rauschenberg centenary shows 2571710

The Robert Rauschenberg Foundation is launching a global centenary celebration for the artist's 100th birthday, spanning 2025–2026. The program includes major exhibitions at seven institutions across five countries, such as "Five Friends" at Museum Brandhorst in Munich and Museum Ludwig in Cologne, photography shows at the Museum of the City of New York and Fundación Juan March in Madrid, and an exhibition at M+ in Hong Kong focusing on Rauschenberg's ROCI program. The foundation is also initiating grant-making initiatives to highlight Rauschenberg's legacy in art, technology, environmentalism, and social justice.

price check art basel basel 2025 2660511

Art Basel in Basel has concluded, with galleries reporting hundreds of sales despite low expectations set by lackluster New York auction results. Dealers shared prices ranging from $1 million to $17 million, with top sales including David Hockney's *Mid November Tunnel* (2006) at Annely Juda Fine Art ($13M–$17M), a Ruth Asawa sculpture at David Zwirner ($9.5M), and a Gerhard Richter painting at David Zwirner ($6.8M). Other notable transactions include works by Keith Haring, Mark Bradford, Georg Baselitz, and George Condo, though many galleries provided only price ranges and withheld exact titles or mediums.

art basel 2025 sales report 1234745462

Art Basel 2025 in Switzerland, now in its 55th edition, opened with 289 exhibitors amid a soft and unpredictable art market. Major sales included a Ruth Asawa sculpture for $9.5 million at David Zwirner, a Gerhard Richter painting for $6.8 million, and a Keith Haring from 1983 for $3.5 million at Gladstone. The top reported sale was David Hockney's 'Mid November Tunnel' (2006) for $13-17 million at Annely Juda Fine Art. Hauser & Wirth headlined with a moody Mark Rothko from the early 1960s, while galleries adopted strategies of offering wide price ranges and diverse styles to hedge against market uncertainty.

remembering martin parr 2725138

British photographer Martin Parr, known for his highly saturated and often humorous snapshots of everyday life, died on December 6 at age 74 after a four-year battle with cancer. Parr's work, from his early black-and-white images of rural Yorkshire to his iconic color series like "The Last Resort" (1982–85) and "The Cost of Living" (1987-89), captured British eccentricities and social pretensions with a sharp, affectionate eye. He was a full member of Magnum Photos and his images, including those of mass tourism and consumerism, have been widely exhibited and collected.

documentary maintenance artist mierle laderman ukeles 2661201

A new documentary titled "Maintenance Artist," directed by Toby Perl Freilich, premiered at the Tribeca Film Festival this month. The film follows Mierle Laderman Ukeles, the longtime unpaid artist-in-residence with New York City's Department of Sanitation, as she reflects on her career. It traces her journey from graduate student at Pratt Institute to pioneering maintenance art, including her Queens Museum retrospective and international projects elevating everyday workers. The documentary features interviews with art historians, curators, and city officials, and highlights Ukeles's iconic performances, such as shaking hands with every sanitation worker over 11 months.

richard hambleton obituary 1134122

Richard Hambleton, the Canadian street artist known for his iconic "shadowman" silhouettes that appeared on New York City walls in the 1980s, died on Sunday at age 65, as confirmed by Woodward Gallery. Hambleton emerged alongside Jean-Michel Basquiat, Keith Haring, and Kenny Scharf in the downtown graffiti scene, but a long battle with heroin and crack addiction plagued his life. His career saw a resurgence following a documentary by Oscar-nominated director Oren Jacoby, which premiered at the Tribeca Film Festival in April, leading to renewed exhibitions including his participation in "Club 57: Film, Performance and Art in the East Village, 1978-1983" at the Museum of Modern Art.

