Asia Society Seattle hosted a private tour of a major exhibition at the Seattle Art Museum (SAM) on June 2, 2025. The two-hour walkthrough was led by Dr. Ping Foong, SAM's Foster Foundation Curator of Chinese Art, who curated the exhibition. The event was exclusive to invited guests, partners, and Asia Society Seattle Advisory Council members, and notably featured the museum's first bilingual tour in Mandarin Chinese.
Raven’s Heart Gallery in Kanab, Utah, will host its Summer Show on June 13, 2026, from 1–4 PM at 57 W. Center St. The free, interactive event features live art-making demonstrations by a roster of Southern Utah artists, including Gail Alger (acrylic animal painting), Angela Woods (oil painting), Rebekka Anderson (color reduction linocut printmaking), Ken Ragsdale (basket illusion technique on wood), David Lane (astrophotography), James Mosdell (lapidary work with Grand Canyon Opal), Ellie Mae Clough (mixed media on encaustic wax), and Gary Kalpakoff (wild mustang photography and metal sculpture). The signature artwork is Gail Alger's 'Raven in Flowers,' and large-scale oil paintings from Cyrus Mejía's 'The Vicktory Dog' and 'Mill Dogs Revenge' collections will also be on view. The gallery, home to more than 30 regional artists, will transform into a working studio with easels, paints, cameras, lapidary equipment, and printmaking presses.
The Estevan Art Gallery and Museum (EAGM) in Saskatchewan is hosting two new exhibits until May 29: 'Below the Tree Line' by Nicole Adair and 'Selection of Specimens' by Kristin Teetaert. Adair's photography explores the landscapes of southeast Saskatchewan, highlighting the region's prairie environment, native plants, and wildlife. Teetaert's exhibit features drawings, felt sculptures, and painted tiles inspired by botany and nature, emphasizing interconnection and playfulness.
Visual artist and faculty member Anthony Ryan debuted his solo exhibition, "Imperfect Pixels," at the City College Art Gallery with an opening reception that highlighted his unique printmaking process. The collection features screen prints and woodcuts developed from digital illustrations created using a MacPaint simulator, embracing the aesthetic limitations of early 1980s software. During the event, Ryan’s students demonstrated printmaking techniques, showcasing the practical application of the methods seen in the gallery.
The Noyes Arts Garage of Stockton University has launched two concurrent exhibitions: "Monuments to Migration and Labor" and "Emerging Visions." The former, supported by the Mellon Foundation, features regional artists like Chung-Fan Chang whose work explores cultural identity and the immigrant experience through labor-intensive techniques. The latter serves as a massive collegiate showcase, featuring diverse media from over 50 students representing five different Southern New Jersey higher education institutions.
Brisbane-based artist Suzon Fuks is bringing her immersive exhibition 'e-Galaxy' to Cairns, starting a national tour on February 16. The exhibition transforms discarded electronic devices like old phones and laptops into a walkable, tactile installation featuring sculptures, artist books, video projections, and soundscapes.
The exhibition "Barı-n/m-ak" has opened at Müze Gazhane in Istanbul, curated by Hicran Aksöz as a social responsibility project that merges contemporary art with animal rights advocacy. Featuring works by 27 Turkish contemporary artists, the show uses a typographic play on the title to question the concepts of shelter and sheltering, prompting reflection on cohabitation in the city, the right to shelter, and interspecies solidarity. Alongside the artworks, the program includes artist talks and workshops on animal rights-themed art, and at the exhibition's close, artists will connect with collectors to generate funds that will directly purchase supplies for Beşiktaş Municipality Shelters and Angels Farm.
An exhibition titled '20 Years of Art Refuge 2006-2026' opens May 13th in London, celebrating two decades of the UK-registered charity Art Refuge. The show features photographs, maps, films, and objects documenting the charity's work with displaced people in Nepal, France, the UK, and elsewhere, including recent projects '24X24 DUNKERQUE' and 'MADE TOGETHER'. Visitors can also participate in pop-up versions of The Community Table, a creative psychosocial support initiative.
The 47th Westman Juried Art Show was held at the Killarney United Church CE Center in Manitoba, featuring 120 flat art pieces by non-professional local artists. The event, organized by the Killarney-Turtle Mountain Arts Council (KTMAC) in partnership with the Arts West Council, included juried critiques from Leona Brown and Lucie Lederhendler, who selected 20 pieces for a travelling gallery across 19 communities and 10 pieces to compete in the Northern and Regional Manitoba Art Show in Winnipeg.
