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Exclusive | Met Gala 2026 and ‘Costume Art’ brashly transform flesh, bones and guts into too-cool couture

The Metropolitan Museum of Art's Costume Institute will debut its spring 2026 exhibition, “Costume Art,” on May 10, preceded by the Met Gala on May 4. The exhibition explores the dressed body in all forms—nude, pregnant, plus-size, disabled, aging, and internal—and features fashion designer Renata Buzzo’s hand-stitched “Corset Anatomia” from her 2024 collection “The Body.” Buzzo was personally selected by curator Andrew Bolton and donated her pieces. The exhibition will be housed in the new Condé M. Nast Galleries, an 11,500-square-foot space that will make fashion galleries the first thing visitors see upon entering the Great Hall. The Met Gala, co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, raised a record $31 million in 2025 and will follow the dress code “Fashion is Art.”

Jean-Michel Basquiat | FAE Musée d'Art Contemporain (Sans titre) (Untitled) (1993) | For Sale

An extremely rare original 1993 exhibition poster for a posthumous Jean-Michel Basquiat solo show at FAE Musée d'Art Contemporain in Pully-Lausanne, Switzerland is being offered for sale by Graves International Art. The offset-lithograph poster, featuring Basquiat's untitled 1982 painting, was designed by Pierre Neumann and comes from a private collection in Hamburg, Germany. The listing notes that no other example of this poster has appeared on the secondary market or at auction before, and it is issued unsigned and posthumous.

Cambodian Artist Sopheap Pich Shares in an Exhibition how He Conceives Sculptures

Cambodian artist Sopheap Pich is presenting an exhibition at Meta House in Phnom Penh that reveals his creative process, showing how he conceives sculptures from initial drawings and woodblock prints to works in bamboo and metal. Born in Battambang, Pich survived the Khmer Rouge regime as a child and later immigrated to the U.S., earning an MFA from the School of the Art Institute of Chicago before returning to Cambodia in 2002. The exhibition includes early rattan pieces and recent metal sculptures, reflecting his intuitive, memory-infused approach to making art with a team of ten assistants in his Phnom Penh studio.

26 Best Museums in the U.S. for Art, Culture, and Unique Experiences

This travel guide highlights 26 of the most significant museums across the United States, ranging from massive encyclopedic institutions to niche cultural centers. The list features major art landmarks like the Metropolitan Museum of Art and the Getty Center alongside specialized venues such as the Smithsonian National Museum of Natural History and the immersive art experience Meow Wolf.

The Met to Present a Major Exhibition Dedicated to the Careers of Lee Krasner and Jackson Pollock

The Metropolitan Museum of Art has announced a major exhibition titled "Krasner and Pollock: Past Continuous," scheduled to run from October 2026 to January 2027. This landmark show will trace the parallel careers of Lee Krasner and Jackson Pollock, marking the first significant New York presentation for either artist in over two decades. The exhibition aims to examine their distinct yet interconnected practices as artistic peers and life partners, featuring galleries that both juxtapose their works and present them independently to highlight their individual evolutions in abstraction.

The Metropolitan Museum of Art Announces the Opening of the Condé M. Nast Galleries, Designed by Peterson Rich Office

The Metropolitan Museum of Art has announced the opening of the Condé M. Nast Galleries, a 12,000-square-foot exhibition space designed by the New York-based architecture firm Peterson Rich Office (PRO). The galleries, located adjacent to the museum's Great Hall, will be inaugurated in May 2026 by The Costume Institute's spring exhibition titled "Costume Art," which explores the dressed body by juxtaposing garments from the Institute's holdings with treasures from the museum's broader collections. The project is part of a larger renovation that also includes a redesign of the Fifth Avenue and 83rd Street entrance to improve visitor flow.

