david shrigley selling old rope 2713134

British artist David Shrigley has created "Exhibition of Old Rope," a work consisting of 10 tons of salvaged rope arranged on the floor of Stephen Friedman Gallery in London, priced at £1 million ($1.3 million). Shrigley and assistants spent months collecting discarded rope from beaches, cruise ships, climbing schools, tree surgeons, and wind farms, then cleaned and assembled it into a large pile. The work plays on the English idiom "money for old rope," which originally referred to the resale value of used ship rope in early 19th-century Britain.

10 most expensive lots sold auction march 2025 2632455

In March 2025, major auction houses, particularly in London, achieved strong sales despite the month typically being quiet. Christie’s and Sotheby’s sold ten high-value lots, led by Jean-Michel Basquiat’s *Sabado Noche* (1984) at £8.4 million ($14.5 million). A standout result was M.F. Husain’s *Untitled (Gram Yatra)* (1954), which sold for $13.75 million at Christie’s New York, marking the first time an Indian Modern artwork exceeded $10 million at auction. Other notable sales included works by René Magritte, Yoshitomo Nara, Francis Bacon, Tamara de Lempicka, Amedeo Modigliani, Paul Delvaux, Michael Andrews, and Lisa Brice.

Lovers to friends: the intimate story of Van Gogh's sister-in-law and the artist Isaac Israëls

The Van Gogh Museum in Amsterdam has published 103 letters from Dutch Impressionist painter Isaac Israëls to Jo Bonger, Vincent van Gogh's sister-in-law, revealing a previously secret romantic relationship between them. The museum is also presenting an exhibition titled "Captivated by Vincent: The Intimate Friendship of Jo van Gogh-Bonger and Isaac Israëls" (through January 25, 2026), which explores their brief physical relationship in the 1890s and its aftermath, including how Israëls incorporated Van Gogh's paintings into his own portraits—a practice he called "Vincenting." Twelve of these portraits are on display for the first time.

2 exhibits at Portland Museum of Art show off photography, decorative arts

The Portland Museum of Art (PMA) is presenting two concurrent exhibitions: "Ming Smith: Jazz Requiem — Notations in Blue" (through June 7) and "Precious: The Value of Ornament" (through July 19). The Ming Smith exhibition showcases the pioneering Black photographer's emotive, manipulated images, including jazz club scenes and portraits, drawn from the museum's collection and loans from The Gund at Kenyon College. The decorative arts exhibition highlights the value of ornament in applied arts.

On View: 'Jacob Lawrence: African American Modernist' at Kunsthal KAdE is First Retrospective of Celebrated Artist in Europe

Kunsthal KAdE in Amersfoort, Netherlands, is hosting 'Jacob Lawrence: African American Modernist,' the first European retrospective of the American artist Jacob Lawrence (1917-2000). The exhibition spans his six-decade career from the 1930s, featuring 70 paintings, 25 drawings, and 75 prints, along with photographs and archival materials. It includes works from his celebrated series on the Great Migration, Builders, World War II, and historical figures like Harriet Tubman and Toussaint L'Ouverture, as well as new works by contemporary artists Barbara Earl Thomas and Nina Chanel Abney inspired by Lawrence.

16 New Auction Records Set in November 2025

New York's fall auction week in November 2025 saw major houses Sotheby's, Christie's, and Phillips collectively bring in over $2 billion, signaling renewed market confidence after an uneven spring. The top lot was Gustav Klimt's *Portrait of Elizabeth Lederer* (ca. 1914–16), which sold for $236.36 million at Sotheby's—the second-highest price ever paid at auction and a new record for the artist. Other notable records included Frida Kahlo's *El sueño (La cama)* (1940), which became the most expensive artwork by a woman artist sold at auction, fetching $54.66 million. In total, 16 new artist auction records were set during the week.

A centenary of style: why Art Deco's market appeal is evergreen

Art Deco, the French-led Modernist style that flourished between the world wars, is experiencing a centenary peak this autumn. A major exhibition at Paris’s Musée des Arts Décoratifs, titled "1925-2025: One Hundred Years of Art Deco" (through April 2026), leads institutional celebrations, with smaller shows at the Musée Zadkine and Cité de l’Architecture et du Patrimoine, and a poster survey at the London Transport Museum. The style is also prominent on the art fair circuit: Eileen Gray’s Dragon armchair (1917-19) was redisplayed at FAB Paris, Galerie Jacques Lacoste featured a Deco stand at PAD London, and focused presentations are planned at Salon Art + Design in New York. Galleries like Galerie Marcilhac are expanding, with a new Paris space and plans to showcase Deco designers at upcoming fairs.

