Gitterman Gallery is presenting an exhibition of vintage gelatin silver prints by artist Ruth Thorne-Thomsen, on view through June 6, 2026. The show features a selection of her work from several series, including 'Expeditions' (1976-1984), 'Door' (1981-83), and 'Views from the Shoreline' (1986-1987), which showcase her signature technique of staging and photographing dioramas within landscapes to create surreal, dreamlike scenes.
David Kordansky Gallery in New York is presenting 'Bones in the Canal and Other Photographs,' a solo exhibition of new work by Norwegian artist Torbjørn Rødland. This marks his first New York gallery show in nearly a decade. The exhibition features two distinct series, including a significant new body of smaller-format 35mm photographs that represent a major shift in his 30-year practice. The show runs from March 12 to April 25, 2026, at the gallery's West 20th Street location.
The Nevada Humanities Program Gallery is hosting a reception and curator's talk for the exhibition "Mojave Shadows." The event, scheduled for Tuesday, April 14, offers the public an opportunity to engage directly with the curatorial vision behind the show, which explores regional themes through a specific lens of light and landscape.
Volume Gallery is relocating to a larger space at 1700 West Hubbard Street in Chicago, opening in February with a group exhibition titled 'The Heresy of Legacy.' The Museum of Contemporary Photography announced a solo exhibition by MacArthur Fellow Tonika Lewis Johnson for fall 2027. Elise Seigenthaler Gallery will open in West Town on January 9, while Christina Vassallo is leaving Cincinnati's Contemporary Arts Center to join the Pew Center for Arts & Heritage. Additionally, Novak Construction is set to buy the southern portion of Lincoln Yards, and a River North office building will be converted into apartments.
Liza Jo Eilers presents her first solo exhibition in New York, 'Starland Silver Sash', at Grimm gallery, running through 1st November. The show features paintings that splice together scenes from a Hole concert, including the work 'The trickle down effect (mint)', which explores the relationship between frontwoman Courtney Love and her fans. Other cultural icons such as Nina Simone and Gena Rowlands appear in split-screen paintings, reflecting Eilers' interest in pop culture's double bind regarding representations of women. The artist, who earned her MFA from the School of the Art Institute Chicago and works with hydrochromic and thermochromic inks, discusses themes of gender, performance, and societal beauty standards.
Krannert Art Museum in Champaign, Illinois, is reopening on August 28 with a major reinstallation of its Andean gallery, featuring the exhibition "Fragmented Histories: Andean Art Before 1600." The gallery, co-curated by Kasia Szremski and Allyson Purpura, moves away from a linear display to explore the mobility of objects, their histories of looting, and their ongoing cultural significance. The reopening also includes a solo exhibition by contemporary artist Ronny Quevedo, titled "Ronny Quevedo: a l l s t a r s," and reinstallations of European and American art in the Bow and Trees galleries.
Maxwell Rabb's article highlights five standout exhibitions at small galleries for August 2025. Featured shows include "Timeless Remnants" at Grège Gallery in Belgium, featuring artists Conrad Willems, Laura Pasquino, and Chidy Wayne exploring memory through materials; "Tropico Pasado" at Galleria Doris Ghetta in Italy, a solo show by London-based artist Lucía Pizzani inspired by the Dolomites and Venezuelan landscapes; and "rwa bhineda" at SUN.CONTEMPORARY in Bali, Indonesia. Other exhibitions are noted but not detailed in the provided text.
This article lists top art exhibitions to see in Chicago during June 2025. Highlights include "Hokusai and Ukiyo-e: The Floating World" at the Cleve Carney Museum of Art, featuring seventeenth-century Japanese art with immersive experiences; Elsa Muñoz's "Dreamwork" at Goldfinch Gallery; "A Beautiful Experience: The Midwest Grotto Tradition" at the John Michael Kohler Arts Center, showcasing Madeline Buol's monumental grotto; Yvette Mayorga's "Pu$h Thru" at moniquemeloche; and "Nuth’n to Hyde: Gertrude Abercrombie and the Hyde Park Ethos 1935-1975" at Corbett vs. Dempsey.
