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Kenny Schachter explores the existential threat posed by the rapid advancement of Artificial Intelligence and its projected impact on the global economy by 2028. Citing the Citrini Report, he highlights a future of mass unemployment among white-collar professionals—the primary demographic for art consumption—who account for over 50% of discretionary spending in the U.S. As tech leaders like Jack Dorsey begin significant workforce reductions attributed to AI, the financial foundation of the art market appears increasingly precarious.

whitney biennial 2026 first takes

The 82nd Whitney Biennial has opened at the Whitney Museum of American Art, featuring 56 artists, duos, and collectives. Curated by Marcela Guerrero and Drew Sawyer, this edition eschews a formal theme in favor of a sprawling, material-diverse exhibition that emphasizes slow looking and political engagement. Early critical reception suggests a stronger, more cohesive showing than the previous 2024 edition, despite a notable absence of traditional painting.

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Bottega Veneta unveiled its Winter 2025 collection at Milan Fashion Week, staged within the brand’s new headquarters at the historic Palazzo San Fedele. Creative director Louise Trotter collaborated with British designer Max Lamb to create a massive site-specific installation consisting of 421 sculptural white chairs for the audience. The set design drew inspiration from Lamb’s "60 Chairs" project, where he rapidly fabricated furniture from polystyrene slabs.

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Graham Wilson, founder of the Tribeca-based Swivel Gallery, has joined Marc Straus Gallery as a partner and senior director. As a result of this merger, Swivel will close its independent space, and its roster of emerging artists—including Amy Bravo and Kiah Celeste—will transition to Marc Straus. The partnership will be inaugurated with a group exhibition of Swivel artists at Marc Straus’s Lower East Side location on March 19.

Japan's Art Market Growth and Asian Art News

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Japan’s art market demonstrated remarkable resilience in 2024, growing by 2% to reach $692 million despite a 12% contraction in the global art market. A government-commissioned report by economist Clare McAndrew revealed that the Japanese market is characterized by high-volume, lower-value transactions, with 93% of sales occurring at price points under $10,000 and dealers accounting for the vast majority of trade.

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Rena Bransten, a foundational figure in the San Francisco art scene, has died at the age of 92 following a heart attack and a subsequent fall. Since founding her eponymous gallery in 1975, Bransten became a champion for California-based artists, with a pioneering focus on women and artists of color. Her gallery represented major figures including John Waters, Dawoud Bey, and Fred Wilson, evolving from its origins in ceramics to a multidisciplinary powerhouse that recently transitioned to a nomadic model.

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Actor Josh Brolin recently appeared on the Felix Podcast to discuss his extensive journey as an art collector, revealing the challenges even Hollywood stars face when navigating the gallery system. Brolin shared anecdotes about being placed at the back of waiting lists for high-demand artists like Danielle Mckinney and the humbling experience of having to prove his sincere passion for works to dealers like Jeffrey Deitch. The conversation highlighted his collection, which includes works by George Condo, Shara Hughes, and Jammie Holmes.

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The gallery Anthony Meier in San Francisco is hosting "Barbara Stauffacher Solomon: Garden = Grid = City," the first exhibition of the late artist’s work since her estate began being co-represented by the gallery and von Bartha. The show highlights Solomon’s diverse eight-decade career, moving beyond her famous "supergraphics" to showcase rarely seen paintings and drawings from the 1980s that explore the intersection of city grids and landscape architecture.

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Musician Scotty Ramon, better known as Kid Cudi, has launched his debut solo painting exhibition titled "Echoes of the Past" at Ruttkowski;68 gallery in Paris. The show features a series of striking, flat-palette canvases centered around an avatar named Max, who navigates scenes of psychological struggle and liberation. To accompany the visual works, Ramon composed a 10-minute percussive score that plays on a loop in the gallery, intended to transport viewers into his creative psyche.

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The New York art scene is witnessing a shift in the Tribeca gallery landscape as 1969 Gallery, a fixture known for championing emerging painters, has shuttered its physical space at 39 White Street. Founder Quang Bao confirmed the closure following the building owner's decision to sell the property, noting that he is currently operating from Barcelona with plans to pivot toward collaborations and residencies rather than the traditional gallery model. Meanwhile, the itinerant Ward Gallery continues to gain traction by hosting pop-up symposia at institutions like the International Center for Photography, signaling a broader trend toward real-estate-free dealership.

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The American Federation of the Arts (AFA) has launched a major touring exhibition titled "Abstract Expressionists: The Women," featuring nearly 50 works from the collection of Christian Levett. Currently on view at the Muscarelle Museum of Art in Virginia, the show highlights 32 artists who were pivotal to the movement but often overshadowed by their male peers. The exhibition includes masterpieces by celebrated figures like Helen Frankenthaler and Lee Krasner alongside rediscovered works by lesser-known painters such as Emiko Nakano and Yvonne Thomas.

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The Reefline, a non-profit eco-art initiative, has launched its first phase of a seven-mile underwater sculpture park and artificial reef along Miami Beach. The project debuted with 'Concrete Coral' by Argentinian artist Leandro Erlich, a submerged sculpture depicting a traffic jam designed to provide a habitat for marine life. Future phases include works by Carlos Betancourt, Alberto Latorre, and Petroc Sesti, all overseen by the architecture firm OMA and founder Ximena Caminos.

