Minor Keys and Major Silences: Yoshiko Shimada and the Art of Outrage

Yoshiko Shimada, a Japanese feminist and antiwar artist, is featured in a conversation with ArtAsiaPacific ahead of her inclusion in the 2026 Venice Biennale, curated by Koyo Kouoh under the theme "In Minor Keys." The article explores Shimada's decades-long practice of excavating the gendered scars of Japanese imperialism, focusing on her collaborative work with BuBu de la Madeleine, which uses drag and irony to critique imperial frameworks and the erasure of wartime atrocities. It also highlights her revival of the Chū-pi-ren movement, a 1970s feminist group that fought for abortion rights and access to birth control, arguing that their legacy remains urgent in 2026 given Japan's slow progress on women's bodily autonomy.

Suki Seokyeong Kang’s Works Are Still Unfolding

Suki Seokyeong Kang's posthumous exhibition at Tina Kim Gallery in New York presents a body of work characterized by its mobility and open-ended nature. The show features paintings and sculptures that are designed to be rearranged, challenging static notions of display and completion.

Tutto Boetti 1966–1993

Tutto Boetti 1966–1993

Magazzino Italian Art has announced a major survey exhibition titled "Tutto Boetti 1966–1993," scheduled to run from April 2026 through April 2028. The show features approximately 30 works tracing Alighiero Boetti’s career from his early industrial material experiments in Turin to his later collaborative embroideries and graph paper works. The exhibition draws from the museum’s permanent collection, the Boetti estate, and private loans, and will be launched alongside a scholarly symposium organized with the Fondazione Alighiero e Boetti.

Before the Myth, There Was Yoko Ono

The Broad museum in Los Angeles has opened "Yoko Ono: Music of the Mind," the first solo museum exhibition in Southern California dedicated to the artist, musician, and activist. Spanning seven decades, the retrospective focuses on Ono's conceptual and participatory works—such as instruction pieces from her 1964 book "Grapefruit" and interactive installations like "Wish Tree" (1996)—rather than traditional art objects. Curators organized the show around themes of human responsibility, and deliberately delay the introduction of John Lennon until the exhibition's midpoint to emphasize Ono's independent career before her marriage.

‘I will always fight against fascism’: Zineb Sedira on her Tate Britain commission

Zineb Sedira has been selected for the Tate Britain commission, creating her largest UK installation to date, titled *When Words Fall Silent, Cinema Speaks…*, on view until January 2027. The site-specific work in the museum's Duveen Galleries pays tribute to radical African cinema of the 1960s and 1970s, highlighting Algeria's role as a revolutionary hub. Sedira recreates the Parisian cafes of her childhood, featuring Scopitone machines that play short music films, and draws on the legacy of the Cinémathèque Algérienne and the 1969 Pan-African Festival.

Taipei Fine Arts Museum unveils 'Surrealism: The World in Dialogue'

Taipei Fine Arts Museum (TFAM), in collaboration with the Institute for Cultural Exchange in Tübingen, Germany, has launched its major spring exhibition "Surrealism: The World in Dialogue." Featuring over 120 works by nearly 60 international artists, the exhibition marks a century since André Breton's 1924 "Surrealist Manifesto." It juxtaposes historical avant-garde works with contemporary practices, organized into sections such as "Collective Dreams," "Body of Desire," and "Absurd Play." Highlights include Yves Tanguy's dreamscapes, Lauren Moffatt's augmented reality installation, Max Ernst's scraping-method works, Patricia Piccinini's hybrid sculptures, and works by Man Ray, Meret Oppenheim, Sarah Lucas, Luis Buñuel, and Salvador Dalí.

Talk | FRESH PAINT: Tschabalala Self

The Parrish Art Museum and The FLAG Art Foundation are hosting a talk on May 23, 2026, featuring artist Tschabalala Self and writer Camille Okhio to celebrate the exhibition "FRESH PAINT: Tschabalala Self." The event includes a conversation about Self’s painting "Adam and Eve" (2025), which is being shown for the first time in the U.S. as part of the FRESH PAINT series, a rotating single-artwork exhibition program that highlights new or rarely seen works.