Metropolitan Museum's new Condé M. Nast Galleries will put fashion at the forefront

The Metropolitan Museum of Art will open the Condé M. Nast Galleries, a nearly 12,000-square-foot space adjacent to the Grand Hall, next spring. The new galleries will become the permanent home for the annual Costume Institute exhibition, replacing the museum's largest retail space. The inaugural show, "Costume Art" (10 May 2026–10 January 2027), will pair paintings, sculptures, and other art objects with historical and contemporary garments, emphasizing the dressed body as a central theme across the museum's collections. The move follows the record-breaking success of 2018's "Heavenly Bodies: Fashion and the Catholic Imagination," which drew over 1.6 million visitors.

Baltimore-based artist Linling Lu on weaving color, culture, and music into her work

Baltimore-based artist Linling Lu, who trained as a classical pianist in southern China, discusses her work *Circle Dance* on view at the Frary Gallery in the Hopkins Bloomberg Center. The metal print features ten concentric orbs inspired by circle dances, geometry, and Renaissance tondos. Lu explains how her background in music informs her visual art, comparing color to a musical element and citing influences from Henri Matisse, Stravinsky, and tribal Miao circle dances. She also previews her upcoming solo exhibition *Fugue in 3 Voices* at Artis—Naples, The Baker Museum, which will respond to compositions by Dvořák, Stravinsky, and Beethoven.

This Years Met Gala Felt More Like an Art Exhibition Than a Red Carpet

The 2026 Met Gala, held on May 4 at the Metropolitan Museum of Art in New York, was widely described as feeling more like an art exhibition than a traditional red carpet. The theme, "Costume Art," with the dress code "Fashion Is Art," encouraged celebrities to treat their bodies as canvases. Beyoncé made a highly anticipated return after a decade, serving as a co-chair alongside Nicole Kidman, Venus Williams, and Anna Wintour. Beyoncé wore a sculptural skeleton-inspired design by Olivier Rousteing, while Kiddon wore a shimmering red Chanel gown and Williams donned a Swarovski crystal gown inspired by her Smithsonian portrait. Other notable looks included Sabrina Carpenter in a Dior dress made from vintage film strips, Kendall Jenner referencing classical sculpture, Madonna channeling surrealist painter Leonora Carrington, and Heidi Klum arriving as a marble statue. Inside, live performances by Sabrina Carpenter and Stevie Nicks added to the spectacle.

Beyoncé, Bad Bunny and Heidi Klum take artistic liberties with Met Gala dress code

The 2026 Met Gala, celebrating the opening of the Costume Institute's "Costume Art" exhibition, saw celebrities including Beyoncé, Naomi Osaka, Emma Chamberlain, and Heidi Klum embrace the dress code "Fashion is art" with bold, sculptural, and art-inspired ensembles. Beyoncé wore a custom Olivier Rousteing skeleton dress with a feathered train and diamond crown, while Osaka stunned in a Robert Wun white sculptural dress with a red anatomy-themed reveal. Co-chairs Anna Wintour, Nicole Kidman, and Venus Williams also made notable appearances, with Williams referencing a Robert Pruitt portrait of herself. Many guests drew direct inspiration from art history, such as Lauren Sánchez Bezos channeling John Singer Sargent's "Madame X" and Lena Dunham collaborating with Valentino's Alessandro Michele to depict Artemisia Gentileschi's "Judith Slaying Holofernes."

Met Gala guests arrive on carpet in dramatic works of art

The 2026 Met Gala, held at the Metropolitan Museum of Art in New York, featured celebrities arriving in dramatic, custom outfits adhering to the dress code 'Fashion is art.' Notable attendees included Naomi Osaka in a Robert Wun white sculptural dress with red feathers and dripping red paint, Emma Chamberlain in a hand-painted Mugler gown by Miguel Castro Freitas, and co-chair Anna Wintour in a mint ensemble by Matthieu Blazy for Chanel. The event celebrated the opening of the Costume Institute's exhibition 'Costume Art.'

