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With end of US government shutdown, National Gallery of Art and Smithsonian museums start reopening

Federal museums in Washington, DC, including the National Gallery of Art and multiple Smithsonian Institution branches, began reopening after the longest US government shutdown in history ended on Wednesday night (12 November). The National Gallery of Art reopened its West Building and sculpture garden on 14 November, with the rest of the campus following on 15 November. Its postponed exhibition *The Stars We Do Not See: Australian Indigenous Art* opened on 15 November instead of 18 October. Three Smithsonian museums reopened on 14 November, five more on 15 November, and all remaining venues—including the Cooper Hewitt, Smithsonian Design Museum in New York—by 17 November. The Smithsonian American Art Museum’s exhibition *Grandma Moses: A Good Day’s Work* was postponed from its original 24 October opening.

The opening of the Princeton University Art Museum, explained

The Princeton University Art Museum (PUAM) is set to reopen with a new building featuring nine main pavilions, including a European Art Pavilion and an Ancient Mediterranean Art Pavilion, along with study spaces, lecture halls, and a restaurant called Mosaic Restaurant. In an advance tour, Director for Collections and Exhibitions Chris Newth and spokesperson Stephen Kim answered community questions about dining options, study areas, and the museum's rotating exhibitions, which will display only about four percent of the collection at a time. Notable returning works include Antioch mosaics, a Guanyin sculpture, Andy Warhol's "Blue Marilyn," and Charles Willson Peale's "Washington at Princeton." The museum will host a 24-hour opening event for students.

Comment | Frieze galleries have committed to climate donations—now it's time for the art world to pack in its private jets

A new initiative called 10% Of launches at Frieze London and Frieze Masters, inviting galleries to donate 10% of the sale price of designated works to the Gallery Climate Coalition (GCC), an international art world environmental charity. Nearly thirty galleries have signed up, including Gagosian, White Cube, David Zwirner, and Lisson, with works priced from £3,000 to £150,000. The scheme aims to reframe a standard art market gesture into collective climate action, with participating galleries displaying their GCC membership status on booth signs.

New London venue to focus on global majority arts—and host ‘necessary conversations’

A new cultural centre called Ibraaz is opening on 15 October in a historic Grade II-listed mansion at 93 Mortimer Street in London’s Fitzrovia. The inaugural exhibition is Ibrahim Mahama’s installation *Parliament of Ghosts*, which fills the ballroom with colonial furniture and plinths evoking Ghana’s past. The multi-disciplinary art space is entirely funded by the Kamel Lazaar Foundation and led by Lina Lazaar, who previously founded Jeddah Art Week and worked at Sotheby’s. Ibraaz will host talks, performances, film screenings, and exhibitions, and includes a bookshop, café, screening room, and a library-in-residence by the Otolith Group.

In first peek at collections, Art Museum announces two opening exhibits

The Princeton University Art Museum (PUAM) has announced its two opening exhibitions for the newly rebuilt museum, set to debut on October 31. The inaugural shows are “Princeton Collects,” featuring approximately 150 works donated over the past four years including the largest piece by Irish-American artist Sean Scully, and “Toshiko Takaezu: Dialogues in Clay,” a ceramics exhibition highlighting the late artist’s closed-form works and her connections to teachers, peers, and students. The museum, described by Director James Steward as a “once-in-a-century remaking,” will open with a 24-hour public open house after student and member previews.

Fra Angelico masterworks reunited for two-venue Florence exhibition

Florence is opening a comprehensive double-venue exhibition of over 140 works by Fra Angelico, the early Renaissance master. The show, titled simply "Fra Angelico," runs at the Museo di San Marco and the Palazzo Strozzi, reuniting dispersed altarpieces and panels for the first time in over two centuries. It traces his evolution from late Gothic to early Renaissance, featuring reconstructed altarpieces with panels gathered from major European and American museums, alongside works by his influences like Masaccio, Lorenzo Ghiberti, and Lorenzo Monaco.

Is This the Breaking Point for Museums?

Museums across the West are facing a severe funding crisis as governments slash public support. In the U.S., President Donald Trump’s deep cuts to the National Endowment for the Arts (NEA), National Endowment for the Humanities (NEH), and the Institute for Museum and Library Services (IMLS) have resulted in hundreds of millions of dollars in lost funding, while stock market volatility and increased endowment taxes further strain budgets. In Europe, Berlin cut €130 million from cultural funding in December 2024, and other countries face similar pressures, forcing museums to confront dwindling subsidies and shifting philanthropy.