The Kültür Medeniyet Vakfı (KÜME) opened its ArtıKÜME 2025 and ODAK exhibitions at Karaköy Palas in Istanbul on Saturday, featuring 25 projects across disciplines from digital art to calligraphy under the theme 'Mümkün' ('Possible'). The exhibition transforms the historic Karaköy Palas into a platform for experimental and process-driven works, with artists like Muharrem Dalhan presenting interactive installations such as 'Threshold,' which critiques algorithm-driven media environments. The ODAK project was also introduced as a platform tracking cultural production across Türkiye, with its first publication, the ODAK 2025 book, launched alongside the exhibition.
Montana State University Billings is launching its annual Juried Student Art Exhibition at the Northcutt Steele Gallery. The exhibition, which features works selected from the student body, officially opens this Thursday and will be celebrated with a formal reception and awards ceremony on April 16th.
The traveling exhibition Art, Beats + Lyrics (AB+L) is returning to Charlotte for the first time in seven years, scheduled for March 28 at Blume Studios. Founded in Atlanta over two decades ago, the event merges visual art with hip-hop culture, featuring a curated selection of contemporary works alongside live musical performances and immersive installations. This year’s stop features headliner Premo Rice and is curated by Dwayne “Dubelyoo” Wright, marking a significant homecoming for a tour that considers Charlotte one of its foundational markets.
The University of Massachusetts Dartmouth's College of Visual and Performing Arts (CVPA) is hosting the Emerging Young Artists and Designers 2026 Juried Exhibition. The virtual opening and awards ceremony will be held on February 6, featuring 100 works selected from over 550 submissions by high school students across New England. Award winners will have their work displayed in the CVPA Campus Gallery from February 14 to 22.
Canada's monument to the victims of communism in Ottawa, officially opened a year ago, will no longer include individual names on its Wall of Remembrance after a federal government report revealed that many of the unvetted "victims" had ties to Nazi or fascist groups. Originally designed by architect Paul Raff to feature 553 entries, the Department of Canadian Heritage reversed its decision following alarms raised by Jewish groups and independent media outlets like Ricochet and The Maple, which found that more than half of the 550 names should be removed. The department stated that the wall will now feature only thematic content aligned with Canadian values of democracy and human rights.
The New York Times profiles an artist who revisits and reworks their earlier pieces, creating new versions at an accelerated pace. The article explores the creative process behind this "do-over," where the artist reinterprets past works with fresh perspective and technical refinement, producing them in double time compared to the originals.
That Art Place, a local art school run by Andronika Christodoulou, officially opened its new studio and gallery space in Carlton, Sydney, on July 12 with an exhibition titled 'First Light.' The event showcased works by over 65 young artists from the St George area, ranging from children as young as six to adult learners, featuring paintings, charcoal sketches, and mixed media. Highlights included a People's Choice Award won by 14-year-old Celeste Damayanwong for her charcoal lion portrait 'Majesty,' with second and third places awarded to Zoe Sigrimis and Alessia Chiotis. The opening featured mocktails, canapés, live music by The Magnificals Orchestra, and a Monet-inspired cake, marking the school's expansion from a small Bexley studio after six years of operation.
Four South Jersey artists—Sydnei Smith Jordan, Gloria Gammage Davis, Quinton Greene, and Robyn Huber—are featured in a collective exhibition at the RiverWinds Community Center in West Deptford, running through August 30. Award-winning artist Sydnei Smith Jordan, a Cape May resident, will attend an artists' reception on July 10; her work is owned by celebrities including Whoopi Goldberg, Sylvester Stallone, and Denzel Washington.
A new exhibition called 'The Mini Art Show' opens this Friday, June 27, at the vintage shop At My House in Philadelphia's Queen Village. The show features artwork no larger than three inches, including pocket-sized paintings, sculptures, mosaics, and tiny textiles from 21 local artists. Curated by local artist Fabiola Lara, known for her art vending machines, the exhibition runs through late July. The opening night includes specialty cocktails, and the store will provide magnifying glasses for visitors to examine the tiny works closely.
A group of local artists from the Tablelands, Cassowary Coast, and Cairns in Far North Queensland has launched a new exhibition titled "Broad Spectrum" at the Tablelands Regional Gallery in Atherton. The show features works by ten artists including Angela Fielding (sculpture, leadlight, timber), Rose Knight (oil painting), Yvonne Hering (woodblock printing), and others, spanning watercolour, oil, acrylic, ceramics, weaving, and more. The exhibition runs until 9 August 2025, with an official opening on 21 June.
The article reviews "Contemporary Ruin future visions," an exhibition at Drexel University's Leonard Pearlstein Gallery curated by artist Nancy Agati. The show explores the perpetual cycle of urban construction, demolition, and renewal, focusing on Philadelphia's evolving neighborhoods. Featured artists include Sophie White, who documents rapid gentrification in Fishtown/Kensington through plein-air gouache paintings, and Jennifer Johnson, whose sculptural maps trace the transformation of the Black Bottom area from 1725 to 2025. Joseph E. B. Elliott contributes photographs of decaying buildings, such as Saint Bonaventure Church and Richmond Generating Station, capturing ruins both past and present.