What Is the 2026 Met Gala Exhibit “Costume Art” All About?

The Metropolitan Museum of Art's Costume Institute will unveil its 2026 exhibition, “Costume Art,” on May 4, 2026, coinciding with the Met Gala. Curated by Andrew Bolton, the show explores the relationship between fashion and the human body, juxtaposing garments like Rei Kawakubo's bulbous Comme des Garçons ensemble with artworks such as Hans Bellmer's “La Poupée” and Albrecht Dürer's “Adam and Eve.” Mannequins cast from real bodies and mirrored heads by artist Samar Hejazi will enhance the immersive experience. The exhibition runs from May 10, 2026, to January 10, 2027, in the new Condé M. Nast Galleries.

The Metropolitan Museum of Art’s Spring 2026 Exhibition Program

The Metropolitan Museum of Art has unveiled its extensive exhibition schedule through June 2026, headlined by the first comprehensive U.S. retrospective of the Renaissance master Raphael. This landmark show will feature over 200 works, including rare loans and masterpieces. Other major highlights include the spring Costume Institute exhibition, "Costume Art," which will inaugurate a new 12,000-square-foot gallery suite, and "Musical Bodies," an interdisciplinary look at the relationship between instruments and the human form.

Indigenous Artists Infiltrate the Met With a Guerrilla A.R. Project

On Indigenous Peoples' Day, nonprofit media lab Amplifier launched an unsanctioned augmented reality exhibition titled “Encoded” at New York's Metropolitan Museum of Art. The project features 17 Native artists who have digitally altered 25 iconic American artworks from the Met's collection—such as Thomas Cole's *View on the Catskills – Early Autumn* and Emanuel Leutze's *Washington Crossing the Delaware*—overlaying Indigenous perspectives onto the museum's American Wing. Visitors can view the AR works on smartphones or iPads, and Amplifier representatives are on-site to distribute guides and offer tours through the end of the year.

design stephen alesch robin standefer

Design duo Stephen Alesch and Robin Standefer, co-founders of the architecture and design studio Roman and Williams, reflect on how their Montauk home, Sea Ranch, has become the creative heart of their practice. Purchased in 2006 as a rustic mid-Atlantic Colonial cottage, the property has evolved from a weekend retreat into a laboratory for furniture prototypes, ceramic experiments, and design ideas that later appear in high-profile projects worldwide—from the Metropolitan Museum of Art’s British Galleries to London’s Maison Estelle. The couple, who met on a film set in 1994, also run the SoHo shop Roman and Williams Guild and a furnishings collection, balancing the intensity of New York with the shaping and forming they do by the ocean.

arcmanoro niles east hampton lehmann maupin show

Arcmanoro Niles presents his latest paintings, including a rare self-portrait, in the exhibition "When There's Nothing I Can Do: I Go to My Heart" at Lehmann Maupin in Chelsea, on view through August 15. The Washington, D.C. native, known for intensely saturated domestic scenes and portraits in teals, reds, pinks, and oranges, created the works at his East Hampton studio, where he has been based since 2022. The show also serves as a preview for Niles's forthcoming solo exhibition at Guild Hall next summer. In an interview with CULTURED, the artist discusses his studio habits, his love of working alone at night, and his practice of never discarding old works.

Metropolitan Museum receives $23m to endow internship programme

On 30 April, the Metropolitan Museum of Art announced a $23m pledge from the Rubio Butterfield Foundation, led by newly elected trustee Jennifer Rubio and her husband Stewart Butterfield, to permanently endow the museum's internship program. The internships, offered for nearly 30 years with 100 participants annually, have only been paid since 2021. The article also explores broader trends in museum philanthropy, featuring insights from former directors Gary Vikan, Gary Tinterow, and Maxwell Anderson on how donors are often guided to fund endowments for curatorial positions, operations, or awards rather than art acquisitions.