From Dior's golden coat to landscape jewellery at Christie's: where the worlds of art and luxury collide this autumn

The article highlights two luxury-art crossovers this autumn: Jonathan Anderson's debut Dior menswear collection for spring/summer 2026, presented in Paris, and Natasha Wightman's new jewellery collection displayed at Christie's London. Anderson's show reimagined Dior's iconic women's silhouettes for men, featuring a standout €200,000 coat embroidered with ancient Indian mukesh work that took 12 artisans 34 days to create. Wightman's jewellery incorporates bog oak, a semi-fossilised wood from British fens, carved into pendants celebrating the country's remaining temperate rainforests.

8 Must-See Solo Gallery Shows in September

Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for September, featuring artists from New York to San Francisco. Highlights include Yuan Fang's abstract exploration of her cancer journey at Skarstedt, Sam McKinniss's pop-culture-infused paintings at Jeffrey Deitch, María Berrío's mythological collages at Hauser & Wirth, and Maria Nepomuceno's contemporary take on ancient traditions at Sikkema Malloy Jenkins, among others.

Giorgio Armani, designer who changed how museums engage with fashion, has died aged 91

Giorgio Armani, the Italian fashion designer who bridged fashion and contemporary art, has died aged 91. Born in Piacenza in 1934, he founded his eponymous label in 1975 and became a global brand. In 2000, he became the first fashion designer to have a solo exhibition at the Solomon R. Guggenheim Museum in New York, curated by Germano Celant, which marked a turning point in how museums engage with fashion. In 2015, he opened Armani/Silos in Milan, a converted warehouse serving as an archive and cultural venue, hosting retrospectives of photographers Aldo Fallai and Peter Lindbergh. He also collected photography, sponsored exhibitions like Magnum on Set at the Museo della Permanente, and lent his archive to institutions including the Victoria and Albert Museum.

Reynolds works acquired by Waddesdon Manor under UK's acceptance in lieu scheme

Two major paintings by 18th-century British artist Joshua Reynolds—David Garrick Between Tragedy and Comedy (1761) and Portrait of Joanna Leigh, Mrs Richard Bennett Lloyd (1775-76)—have been acquired by Waddesdon Manor in Buckinghamshire under the UK’s acceptance in lieu (AIL) scheme. The works, from the estate of Jacob Rothschild who died in February 2024, settled a combined £24.5 million in inheritance tax. Both paintings had been on loan to Waddesdon Manor, a National Trust property managed by Rothschild, since 1995.

The new U-Haul Art Fair is pulling up in Chelsea

A new art fair called U-Haul Art Fair will take place in Chelsea, New York, from September 5-7, 2025, with ten exhibitors presenting work from the backs of rented U-Haul trucks parked streetside. Organized by James Sundquist and Jack Chase of the nomadic U-Haul Gallery, the fair features galleries including Nino Mier Gallery, Hexton Gallery, and Autobody Autobody, with each participant paying $2,500 in fees. The exact location is being kept secret but will be between 10th and 11th avenues and 20th and 30th streets.

Teiger Foundation gives grants totalling $7m to 85 curators

The Teiger Foundation, a US-based nonprofit supporting art curators, has announced its 2025 grantees, awarding a total of $7 million to 85 curators at institutions across the country. This nearly doubles last year’s grants as the foundation transitions to a biennial model, with individual grants ranging from $50,000 to $150,000 for exhibitions, research, touring shows, and three years of programming. Notable projects include a major survey of the late artist L.V. Hull organized by curators Ryan N. Dennis, Annalise Flynn, and Yaphet Smith, and a Theresa Hak Kyung Cha retrospective curated by Victoria Sung and Tausif Noor.

Sarasota Art Museum stages an Art Deco extravaganza

The Sarasota Art Museum (SAM) on the Ringling College of Art and Design campus has opened "Art Deco: The Golden Age of Illustration," an exhibition of 100 large posters from the Crouse family collection. Curated by Rangsook Yoon, the show celebrates the 100th anniversary of Art Deco, tracing its origins from the Belle Epoque through the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, and features works by artists such as Alphonse Mucha, Henri de Toulouse-Lautrec, and Théophile-Alexandre Steinlen. The Crouses, who previously lent works to The Guggenheim and the Victoria and Albert Museum, displayed part of their collection at New York's Poster House in 2023-2024.

Epic Palmer Museum exhibition explores 30 years of ecology and art

The Palmer Museum of Art at Penn State is opening "Mark Dion and Alexis Rockman: Journey to Nature’s Underworld" on August 30, the first survey of the two artists' work spanning three decades. The exhibition features sculptures, paintings, works on paper, and a new collaborative diorama, exploring themes of ecology, environmental collapse, invasive species, and climate change through scientific and artistic lenses. Both artists, who met in New York in the 1980s, combine intensive research, dark humor, and museum display methods to subvert traditional narratives about nature and humanity.