Beverly Buchanan’s Anti-Monuments

Beverly Buchanan's outdoor sculptures, such as 'Marsh Ruins' (1981) and 'Unity Stones' (1983), are quietly eroding in landscapes across Georgia, Florida, and North Carolina. These anti-monuments, made from tabby concrete and stone, blend into their surroundings while subtly referencing the region's layered histories, including Indigenous shell middens, plantation ruins, and the 1803 slave revolt on St. Simons Island. Buchanan, who died in 2015, is now receiving renewed attention: her work will be featured at the Venice Biennale this spring, and a touring retrospective is currently at Frac Lorraine in Metz, following a posthumous show at the Brooklyn Museum in 2016–17.

Sotheby’s $433 Million Contemporary Evening and Mnuchin Sales Kicked Off New York’s May Marquee Auctions

Sotheby's held two major evening sales in New York—the Mnuchin collection sale and The Now & Contemporary Evening Auction—generating a combined $433.1 million. The Mnuchin sale achieved a white-glove result of $166.3 million, led by Mark Rothko's *Brown and Blacks in Reds* (1957) which sold for $85.8 million, while the contemporary auction reached $266.8 million, with Jean-Michel Basquiat's *Museum Security (Broadway Meltdown)* as the top lot. The results fell within presale estimates but marked a 133% increase over last May's contemporary sales.

Joan Mitchell becomes most expensive female artist at auction in Asia with US$17.6m Sotheby's sale

Joan Mitchell’s diptych "La Grande Vallée VII" sold for HK$137 million (US$17.6 million) at Sotheby’s Hong Kong, setting a new record for the most expensive work by a female artist ever sold at auction in Asia. The 1983 masterpiece, part of a celebrated 21-painting cycle dedicated to a grieving friend, led a successful Modern and Contemporary Evening Auction that saw a 100% sell-through rate for its 54 lots. Other notable results included a Mark Rothko canvas that more than doubled its low estimate and significant sales for works by Sanyu and Zao Wou-Ki.

15 of the Most Anticipated Museum Exhibitions Around the World in 2026

Major museums worldwide have announced their flagship exhibitions for 2026, featuring a diverse array of artists and historical periods. Highlights include a Frida Kahlo retrospective at the Museum of Fine Arts, Houston, exploring her rise to icon status; a survey of Ovid's influence on art from Caravaggio to Louise Bourgeois at Amsterdam's Rijksmuseum; a centennial exhibition for Mary Cassatt at the National Gallery of Art; and the largest career survey to date for Tracey Emin at Tate Modern. Other key shows feature Carol Bove at the Guggenheim Museum, Korean national treasures at the Art Institute of Chicago, and exhibitions at the Whitney Museum, the Museum of Modern Art, and the Louvre.

Cause for cheer at Art Basel as strong preview-day sales take many galleries by surprise

Major international galleries reported unexpectedly strong sales on the preview day of Art Basel, despite geopolitical tensions, stock market volatility, and uncertainty over US tariffs. Thaddaeus Ropac sold works by Georg Baselitz, James Rosenquist, and Robert Rauschenberg, while Gagosian, David Zwirner, Pace, and Hauser & Wirth also reported multimillion-dollar sales, including a Ruth Asawa sculpture for $9.5 million and a Pablo Picasso painting priced at $30 million. Many dealers expressed surprise at the speed and volume of sales, which defied the broader international environment.

basquiat museum security sothebys 2752252

Jean-Michel Basquiat’s monumental 1983 painting, 'Museum Security (Broadway Meltdown)', is set to headline Sotheby’s marquee contemporary evening auction this May with an estimate of $45 million. The seven-foot canvas was created during the artist's pivotal year in Los Angeles and features his signature blend of text and symbols, including wry commentaries on the institutionalization and commercial value of art. The work previously sold at Christie’s in 2013 for $14.5 million.

