lorna simpson met museum painting survey review

Lorna Simpson's paintings are the subject of a new survey exhibition at the Metropolitan Museum of Art in New York, titled "Source Notes," on view through November 2. The show features over 20 paintings created between 2014 and 2024, marking the first exhibition to survey Simpson's output in this medium. Curated by Lauren Rosati, the exhibition aims to provide an overview of her painterly practice while connecting it to her collage work, with two vitrines displaying her collages to illustrate the fluidity between the two practices. Simpson, best known for her photography from the 1980s, debuted her paintings at the 2015 Venice Biennale organized by the late curator Okwui Enwezor.

ceramics artists

The article examines the resurgence of ceramics as a fine art medium, tracing its history from ancient Chinese and Greek pottery to the record-breaking $36 million sale of a Ming Dynasty chicken cup in 2014. It highlights influential figures like Peter Voulkos, who established ceramics departments at major institutions, and artists such as Ken Price, Ron Nagle, and Betty Woodman. Recent major museum exhibitions—including 'Strange Clay' at London’s Hayward Gallery, 'Funk You Too!' at New York’s Museum of Arts and Design, and 'Ceramics in the Expanded Field' at MASS MoCA—showcase a new generation of artists pushing the medium beyond traditional craft.

morgan stanley intelligence report triumph contemporary

Morgan Stanley and Artnet have released an Intelligence Report analyzing the explosive growth of the ultra-contemporary art market—defined as work by artists born after 1974. Auction sales in this category surged 305% from 2019 to 2021, reaching $742.2 million last year, driven by strong demand in the U.S. and China. The report breaks down sales by region, price band, and leading artists, highlighting how galleries, fairs, museums, and collectors are capitalizing on this trend.

leonor fini

On the 100th anniversary of Surrealism, the article highlights the belated recognition of Leonor Fini (1907–1996), a self-taught artist who rejected labels such as 'Surrealist' or 'woman artist.' Despite her insistence on being seen simply as an artist, her sensual, mythological paintings are gaining renewed attention. Fini debuted in 1929, was featured in the 2022 Venice Biennale, and had a solo exhibition at Kasmin gallery in New York. Her market high came in 2021 when a self-portrait sold for $2.3 million at Sotheby's, and her work is now included in the centennial surrealist show 'Imagine!' at the Royal Museum of Fine Arts in Belgium.

Contemporary Art Market Declines For Fourth Straight Year, as Old Masters and Impressionist Works Rebound: Art Basel UBS Report

Contemporary Art Market Declines For Fourth Straight Year, as Old Masters and Impressionist Works Rebound: Art Basel UBS Report

The contemporary art market has declined for the fourth consecutive year, with auction sales for postwar and contemporary works falling to $4.5 billion in 2025 from a peak of $8.5 billion in 2021. Simultaneously, the market has seen a significant rebound in more established categories, with auction sales of Impressionist and Post-Impressionist works rising 47% and Old Masters climbing 30% last year.

Mary Lovelace O’Neal, Painter Who Defied the Bounds of Abstraction, Dies at 84

Mary Lovelace O’Neal, the American painter known for her large-scale abstract works that defied easy categorization, died in Mérida, Mexico, on May 10 at age 84. Her death was confirmed by her galleries, Jenkins Johnson and Marianne Boesky, on May 13. Active in the Civil Rights movement of the 1960s, O’Neal developed a distinctive practice that blended Minimalism, Abstract Expressionism, and figurative elements, most notably through her Lampblack series and later the "Whales Fucking" series. Her work gained renewed attention in the 21st century, with exhibitions at Mnuchin Gallery and the Museum of the African Diaspora, and her painting *Blue Whale a.k.a. #12* (1983) was selected for the 2024 Whitney Biennial.

Bodies, Bodies, Bodies: Artists Revisit the Nude in Shows Across New York

This spring in New York, multiple exhibitions are revisiting the nude as an artistic genre, with artists exploring themes of flesh, harm, aging, and political oppression. Notable shows include Seung Ah Paik's "Self Configuration" series at Bortolami, where she paints distorted self-portraits that recall Surrealist and feminist traditions, and Joan Semmel's self-portraits at Alexander Gray Associates, which continue her decades-long focus on the nude body. These shows are part of a broader trend that also includes the New Museum's "New Humans: Memories of the Future."

The Defining Themes of Today’s Biennial Art

The article analyzes the defining themes and styles of the past four years in the international biennial circuit, based on a survey of 130 biennials. It identifies a core group of artists who appeared most frequently, including Ali Eyal, Apichatpong Weerasethakul, Carolina Caycedo, Kapwani Kiwanga, and Tuan Andrew Nguyen, among others. Many of these artists are also featured in the upcoming 61st Venice Biennale curated by the late Koyo Kouoh. The piece categorizes their work under two broad themes: "Post-Colonial Post-Conceptualism," which involves poetic engagement with colonial history and artifacts, and "Families and Networks," where artists explore personal and political family histories.