Australian Aboriginal artist Emily Kame Kngwarreye exhibition at Tate Modern

The Tate Modern in London is hosting a landmark retrospective of Australian Aboriginal artist Emily Kame Kngwarreye (c. 1914–1996), running from July 10 to January 11, 2026. The exhibition features 70 works spanning her career, from early batik designs to her final acrylic paintings, and is organized in collaboration with the National Gallery of Australia, the Utopia Art Centre, and Kngwarreye's descendants. It is the first major solo exhibition of her work in Europe, highlighting her deep connection to her ancestral country and culture.

‘It was absolutely terrifying’: Thom Yorke on his long journey back to becoming a visual artist

Thom Yorke, the Radiohead frontman, reflects on his journey back to visual art in an exclusive interview with The Art Newspaper. Having left art school in the late 1980s, Yorke felt resistant to calling himself a visual artist, a discomfort compounded by his music career. He and his bandmate Stanley Donwood, whom he met at Exeter University, are now opening their first institutional exhibition, "This is What You Get," at the Ashmolean Museum in Oxford. The show spans 30 years of record covers, sketchbooks, and recent paintings, marking a significant return to Yorke's artistic roots.

Behind the The Art of Banksy with Michel Boersma

The article recounts a personal visit to 'The Art of Banksy' exhibition at the Aotea Centre in Auckland, New Zealand, on July 7, 2024. The author, initially hesitant due to past awkward experiences at art shows, attends the opening and describes the immersive, gritty atmosphere of the 909 sqm space featuring 160 authenticated Banksy pieces. The exhibition includes iconic works like a girl with a heart-shaped balloon and anti-royalist pieces, and the author interviews curator Michel Boersma, who explains the show's growth from 65 pieces in 2018 to its current scale, touring 19 cities and attracting over 1.5 million visitors.

The new era of fashion’s art exhibitions

LACMA's upcoming David Geffen Galleries, opening in 2026, will feature over 130 costumes and textiles in its inaugural installations—more than any other time since the museum opened in 1965. The museum also plans exhibitions such as 'Fashioning Chinese Women: Empire to Modernity' (with mannequins by Jason Wu) and 'Fashioning Fashion' (1900–2025). Other major fashion exhibitions include 'Virgil Abloh: The Codes' at Paris's Grand Palais, 'Westwood Kawakubo' at the National Gallery of Victoria, and 'Schiaparelli: Fashion Becomes Art' at London's V&A. The article notes that fashion exhibitions are increasingly popular and profitable for museums, citing the Met's Costume Institute and its record-breaking Met Gala fundraising.

‘Fearless exploration’: visionary Australian artist Janet Dawson gets her first retrospective aged 90

The Art Gallery of New South Wales (AGNSW) has opened 'Janet Dawson: Far Away, So Close,' the first-ever retrospective for Australian artist Janet Dawson, now aged 90. The exhibition spans over six decades of her career, from her teenage years at the National Gallery of Victoria Art School—where she was the only child student accepted by realist painter H. Septimus Power—through her abstract period in Europe, her defiant practice in conservative 1960s Melbourne, and her later retreat to rural NSW. The show includes major works, photos, and ephemera, arranged chronologically across four rooms, highlighting Dawson's evolution from tonal realism to abstraction and her 1973 Archibald Prize win for a portrait of her husband, theatre director Michael Boddy.

Capitalism, cityscapes and the climate crisis take centre stage at Luma Arles

Peter Fischli's exhibition "People Planet Profit" at Luma Arles presents hundreds of cheap, poorly designed business books he photographed over seven years, exploring the tension between capitalism, climate crisis, and social wellbeing. The show includes sculptures and screen prints that critique late-stage capitalism and mass tourism. Alongside it, landscape architect Bas Smets presents "Climates of Landscape," a practical exhibition proposing urban ecological solutions to rising temperatures and tides, featuring a microclimate installation within the former industrial building.

Why ‘devastating’ climate control rules for museum collections need a rethink

Museums are rethinking decades-old climate control standards that dictate strict temperature and humidity ranges for preserving collections. These guidelines, originally based on 1970s research for paintings in London, have been widely adopted globally despite being designed for temperate climates. Conservator Caitlin Southwick of Ki Culture argues this is a "big misunderstanding," as the standards were never intended for diverse collections like stone in Brazil or tapestries in Italy. Climate control systems now account for 60-70% of a typical museum's energy consumption, creating high costs and carbon footprints.

