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MIT mechanical engineering student Alex Kachkine has developed a new AI technique that could dramatically speed up the restoration of aged or damaged paintings. The method uses a high-resolution scan of the artwork, an AI algorithm to identify cracks and missing patches, and a digitally printed polymer film—called a "digital mask"—that is overlaid onto the painting and sealed with varnish. The mask can be removed without trace using conservators' solvents. Kachkine tested the process on a 15th-century oil-on-panel painting by the Master of the Prado Adoration of the Magi, where the AI identified 5,612 damaged sections and the restoration took just 3.5 hours—66 times faster than conventional hand inpainting.

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New York's Spring Break Art Show has returned to its namesake season, opening alongside Frieze New York after abruptly canceling its Los Angeles edition due to January's devastating fires. Founded by artist duo Andrew Gori and Ambre Kelly, the fair is now held in a former book printing office on Varick Street, featuring offbeat emerging art and boundary-pushing installations. Roughly a third of the presentations were already planned under the theme "Paradise Lost and Found," but the accelerated timeline led to last-minute additions, with some artists joining just the night before. Standout works include Louis Sarowsky's carved stone food sculptures, Kate Rusek's zero-waste porcelain pieces molded from trash, and Colin J. Radcliffe's ceramic sculptures reimagining queer figures in classical iconography.

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Ronen Zien, an artist born in the Arab city of Shefa Amr in northern Israel, presents a solo exhibition titled "Walking Into" at the Tel Aviv Museum of Art. The show features works that explore memory, time, and borders, including a life-size video piece where Zien walks into a faded family photograph from the 1990s. Using chroma key technology, he inserts himself into images from his childhood and historic photographs, such as a 19th-century print by Félix Bonfils. The exhibition draws on Zien's family history within the Druze community, which is divided by the Israel–Syria border, and includes works created in the six months before its February 2025 opening, amid ongoing war tensions.

He’s behind you! The best of Photo London – in pictures

Photo London, the UK's leading photography fair, launches its 11th edition at a new venue, Olympia in Kensington, London, running from 13–17 May 2026. The fair features a diverse array of exhibitors, including debutants like Agony and Ecstasy gallery, which showcases nostalgic works of Ibiza by Oriol Maspons and Walter Rudolph, and Hackney-based Guest Editions, presenting Laura McCluskey and Thomas Duffield. A new 'Focus' section highlights galleries from Latin America and Central and Eastern Europe, such as Ungallery (Argentina) and Galeria Monopol (Poland). Notable presentations include vintage prints by Japanese master Daido Moriyama at Akio Nagasawa Gallery, and Ketaki Sheth's series 'Twinspotting' at Photoink, which pairs Patel twins in the UK with those in India.

A New Show Explores the Cutting-Edge Designs of Fashion’s Mad Scientist, Iris van Herpen

Iris van Herpen's mid-career retrospective "Iris van Herpen: Sculpting the Senses" has opened at the Brooklyn Museum, marking the designer's first major museum presentation in the United States. Originally mounted at the Musée des Arts Décoratifs in Paris in 2023, the exhibition features over 140 haute couture looks alongside artworks, design objects, fossils, videos, and natural specimens. The show begins with a water-themed section and includes garments made from materials such as glass bubbles, bioluminescent algae, and 3D-printed polyamide, exploring themes of skeletal structures, primordial fear, and cosmic movements. A centerpiece room, the Atelier, displays swatches, prototypes, and experimental materials, highlighting van Herpen's scientific approach to fashion design.

art black museums moad mocada auc

CULTURED magazine assembled a roundtable of three Black women leaders at prominent Black art museums in the U.S.—Key Jo Lee of the Museum of the African Diaspora (MoAD) in San Francisco, Cheryl Finley of the Atlanta University Center Art History and Curatorial Studies Collective (AUC), and Amy Andrieux of the Museum of Contemporary African Diasporan Arts (MoCADA) in New York. The discussion explores how each arrived at her role, the challenges these institutions face—including financial pressures and heightened scrutiny under the current U.S. administration—and their strategies for preserving and building legacies. Lee, who joined MoAD three years ago after a tenure at the Cleveland Museum of Art, is curating the exhibition “UNBOUND: Art, Blackness & the Universe,” named one of Hyperallergic’s top 25 of 2025. Finley, a curator, art historian, critic, and author, directs the AUC collective at Spelman College. Andrieux, who came from music and media roles at Red Bull Media House and MTV World, was recruited in 2018 to save MoCADA from closure and later became its executive director and chief curator, overseeing a capital expansion in 2023.