contemporary art modern project gallery

Miami's Contemporary Art Modern Project (CAMP) Gallery has opened the seventh edition of its series program, titled “Women Pulling at The Threads of Social Discourse: Don’t be Absurd.” The group exhibition features dozens of artists who created circular, tondo-like fiber works inspired by absurdist philosophers and writers such as Albert Camus, Franz Kafka, Simone de Beauvoir, Samuel Beckett, and José Saramago. Works include RemiJin Camping's cyanotype in an embroidery hoop referencing Kafka's *The Metamorphosis* and Mychaelyn Michalec's hand-tufted wool piece *The Pietà and The Swan*. The show runs through December 20, 2025.

Peterson Rich Office designs Condé M Nast Galleries at The Met in time for yearly gala exhibition

Brooklyn-based architecture studio Peterson Rich Office has completed the redesign of five gallery spaces at the Metropolitan Museum of Art in New York, known as the Condé M Nast Galleries. The project transformed 12,000 square feet of a former courtyard into gallery and auxiliary rooms, revealing historic brickwork and facades from the 19th-century buildings by architects Richard Morris Hunt, Arthur Lyman Tuckerman, and Calvert Vaux. The spaces include the Orientation Gallery, High Gallery, Low Gallery, and Finale Gallery, each blending contemporary design with exposed historic materials. The first exhibition in the High Gallery is the Costume Art show, timed to coincide with the annual Met Gala.

THE MET GETS A NEW GREAT HALL BY PETERSON RICH OFFICE

Peterson Rich Office (PRO) has designed a new Great Hall Gallery for the Metropolitan Museum of Art, occupying 12,000 square feet across five sequential rooms in a former exterior courtyard adjacent to the landmark Great Hall. The renovation exposes and celebrates historic exterior façades from the 1880s and 1890s, creating a layered architectural experience. The space is intended to host rotating exhibitions, particularly the Costume Institute's annual spring show, and is currently under construction.

Art Notes, April 29

This article from the 'Art Notes' column covers several local art events in Ocean County, New Jersey. John Meehan's oil painting 'Enjoying the Sunshine from the Shadows' is featured as cover art for the LBI Artist Studio Tour map. Suzanne Pasqualicchio's exhibit 'That’s Life: Little by Little' is on display at the Lacey branch of the Ocean County Library through May, with a reception on May 2. The Long Beach Island Foundation of the Arts and Sciences (LBIF) is hosting a pottery course for beginners aged 55 and older, funded by a Creative Aging Initiative grant, along with an upcycled patchwork sweatshirt workshop and the 28th annual Works on Paper national juried exhibition juried by Joanna Sheers Seidenstein of The Metropolitan Museum of Art. A photography exhibit by Don Edwards titled 'Nature in Ocean County' is also showing at the Waretown library branch.

Frame of Reference

Memphis is undergoing a significant transformation of its cultural landscape as the city's major art institutions evolve to meet modern community needs. The Memphis Brooks Museum of Art is preparing for a landmark move to a new riverfront location where it will be renamed the Memphis Art Museum, offering 50 percent more gallery space. This expansion follows decades of growth for the city's "big three" institutions—the Brooks, the Dixon Gallery & Gardens, and the Metal Museum—which have anchored the local scene since the mid-1970s.

Art Toronto gets sales boost from baseball World Series

Art Toronto, Canada's largest art fair, took place from October 23-26 at the Metro Toronto Convention Centre, coinciding with the first two games of the MLB World Series between the Toronto Blue Jays and the Los Angeles Dodgers at the adjacent Rogers Centre. Despite concerns that the baseball championship might divert attention and sales, the fair saw increased attendance and a boost in purchases in the C$50,000 to C$100,000 range, according to director Mia Nielsen. Gallerists reported a positive mood, with the National Gallery of Canada even acquiring a work from Central Art Garage. The synergy between the events energized the city, though it worsened Toronto's notorious traffic.

