The Trinidad Express Newspapers published an article titled 'Art for the animals’ sake,' which appears to cover an art-related event or initiative benefiting animals. The specific details of the event, such as the artists involved, location, or date, are not provided in the given text, but the title suggests a charitable or awareness-raising focus combining visual art with animal welfare.
The Museum of Contemporary Art (MOCA) in Los Angeles has opened "MOCA focus: Takako Yamaguchi," the third exhibition in its relaunched MOCA focus series, running from June 29, 2025, to January 4, 2026. The show presents the first solo museum exhibition in Los Angeles for the 72-year-old Japanese-born artist, featuring a series of oil-and-bronze-leaf seascapes that synthesize motifs she has developed over four decades, blending influences from Mexican muralism, Renaissance art, Japanese Nihonga, and Art Nouveau.
Boston University Art Galleries presents "Ni de Aquí, Ni de Allá (Not From Here, Not From There)," a solo exhibition by Victor “Marka27” Quiñonez, curated by Kate Fowle, running from September 5 to December 10, 2025, at the Faye G., Jo, and James Stone Gallery. The show features original paintings, immersive installations, 3D sculptural works, and a curated soundscape that blend street culture with Indigenous tradition, exploring themes of identity, immigration, incarceration, and resilience through the artist's signature "Neo Indigenous" style.
The Folkestone Triennial 2025, titled "The Lie of the Land," features 18 artists across the seaside town in southeast England. Works include Sara Trillo's chalk cob sculptures inspired by Iron Age urns, Emilija Skarnulyte's film on nuclear decommissioning at Lithuania's Ignalina plant, Katie Paterson's amulet installation made from planetary crisis materials, and Cooking Sections' activist project on UK sewerage pollution. The triennial runs through the ancient port's historic role as a site of arrival and departure.
Since February 28, 2026, US-Israeli strikes on Iran have escalated into a major military confrontation across the Middle East, causing heavy casualties and infrastructure damage. Multiple UNESCO World Heritage sites have been hit, including Tehran's Golestan Palace (damaged on March 2), Isfahan's Chehel Sotoun palace and Naqsh-e Jahan Square (attacked March 9), and Tel Aviv's White City Bauhaus architecture, which suffered severe damage from Iranian counterattacks.
Colm Dillane, designer and artist behind KidSuper, co-hosted an intimate dinner with CULTURED magazine at his 10,000-square-foot Williamsburg studio during New York Fashion Week. Guests toured the brand's headquarters—featuring a recording studio and rooftop soccer field—before enjoying an Italian dinner prepared by Eric Madonna of Bar Madonna. Attendees included fashion tastemakers, gallerist Hannah Traore, curator Zoe Lukov, and musician Gashi, and each received a tote bag with the inaugural CULTURED at Home interiors issue and KidSuper's new book with Rizzoli, *The Misadventures of KidSuper*.
Rob Franklin, a professor, poet, critic, and co-founder of Art for Black Lives, has released his debut novel "Great Black Hope" on June 10. The book follows Smith, a queer Black Stanford graduate, who is arrested for cocaine possession in the Hamptons after his best friend's death, leading him through New York's nightclubs, courtrooms, and recovery meetings. The novel is described as a satirical, intellectually incisive, and mournful addition to the canon of New York party literature, blending social commentary with a bildungsroman and elegy.
A 15-foot-tall gold-leafed bronze statue of Donald Trump, titled "Don Colossus," was unveiled at his National Doral golf club in Miami, Florida, ahead of the G20 summit. The statue, funded by $450,000 raised by cryptocurrency moguls and sculpted by Alan Cottrill (founder of Four Star Pizza), depicts Trump raising a triumphant fist with a plaque reading "FIGHT, FIGHT, FIGHT!" The unveiling was organized by televangelist Mark Burns of "Pastors for Trump," who posted that the statue was "not a golden calf," and was attended by evangelical Christian leaders and reportedly some Hassidic rabbis.
Kurdish artist Ahmet Güneştekin has opened a new foundation in Venice at Palazzo Gradenigo, a 16th-century building in the Castello district. The foundation's inaugural exhibition, titled "Sessizlik/Silenzio/Silence," will open on May 6 during the Venice Biennale. The show features 11 new bronze sculptures and 11 oil paintings. The palace, closed to the public for 17 years, was purchased by the artist and is undergoing a conservative restoration led by architects Alberto Torsello and Elisa Santoro, set to complete by late 2026. The foundation, entirely self-funded through sales of Güneştekin's works and royalties, aims to provide exhibition and training opportunities for young artists, especially from Turkey, in an international context.
Hyperallergic published a satirical list of five fictional art world job openings, each parodying exploitative or absurd practices common in the industry. The positions include an Instagram comment moderator for a collector, an assistant to a famous artist with invasive demands, a "sentence complicator" for an art institution, a residency where the artist pays to work, and an endurance-based performance art participant compensated only with "exposure."