Border Crossings: Ten Scottish Masters of Modern Art

The McManus: Dundee's Art Gallery & Museum presents 'Border Crossings: Ten Scottish Masters of Modern Art,' an exhibition running from 28 June 2025 to 14 June 2026. Curated by Janet McKenzie, the show highlights ten Scottish-born artists—including Wilhelmina Barns-Graham, Eduardo Paolozzi, and William Turnbull—who left Scotland to train and build careers in London, Paris, and New York, contributing significantly to international modernism.

art juliana halpert frieze los angeles 2026

Juliana Halpert, writing for Cultured's Critics' Table, offers a local perspective on Los Angeles's busy February art scene, contrasting the global art-fair circuit with four distinctive local exhibitions. She visits Tanya Brodsky's "Stories of the City" at Campbell Hall school in Studio City, where Brodsky's sculptures engage with Italo Calvino's *Invisible Cities*; the Julia Stoschek Foundation; Amanda Ross-Ho's show; and Rita McBride's exhibition. Halpert uses Calvino's metaphor of Eutropia—a city whose inhabitants cycle through identical suburbs—to critique the repetitive nature of art fairs like Art Basel and Frieze, which travel from city to city with little variation.

art hilma af klint nature studies moma

The Museum of Modern Art (MoMA) is presenting "What Stands Behind the Flowers," an exhibition centered on Hilma af Klint's "Nature Studies" portfolio of 46 works on paper acquired in 2022. Completed from 1919 to 1920, these precise botanical renderings include abstract diagrams, and the show features over 50 additional pieces contextualizing the series within the Swedish artist's broader practice, including earlier works like her 1889 mushroom studies and "The Atom Series" from 1917.

Sophia Rivera’s Mythology of Everyday New York

The article reviews "Sophie Rivera: Double Exposures" at El Museo del Barrio, the first survey of the late Nuyorican photographer Sophie Rivera, who died in 2021. The exhibition spans her career, including her feminist conceptual series "Rouge et Noir" and "Bowl Study" (c. 1976–78), which depict intimate bodily waste like used tampons and feces, and her socially engaged "Latino Portraits" series from the late 1970s, which countered negative media stereotypes of Puerto Ricans with affectionate, mythologizing portraits. The review highlights a moment where the critic misidentifies abstract toilet photographs as pinhole or double exposures before learning their true subject.

I’ve Got the Post-Duchamp Blues

The article is a review of the Marcel Duchamp retrospective at the Museum of Modern Art (MoMA) in New York, the first such show since 1973. Featuring around 300 works from Duchamp's six-decade career, the exhibition includes his iconic readymades like "Fountain" (1917) and early paintings such as "Nude Descending a Staircase, No. 2" (1912). Co-curated by MoMA's Ann Temkin and Michelle Kuo along with Matthew Affron of the Philadelphia Museum of Art, the show runs through August 22, 2026, before traveling to Philadelphia.

Alain Passard's Art Recipe: Monet's Sublime 'Water Lilies' Invade the Plate

La recette d’art d’Alain Passard : les sublimes « Nymphéas » de Monet s’invitent dans l’assiette

Chef Alain Passard shares a recipe inspired by Claude Monet's "Nymphéas" (Water Lilies) series, connecting the painter's obsessive depictions of his Giverny water garden to a spring consommé decorated with flower petals. The article recounts Monet's move to Giverny in 1883, his creation of a water garden, and his decades-long focus on painting the pond's surface, light, and reflections—culminating in the immersive panoramic panels gifted to France in 1918 and now housed at the Musée de l'Orangerie in Paris.

Whitney Biennial 2026: Care, Catastrophe, and Private Gestures

The Whitney Biennial 2026, the 82nd edition of the longest-running survey of American art, opened with a stripped-down, self-referential title and no subtitle, reflecting a moment of national self-questioning. The exhibition features 56 artists, duos, and collectives, with highlights including Agosto Machado's shrine sculptures dedicated to friends lost to AIDS, Emilie Louise Gossiaux's tender works about her guide dog London, and Michelle Lopez's apocalyptic video projection *Pandemonium*. Machado, a longtime downtown New York artist and caregiver, died shortly after the biennial opened, and his ashes are to be mixed with those of Marsha P. Johnson and spread in the Hudson River.

Historic Tiffany Window, Once Hidden in Texas Church, Reemerges at Crystal Bridges

Crystal Bridges Museum of American Art has unveiled a monumental Tiffany Studios window, "Mountain Landscape (Root Memorial Window)," which was previously housed in a San Antonio church. The 1917 stained-glass masterpiece, designed by Agnes Northrup, had been roped off for a decade due to insurance liabilities before the church sought a public institution to ensure its preservation and display. Following a meticulous conservation process, the nine-foot-tall window is now a centerpiece of the museum’s Visions of America Galleries.