With more than 3,000 participating institutions, the European Night of Museums returns this Saturday, May 23

Avec plus de 3 000 institutions participantes, la Nuit européenne des musées revient ce samedi 23 mai

The 22nd edition of the European Night of Museums returns on Saturday, May 23, with over 3,000 institutions across France and Europe opening their doors free of charge from late afternoon. Many museums are offering special activities such as concerts, performances, games, guided tours, and walks. The youth program "La classe, l'œuvre!" will again involve primary, middle, and high school students acting as mediators for artworks they studied throughout the year. Highlights include exhibitions at the Centre Pompidou-Metz dedicated to François Morellet and Louise Nevelson, a concert at Jean Tinguely and Niki de Saint Phalle's Cyclop in Milly-la-Forêt, a dance performance by Korean artist Eun-Me Ahn at the Musée d'Art Moderne de Paris, and exhibitions at museums in Tours, Vernon, Rouen, and Sète, as well as a Brazilian ball at the Château des ducs de Bretagne in Nantes.

Rothko from Robert Mnuchin collection fetches US$85.8m, becoming artist’s second-priciest work at auction

A red-and-black Mark Rothko painting, *Brown and Blacks in Reds* (1957), sold for US$85.8 million at Sotheby’s New York on May 14, becoming the artist’s second-most expensive work at auction. The canvas came from the collection of Robert Mnuchin, a former Goldman Sachs partner turned gallerist, and was the star lot of a dedicated 11-lot evening sale that totaled US$166.3 million. The winning bid was placed by Sotheby’s chairman Helena Newman on behalf of a telephone client, with the hammer falling at US$74 million against an estimate of US$70–100 million. The painting was originally owned by Joseph E. Seagram & Sons and hung in the lobby of the Seagram Building, a landmark of corporate modernism designed by Ludwig Mies van der Rohe and Philip Johnson.

Sotheby’s May Auctions: Rothko’s $100M Masterpiece Headlines

Sotheby's is holding its most ambitious May auction series in New York, headlined by Mark Rothko's monumental painting *Brown and Blacks in Reds* (1957), estimated at $70–100 million. The sales include a dedicated auction for the collection of legendary dealer and collector Robert Mnuchin, valued at over $130 million, featuring works by Rothko, Franz Kline, and Jeff Koons. Other highlights include Jean-Michel Basquiat's *Museum Security (Broadway Meltdown)* (1983), estimated at over $45 million, and Willem de Kooning's *Untitled III* (1975), making its auction debut with a $25–35 million estimate. The series spans Modern and Contemporary art, with additional works by Pablo Picasso and Vincent van Gogh.

The must-see exhibitions during Art Basel Paris

Numéro magazine lists the must-see exhibitions during Art Basel Paris art week. Highlights include a major minimal art exhibition at the Bourse de Commerce – Pinault Collection featuring Sol LeWitt, Agnes Martin, and Lygia Pape; a historic Gerhard Richter retrospective at the Fondation Louis Vuitton with nearly 300 works; the Fondation Cartier's new space near the Louvre designed by Jean Nouvel, showcasing artists like Ron Mueck and Junya Ishigami; and a carte blanche exhibition at the Palais de Tokyo curated by Naomi Beckwith exploring the influence of French theory on American art.

The School That Became a Refuge for Artists From Georgia O’Keeffe to Tony Smith

The Art Students League of New York, founded in 1875, is celebrating its 150th anniversary with an exhibition titled "Shaping American Art: A Celebration of the Art Students League of New York at 150." The show features 87 works by famous alumni and instructors, including Alexander Calder, Louise Bourgeois, Norman Rockwell, Tony Smith, and Robert Rauschenberg, drawn from the school's collection and supplemented by loans. Curated by Esther V. Moerdler and Ksenia Nouril, the exhibition spans the school's main gallery, lobby, registration office, and café, highlighting the League's unique open-enrollment, non-degree atelier model that has instructed some 200,000 students since its founding.

