Zona Maco, Latin America's largest art fair, has concluded its 2026 edition in Mexico City, reporting strong sales and significant international attendance. The fair featured over 200 galleries from more than 25 countries, with a notable focus on contemporary art from Latin America and a robust program of curated sections.
Casa Batlló, the iconic Antoni Gaudí-designed building in Barcelona, has opened a new contemporary art space on its second floor. The inaugural exhibition, 'Beyond the Façade' by Matt Clark and United Visual Artists, uses light, sculpture, technology, and choreography to create an immersive experience inspired by Gaudí's vision and the philosophical system of Ramon Llull.
The Marjorie Barrick Museum of Art has launched its 2026 spring season with three major exhibitions and a new program of free field trips for students. The exhibitions, which run from February 20 to June 13, include the traveling group show 'Actions for the Earth: Art, Care & Ecology,' a solo exhibition by Guatemalan American artist Jackie Amézquita titled 'El camino se traza al andar,' and a solo exhibition by Amy Elkins called 'Mourning Songs of Salt and Silt.' An installation by Ash Ferlito and Patrick Costello, 'Moth Ball,' is also on view. The museum is hosting a free opening reception and a series of public lectures and events for Black History Month.
Casa Batlló, Antoni Gaudí's iconic Art Nouveau house in Barcelona, has opened a new contemporary art gallery called Casa Batlló Contemporary. The 230-square-meter space, designed by local studio Mesura, occupies previously inaccessible rooms on the building's second floor and will host two exhibitions annually, aiming to explore Gaudí's vision through contemporary creativity.
Loyola Marymount University's Laband Art Gallery has opened "Noni Olabisi: When Lightning Strikes," the first institutional exhibition dedicated to the work of artist and muralist Noni Olabisi (1954-2022). The show, running from January 29 to April 4, 2026, features over 40 works from 1984 to 2022, highlighting her bold public murals in South Los Angeles and her commitment to portraying Black identity, history, and contemporary struggles.
Emilia Galatis Projects, a Perth-based gallery focusing on Western Australian First Nations artists, will present the first Melbourne solo exhibition by Corban Clause Williams at Melbourne Art Fair 2026, running February 19-22. The show will debut 15 new paintings and design works extending Williams' Manyjilyjarra Country and culture into sculptural and textile forms, accompanied by a Martu Wangka artist talk with Anya Judith Samson. Williams, born in 1994 and based in Parnngurr Community, has gained rapid acclaim for canvases weaving ancestral knowledge with contemporary visual language, and was named an inaugural Creative WA Fellowship recipient in late 2025.
Multiple venues in Athens, Georgia, are hosting spring exhibitions featuring works by youth, student, and emerging artists. Shows include the Athens Academy Community Art Show, ATHICA's "Bird's Eye View" by Lybi Cucurullo, OCAF's "Youth Art Month" and "Tiny Worlds," Dodd Galleries' student works, Lyndon House Arts Center's exhibitions by Kate Kaiser and Sebastian Granados, the 51st Annual Juried Exhibition, "Creative Tracks" from the Athens-Clarke County Jail, the "Green Life Student Art Exhibition," Taylor-Grady House's "Home & Family" printmaking exhibit, and Winterville Cultural Center's K-5 student show and Sherre Watwood's solo exhibition.
Two best friends, Amir Amini and Saina Heshmati, founded ANTiPODE gallery in Seattle in September 2025. The gallery prioritizes immigrant and established artists, with 70% of exhibitions dedicated to immigrant artists and 30% to local artists, aiming to act as a cultural bridge between Seattle and cities like Tehran. The founders previously curated a group exhibition called "Postcard from Tehran" at the RailSpur building, which inspired the gallery's mission. ANTiPODE also hosts events such as movie nights and experimental music and dance performances to connect with the local community.