Warum der Kunstmarkt endlich auf LinkedIn sollte
The article argues that the art market's heavy reliance on Instagram for communication and sales is misguided, suggesting that LinkedIn offers far greater potential for business-to-business transactions and professional networking. It critiques the art world's preference for Instagram's visual focus, noting that LinkedIn's professional environment and targeting capabilities are better suited for discreet, high-value art sales.
Hamburger Kulturpreis heißt nicht mehr nach Biermann-Ratjen
The Hamburg Senate has renamed the Senator-Biermann-Ratjen Medal, a prestigious cultural award, to the "Medaille für Kunst und Kultur in Hamburg" (Medal for Art and Culture in Hamburg). The decision follows a 2024 review of historical records revealing that Hans Harder Biermann-Ratjen (1901–1969), the former culture senator for whom the medal was named, was a member of the Nazi Party (NSDAP). Historian Helmut Stubbe da Luz presented evidence in June 2024 that Biermann-Ratjen had disclosed his NSDAP membership in a 1943 application to the Reich Literature Chamber when seeking to publish a novel.
Der Auktionsmarkt atmet auf – aber nicht überall
The article reports that the auction market is showing signs of fragile recovery in 2025, with Christie’s, Sotheby’s, and Phillips all posting mid-double-digit percentage increases at their London sales in March compared to the previous year. However, the article notes that the prior year was exceptionally weak, and underlying issues such as high debt levels, aggressive commission models, and unresolved succession questions continue to threaten the stability of the major auction houses.
Res Publica Verlag sucht Projektmanager:in oder Chef vom Dienst Print
Res Publica Verlag, an independent publisher based in Berlin, is hiring a project manager or print production editor for its magazines Cicero and Monopol, as well as special publications. The role involves managing editorial workflows, asset management systems, ad coordination, and serving as a liaison between the publishing house and editorial teams. The position is for 30 hours per week, starting August 1, 2026, with an optional onboarding from July 1, 2026.
Die Biennale in Zahlen
Die diesjährige Kunstbiennale in Venedig präsentiert 111 Künstlerinnen, Künstler und Kollektive in der Hauptausstellung – deutlich weniger als 2024 mit 331 und 2022 mit 213 Teilnehmenden. Die Biennale umfasst 99 nationale Pavillons, darunter sieben Länder, die zum ersten Mal vertreten sind: Guinea, Äquatorialguinea, Nauru, Katar, Sierra Leone und weitere.
The German state of North Rhine-Westphalia (NRW) is introducing a legislative bill to ban the commercial trade of personal Holocaust documents and artifacts, such as letters from concentration camps, Gestapo cards, and yellow stars. The initiative follows international outrage over a planned auction in Neuss in November 2025, which was halted at the last moment; around 460 objects from that auction were transferred to the Auschwitz-Birkenau Foundation. The bill, to be presented at the Bundesrat session on May 8, aims to prohibit the sale of items directly linked to Nazi victims, while exempting museums, archives, and research institutions.
Wie teuer Kunstauktionen wirklich sind
Art auction houses often promote transparency through public bidding, but the final hammer price is merely the starting point for a complex web of additional costs. Buyers frequently face buyer's premiums, value-added taxes, and resale right royalties (droit de suite) that can inflate the final invoice by up to 50 percent beyond the initial bid.
Creative Pinellas has unveiled Sightline, a new art gallery inside St. Pete–Clearwater International Airport (PIE), featuring a debut exhibition titled "Made in the Shade." The show highlights works by three St. Petersburg-based artists: Elizabeth Barenis (abstract paintings), Matthew Drennan Wicks (sculpture), and Babette Herschberger (ceramics). Located post-security near Gates 7–11, the gallery offers travelers a free, immersive art experience. Additionally, the airport opened Liquid Provisions, a bar and eatery by SSP America serving craft cocktails and locally inspired food, aiming to bring a taste of Pinellas County to the terminal.
The Mead Gallery has opened in Ryde's Monkton Village on the Isle of Wight, transforming a former industrial building into a new art space with gallery and studio areas. The opening exhibition features works by established local artists including Nicholas Martin, Charlotte Hodge-Thomas, Gillian Clarke, and James Lord, showcasing the breadth of creative talent on the island.
Art e Fekts Gallery in Downtown Pittston will host "This is Me – The Pottery of Paul DeLuca," the second exhibit of 2026, opening on Friday, May 8 from 5 to 7 p.m. in the Dr. Joseph Lombardo Gallery. The exhibit coincides with the first 2nd Friday Art Walk of the year and will run until June 5, featuring the unique ceramic work of regional artist Paul DeLuca, who owns and operates Bank Street Pottery.