art collector book recommendations

Cultured magazine asked 10 art collectors to recommend books that changed how they think about art. The responses range from John Berger's "Ways of Seeing" (Matthew Harris) and Sarah Thornton's "Seven Days in the Art World" (Paola Creixell) to Peter Brook's "The Empty Space" (Brandon John Harrington) and Calvin Tomkins's "Off the Wall" (Francis J. Greenburger). Other collectors cite exhibition catalogs, biographies, and personal collection books as transformative reads.

art cherrie yu young artist

Cultured magazine profiles Cherrie Yu, a 30-year-old artist based in New York who grew up in Xi'an and Wuxi, China. Yu creates videos, performances, and prints that examine the relationship between everyday movement, dance, labor, and play. Notable works include 'Trisha and Homer' (2018), which juxtaposes a 1986 solo by choreographer Trisha Brown with the movements of a mopping maintenance worker, and 'Wrestling Study' (2017), a video reenacting a wrestling match in Chicago traffic. Yu cites mentor Bryan Saner, a woodworker and performer, as a key influence on their understanding of the laboring body as the dancing body.

art robert crumb george dicaprio david zwirner

Robert Crumb and George DiCaprio, two figures from the 1970s underground comics scene, reunite for a conversation moderated by cartoonist Sammy Harkham on the rooftop of David Zwirner in Los Angeles. The discussion, published in Cultured, traces their serendipitous meeting in New York—DiCaprio offered his illegal loft to Crumb's band—and DiCaprio's subsequent move to Los Angeles after Crumb recommended him for an animation job on Ralph Bakshi's film *Heavy Traffic*. The interview coincides with the release of Crumb's first solo comic in 23 years, *Tales of Paranoia* (2025), published by Fantagraphics, and an exhibition of his new drawings and prints at David Zwirner, on view through January 10. Topics range from conspiracy theories and the economics of comics to DiCaprio's collection of underground art, including a letter from cartoonist Vaughn Bode to his unborn son Leonardo DiCaprio.

parties performa anniversary performance art

Performa celebrated its 20th anniversary and the opening of its 2025 biennial with a multi-venue event in New York, starting at Harlem Parish and moving to a Lower East Side hub at 424 Broadway. The evening featured experimental music by Luciano Chessa, Eric Mingus, Elliott Sharp, and Joan La Barbara, a silent auction of custom wine blends by artists Julie Mehretu, Paul Pfeiffer, and Jessica Rankin, and a feast by chef Marcus Samuelsson. The party was co-chaired by artist Rashid Johnson and the late Agnes Gund, with guests including RoseLee Goldberg, Anne Imhof, Joan Jonas, Sanford Biggers, Laurie Simmons, and many others. The event also launched Performa's first magazine, *Works in Practice*.

art cady noland thomas eggerer jochen klein

Cultured magazine reviews Cady Noland's 2025 exhibition at Gagosian Gallery's 24th Street location in New York, running through October 18. The show features the artist's signature objects—Budweiser cans, shotgun shells, barricades, and images of Patty Hearst and Lee Harvey Oswald—arranged in a fragmented, almost sale-like display. The review notes the inclusion of Steven Parrino's works alongside Noland's, referencing their collaboration at White Columns in 1988, and highlights new elements like "SALE" signs with manicule illustrations. The critic describes the exhibition as a "fascinating mess" rather than a straightforward success.

art hew locke interview studio yale

The Yale Center for British Art opens "Passages," the most comprehensive exhibition of Hew Locke's work to date, featuring nearly 50 works spanning three decades. Central to the show is a site-specific installation of Locke's ship sculptures, three of which are suspended in the foyer of the museum's Louis I. Kahn building. The exhibition will travel to the Wexner Center for the Arts and the Museum of Fine Arts, Houston. In an interview, Locke discusses his studio practice, his ongoing exploration of imperialism's symbolism, and his plans for new bronzes and prints.

Art Dubai announces details for revised 2026 edition

Art Dubai has unveiled the details for its 2026 "special edition," which features a significantly reduced scale in response to ongoing regional conflict. The fair will host 50 galleries—a sharp decline from the 120 participants in 2025—with a strategic focus on regional representation, as nearly two-thirds of the exhibitors hail from the Middle East. To compensate for the smaller commercial footprint, the event will deepen its ties with local institutions like the Sharjah Art Foundation and Alserkal Avenue through expanded collaborative programming.

Martin Schongauer en toute majesté

The Louvre Museum in Paris has opened a major retrospective dedicated to Martin Schongauer (c. 1445–1491), the German engraver and painter from Colmar, bringing together a large portion of his known works. The exhibition features around one hundred pieces, including fifty engravings, five of his rare drawings, and nearly all of his attributed paintings—such as the "Virgin and Child at the Window" (c. 1480) from the Getty Museum and the "Orlier Altarpiece" (c. 1470–1475) from the Musée Unterlinden. The centerpiece is Schongauer's "Virgin of the Rose Bush" (1473), displayed at low height to reveal its botanical precision. Co-curated by Pantxika Béguerie De Paepe and Hélène Grollemund, the show also highlights Schongauer's influence on contemporaries and later artists through comparative works by Rogier van der Weyden and others.