Four new free art exhibits have opened at the Morean Arts Center in downtown St. Petersburg, Florida. The shows include Rebecca Sexton Larson's solo exhibition "Where Leaves Remember," featuring soft paintings and hand-colored photographs; "Day Dreams," a collaboration with SARTQ Artist Collective exploring dream imagery; "A Journey Through My Imagination," a juried exhibition by the National Association of Women Artists; and the Morean Center for Clay's Artist in Residence program show. The first three exhibits run through March 26, while the clay residency show closes February 16.
South African artist Gabrielle Goliath and curator Ingrid Masondo are taking urgent legal action against South Africa's sport, arts and culture minister Gayton McKenzie after he cancelled their project for the country's Venice Biennale pavilion. The pair were selected in December 2025 to present a new iteration of Goliath's decade-long project *Elegy*, which addresses femicide and the murder of LGBTQI+ people, and was also set to include references to the Ovaherero and Nama genocide in Namibia and the death of Palestinian poet Hiba Abu Nada. McKenzie, leader of the right-wing Patriotic Alliance party, described the Abu Nada-related content as "highly divisive" and cancelled the project on 2 January, just days before the submission deadline. The legal team, led by Adila Hassim, will file an application at the high court in Pretoria by 22 January, arguing that McKenzie's interference is unconstitutional.
The Michigan History Museum has opened a new exhibition titled “Black Velvet: A Rasquache Aesthetic,” which explores the cultural and historical significance of black velvet paintings within Latino and Chicano communities. The exhibit was developed by the museum's team in collaboration with three guest curators, who contributed works from their personal collections.
Artist Lawrence Buttigieg's exhibition 'Desire & its Excess' is on view at Spazju Kreattiv in Valletta until March 1, curated by Gloria Lauri-Lucente. The show brings together painting, box-assemblage, and film to explore desire as an embodied, relational force that resists closure, focusing on the reciprocal exchange between artist and female subject within the studio space.
The ARTS at King Street Station in Seattle has announced its 2026 exhibition calendar, featuring a diverse lineup of 13 shows from November 2025 through February 2027. Highlights include "Welcome to Paradise: ¡Viva Puerto Rico Libre!" by Jo Cosme, which critiques colonial narratives of Puerto Rico; "Living and Loving Under the Carceral State" by Alison Bremner; a South Indian kolam exhibition by Anuradha Samrat; and "Tết In Diaspora" by Nhi Vo celebrating Vietnamese New Year. Other exhibitions explore Afrofuturism, Black figuration, animation, augmented reality, the legacy of Black Arts West Theater, and themes of mothering and gender-based violence.
Three solo exhibitions open January 25 at the Great Park Gallery in Irvine, featuring artists Daniela García Hamilton, Kristina Rose Baker, and Vonn Sumner. Hamilton presents embroidered paintings exploring identity and family traditions; Baker shows large-scale works inspired by cave paintings that reimagine the human figure; Sumner reinterprets the comic strip Krazy Kat in surreal, painterly narratives. A free opening reception with live jazz and an Orizomegami paper-dyeing workshop will be held from 1 to 3 p.m.
Perkins Center for the Arts in Collingswood, New Jersey, opens its winter gallery season with a joint artists' reception on January 10, 2026, featuring two exhibitions. In the Main Gallery, 'Room For My Lens' surveys the first 20 years of photographer Liz Wuillermin's career, pairing images with personal stories. Upstairs in the Loft Gallery, 'The Untitled Art Exhibition' presents oil, acrylic, and mixed-media works by Anthony Charles Christopher Johnson and special guest artist Jamil Ameer Cobb, exploring freedom of expression, transformation, and truth through layered surfaces and reimagined found objects. Both shows run from January 5 through February 27, 2026.
A posthumous retrospective of Pakistani modernist painter Mashkoor Raza (1948-2025) was held at Mainframe Gallery in Karachi, showcasing his prolific output from the 1970s and 1980s. The exhibition featured abstract and semi-abstract works, equestrian paintings, and a recreation of his studio, drawing from his family's collection. Raza, a graduate of the Karachi School of Art and later a teacher there, was known for decorative abstractions in oils dominated by whites, reds, and blues, as well as cubist-style horse and figure compositions. The show also included a display of press clippings and art books, highlighting his influence and the critical reception of his era.