Skeletons, Tears and Lobsters: Schiaparelli Exhibition to Open in 2026

The Victoria & Albert Museum in London will host "Schiaparelli: Fashion Becomes Art" at the Sainsbury Gallery from March 21 to November 1, 2026. The exhibition traces the legacy of founder Elsa Schiaparelli from the 1920s to the present, under current owner Diego Della Valle and creative director Daniel Roseberry. It will feature over 200 objects spanning Paris, London, and New York, including garments, accessories, jewelry, paintings, photographs, and archive material. Highlights include the Skeleton dress (1938) and the Tears dress (1938), created in collaboration with Salvador Dalí. The show also explores Schiaparelli's relationships with clients like Wallis Simpson and artists such as Pablo Picasso, Jean Cocteau, and Man Ray.

Somerset House to mark 25 years as a public space with weekend of free events

Somerset House, a central London center for contemporary art and innovation, will host a free weekend of interactive events on September 13-14 to celebrate 25 years as a public space. The Step Inside 25 Weekend will feature installations by Turner Prize-winning artist Tai Shani, musician Gaika, and sound artist Nick Ryan, alongside works from the inaugural Talent 25 awardees—a new mentorship program led by artist Yinka Ilori. The event will open rarely accessible areas like the Deadhouse subterranean spaces and the Portico Rooms.

8 Must-See Solo Gallery Shows in July

Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for July, highlighting exhibitions from New York to California. Featured artists include Nancy Dwyer, whose word-based paintings and sculptures are on view at Ortuzar in New York; Marcel Dzama, showing storytelling drawings and a surreal film at David Zwirner in Los Angeles; Francis Picabia, with a focus on his Art Informal period at Hauser & Wirth in New York; and Igshaan Adams, presenting tapestries and textile works at Casey Kaplan in New York, among others.

Whiteley showcase reveals struggles with addiction and pursuit of beauty

A touring exhibition from the Brett Whiteley studio in New South Wales, titled *Inside The Studio*, has arrived at the Shepparton Art Museum in Victoria—its final stop and only Victorian venue. The show features drawings, ceramics, sketchbooks, photographs, Whiteley's iconic Sydney Harbour painting, and his 1976 Archibald Prize-winning self-portrait. Wendy Whiteley, the artist's former wife and an artist herself, shares memories of their turbulent marriage, including his struggles with addiction and his intense dedication to his craft. She has also repurchased several of her favorite sketches of her in the bathtub, which had been auctioned off over the years.

Landmark Exhibition at the National Museum of Women in the Arts Reframes an Iconic Historical Era

The National Museum of Women in the Arts (NMWA) in Washington, D.C., will present "Women Artists from Antwerp to Amsterdam, 1600–1750" from September 26, 2025, to January 11, 2026. This landmark exhibition features nearly 150 artworks by 40 Dutch and Flemish women artists, including Judith Leyster, Rachel Ruysch, and Clara Peeters, alongside works by unnamed textile makers. Co-curated by Virginia Treanor and Frederica van Dam, the show includes loans from over 50 institutions such as the Rijksmuseum, the Metropolitan Museum of Art, and the Prado Museum. It will travel to the Museum of Fine Arts in Ghent, Belgium, from March to May 2026.

New CAM Exhibition Shows Food’s Role in French Art

The Cincinnati Art Museum has opened a new exhibition titled "Farm to Table: Food and Identity in the Age of Impressionism," organized by the American Federation of Arts and the Chrysler Museum of Art. Featuring works by Claude Monet, Vincent van Gogh, Paul Gauguin, and others, the show explores the role of food in French art and society from the 1870s onward, juxtaposing scenes of peasant labor with depictions of upper-class abundance. Curator Andrew Eschelbacher highlights how food was central to French identity during a period marked by war, famine, and social upheaval, with Impressionist brushstrokes often veiling deeper sociopolitical realities.

Basel's new satellite fair rides the wave of interest in contemporary African art

A new satellite art fair called Africa Basel has launched in Basel, Switzerland, founded by artist Benjamin Füglister and Photo Basel director Sven Eisenhut-Hug. The fair brings together 18 galleries, half from Africa, in a 14th-century building that once housed Dieter Roth's studio. Participants include non-commercial organizations like Ghana's Nubuke Foundation and Zambia's Modzi Arts, with prices ranging from SFr3,000 to SFr150,000. The fair aims to provide a platform for galleries specializing in contemporary African art and its diaspora to enter the global scene.

Cincinnati Exhibition Explores Why These Late 1800s French Artists Focused on Food

The Cincinnati Art Museum presents "Farm to Table: Food and Identity in the Age of Impressionism," a new exhibition running from June 13 to September 21, 2025. Curated by Peter Bell, the show features over 60 paintings and sculptures from late 1800s France, exploring how artists depicted food production and consumption in the aftermath of the Franco-Prussian War and the Paris Commune. Works by artists such as Julien Dupré, Victor Gilbert, Rosa Bonheur, James Tissot, and Gustave Courbet are included, with the exhibition divided into sections on production and consumption, juxtaposing images of labor, market scenes, and dining practices.