Naomi Beckwith, deputy director and chief curator of the Guggenheim Museum and Foundation, has relocated to Kassel, Germany, as artistic director of Documenta 16, which opens in June 2027. The article follows her early impressions of Kassel, a city shaped by immigration and still grappling with its post-reunification identity, and touches on the political and cultural debates surrounding Documenta after controversy over antisemitic imagery in its previous edition. Beckwith is also organizing a concurrent exhibition at the Palais de Tokyo in Paris, titled "Echo Delay Reverb: American Art, Francophone Thought."
Cultured magazine profiles Cherrie Yu, a 30-year-old artist based in New York who grew up in Xi'an and Wuxi, China. Yu creates videos, performances, and prints that examine the relationship between everyday movement, dance, labor, and play. Notable works include 'Trisha and Homer' (2018), which juxtaposes a 1986 solo by choreographer Trisha Brown with the movements of a mopping maintenance worker, and 'Wrestling Study' (2017), a video reenacting a wrestling match in Chicago traffic. Yu cites mentor Bryan Saner, a woodworker and performer, as a key influence on their understanding of the laboring body as the dancing body.
Pamela Joyner, a prominent art collector and patron, shares a first look inside her Lake Tahoe home in Reno, Nevada, which houses her formidable collection of 20th- and 21st-century abstraction by Black artists. The collection, co-owned with her husband Fred Giuffrida, includes works by Mark Bradford, Jack Whitten, Frank Bowling, and Charles Gaines, and was shaped by Joyner's childhood visits to the Art Institute of Chicago. Joyner, a Harvard Business School graduate and founder of Avid Partners, discusses her collecting philosophy, the strategic approach she applies from her business career, and her advice for new collectors.
The Hammer Museum has announced the lineup for the seventh edition of its biennial survey "Made in L.A.," curated by Essence Harden and Paulina Pobocha. Starting with a list of over 1,000 artists and no predetermined theme, the curators visited numerous studios over six months to select 28 participants. The exhibition includes artists working beyond traditional definitions, such as online archivist Jerald Cooper and DJ programmer Michael Donte, alongside experimental filmmakers, choreography, ceramics, and installations. The show features works by Pat O'Neill, Carl Cheng, Greg Breda, and others, reflecting Los Angeles's car culture, light, and evolving landscape.
Francis J. Greenburger, a real estate developer, philanthropist, and literary agent, discusses his lifelong art collection and philanthropic initiatives in an interview with CULTURED. He recounts buying his first painting at age 14 for $25, navigating the 1970s SoHo art scene at Max's Kansas City, and founding the Francis J. Greenburger Awards in 1985 to honor under-recognized artists with a $12,500 prize. Greenburger also details his role at Art Omi, a nonprofit arts center in the Hudson Valley with a sculpture park, residency programs, and the upcoming Art Omi Pavilions project, which will offer 18 artists and collectors individual sites across 190 acres. He is also releasing a book, *Autobiography of a Skyscraper*, about Chicago's 1000M tower.
The Studio Museum in Harlem will reopen on November 15 after a seven-year closure, unveiling a new seven-floor, 82,000-square-foot building designed by Adjaye Associates and executed by Cooper Robertson. To mark the occasion, Cultured magazine convened three conceptual artists—Nikita Gale, Camille Norment, and Sable Elyse Smith—who received early support from the museum, each reflecting on how the institution shaped their careers. Norment, featured in the 2001 exhibition "Freestyle," is creating a new installation for the reopening; Gale and Smith both participated in the 2017 show "Fictions."
More than 200 international scholars and cultural heritage professionals have signed a joint statement condemning the United States and Israel for inflicting "irreversible damage" on Iran’s cultural heritage. The group, which includes academics from leading global institutions, alleges that recent military strikes have damaged over 130 UNESCO-registered monuments and museums, including the Senate Palace in Tehran and sites in Isfahan. They argue these actions violate the 1954 Hague Convention and criticize international bodies like UNESCO for failing to issue a sufficiently forceful response.