Marcel Duchamp Is Stripped Bare at MoMA

The Museum of Modern Art in New York has opened "Marcel Duchamp," the first retrospective of the artist on this continent in over 50 years. Curated by Ann Temkin, Michelle Kuo, and Matthew Affron, the exhibition is organized strictly chronologically and features Duchamp's most famous works—including his revolutionary readymades like *Fountain* (1917) and *Bicycle Wheel* (1913)—often shown only in photographic reproduction or as later refabricated copies, replicas, and miniatures from his *Box in a Valise* series. The show highlights how Duchamp's original objects have been lost or dematerialized, forcing viewers to confront the very definition of an artwork.

What’s Left to Learn from Marcel Duchamp?

The article examines Marcel Duchamp's enduring influence on contemporary art, focusing on his readymades such as "Fountain" (1917) and "Bicycle Wheel" (1913/1951). It notes that a major survey co-organized by the Museum of Modern Art and the Philadelphia Museum of Art, 70 years after Duchamp predicted his true public would emerge in 50 to 100 years, reaffirms his status as the most influential artist of the past century. The piece discusses how Duchamp's practice of selecting and presenting ordinary objects as art—from a urinal to a snow shovel—once shocked the art world but now seems quaint compared to later works like Maurizio Cattelan's taped banana.

Record $236.3m Klimt leads Sotheby’s first night of auctions in Breuer Building

Sotheby's first evening auctions in its new Manhattan headquarters, the former Whitney Museum building designed by Marcel Breuer, achieved a record total of $605.1 million ($706 million with fees) on November 18. The night was headlined by the sale of 24 works from the collection of the late billionaire Leonard Lauder, which alone brought in $456.2 million. The standout lot was Gustav Klimt's 'Bildnis Elisabeth Lederer (Portrait of Elisabeth Lederer, 1914-16)', which sold for $205 million ($236.3 million with fees) after a nearly 20-minute bidding war, becoming the second-most-expensive painting ever sold at auction. A subsequent contemporary art auction added $148.8 million ($178.5 million with fees) across 44 lots.

This month’s New York auctions could bring up to $2.3bn

New York's leading auction houses, including Sotheby's and Christie's, expect to generate between $1.7bn and $2.3bn during their November sales, driven by major consignments such as 55 works from the estate of Leonard Lauder and 37 works from the collection of Jay and Cindy Pritzker. Sotheby's, which has moved its headquarters into the former Whitney Museum's Breuer Building, leads the season with estimated sales of $863m to $1.175bn, featuring Gustav Klimt's Portrait of Elisabeth Lederer (estimated at $150m) and Frida Kahlo's El Sueño (La Cama) (estimated at $40m-$60m).

Maurizio Cattelan’s Gold Toilet Returns to Market at Sotheby’s This November

Sotheby's has announced that an edition of Maurizio Cattelan's gold toilet sculpture "America" (2016) will be auctioned in its The Now & Contemporary Evening Auction on November 18, 2025, with a starting bid of approximately $10 million based on its 101.2-kilogram weight in gold. The work first gained fame at the Solomon R. Guggenheim Museum in New York in 2009, where over 100,000 visitors used it, and later made headlines when it was stolen from Blenheim Palace in a raid that caused structural damage and flooding. The stolen piece was never recovered and is presumed melted down, making this edition the only one in existence.

“Berthe Weill, Art Dealer of the Parisian Avant-garde” in Montreal

The Montreal Museum of Fine Arts (MMFA) has opened a major exhibition titled "Berthe Weill, Art Dealer of the Parisian Avant-garde," showcasing over 100 works that Weill exhibited in her Paris galleries between 1901 and 1940. The show highlights her role in launching the careers of artists such as Picasso, Matisse, Modigliani, and Suzanne Valadon, and includes paintings, drawings, sculptures, and archival materials. Weill, born to a poor Jewish family, opened her first gallery at age 36 using her mother's dowry, never charged for exhibitions, and often sold her own possessions to keep her spaces afloat. Despite her immense contributions, she died in poverty and has been largely omitted from art history.

Art from the Bass House by Paul Rudolph

Christie's will offer exceptional works from the Bass House in Fort Worth, Texas, designed by architect Paul Rudolph for Anne and Sid Bass in 1970. The single-owner sale, titled "Art from the Bass House," will be held on 12 May 2025, headlined by a rare Mark Rothko painting from 1950-1951, along with works by Ellsworth Kelly, Alexander Calder, and Frank Stella. The collection will be presented within the 20th Century Evening Sale and the Post-War & Contemporary Art Day Sale, continuing the Bass collection's presence at Christie's after the record-breaking 2022 sale of The Collection of Anne H. Bass.

art exhibition moma marcel duchamp retrospective

The Museum of Modern Art (MoMA) in New York is organizing a major retrospective of Marcel Duchamp, the first in the U.S. since 1973. Curated by Michelle Kuo, Ann Temkin, and Matthew Affron, the exhibition titled "Marcel Duchamp" will run from April 12 through August 22 and feature over 300 artworks, including iconic pieces like *Nude Descending a Staircase, No. 2* and *Fountain*. The curators describe the challenge as extreme, given Duchamp's deliberate confounding of traditional art systems, and they aim for a "deadpan accuracy" in presenting his work, including studies and replications as independent artworks.