The Humboldt Arts Council presents an Art Talk Sunday event at the Morris Graves Museum of Art on January 4th, featuring the four artists from the exhibition '10th Street Studio': Carol Andersen, Laura Corsiglia, Peggy Rivers, and Van Shields. The exhibition showcases works by these like-minded artists who recently began sharing a studio space dedicated to creativity and mutual support. Andersen, Corsiglia, and Rivers have over 110 years of combined art-making experience, with works in significant public and private collections, while Shields joins as an emerging artist. The talk will include discussions on their practices, with Andersen focusing on wildlife as metaphor, Corsiglia drawing from nature and her time in Paris, Rivers exploring color theory through series, and Shields reflecting on his post-retirement artistic awakening.
Sharon Stone, the actress turned artist, has created a new series of paintings titled "Rogues Gallery" that she claims were inspired by channeling spirits from different historical eras. The works include a portrait called "Him" (2025), which she says depicts an enslaved person who drowned in the East China Sea on a slave ship. Stone describes her process as communicating with these spirits while painting, evoking the spiritualist approach of artists like Hilma af Klint. She plans to exhibit the works in intimate, phone-free settings to enhance the ethereal experience.
Heidi Lau and Wong Ping have been named joint winners of the Sigg Prize 2025, awarded by the M+ museum in Hong Kong. Each artist receives HK$300,000 ($39,000). The other shortlisted artists—Bi Rongrong, Ho Rui An, Hsu Chia-Wei, and Pan Daijing—each receive HK$100,000 ($13,000). Their works are on view at M+ until 4 January. Lau, based in New York, creates ceramics exploring time, space, mythology, and personal grief; Wong, based in Hong Kong, produces animated videos addressing social and political issues.
David Drake, also known as Dave the Potter, was an enslaved African American ceramicist and poet in 19th-century South Carolina who inscribed his stoneware jars with defiant poetry at a time when teaching enslaved people to read or write was a crime. The article argues that despite his recognized genius, Drake was not fully an artist during his lifetime because he was denied the fundamental right to own, control, and benefit from his creations—a right the Berne Convention calls 'inalienable.' Only recently, after the Museum of Fine Arts Boston returned two of his jars to his heirs, has Drake begun to receive the full recognition and economic justice that define true artistic status.
The Neue Galerie Graz is presenting 'Art space Styria,' an exhibition running parallel to the Promotion Prize of the Province of Styria for Contemporary Arts. The show features Styrian participants from the 2023/24 studio programs and foreign scholarships offered by the Department of Culture, showcasing work by over 30 artists including Ace, Joerg Auzinger, Veronika Eberhart, and others. The exhibition highlights contemporary art from artists who either come from Styria or have close ties to the region.
The City Hall Galleries in Boston are hosting the Fay Chandler Emerging Art Exhibition, featuring works by local emerging artists, free to visit through January 30, 2026. Six artists have been awarded cash prizes, including Miguel Caba (Best in Show, $3,000), Pam Goncalves (50+, $2,000), Ava Chapman (New Voice, $2,000), and Juror's Choice winners Yanna Marie Orcel and Marisa McCarthy ($500 each). The exhibition is inspired by Boston philanthropist Fay Chandler, who began her artistic journey later in life, and is supported by her family.
Space 204 and the Vanderbilt University Department of Art will host a solo exhibition by Chidinma Onukwuru, the 2024 Hamblet Award recipient, from January 8–29, 2026. Titled "It’s Frightening Having This Much Presence," the show explores Igbo spirituality, ancestral ties, and the continuity of traditional Nigerian ceramic techniques, with an opening reception on January 8.
