, Vivienne Westwood's transgressive tears, Issey Miyake's gunpowder-speckled pleats, and wine-stained couture by Robert Wun. It also highlights five emerging designers like Elena Velez and Michaela Stark who use dirt and decay to challenge conventional beauty standards.

sophia cohen party cultured frieze new york

Cultured magazine hosted a party at the Twenty Two in New York to celebrate Sophia Cohen's appointment as arts editor-at-large. Cohen, a former Gagosian associate director and founder of the consultancy Siren, will write a monthly column called "In the Know." The event, timed to Frieze New York, brought together figures including fashion designer Kim Shui, writer Nate Freeman, art advisors Ralph DeLuca and Sandy Heller, artist Rogan Gregory, critic Johanna Fateman, collector Lucas Hoffmann, and David Zwirner senior director Lucas Zwirner.

In Munich, Two Artists Imagine Futures Both Playful and Epic

The Munich gallery Filser and Gräf is presenting a two-person exhibition titled "Medèn ágan – Nothing in Excess," featuring artists Paris Giachoustidis and Toshihiko Mitsuya. The show uses the ancient Greek maxim as a curatorial framework, with Mitsuya's delicate, reflective aluminum sculptures and Giachoustidis's paintings of futuristic, cosmic landscapes exploring themes of balance, scale, and humanity's place in the universe.

technologies of relation mass moca 2750592

MASS MoCA has launched "Technologies of Relation," a group exhibition featuring 12 artists who explore the complex, non-binary relationship between humanity and artificial intelligence. Curated by Susan Cross, the show moves beyond dystopian narratives to investigate how artists can reclaim agency over corporate-produced technologies. Featured works range from Roopa Vasudevan’s hand-drawn QR codes that mimic textiles to Neema Githere’s hammock installations that literalize the concept of a digital network.

tuwaiq sculpture returns to riyadh with monumental new works 2745160

The seventh edition of the Tuwaiq Sculpture symposium has opened in Riyadh, Saudi Arabia. Titled "Traces of What Will Be," the month-long event features 25 international artists creating large-scale, site-specific sculptures in a public, live-sculpting phase. The open-air exhibition showcases works made from local stone and reclaimed materials, responding to themes of memory, sustainability, and the relationship between humans and their environment.

ohx gallery where form remembers 2732060

OXH Gallery in Tampa, founded just over two years ago, presents its latest exhibition “Where Form Remembers,” featuring works by artists Avani R. Patel and Julie Gladstone. The show highlights each artist's exploration of emotion through abstraction, with Patel drawing on Indian cultural influences and organic motifs, while Gladstone uses multimedia compositions rooted in psychological experiences like memory and trauma. The exhibition runs through January 23, 2025.

brueghel mayken verhulst 2710689

Recent evidence suggests that Mayken Verhulst (ca. 1518–1599), the mother-in-law of Pieter Brueghel the Elder, authored works long attributed to the anonymous Brunswick Monogrammist. A key painting, *Ecce Homo* from the National Museum in Gdańsk, bears a unique double signature combining the initials of her husband, Pieter Coecke van Aelst, with her family name “Bessemer,” indicating her authorial role within the workshop. This discovery, detailed in an essay from the exhibition *The Woman Question 1550–2025* at the Museum of Modern Art Warsaw, challenges centuries of art-historical attribution.

indian modernist tyeb mehtas market is soaring how high will it go 2663199

Tyeb Mehta's auction market has surged in 2025, with two record-breaking sales in April alone. Saffronart sold his 1956 painting *Trussed Bull* for $7.2 million, the highest price ever for the artist, followed by AstaGuru's sale of *Untitled (Diagonal)* (1973) for $6.8 million. Mehta produced only around 200 canvases in his lifetime, and most key works are held by institutions and private collectors, making major acquisitions rare and competitive. The article analyzes his market performance, including a 100% sell-through rate across seven lots in 2025, totaling $15.3 million.