The Centre Pompidou Expands to South Korea

Le Centre Pompidou s’exporte en Corée du Sud

The Centre Pompidou has opened a new satellite institution, the Centre Pompidou Hanwha, in Seoul, South Korea. The 11,000-square-meter venue, located in the 63 Tower and designed by the Wilmotte et Associés agency, is a partnership with the Hanwha Foundation of Culture and coincides with the 140th anniversary of Franco-Korean diplomatic relations. The opening was highlighted by a recent site visit from French President Emmanuel Macron and Centre Pompidou president Laurent Le Bon.

V&A Museum Has Acquiesced to Censorship Requests from Chinese Printer: Report

London’s Victoria and Albert Museum (V&A) reportedly complied with censorship demands from its Chinese printing firm, C&C Offset Printing, to alter exhibition catalogues. Internal emails revealed that the museum removed a photograph of Lenin from a Fabergé exhibition book and altered historical maps to align with Chinese government standards after the printers flagged them as "sensitive." Staff noted that while they were aware of contemporary geopolitical sensitivities, the restrictions had expanded to include historical imagery, forcing last-minute editorial changes to avoid production delays.

Art in America’s Summer “New Talent” Issue Names 20 Artists to Watch

Art in America, the sister publication of ARTnews, has announced its Summer 2026 "New Talent" issue, featuring 20 emerging artists selected by the magazine's editors. The list includes international artists working across various mediums, such as Joeun Kim Aatchim, Jenny Calivas, Kiah Celeste, Malo Chapuy, Mitchell Charbonneau, Isaiah Davis, Elizabeth Glaessner, Juliana Halpert, Craig Jun Li, Kinlaw, Koyoltzintli, Kyung-Me, Chyrum Lambert, Terran Last Gun, Satchel Lee, Claudia Pagès Rabal, Ren Light Pan, Emma Safir, Frank Wang Yefeng, and Alexa West. Profiles of each artist appear in the print edition and will be published online in the coming weeks.

At the Venice Biennale, Ukraine’s Pinchuk Art Centre finds fragile moments of joy amid loss

The Pinchuk Art Centre in Kyiv has transformed its Venice Biennale presentation from a glamorous celebration of young artists into a somber exhibition responding to the Russian invasion of Ukraine. This year's show, titled "Still Joy — From Ukraine into the World" (9 May-1 August) at the Palazzo Contarini-Polignac, features works by international artists like Tacita Dean and Julian Charriere alongside Ukrainian artists, as well as testimonials from soldiers collected by former marine Hlib Stryzhko. The exhibition explores how joy can persist amid trauma, with installations including pink scrolls bearing survivors' quotes, light box photographs of bombed interiors with rescued pot plants, and a sculpture of bells with displaced women's fingerprints.

Fondazione Sandretto Re Rebaudengo’s New Art Island Made a Sunny Splash in a Rainy Venice Vernissage Week

Patrizia Sandretto Re Rebaudengo, an ARTnews Top 200 collector, inaugurated a new art site on the island of San Giacomo in Venice’s Northern Lagoon during the rainy preview week of the Biennale. The island, purchased in 2018, features two Napoleonic-era powder magazines transformed into exhibition spaces: one hosting the group show “Don’t have hope, be hope!” from the Sandretto Re Rebaudengo Collection, and the other presenting “Fanfare/Lament,” a solo exhibition by Matt Copson curated by Hans Ulrich Obrist. The site also includes permanent installations by artists such as Claire Fontaine, Mario Garcia Torres, Hugh Hayden, Goshka Macuga, Pamela Rosenkranz, and Thomas Schütte, and will serve as a venue for exhibitions, performances, and residencies.

May Book Bag: from a guide on entering the art world to a publication about artists influenced by Ovid’s Metamorphoses

The May Book Bag article from The Art Newspaper reviews four new art-related publications. It covers "Metamorphoses: Ovid and the Arts," edited by Francesca Cappelletti and Frits Scholten, which examines Ovid's influence on Western art through works by artists like Titian, Caravaggio, and Louise Bourgeois. Other featured books include Hettie Judah's "How to Enter the Art World," a practical guide for emerging artists; "Derrick Adams: Prints," showcasing the artist's printmaking from 2019-2025; and "Whistler's Legacy" by Daniel Sutherland, which explores the legacy of James Abbott McNeill Whistler through his close associates.