‘Monochrome’ at the Seattle Art Museum bridges contemporary art between decades

The Seattle Art Museum's new exhibition, 'Monochrome: Calder and Tara Donovan,' opened May 13, pairing works by mid-20th-century American artist Alexander Calder with newly developed pieces by contemporary artist Tara Donovan. Curated by Catharina Manchanda, the show features Calder's iconic mobile 'Jacaranda' and his massive 'Mountains' stabiles alongside Donovan's site-specific works like 'Transplanted,' a slab of layered roofing tiles, and other pieces made from slinkys, mylar, and stir sticks. Donovan's process emphasizes letting materials dictate form, creating contrasts in mass and movement while engaging with the gallery space.

Eternal Tintoretto: the Italian master at the heart of a new exhibition at the Jacquemart-André Museum

The Jacquemart-André Museum in Paris is hosting a major retrospective dedicated to the Venetian painter Jacopo Robusti, known as Tintoretto, running from September 11, 2026 to January 24, 2027. The exhibition features around forty paintings and graphic works, organized thematically to cover the artist's entire career, including religious scenes, portraits, and mythological depictions, highlighting his bold compositions, vivid colors, and dramatic lighting.

Salon des Indépendants

The article is about the Salon des Indépendants, a historic French art exhibition society founded in 1884. It provided a platform for artists to exhibit works without a jury, challenging the official Paris Salon's conservative standards.

200 Years of Afro-Cuban Art at the Lowe Art Museum | Lowe Art Museum | Things to do in Miami

The Lowe Art Museum at the University of Miami is presenting two simultaneous exhibitions that together form the most comprehensive survey of Afro-Cuban art ever assembled. "El Pasado Mio/My Own Past," organized by Harvard's Afro-Latin American Research Institute, features over 81 works by 44 Cuban artists of African descent spanning two centuries, including nine paintings by Wifredo Lam and works by eleven female artists shown together for the first time. The companion exhibition, "Afrocubanismo: Highlights from the Ramón and Nercys Cernuda Collection," examines the cultural movement of the 1930s when artists began centering Cuba's African roots despite widespread societal suppression. The shows run through September 12 with free general admission.

Lowe Art Museum to host two major exhibitions on Afro-Cuban art curated by Alejandro de la Fuente

The Lowe Art Museum at the University of Miami will present two complementary exhibitions on Afro-Cuban art from May 1 to Sept. 12, 2025, both guest-curated by Alejandro de la Fuente, director of the Afro-Latin American Research Institute at Harvard University. "El Pasado Mío/My Own Past" features 43 Afro-Cuban artists from the 1820s to the present in an amplified version with 83 works, while "Afrocubanismo: Highlights from the Ramón and Nercys Cernuda Collection" focuses on early 20th-century Afrocubanista works, including pieces by Wifredo Lam.

Mr.’s New Museum Show Is All About Otaku Fantasy

Japanese Superflat artist Mr. has opened 'We’ll Meet Again', his first major museum solo exhibition in Japan in over a decade, at the Fukuoka Asian Art Museum. Running through June 21, 2026, the show features over 80 works including paintings, sculptures, installations, and video pieces, exploring themes of nostalgia, video games, manga, and the yanki subculture. Highlights include an immersive bedroom installation filled with beer cans and manga, a screening of his 2008 film 'Nobody Dies', and a new motorcycle work called 'itasha'.

How the Arts Club of Chicago Stays Contemporary in its Second Century

The Arts Club of Chicago, founded in 1916, continues to balance its historic legacy with contemporary relevance under executive director and chief curator Janine Mileaf. The club, which gave Pablo Picasso his first solo institutional exhibition in the U.S. in 1923 and hosted figures like Gertrude Stein and John Cage, now operates as both a public space and a private membership club. Mileaf’s programming emphasizes Dada and surrealist roots while showcasing experimental, site-specific works, including a recent installation by Korean artist Haegue Yang. The club maintains a close relationship with Chicago’s arts community, aiming to expose audiences to challenging and surprising art.