Ed Ruscha | A Particular Kind Of Heaven (1983) | Art & Prints

Ed Ruscha's 1983 work "A Particular Kind Of Heaven" is being offered at auction through Tate Ward, with current bidding at £100. The piece is an exhibition poster from the Fine Arts Museums of San Francisco, measuring 61 x 92 cm, and is part of Tate Ward's Urban and Contemporary Art London sale. The listing also shows multiple other Ruscha works available from various sellers, including posters and prints from EHC Fine Art Auction, Blond Contemporary, and Baldwin.

art criticism new york upper east side guide

The article presents a walking tour of art exhibitions on Manhattan's Upper East Side, led by a critic. It highlights Jeffrey Gibson's monumental bronze sculptures "The Animal That Therefore I Am" (2025) installed on the Metropolitan Museum of Art's façade, depicting four anthropomorphized Hudson Valley animals. The tour also covers Alix Cléo Roubaud's first solo show outside France, "Correction of perspective in my bedroom" at Galerie Buchholz, featuring intimate black-and-white photographs from 1979–1983, and Nancy Holt's work at Sprüth Magers, including a historic photograph of her in the Sun Tunnels.

Rothko from Robert Mnuchin’s Estate Sells for $85.8 M., Leading Sotheby’s New York’s $433.1 M. Contemporary Art Sale

Sotheby’s New York held a $433.1 million modern and contemporary art sale at its Madison Avenue headquarters, led by Mark Rothko’s *Brown and Blacks in Reds* (1957), which sold for $85.8 million. The auction opened with 11 works from the estate of legendary dealer Robert Mnuchin, totaling $166.3 million, including a second Rothko and pieces by Willem de Kooning, Franz Kline, and Pablo Picasso. The contemporary art segment followed, with Jean-Michel Basquiat’s *Museum Security (Broadway Meltdown)* (1983) selling for $52.7 million. The overall sale was described by advisers as robust but not particularly exciting, and it significantly exceeded the $186.1 million equivalent sale from last year.

Two Museums Take on Performative Masculinity, Looksmaxxing, Incels, and Other Macho Buzzwords That Don’t Belong There.

The Stedelijk Museum and Kunstmuseum St. Gallen have co-organized an exhibition titled "Beyond the Manosphere: Masculinities Today," which aims to critically examine contemporary masculinity and its online manifestations such as incels, looksmaxxing, and pickup artists. The show features works by artists including Reba Maybury and Richard Serra, and is curated by Melanie Bühler, with directors Rein Wolfs and Gianni Jetzer overseeing the project. The exhibition will travel from the Stedelijk to the Kunstmuseum St. Gallen later this year.

‘It’s really important that the public is not just a silent witness’: Marina Abramović on her Venice Biennale exhibition

Marina Abramović is the first living female artist to have a solo exhibition at the Gallerie dell'Accademia in Venice, where her work will be installed alongside the museum's permanent collection. The show, titled *Transforming Energy*, features interactive 'transitory objects' such as stone beds and crystal-embedded structures that visitors are invited to use, as well as a juxtaposition of her 1983 photograph *Pietá (with Ulay)* with Titian's final masterpiece *Pietá* (1575-76). Abramović, who won the Golden Lion for Best Artist at the 1997 Venice Biennale, emphasizes audience participation over passive viewing, banning telephones and encouraging visitors to spend at least three hours engaging with the works.

George Baselitz, Purveyor of the Tortured Male Genius Myth, Dies at 88

Georg Baselitz, the influential German Neo-Expressionist painter known for his emotionally charged, often violent works and his controversial statements about women artists, has died at age 88. His final paintings will be shown in the exhibition "Eroi d’Oro" at the Fondazione Giorgio Cini in Venice starting May 6. Baselitz rose to prominence with his "Heroes" series of monumental male soldiers and his signature "upside down" paintings, which forced viewers to focus on painterly gesture over representation. He was a key precursor to Germany's Neue Wilde movement and confronted Germany's World War II trauma in works that combined expressionistic brutality with Wagnerian grandeur.