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Art Basel Hong Kong 2026 will feature 240 galleries and an expanded program, including the Asia debut of the digital-focused Zero 10 section and a reimagined Encounters section. The Encounters section, curated by a team led by Mami Kataoka, will feature 12 large-scale works based on the Five Elements theme, with pieces by artists like Suki Seokyeong Kang and Parag Tandel. The Film section is under new curation by Ellen Pau, and the fair coincides with major exhibitions at institutions like M+.

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The Carnegie Museum of Art in Pittsburgh has announced the artist list for its 2026 Carnegie International exhibition. The largest edition to date features 61 artists from around the world, including the Indigenous Argentinian collective Silät, Indian artist Sanchayan Ghosh, and Peruvian painter Arturo Kameya. The show, titled "If the word we," will open on May 2 and includes 36 new commissions, organized by curators Ryan Inouye, Liz Park, and Danielle A. Jackson.

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Artist Nick Cave and his partner Bob Faust have transformed an abandoned Chicago textile factory into a vast live-work-gallery complex called Facility. The space houses their apartment, studios for themselves and ten assistants, and a street-facing gallery for emerging artists. Cave is preparing for a major exhibition, "Mammoth," at the Smithsonian American Art Museum, while also working on large-scale public commissions, including a sculpture for Princeton University Art Museum and a collaborative installation for the Obama Presidential Center.

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Devon Turnbull, also known as OJAS, has a dedicated listening room featuring his custom-built high-fidelity sound system as part of the "Art of Noise" exhibition at the Cooper Hewitt Smithsonian Design Museum in New York. The installation, titled HiFi Pursuit Listening Room Dream No. 3, occupies Andrew Carnegie's former personal library and features scheduled listening sessions with the artist or guests, including notable figures like filmmaker Josh Safdie, musician Laraaji, and artist Tom Sachs.

san francisco art week guide

San Francisco Art Week is underway, anchored by the 12th edition of FOG Design and Art (January 21–25) on a historic former Army base. The event arrives amid flux for Northern California's art scene, with several prominent galleries closing and two major art schools—the San Francisco Art Institute and the California College of the Arts—recently shuttering. However, new free-admission fairs Atrium and Skylight Above (both January 22–25) signal fresh energy. The article highlights must-see museum shows across the city, including "Lee ShinJa: Drawing with Thread" at BAMPFA, "Rose B. Simpson: Lexicon" at the de Young Museum, "Rising Tides" at the Floating Art Museum, and "Earthseed Dome: Lily Kwong" at the Institute of Contemporary Art, San Francisco.

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Volume Gallery, a Chicago gallery specializing in art and design, is tripling its size and moving to a new location in the West Town neighborhood. The gallery, founded by Claire Warner and Sam Vinz, will open a 3,500-square-foot space on February 13, marking its third location since its 2010 launch. The inaugural exhibition, "The Heresy of Legacy," will feature works by artists and designers including Selva Aparicio, Richard Artschwager, and Joyce Scott.

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Martial Raysse, the 89-year-old, reclusive giant of postwar French art, has debuted a new exhibition of recent paintings and sculptures at Galerie Templon in Paris. The show features 30 works, selected from over 50, and marks his first collaboration with the gallery, initiated by a handwritten letter from founder Daniel Templon.

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British-Indian artist Anish Kapoor will open his 16th-century Venetian palazzo, Palazzo Manfrin, to the public this spring for an exhibition of his work. The show, opening May 5 just before the Venice Biennale, will feature around 100 architectural models, sculptures, and installations from the past five decades, many related to unrealized large-scale projects. Key works include a new version of *At the Edge of the World* (1998) and a permanent installation of *Descent into Limbo* (1992).

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This article from ARTnews reports on recent industry moves in the art world, including gallery roster additions and appointments. Jack Shainman Gallery added Brooklyn-based interdisciplinary artist Donyel Ivy-Royal, Esther Schipper now represents Tuan Andrew Nguyen in collaboration with James Cohan, Emalin took on Ghanaian artist Jonathan Okoronkwo, and Victoria Miro and Olney Gleason will jointly represent Emil Sands. Additionally, the Bass Museum of Art appointed Jasa McKenzie as associate curator. The piece also highlights a record-breaking $84.1 million sale of William I. Koch's Western art collection at Christie's, which set five new artist records, including Frederic Remington's reset twice.

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Ai Weiwei has recreated Claude Monet's monumental triptych "Water Lilies" (1914–26) using 650,000 Lego bricks in 22 colors, spanning nearly 50 feet. The work, titled "Water Lilies #1" (2022), is now on display at the Design Museum in London ahead of a major survey exhibition opening April 7. Ai added a personal touch by inserting a "dark portal" referencing the underground dugout he shared with his father during his family's exile to Xinjiang in the 1960s. The show also includes "Untitled (Lego Incident)", a work made from Lego bricks sent by fans after Ai's Instagram post about Lego temporarily restricting his bulk orders for political artworks.