Marc Restellini’s ‘atom bomb’ of a Modigliani catalogue raisonné is finally published

After nearly three decades of legal disputes and intense research, Marc Restellini has finally published his definitive catalogue raisonné of Amedeo Modigliani’s oil paintings. Released through the Institut Restellini and Yale University Press, the six-volume work utilizes forensic scientific analysis, spectrometry, and archival evidence to authenticate the artist's oeuvre. The publication includes 100 newly authenticated works while excluding 15 previously accepted paintings due to a lack of definitive evidence, marking a shift from connoisseurship to a fact-based methodology.

ai generated egon schiele twitter 1234770994

An AI-generated image falsely attributed to Austrian Expressionist Egon Schiele has gone viral on X, posted by the account @lovedropx. The image, which mimics Schiele's style and borrows the title of a real 1917 watercolor, has garnered hundreds of thousands of views. Art-world readers quickly pointed out anachronisms—such as the model's modern makeup, hair, and nails—and the image's six-fingered hand, as well as its lack of Schiele's characteristic provocativeness. This is not an isolated incident; Art Detective flagged similar AI fakes on Facebook in December, warning that undisclosed AI-generated images are becoming common.

sothebys saudi arabian auction 2026 2733794

Sotheby's will hold its second auction in Saudi Arabia on January 31, 2026, following a successful inaugural sale in Diriyah in February 2024 that netted $17.3 million. The upcoming sale, titled "Origins," features over 70 works by established Saudi Arabian and Middle Eastern artists alongside international names, with top lots including a Pablo Picasso painting estimated at $2–3 million and works by Jean Dubuffet, Roy Lichtenstein, and Andy Warhol. The auction aims to build on lessons from the first sale, which revealed strong demand across price points and generational diversity among buyers.

barbra streisand regrets selling gustav klimt 2720106

Barbra Streisand posted on Instagram expressing regret over selling Gustav Klimt's "Ria Munk on her Deathbed" (1912), which she owned for 30 years. The post came three days after another Klimt portrait set a record at auction. Streisand bought the painting in 1969 for $17,000 and sold it in 1999, explaining she had shifted her interest to Frank Lloyd Wright and the Arts & Crafts movement.

collector sues sothebys modigliani authenticity 2719506

Collector Charles Cahn has filed a lawsuit against Sotheby’s in New York Supreme Court, alleging the auction house reneged on a buy-back agreement made in 2016 regarding a Modigliani portrait he purchased in 2003. Cahn paid $1.55 million for *Portrait de Leopold Zborowski* at a Sotheby’s Impressionist and modern sale, and later agreed to consign the work back to Sotheby’s if he sold it within 15 years, with the house guaranteeing the greater of the original price plus 2.5% annual compound interest or the future sale price, and waiving vendor fees. However, Cahn claims that in April 2016, Sotheby’s own appraisal questioned the painting’s authenticity, stating it failed certain criteria and would have no sale value in the international art market. Despite Cahn’s letters in June and September 2024, Sotheby’s has not responded, leading to the breach-of-contract claim seeking at least $2.7 million in damages.

collector sues sothebys modigliani painting authenticity 1234762782

Collector Charles C. Cahn, Jr. has filed a lawsuit against Sotheby’s in the Supreme Court of the State of New York, alleging the auction house refuses to resell a painting attributed to Amedeo Modigliani that he purchased in 2003 for $1.55 million. The work, titled *Portrait de Leopold Zborowski* (1917), was consigned under a 2016 agreement allowing Cahn to resell it within 15 years, but Cahn claims Sotheby’s raised authenticity concerns and failed to respond to his recent attempts to consign the piece. He is seeking $2.67 million in damages.

lost gustav klimt portrait african prince tefaf maastricht 2621432

A long-lost Gustav Klimt portrait of an African prince, missing since World War II, has resurfaced and is now on view at TEFAF Maastricht with a €15 million ($16.4 million) price tag. The painting, titled *Prince William Nii Nortey Dowuona* (1897), was brought to W&K – Wienerroither & Kohlbacher Gallery in 2023 in poor condition, but a stamp from Klimt's estate led to its identification by catalog raisonné author Alfred Weidinger, who had searched for it for two decades. The work depicts an Osu prince from present-day Ghana, created after Klimt attended an ethnographic exhibition at Vienna's Tiergarten am Schüttel where Osu people were put on display. The painting had been owned by Ernestine and Felix Klein, Jewish collectors who fled the Nazis, and is now being shown after a restitution settlement with Klein's heirs.