James Rondeau, director of the Art Institute of Chicago, has given his first detailed interview about a 2023 incident where he removed his clothes on a flight from Chicago to Munich after consuming alcohol and prescription medication. The event led to police involvement and a voluntary six-week leave before the museum's board reinstated him, expressing confidence in his leadership.
The Chicago History Museum has cut hours at its Abakanowicz Research Center by roughly 50%, reducing it to three days a week with limited hours, following staff reductions tied to a labor dispute. Employees voted to unionize in February under Chicago History Museum Workers United, and several organizers were later dismissed; remaining staff had their hours cut to part-time in July, losing health insurance and income. The cuts affect access to archival holdings including police records and personal papers of notable figures, which supported over 5,500 research requests in 2024.
Naomi Beckwith, deputy director and chief curator of the Guggenheim Museum, has announced her four-person artistic team for Documenta 16, set to open in Kassel, Germany, in June 2027. The team includes Carla Acevedo-Yates, Romi Crawford, Mayra A. Rodríguez Castro, and Xiaoyu Weng, who will collaborate on the exhibition, publication, and programming for the quinquennial.
The Smithsonian’s National Museum of Asian Art (NMAA) has announced it will host the first US exhibition of masterpieces from the collection of former Samsung Chairman Lee Kun-Hee this fall. Titled 'Korean Treasures', the show will feature over 200 items spanning 1,500 years, including a dozen National Treasures designated by the Korean government, many exhibited in the US for the first time. Co-organized with the Art Institute of Chicago, the National Museum of Korea, and the National Museum of Modern and Contemporary Art in Korea, the exhibition includes ancient Buddhist sculptures, ceramics, paintings, furnishings, and modern works. Highlights include Jeong Seon’s 'Clearing after Rain on Mount Inwang' (1751) and a 1459 woodblock-print book compiled by King Sejo. Nine items from the Leeum Museum of Art will be shown exclusively at the NMAA before the exhibition travels to Chicago and the British Museum.
James Rondeau is returning as director of the Art Institute of Chicago after taking a voluntary leave following an incident in April 2025 in which he reportedly undressed on a flight from Chicago to Munich. CBS News reported that police were called after a passenger—identified as Rondeau—stripped off his clothes, having consumed alcohol and prescription medication. The museum’s board conducted an independent investigation and expressed confidence in Rondeau’s leadership, allowing him to resume his role as President and Director on Monday. Rondeau issued a statement expressing regret and gratitude for the opportunity to continue his work.
Tony Karman, the longtime director of Expo Chicago, will step down from his role at the end of June, remaining as president in an advisory capacity while the fair searches for a new director. Karman founded Expo Chicago in 2011, succeeding Art Chicago, and has led the fair through 14 editions, including its most recent one last month with 170 exhibitors and over 35,000 visitors. The transition follows Frieze's acquisition of Expo Chicago and the Armory Show in July 2023, and comes amid broader ownership changes at Frieze itself, which was recently sold to a company founded by Ari Emanuel and is now fully owned by private equity firm Silver Lake.
A shooting outside the Capital Jewish Museum in Washington, D.C., on Wednesday night killed two Israeli embassy staff members, Yaron Lischinsky and Sarah Milgrim, in what authorities have called an antisemitic attack. The gunman, Elias Rodriguez of Chicago, opened fire as the victims exited a diplomatic event hosted by the American Jewish Committee, then entered the museum where he was detained by security. Police reported that Rodriguez shouted “free, free Palestine” after being taken into custody. The museum expressed heartbreak and condemned the violence, while the Israeli embassy mourned the loss of the couple, who were engaged to be married.