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Alissa Friedman has returned to Salon 94, the New York gallery where she spent 15 years shaping its identity, after a stint at Stephen Friedman Gallery's US outpost, which is closing. In an interview with ARTnews, she discusses the gallery's early days in the mid-2000s, its unconventional program that embraced Indigenous artists, ceramics, and design before such categories were widely accepted, and how the art world has since aligned with that vision. She also explains her departure in 2021 when founder Jeanne Greenberg Rohatyn joined LGDR, as Friedman preferred working directly with living artists.

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Bailly Gallery, a Geneva-based gallery founded in 2007 by Charly and Hanna Bailly with family roots in the art business since 1977, is expanding its presence in Paris by opening a full public gallery space after operating a private showroom there for several years. The new location, which took five years to find, includes both a public exhibition area and two private showrooms designed like apartments, allowing collectors to view works in a domestic setting. The gallery is known for its expertise in Impressionist, Modern, and Postwar art and design.

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Taschen has released a monumental two-volume monograph titled "Art Sin Fin" (2026) dedicated to the 96-year-old Chilean filmmaker and polymath Alejandro Jodorowsky. The book, priced at $1,500 and packaged in a Plexiglass box, spans over 2,000 pages and includes film stills, collages, drawings, photographs, comic strips, and performance images curated by Jodorowsky himself in collaboration with Donatien Grau, head of contemporary programs at the Louvre Museum. It covers his entire career, from his surrealist films "El Topo" (1970) and "The Holy Mountain" (1973) to his failed "Dune" adaptation, his comic series like "The Incal" and "The Metabarons," his psychomagic therapy practice, and recent collaborations with his wife Pascale Montandon.

californias beloved di rosa art center is reborn with a love letter to incorrect art

Six years after announcing plans to deaccession its 1,600-work collection—the world's foremost trove of Post-war Northern California art—the di Rosa Center for Contemporary Art has reopened in a new downtown San Francisco space. The inaugural exhibition, "Far Out: Northern California Art," features artists such as Enrique Chagoya, Peter Saul, Viola Frey, Roy De Forest, and Jay DeFeo, celebrating the radical, countercultural ethos of the region. The space, located at the Minnesota Street Project in Dogpatch, had been vacant since the McEvoy Foundation for the Arts closed in 2023. Curator Twyla Ruby reports that visitors have been emotionally moved by seeing the collection reunited.

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Rebecca Salsbury James, an artist who mastered reverse painting on glass and colcha embroidery, is gaining renewed attention. Born in 1891 in London to parents involved in the Buffalo Bill Wild West Show, she later moved to Taos, New Mexico, where she lived until her death in 1968. She was married to photographer Paul Strand, a close friend of Georgia O'Keeffe, and exhibited at Alfred Stieglitz's gallery. Recent milestones include her inclusion in the 2025 Site Santa Fe International, a new acquisition by the Georgia O'Keeffe Museum, and a record auction price for her work at Christie's in 2016.

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This edition of State of Play, part of Artnet Pro's The Asia Pivot newsletter, reports on multiple developments across Asia's art scene. Highlights include the launch of Art Fairs Pavilion Taipei, a new alternative art fair co-founded by Hong Kong dealers Willem Molesworth and Ysabelle Cheung, with 13 galleries for its inaugural edition. Galleries Antenna Space and Kwai Fung Hin Art Gallery are expanding into Hong Kong and Singapore respectively, while veteran Beijing gallery Long March Space has closed its physical venue. The Taipei Fine Arts Museum announced Taiwan's collateral exhibition at the Venice Biennale, and the Hong Kong Museum of Art named artists for its collateral show. The Asia Society Museum in New York will open a 70th-anniversary exhibition, and the H+ Museum in Suzhou, designed by Tadao Ando, officially opened with two inaugural shows.

gordon parks foundation 20th anniversary

The Gordon Parks Foundation is celebrating its 20th anniversary in 2026, marking two decades since the founding of the organization dedicated to preserving the legacy of photographer and artist Gordon Parks. Executive Director Peter W. Kunhardt, Jr. reflects on the foundation's growth, including exhibitions, museum partnerships, publications, and fellowships that support emerging artists. The foundation was co-founded by Parks and Kunhardt's grandfather, Phil Kunhardt, in 2006. As part of the anniversary, the foundation is publishing a new edition of "Gordon Parks: Diary of a Harlem Family, 1967/1968" and will realize three gallery exhibitions, starting with "We Shall Not Be Moved" at Alison Jacques Gallery in London, curated by Bryan Stevenson.

renovated frick expansion reopening highlights

The Frick Collection reopens to the public on April 17 after a five-year closure and a $220 million expansion and renovation by Selldorf Architects. The project adds 18,000 square feet, including 10 new galleries in the family's original second-floor living quarters, a marble staircase, cafe, gift shop, and a new auditorium. The percentage of the collection on view has increased from 25% to 47%, and Ukrainian artist Vladimir Kanevsky has created porcelain floral arrangements for the reopening. New director Axel Rüger, who joined from London's Royal Academy of Arts, welcomed journalists at a press preview.