Artist Soumyadeep Roy's latest exhibition, "Shahrashob," explores migration and identity through the lens of historical and personal narratives. The show traces movements from Delhi to Lucknow in the 18th century, Lucknow to Calcutta in the 19th century, and post-partition shifts to Bombay and Karachi, centering on Wajid Ali Shah's journey to Kolkata and the creation of a mini-Lucknow in Metiabruz. The exhibition features video films of paan-sellers in Lucknow and Calcutta, archival references, and creative re-imaginings, drawing on Roy's personal bonds with descendants of historical figures.
A new contemporary art exhibition titled 'Beyond the Frame' has opened at The Nico Ditch in Ashton-under-Lyne, featuring 13 artists from the local area, the UK, and overseas. The show includes works in painting, textiles, video, and found objects, with themes such as conflict, community, nature, and personal resilience. Around 60 people attended the opening event, and the exhibition runs until February 1 during the venue's regular hours.
Chicago-based multidisciplinary artist Yvette Mayorga, in collaboration with Austin’s nonprofit MASS Gallery, has announced an open call for artists living in the Greater Austin area to submit existing works for an exhibition titled *Lost and Found*, scheduled for January 17 through February 14, 2026, at MASS Gallery. The open call is part of the community engagement phase of Mayorga’s major public art project for the new concourse at Austin-Bergstrom International Airport (ABIA), set to open in 2030. Her project draws on her ancestral ties to the Bracero Program, exploring the emotional resonance of personal objects carried across borders and generations. The exhibition aims to give visibility to local artists while building community around themes of migration, ecology, and the flora and fauna of Texas and Mexico.
Hervey Bay Regional Gallery in Queensland is closing out 2025 with three new exhibitions by local artists, opening November 28. The shows include a solo exhibition by Alywarr artist Dion Beasley, titled "Six Dogs," featuring his playful drawings of camp dogs inspired by his hometown of Tennant Creek and his children's books. Also on view are Brisbane-based Tyza Hart's "Appearing," a decade-spanning installation of ceramics and self-portraits, and the collaborative project "Weeds to Paper" led by papermaker Zela Bissett, which transforms invasive plants into handmade paper artworks in partnership with Butchulla Traditional Custodians.
Globally-renowned English felt artist Lucy Sparrow has opened a new 13,000-piece felt exhibition titled "Lucy Sparrow’s Quick Shop" at FloridaRAMA in St. Petersburg, Florida. The immersive grocery-themed pop-up features handmade felt versions of everyday products like avocados, toothpaste, and seafood, and functions as both an art installation and a shop where visitors can purchase the signed felt items. The exhibition will remain open only as long as the stock lasts, with special shopping events alongside the artist scheduled for November 25, 26, and 28.
Miami Beach's city government runs 'No Vacancy,' an annual art exhibition that transforms around a dozen hotels and resorts across the city. Now in its fourth year, the program selects local and Miami-rooted artists—including Amanda Linares, Lee Pivnik, Pepe Mar, and Edison Peñafel—through a competitive open call to create site-specific works in public areas of participating properties such as Casa Faena, Miami Beach EDITION, and The Betsy Hotel. The exhibition has been extended from two weeks to four weeks this year, and visitors can explore the works via a self-guided tour, with over 200 artists submitting for the current edition.
The Heseltine Open Exhibition 2025 is currently on view at the Heseltine Gallery in Middleton Cheney, UK, through December 14. Featuring over 60 adult artists and a record 17 youth entries, the show includes paintings, drawings, prints, pottery, glasswork, textiles, photography, and mixed media. Awards were presented by John Childs, Chief Art Examiner for OCR and gallery founder, and Tom Christy, Head of Art and Design at Chenderit School. Commended artists include ceramicists Julia Taylor and Sue Clayton, glass artist Jill Tilsbury, wire sculptor Linda Johns, and several painters and photographers. Two young artists, Lottie Clarke and Annika Dowden, received the Brian Goodey memorial prize.