The Obama Presidential Center in Chicago has unveiled its final cohort of artist commissions ahead of its scheduled opening in June. This group includes high-profile contemporary artists such as Njideka Akunyili Crosby, Jeffrey Gibson, and Lorna Simpson, who will contribute site-specific works ranging from a multi-layered portrait of the Obamas to a 34-foot stainless steel sculpture by Martin Puryear honoring the late John Lewis. These eight artists join a previously announced roster, bringing the total number of new commissions for the 19.3-acre South Side campus to 30.
mark bradford carrie may weem latest artists commissioned obama presidential center
The Obama Presidential Center in Chicago has announced its latest cohort of commissioned artists, featuring high-profile names such as Mark Bradford and Carrie Mae Weems alongside local Chicago talents like Tyanna J. Buie and the duo Sam Kirk + Dorian Sylvain. These site-specific installations will be integrated across the center's 19-acre campus, including a three-story atrium collage by Bradford and a jazz-inflected photo mural by Weems. The project, which has already engaged over two dozen artists including Maya Lin and Julie Mehretu, is overseen by art program leaders Louise Bernard and Virginia Shore with direct input from the Obamas.
Chicago street artist Jordan Nickel, known as Pose, is embroiled in a legal dispute with the arts and crafts retail giant Michaels. The artist, through his attorney Jeff Gluck, alleges that Michaels used his artwork in advertisements for Ironlak spray paint without his permission. Michaels has responded by filing a preemptive lawsuit in Texas, seeking a court declaration that it did not infringe on any rights and asking for attorneys' fees, while also arguing that it believed it had permission through its supplier, AVT Paints.
Artnet News has compiled a selection of artworks created in anticipation of Pope Francis's first visit to the United States. The works include Anthony VanArsdale's portrait for the North American College in Rome, a new addition to the 'Franks' mural at Philadelphia's Dirty Franks bar, a massive photo-realistic mural by Van Hecht-Nielsen overlooking Madison Square Garden in New York, a large-scale mural by Caesar Viveros for the Philadelphia Mural Arts Program, and a controversial, officially licensed portrait by Perry Milou. Other featured pieces include an illustration by Omkar Shivaprasad and a vandalized mural in Bolivia by William Luna and Guillermo Rodriguez.
Frank Lloyd Wright's Walser House, a rare Prairie-style home in Chicago's Austin neighborhood, is returning to market after being acquired by Fannie Mae through foreclosure. The house has been vacant and neglected since 2019, when its long-time owner died, and requires an estimated $2 million in restoration work. A foreclosure sale in December 2025 failed when preservation advocates were priced out by a minimum bid of $240,000, well above the property's appraised value of $65,000. Fannie Mae now holds the title and is preparing the property for listing, offering a potential path to new ownership.
A fake listing on Zillow claimed that Frank Lloyd Wright's Walser House in Chicago was for sale for $350,000, prompting widespread attention. The Frank Lloyd Wright Building Conservancy investigated and confirmed the listing was fraudulent, warning it may have been an attempt to defraud potential buyers. The 123-year-old house, which is uninhabitable and requires at least $2 million in restoration, is actually owned by Fannie Mae after a foreclosure and is not currently on the market.
Dorothy Waugh, a pioneering Modernist designer who created the U.S. government's first in-house National Parks poster campaign during the Great Depression, is the subject of her first-ever solo exhibition at New York's Poster House. Titled "Blazing a Trail: Dorothy Waugh's National Parks Posters," the show reunites all 17 posters Waugh designed for the National Park Service between 1934 and 1936, bold experimental works that helped define a new visual language for federal design. Guest curator Mark Resnick spent three decades tracking down Waugh's story, locating documents across the National Archives, the Library of Congress, the School of the Art Institute of Chicago, and the Jones Library in Amherst, Massachusetts.
The Joan Mitchell Foundation has announced the 31 artists selected for its 2026 residency program at the Joan Mitchell Center in New Orleans. The residencies, lasting six or 14 weeks across three seasons, will host no more than nine artists at a time, beginning February 2. The cohort includes 17 local New Orleans artists and participants from cities such as New York, San Francisco, Chicago, Boston, and Atlanta, ranging in age from 27 to 75. Notable participants include Edra Soto, who also won a United States Artists Fellowship, and two leaders of New Orleans’s Black Masking Indian tradition, Kelly Pearson Boles and Efrem Z. Boles. The selection was made by a jury of artists, curators, and academics.