A reporter set a $500 budget to explore the Affordable Art Fair in Chelsea, discovering that at that price point, collectors must focus on very small-scale works. The search yielded options like miniature pet portraits, tiny tulle and resin wall hangings, food-themed art, and small abstract paintings, though these pieces were often overshadowed by more prevalent, flashy pop art clichés that dominate the fair's visual landscape.
The National Juneteenth Museum, though not yet built in Fort Worth, is launching its first exhibition titled "Declarations of Freedom" on June 12, 2025. Curated by Lauren Cross and Christopher Blay, the show blends historical artifacts and photographs with contemporary works by North Texas artists including Vicki Meek, Spencer Evans, Sedrick Huckaby, and Letitia Huckaby. It precedes the museum's inaugural Freedom Vibes festival (June 19-22), featuring concerts, a block party, and a gospel program. State legislators have allocated $10 million toward the museum's $70 million goal, which CEO Jarred Howard frames as a nonpartisan American story.
Matter and Shape, a design salon held concurrently with Paris Fashion Week, returns for its third edition from March 6–9 at the Jardin des Tuileries. Curated by artistic director Dan Thawley and founder Matthieu Pinet, the fair transforms two pavilions into a temporary city of objects, featuring collectible design, practical luxury, and emerging studios. This year's theme, “scale,” prompts visitors to consider both micro craft gestures and macro production systems, with a focus on ethical and sustainable practices. Exhibitors include Lindsey Adelman Studio, a reading room with Villa Hegra, a collaboration with Byredo, and the return of the Zara Home x Dreamin’ Man café, alongside a new restaurant concept from Balbosté.
FORJAR CAMINOS: ANCESTRALIDAD AFROBRASILEÑA Y PODER FEMENINO EN LA OBRA DE NÁDIA TAQUARY
The exhibition "Ònà Irin: caminho de ferro" by artist Nádia Taquary has opened at Sesc Belenzinho in São Paulo, featuring large-scale sculptures and an immersive video installation. Curated by Amanda Bonan, Ayrson Heráclito, and Marcelo Campos, the show centers on a massive installation of iron rails that symbolize the Yoruba deity Ogum, the opener of paths. The works integrate traditional Afro-Brazilian materials such as cowrie shells, beads, and metals to explore spiritual protection and the historical significance of jewelry as a form of resistance and identity for enslaved and freed Black women.
Thai artist Torlarp “Hern” Larpjaroensook creates immersive sci-fi sculptures and installations using found and ready-made objects. His recent work 'Cosmos of Nostalgia' was displayed at the NTU Museum in Singapore from January to April 2026, part of a campus-wide exhibition featuring three Southeast Asian artists. Earlier notable works include 'U.S.O. – Unidentified Standing Object' (2018) at Subhashok The Arts Centre in Bangkok and 'Spiritual Spaceship' (2018) at the Bangkok Art Biennale, which explored the contrast between modern technology and traditional Thai spirituality.
Chiang Mai’s art scene is hosting a diverse range of exhibitions this April, anchored by a major retrospective of Araya Rasdjarmrearnsook at the MAIIAM Contemporary Art Museum. The survey, curated by Kittima Chareeprasit and Roger Nelson, spans four decades of the artist's provocative video and installation works. Other highlights include Myrtille Tibayrenc’s installation of 108 Buddha paintings at the Museum of Something (MOS), Chatchai Notananda’s process-oriented solo show at Haan Studio, and Houda Bakkali’s digital compositions at Alliance Française.
The City of Perth (Boorloo) is celebrating NAIDOC Week 2025 from 6 to 13 July, marking 50 years of honoring Aboriginal and Torres Strait Islander voices, culture, and resilience. The 2025 theme, 'The Next Generation: Strength, Vision & Legacy,' is highlighted through a NAIDOC Week Exhibition at Council House Foyer (7 July–15 August), featuring works from emerging and established artists, supported by Mossenson Galleries and the Janet Holmes à Court Collection. Events include an Artist in Conversation with Tyrown Waigana on 9 July, the National NAIDOC Awards Ceremony on 5 July, and cultural performances by Wadumbah. Other city-wide events include the Goologoolup NAIDOC Screenings and the Wangening Bardip – Healing Stories Through First Nations Art exhibition.
Les jardins en poche
Phaidon has reissued its best-selling book 'Le Musée des jardins' in a new, affordable pocket-sized format. This updated edition offers a global panorama of both historic and contemporary garden design.