The All-Women Exhibition Putting Penzance On The Art Map This Summer

An all-women exhibition titled 'Making Her Mark: A Celebration of Women in Art' has opened at Penlee House Gallery & Museum in Penzance, Cornwall, as the first stop on a three-part UK tour. The show features over 60 works by female artists from the 19th century to the present day, including Tracey Emin, Barbara Hepworth, Elizabeth Forbes, and Laura Knight. It is a collaboration between Penlee House, Worcester City Art Gallery & Museum, and Kirkcaldy Galleries, curated jointly by the three venues with local leadership from Penlee House deputy director Katie Herbert. The exhibition is part of Art Fund's £5.36 million Going Places programme and will travel to Worcester and Kirkcaldy in 2026 and 2027.

the eight Impressionist exhibitions

Between 1874 and 1886, a group of avant-garde artists in Paris—including Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Camille Pissarro, and Berthe Morisot—organized eight independent exhibitions as a rebellion against the government-sponsored Salon. Rejected by the Salon's conservative jury, which favored academic standards, these artists pooled resources to stage their own shows, initially held at photographer Nadar's atelier on the boulevard des Capucines. The exhibitions had fluctuating lineups and varied titles, and the term "Impressionist" was only applied retrospectively by art historians in the 20th century.

‘The pictures are evil!’ The great art-quake of 1910

The article reviews David Boyd Haycock's slim new book 'Art-Quake, 1910,' which examines the explosive 1910 exhibition 'Manet and the Post-Impressionists' at London's Grafton Galleries. The show introduced British audiences to revolutionary artists like Cézanne, van Gogh, Gauguin, Matisse, and Picasso, provoking outrage from critics and the public, who called the works 'evil,' 'hysterical,' and a threat to civilization. The book is part of a series from Old Street publishing that also includes titles on the Degenerate Art exhibition and the Cultural Revolution.

Valerie Mercer and the Long Work of Putting African American Art Where It Belongs

Valerie Mercer, the lead curator of African American art at the Detroit Institute of Arts (DIA), has spent over two decades building a collection that now includes more than 700 works. Last fall, the museum unveiled a major reinstallation titled "Reimagine African American Art," moving African American art from scattered locations to the heart of the institution, near Diego Rivera's Detroit Industry Murals. The rehang traces a lineage from 19th-century painters like Robert S. Duncanson to modern innovators like Sam Gilliam, covering key cultural movements such as the Harlem Renaissance and the Black Arts Movement.

Color and Spirit: The Blue Rider at Lenbachhaus

The Lenbachhaus museum in Munich has opened a major exhibition titled "Beyond the World. The Blue Rider," running from March 10, 2026, to September 5, 2027. The show explores the cultural exchanges and historical context of the Blue Rider movement, featuring newly acquired works by Wilhelm Morgner, Emmy Klinker, and Albert Bloch, alongside iconic pieces by Wassily Kandinsky, Franz Marc, and Gabriele Münter. The exhibition is organized chronologically, beginning with the cross-cultural inspirations behind the 1912 Blue Rider Almanac and concluding with a reflection on the Nazi suppression of German Expressionism, including inventory lists of confiscated "degenerate" art.

painting unfolds across earth, canvas, and space in katharina grosse’s london exhibition

Katharina Grosse's exhibition 'I Set Out, I Walked Fast' at White Cube London presents a continuous environment where painting extends beyond the canvas into space. The show features new works, archival material, and a large in-situ installation that combines mounds of earth, a partially submerged canvas, and a bronze-cast sculpture into a single painted field. Grosse uses an industrial spray gun to apply acrylic pigments, creating works that blur boundaries between surface, site, and viewer. The exhibition avoids chronological order, instead connecting pieces from different periods to form a spatial network where individual works function as nodes.

'Ha Chong-Hyun' at Almine Rech, Brussels on 22 Apr–27 Jun 2026

The Almine Rech gallery in Brussels is presenting a solo exhibition of work by Korean artist Ha Chong-Hyun from April 22 to June 27, 2026. The show will feature his signature 'Conjunction' series and recent works that continue his exploration of materiality and abstraction.