Billionaire Collector Ken Griffin’s Basquiat Buying Spree Continues

Billionaire collector Ken Griffin has significantly expanded his holdings of Jean-Michel Basquiat, notably acquiring the 1983 masterpiece 'In Italian' from the collection of Peter Brant. The acquisition came to light through press materials for an upcoming exhibition at the Pérez Art Museum Miami (PAMM) titled "Basquiat: Figures, Signs, Symbols," which will showcase nearly a dozen works from Griffin’s private collection. The show, curated by PAMM director Franklin Sirmans and Griffin’s curator Megan Kincaid, includes other high-profile acquisitions such as the 1982 'Untitled (Skull)' previously purchased from Yusaku Maezawa.

rauschenberg dance 2743471

The Brooklyn Academy of Music (BAM) is hosting a revival of the postmodern dance masterpiece "Set and Reset" as part of the ongoing Robert Rauschenberg Centenary celebrations. This landmark 1983 collaboration features choreography by Trisha Brown, a synth-driven score by Laurie Anderson, and extensive visual design by Rauschenberg, including a sculptural projection structure and silkscreened costumes. The program, titled "Dancing with Bob," also includes a rare performance of the 1977 work "Travelogue," a collaboration between Rauschenberg and Merce Cunningham that has not been staged by a professional company in over four decades.

epstein files reveal museum director david a ross 1234772018

David A. Ross, a prominent museum director and chair of the MFA Art Practice program at New York's School of Visual Arts, resigned after ARTnews revealed his numerous appearances in the newly released Jeffrey Epstein files. The documents, released by the Justice Department, show correspondence between Ross and Epstein dating back to 1995, including emails where Ross offered support to Epstein after his 2008 arrest and discussed a controversial exhibition concept proposed by Epstein.

jeffrey epstein musee dorsay woody allen visit 1234771983

Emails released by the U.S. Department of Justice in January 2026 reveal that convicted sex offender Jeffrey Epstein boasted to associates about securing a private after-hours visit to the Musée d'Orsay in Paris with filmmaker Woody Allen on March 18, 2012. In the correspondence, Epstein wrote to a recipient identified only as 'junkermann' that the French government would open the museum for him and Allen, and later messaged others including former girlfriend Eva Dubin, who responded with a 'King of the castle' quip. Epstein also made crude sexual references in connection with the visit, mentioning Edgar Degas's depictions of nude women.

martin parr dead photographer magnum 1234765602

Martin Parr, the acclaimed British photographer known for his wry, colorful images of tourists and leisure culture, died on December 6 at his home in Bristol, England, at age 73. His death was announced by the Martin Parr Foundation, which noted he had been diagnosed with myeloma in 2021. Parr was a longtime member of Magnum Photos and published countless photobooks, shot fashion campaigns for Vogue and Gucci, and created iconic series such as "The Last Resort" (1983–85) and "Small World" (1987–94). A retrospective themed around climate change and overtourism is planned for 2025 at the Jeu de Paume in Paris.

curators reveal their favorite artworks of all time 2717382

Artnet News asked leading curators and museum directors to share their favorite artworks of all time. Connie Butler of MoMA PS1 chose David Hammons's "Bliz-aard Ball Sale" (1983), praising its connection from Duchamp to AI. Julieta Gonzalez of the Wexner Center selected Hans Holbein the Younger's "The Ambassadors" (1533), highlighting its anamorphic skull as a metaphor for viewing modernity from the margins. Madeleine Grynsztejn of MCA Chicago picked Francisco Goya's "A Pilgrimage to San Isidro" (1819–23) from his Black Paintings cycle, calling it a metaphor for fanaticism.

art bites robert rauschenberg talking heads album cover 2709771

Robert Rauschenberg designed the cover for Talking Heads' 1983 album *Speaking in Tongues*, creating a limited-edition LP package with three plastic discs featuring cyan, magenta, and yellow designs that produced a full-color, kinetic composition when overlaid on the spinning record. The project stemmed from a friendship between Rauschenberg and frontman David Byrne, who met after Byrne saw Rauschenberg's photo collages in a New York gallery. Despite production challenges that limited the design to a special edition, the album won a Grammy for best album cover.