Art Toronto gives Latin American artists pride of place with new curated section

Art Toronto, Canada’s largest art fair, returns for its 26th edition (23–26 October) at the Metro Toronto Convention Centre with over 100 galleries. It debuts Arte Sur, a new curated section focused on Latin American art, organized by Mexico City-based curator and gallerist Karen Huber. The section features 11 galleries from across the Americas, including first-time participants from New York, Mexico City, Argentina, and Chile, showcasing more than 30 artists primarily from Mexico, Costa Rica, Argentina, Chile, and Peru.

Lorna Simpson Comes Full Circle in Venice with ‘Third Person’

American artist Lorna Simpson has opened a major solo exhibition titled 'Third Person' at Punta della Dogana in Venice, featuring over 50 works across painting, collage, sculpture, installation, and film. The show surveys her practice from the last decade, including new works created in response to the venue, and runs through November 22. Curated by Emma Lavigne of the Pinault Collection, the exhibition also includes pieces from her 2015 Venice Biennale participation and series such as 'Ice,' 'Special Characters,' and 'Earth and Sky.'

“Edmonia Lewis: Said in Stone” Reconstructs a Life Across Fragments

Boston Art Review (BAR) has published an article titled “Edmonia Lewis: Said in Stone” that reconstructs the life of the 19th-century sculptor Edmonia Lewis across fragmented historical records. The piece examines Lewis’s career, her neoclassical marble works, and the challenges of piecing together her biography due to limited archival materials.

Lauder heir hands gallery and $135mn Klimt to New York’s Metropolitan Museum

The Metropolitan Museum of Art in New York has received a major donation from the Lauder family: a historic townhouse gallery on the Upper East Side and Gustav Klimt's 1907 portrait "Adele Bloch-Bauer II," valued at $135 million. The gift comes from the estate of Estée Lauder heir Ronald S. Lauder, a longtime museum trustee and collector, and includes the former Neue Galerie building at 1048 Fifth Avenue, which will be renovated to expand the Met's modern and contemporary art exhibition space.

Boxing News: WBC Honors Rocky Exhibition & Joe Frazier Legacy At Philadelphia Museum Of Art » May 13, 2026

The World Boxing Council (WBC) presented two commemorative championship belts at the Philadelphia Museum of Art in connection with the exhibition "Rising Up: Rocky and the Making of Monuments," which marks the 50th anniversary of the film "Rocky." On April 23, 2026, Rasheen Farlow of the WBC gave a belt to the family of Joe Frazier, accepted by his daughter Jacquelyn Frazier-Lyde. The following evening, a second belt was presented to the exhibition itself, accepted by guest curator Paul Farber. The belts honor boxing figures Joe Frazier, Muhammad Ali, and Jose Sulaiman, and one also features the film character Rocky.

How Frida Kahlo Became This Year's Cultural Obsession

In 2026, Frida Kahlo has become a global cultural obsession, with museums, opera houses, and cinemas worldwide celebrating her legacy. The Metropolitan Opera in New York City will premiere Gabriela Lena Frank's Spanish-sung opera *El Último Sueño de Frida y Diego* on May 14, which imagines Diego Rivera summoning Kahlo back to life three years after her death. Set and costume designer Jon Bausor drew inspiration from the trees, veins, and cracked imagery in Kahlo's paintings.

Exhibition commemorates Frederic Church 200th

The Olana Partnership opens "Frederic Church: Global Artist" on May 17 at Olana State Historic Site in Hudson, New York, commemorating the 200th anniversary of Frederic Church's birth (1826–1900). The exhibition brings together monumental oil paintings, drawings, oil sketches, and photographs from Church's global travels, with loans from major institutions including the Cooper Hewitt, Smithsonian Design Museum, The New York Historical, and the Terra Foundation for American Art. It is organized by Elizabeth Kornhauser, Tim Barringer, and Jennifer Raab, and is part of the broader Frederic Church 200 initiative.