A section of the apse of the 12th-century Romanesque-Mudejar Church of Our Lady of the Castle (also known as the Church of Our Lady of the Assumption) in Muriel de Zapardiel, Valladolid, Spain, collapsed on Monday morning. The protected Bien de Interés Cultural was immediately closed to the public, with no injuries reported. Heritage experts attribute the collapse to long-standing structural issues such as humidity, cracks, and brickwork erosion, compounded by years of insufficient maintenance. The Archbishopric of Valladolid, which owns the church, stated that inspections last summer had not indicated imminent risk, while regional culture minister Gonzalo Santonja visited the site and called for further analysis.
Artnet News has published a glossary guide explaining key terms and concepts used in art auctions. The guide covers terminology such as reserve price, hammer price, buyer's premium, and bidding increments, aimed at helping newcomers navigate the auction process.
A 1,600-year-old mosaic known as the Be'er Shema Mosaic has been opened to the public for the first time at the Merhavim Regional Council complex in northwestern Negev, Israel. Originally unearthed in 1990 near Kibbutz Urim, the mosaic features 55 medallions depicting hunting scenes, exotic animals, mythological figures, fruit, and daily life, and was created by a master craftsman using small stones, varied colors, glass, and pottery. It was rediscovered, conserved, and relocated from its original site to the council compound as part of the "Antiquities Near Home" project co-organized by the Ministry of Heritage and the Israel Antiquities Authority.
The Venice Biennale of Art has officially opened, showcasing national pavilions and exhibitions from around the world. The article highlights key pavilions that visitors should prioritize this year, offering a curated guide to the most notable presentations at the prestigious international art event.
Artist Leticia R. Bajuyo presents "Signal Convergence," a large-scale installation at Oklahoma City University's Nona Jean Hulsey Art Gallery that transforms discarded CDs and DVDs into immersive sculptural works. The exhibition runs from May 15 through Sept. 18, featuring horn-like structures built from thousands of discs, and includes a special collaborative performance on Sept. 10 with OCU music theory professor Kate Sekula using a theremin to direct sound through the installation.
A group exhibition titled 'Wild, Ordinary, Enchanting, Excruciating Beauty' is on view at Thapar Contemporary in New Delhi until June 21. Curated by Vaibhav Raj Shah in collaboration with Jasone Miranda-Bilbao, the show brings together eleven contemporary artists—including Amitabh Kumar, Bhrigudev Ranade, Chandrashekhar Koteshwar, Harmeet Singh Rattan, Harsha Durugadda, Jagadeesh Tammineni, Madhurjya Dey, Raj Jariwala, Vanshika Babbar, Vasudha Kapadia, and Yogesh Ramkrishna—whose works in sculpture, installation, drawing, and moving image explore the blurred boundaries between personal anxiety and collective crisis.
CONDUCTOR, a new art fair curated by Adriana Farietta in collaboration with Powerhouse Arts, launches this week in Brooklyn, New York. The fair features individual artists and galleries from Africa, Latin America, the Caribbean, South Asia, Southeast Asia, the Middle East, Oceania, and Indigenous Nations, with a focus on the Global Majority. A key innovation is its onsite fabrication model, allowing some works to be produced locally at Powerhouse Arts' facilities, reducing shipping and customs issues. The fair also offers an exclusive preview of artists presenting at the Venice Biennale, including Annalee Davis, Tammy Nguyen, RojoNegro, Beya Gille Gacha, and Bugarin + Castle.
The Jersey Artist Registry (JAR) is presenting "Uncharted Territory," an exhibition featuring over 50 works by 31 New Jersey artists at The Oyster Point Hotel in Red Bank. Curated by JAR founder Ellen Martin, the show runs from May 8 through June 29, 2026, and includes a diverse range of styles and media, from surreal photography to geometric abstraction and mystical fractals.
The 35th annual Governor’s Art Show has returned to the Loveland Museum, showcasing a juried selection of fine art from across Colorado. This year’s exhibition features approximately 60 artists, including 10 first-time participants, selected through a competitive blind jury process. The show includes a diverse range of media, from Lorri Acott’s life-size bronze animal sculptures to Jane DeDecker’s new works blending bronze with fused glass, and Faye Crowe’s Western-influenced abstract paintings.
The Cafesjian Art Trust (CAT) Museum in Shoreview has launched "Abstraction and Ourselves," a landmark exhibition that marks the first time a U.S. institution has paired abstract painting with glass sculpture in a dedicated showcase. Curated by Jill Ahlberg Yohe, the show features a diverse array of international artists, highlighting the formal connections between two-dimensional canvases and three-dimensional glass works.
Three museums in the Philadelphia area—the Woodmere Museum, the Maguire Museum at St. Joseph’s University, and the Berman Museum of Art at Ursinus College—have jointly organized a major retrospective of sculptor Syd Carpenter's five-decade career. The exhibition, titled "Syd Carpenter: Planting in Place, Time and Memory," is split across the three venues, each focusing on different aspects of her artistic evolution, from early pottery to recent organic, plant-inspired sculptures.