What Did Happen or What Might Have Happened or What Can Never Happen. Dustin Hodges by Nick Angelo

Dustin Hodges presents a new body of work across two exhibitions, "Barley Patch" at 15 Orient in New York and "Barley Patch 2" at Sebastian Gladstone in Los Angeles. The artist utilizes thin layers of pigment, color glazing, and distemper on linen to create compositions that superimpose cartoon motifs, such as black crows and characters from the "Arthur" series, over complex grids. His process involves a cyclical layering that drives a wedge between the logic of the image and the materiality of painting, resulting in works that feel both choreographed and visceral.

After Farce: Ubu, the Imperialist

The article examines the cultural and artistic response to Donald Trump's presidency, tracing how artists and critics initially invoked Alfred Jarry's absurdist character Ubu to make sense of Trump's first term. It argues that the second term has moved beyond farce into a normalized, active remaking of the international political order, with Trump pursuing overt imperial ambitions that exceed Jarry's original satire.

The Nerve Center of This Art Fair Isn’t Painting. It’s Couture.

The Independent art fair in New York is featuring a significant presentation of designs by Rei Kawakubo and her label Comme des Garçons. The works, which include garments and sculptural objects, are being presented as a curated exhibition within the fair, challenging traditional art fair categories.

An Artist Asks: Without Darkness, Who Are We?

Artist Jan Tichy has created a new exhibition that explores the consequences of light pollution and the disappearance of natural darkness. The project, titled "Without Darkness, Who Are We?", involved extensive research and collaboration with scientists including entomologists and neurobiologists to understand the ecological and psychological impacts of artificial light.

Bugarin + Castle on Representing Scotland at the 61st Venice Biennale

ArtReview published a questionnaire response from Bugarin + Castle, the artist duo representing Scotland at the 61st Venice Biennale (2026). Their exhibition, titled "Shame Parade" and curated by Mount Stuart Trust, explores charivari—medieval public shaming rituals involving sound, costume, and cross-dressing. The work draws on the artists' research into how noise and music have been used as tools of control, with particular attention to the Filipino legal definition of charivari as a punishable public disturbance. The exhibition includes sculpture, print, moving image, and a musical score created with Manila-based band Kalye Teresa, and is housed at the Olivolo, Castello pavilion.

Helen Legg appointed artistic director of Royal Academy

Helen Legg has been named the new artistic director of the Royal Academy of Arts in London, starting in June. She joins from Tate Liverpool, where she served as director since 2018, and brings prior leadership experience from Spike Island in Bristol and curatorial work at Ikon Gallery in Birmingham.

Arch Hades opens major solo exhibition on the Grand Canal in Venice

Artist-poet Arch Hades has opened a major solo exhibition on the Grand Canal in Venice, running concurrently with the Venice Biennale. The collateral show features monumental paintings and immersive sculptures that delve into themes of loss and vulnerability as part of a broader meditation on the human condition.

Madeline Jiménez Santil’s Geometries of Dance

Artist Madeline Jiménez Santil has opened a solo exhibition at the Arróniz gallery in Mexico City. The show features her signature graphite drawings that create swivelling, geometric grids, which she describes as visual representations of dance and movement.

Art21 Remembers Agnes Gund

Agnes Gund, the influential arts patron and philanthropist, has passed away. The organization Art21, a leading producer of media about contemporary artists, released a statement mourning her loss and highlighting her role as one of its earliest and most steadfast supporters, having helped shape its mission from the beginning.

henry walsh fine art consultancy 2737216

British artist Henry Walsh, known for his intricate paintings of miniature worlds filled with tiny figures and narratives, has announced a series of exhibitions for 2025 and 2026. His work will be shown at Fresh Art Fair in London (January 31–February 2, 2026), the Affordable Art Fair New York and Austin editions in March and May, and a solo show titled "Changing Seasons" at Fine Art Consultancy from June 10 to July 12. The exhibitions follow a private commission inspired by the Austin City Limits Festival, which Walsh used as a starting point for his painting "Pageant" (2025), featuring music icons like Bonnie Raitt and Leon Bridges.