Cameron Art Museum to feature Andy Warhol’s ‘Silver Clouds’ in extended summer installation

The Cameron Art Museum in Wilmington, North Carolina, will present Andy Warhol's 1966 installation 'Silver Clouds' from June 19 through September 27. The interactive work, featuring reflective, helium-filled forms that float and respond to movement, will be on view longer than the museum's broader summer exhibition, 'Fresh Air: Inflatable Sculptures,' and includes a member preview and opening celebration.

Artist Ha Chong-hyun's works to feature in retrospective in San Francisco

Korean artist Ha Chong-hyun, a pioneer of the dansaekhwa (monochrome painting) movement, will be the subject of a major retrospective at the Asian Art Museum in San Francisco. The exhibition, "Ha Chong-hyun: Retrospective," will feature approximately 50 works spanning his 60-year career, including his signature "Conjunction" series and early informal experiments.

Ha Chong-hyun’s radical practice comes into full view in San Francisco

The Asian Art Museum of San Francisco will present a major retrospective of Korean artist Ha Chong-hyun in September 2024. The exhibition, the artist's first full US retrospective, will span his decades-long career, showcasing his evolution from art informel works to his renowned 'Conjunction' series and his role as a leading figure in the dansaekhwa (Korean monochrome painting) movement.

Gabriele Münter: Contours of a World

The Guggenheim Museums and Foundation has announced an exhibition titled "Gabriele Münter: Contours of a World," focusing on the German Expressionist painter Gabriele Münter. The show will explore her distinctive approach to landscape and portraiture, highlighting her role within the Blue Rider movement and her contributions to modern art.

How Digital Animation Can Help Audiences Understand Installation Art Before They Experience It in Person

The article examines the inherent limitations of traditional photography in documenting installation art, arguing that static images fail to convey the experiential qualities of scale, sequence, and audience interaction central to the medium. It uses Olafur Eliasson's iconic 'The Weather Project' as a prime example of a work whose atmospheric and social dimensions are lost in photographic reproduction.

New WAM exhibition explores the stories behind museum collections

The Weisman Art Museum (WAM) has launched a new exhibition titled "The Stories We Tell," which investigates the provenance and acquisition histories of its permanent collection. The show features a diverse array of objects, ranging from ancient ceramics to contemporary works, while highlighting the institutional processes that bring art into a public museum setting.

Art in April: Lowe Art Museum features new exhibitions and immersive programs

The Lowe Art Museum at the University of Miami has unveiled a diverse April program featuring two major exhibitions focused on Afro-Cuban art and identity. "El Pasado Mío / My Own Past" showcases nearly two centuries of Afrodescendant contributions to Cuban art, highlighting 45 artists including a significant group of historically overlooked women, while "Afrocubanismo" draws from the Ramón and Nercys Cernuda Collection to explore the 1930s movement that fused European modernism with Afro-Cuban culture.

Member Lecture: Christina Ramberg—A Retrospective

The Art Institute of Chicago is hosting a major retrospective of Christina Ramberg, a pivotal figure in the Chicago Imagist movement. Co-curated by Thea Liberty Nichols and Mark Pascale, the exhibition features approximately 100 works, representing nearly 80% of the artist's total career output. The lecture by Nichols highlights Ramberg’s multidisciplinary practice—spanning painting, quilting, and printmaking—and her deep engagement with an informal archive of ephemera and source material.

Remembering Melvin Edwards (1937–2026)

The art world mourns the passing of Melvin Edwards, a pioneering American sculptor who died on March 30, 2026. Known for his mastery of steel, iron, and barbed wire, Edwards rose to prominence in the 1960s with works that balanced formal abstraction with the heavy symbolism of chains and industrial materials. His career was marked by significant milestones, including being the first African American sculptor to have a solo exhibition at the Whitney Museum in 1970 and his long-standing presence in the permanent collection of the Museum of Modern Art.