Christo and Jeanne-Claude’s Iconic California Installation Returns in a Museum Show

The Museum of Sonoma County is commemorating the 50th anniversary of Christo and Jeanne-Claude's iconic 1976 installation "Running Fence" with an exhibition featuring blueprints, original construction materials, and documentary photographs. The temporary work, which stretched nearly 25 miles across Sonoma and Marin counties in California, required four years of negotiations with ranchers, 18 public hearings, and the first-ever Environmental Impact Report for a public artwork, ultimately costing $2.25 million funded by the artists through preparatory drawing sales.

Claude Lalanne Mirror Ensemble Sells for $33.5 M., Breaking Design Auction Records

A custom ensemble of 15 mirrors by Claude Lalanne sold for $33.5 million at Sotheby's New York, shattering the artist's previous auction record and setting a new global benchmark for the most expensive design work ever sold at auction. The piece, commissioned in 1974 for Yves Saint Laurent and Pierre Bergé's Paris home, far exceeded its $10-15 million estimate.

Caravaggio and Rubens works destroyed by fire in Second World War are brought back to (digital) life

The Gemäldegalerie in Berlin has completed the digitization of its high-resolution glass-negative archive, which documents hundreds of Old Master paintings destroyed in a fire at the end of the Second World War. The collection includes lost works by Caravaggio, Peter Paul Rubens, Anthony van Dyck, and Paolo Veronese, which were stored in a flak tower for protection and burned in May 1945.

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Digital artist Beeple, also known as Mike Winkelmann, has deployed a robotic dog featuring the likeness of Elon Musk to the streets of San Francisco. The viral stunt, orchestrated by the Palo Alto-based Node Foundation, serves as a teaser for the artist's upcoming mid-career survey, "INFINITE_LOOP," which opens on April 18. The robot, part of the "Regular Animals" series, interacts with the public by "pooping" printed images generated from its surroundings through an algorithm based on Musk’s visage.

Dealer Scott Nichols on His Lasting Love for Iconic California Photographers

Veteran art dealer Scott Nichols reflects on his long-standing career and the evolution of his eponymous gallery, which specialized in 20th-century California photography for nearly three decades in San Francisco before relocating to Sonoma in 2019. The gallery is renowned for its deep expertise in Group f.64, maintaining one of the largest private collections of Brett Weston’s work alongside masterpieces by Ansel Adams, Dorothea Lange, and Imogen Cunningham.

See Comedian Pete Davidson’s Art-Filled New York Home for Sale for $2 M.

Actor and comedian Pete Davidson has listed his four-bedroom country estate in Westchester, New York, for $2.28 million. The 2,300-square-foot property, situated on six acres, features luxury amenities such as a wine cellar, sauna, and a covered lap pool, but the real estate listing has drawn particular attention for showcasing Davidson's private art collection.

New UCCA CEO Kong Lingyi on the Beijing Institution’s Future

Kong Lingyi has been appointed as the new CEO of the UCCA Center for Contemporary Art in Beijing, succeeding Philip Tinari who stepped down shortly before the Lunar New Year. A veteran of the institution since 2012, Kong previously served as vice president of brand and is now tasked with overseeing UCCA’s multiple branches in Beijing, Beidaihe, and Yixing. Her leadership marks a shift toward a new management structure focused on institutional sustainability and public accessibility.

Lost Cecil Beaton and Lee Miller Photos Turn Up in Old Scrapbook

A previously unknown scrapbook containing over 150 unseen photographs by Cecil Beaton and Lee Miller has been acquired by the University of Oxford’s Bodleian Library. Compiled between 1943 and 1949 by Roland Haupt, a darkroom assistant who processed film for both photographers during World War II, the album includes rare war reportage, portraits, and personal mementos. Among the highlights is an unpublished alternative shot of Miller in Adolf Hitler’s bathtub and Surrealist-inflected images of the conflict's aftermath.

Pete Davidson’s Pop-Filled Art Collection Revealed in Westchester Home Listing

Actor and comedian Pete Davidson has listed his Westchester County home for $2.2 million, revealing a vibrant art collection rooted in pop culture and nostalgia. The 2,300-square-foot residence features a diverse array of works ranging from Peter Max prints and Al Hirschfeld caricatures to contemporary design pieces like the Gufram x Paul Smith 'Sunset Cactus.' The interior reflects Davidson's 'man cave' aesthetic, blending high-end collectibles with whimsical references to television, film, and his native Staten Island.

The Art Consultancy Firm Saying No to the Attention Economy

Approximately Blue (AB), a contemporary art consultancy and brokerage, is deliberately operating without a public-facing brand, social media presence, or physical address. Founded by François-Luc Giraldeau and Emily Johnson, the firm focuses exclusively on primary market fine art prints and multiples, prioritizing deep research and direct, substantive relationships with collectors over visibility and hype.