Is Dubai’s loss Palma's gain? Newly revived Mallorca fair offers ’sun, sand and safety’ for wealthy Germans

The Art Cologne Palma Mallorca fair has been successfully revived at the Palau de Congressos, attracting 88 exhibitors with a heavy concentration of Spanish and German galleries. The event capitalizes on Mallorca's status as a premier second-home destination for wealthy Europeans, particularly Germans, and benefits from significant local government backing of €500,000. Early sales reports indicate strong performance in the lower and mid-market price brackets, with artists like Neo Rauch and Brian Eno finding quick buyers, though seven-figure works by Anselm Kiefer and Georg Baselitz moved more slowly.

san francisco art week guide

San Francisco Art Week is underway, anchored by the 12th edition of FOG Design and Art (January 21–25) on a historic former Army base. The event arrives amid flux for Northern California's art scene, with several prominent galleries closing and two major art schools—the San Francisco Art Institute and the California College of the Arts—recently shuttering. However, new free-admission fairs Atrium and Skylight Above (both January 22–25) signal fresh energy. The article highlights must-see museum shows across the city, including "Lee ShinJa: Drawing with Thread" at BAMPFA, "Rose B. Simpson: Lexicon" at the de Young Museum, "Rising Tides" at the Floating Art Museum, and "Earthseed Dome: Lily Kwong" at the Institute of Contemporary Art, San Francisco.

newsmakers alissa friedman salon 94 art design

Alissa Friedman has returned to Salon 94, the New York gallery where she spent 15 years shaping its identity, after a stint at Stephen Friedman Gallery's US outpost, which is closing. In an interview with ARTnews, she discusses the gallery's early days in the mid-2000s, its unconventional program that embraced Indigenous artists, ceramics, and design before such categories were widely accepted, and how the art world has since aligned with that vision. She also explains her departure in 2021 when founder Jeanne Greenberg Rohatyn joined LGDR, as Friedman preferred working directly with living artists.

robert colescott market

The article examines the posthumous market resurgence of painter Robert Colescott, who died in 2009. After his commercial profile faded, Los Angeles dealer Tim Blum and his gallery Blum & Poe began working with the artist's estate in 2017, staging five solo shows and rescuing a disorganized estate with works stored in shipping containers in Arizona. Major auction prices followed, including a record $15.3 million for 'George Washington Carver Crossing The Delaware' in 2021. In 2024, after Blum & Poe closed, Gladstone Gallery took over representation. A current exhibition at the Tacoma Art Museum, 'The One-Two Punch: 100 Years of Robert Colescott,' runs through March 29.

year in latinx art 2025 artists museums

The article reflects on the state of Latinx art in 2025, a year marked by devastating wildfires in Los Angeles and the start of the second Trump administration, which has intensified ICE raids and targeted communities of color. Amid this crisis, artists have created poignant responses, including AMBOS's ceramics project at Frieze Los Angeles benefiting migrants awaiting asylum hearings, and Consuelo Jimenez Underwood's solo exhibition at Artpace in San Antonio, which explored borders both literal and cosmic. The piece also highlights a two-person show by Beatriz Cortez and rafa esparza at the Americas Society, titled "Earth and Cosmos," featuring works that challenge time and space.

ufo contemporary art

Two concurrent exhibitions in New York explore the intersection of art and UFOs, paranormal phenomena, and extraterrestrial life. "Voice of Space: UFOs and Paranormal Phenomena" at the Drawing Center (through February 1, 2026) features some three dozen works from artists including René Magritte and Isa Genzken, with Magritte's 1931 painting "Voice of Space" as the conceptual centerpiece. Meanwhile, "Paintings Made for Aliens Above" at P.P.O.W (through December 20, 2025) presents new works by Romanian artist Hortensia Mi Kafchin, probing technofuturism's promises and failures. The shows include historical pieces like Paulina Peavy's multimedia works co-credited to her personal UFO, and contemporary works by Char Jeré that interrogate technology and consumerism.

5 latinx artists transforming everyday materials from cobijas to pinatas into statements on identity

Ballroom Marfa in Marfa, Texas, presents the exhibition “Los Encuentros,” on view through March 29, 2026, featuring five Latinx artists—Ozzie Juarez, Justin Favela, Antonio Lechuga, Narsiso Martinez, and Yvette Mayorga—who transform everyday materials like blankets (cobijas) and piñatas into works exploring Latinx identity. Curated by Maggie Adler, the show prioritizes local community engagement over the international art world, with works such as Juarez's "Coatzomaki" (2025) synthesizing LA street art and Aztec culture. The exhibition grew from Adler's existing relationships with the artists and her belief in working beyond institutional walls.

gladstone gallery robert colescott estate representation

The estate of Robert Colescott, the influential American painter who died in 2009, has signed with Gladstone Gallery for representation. Gladstone will debut Colescott's work at Art Basel Miami Beach next month and mount its first solo exhibition for the artist in 2025. Colescott is best known for satirical, large-scale paintings like "George Washington Carver Crossing the Delaware: Page from an American History Textbook" (1975), which critiques the exclusion and caricaturing of Black figures in American history and art. The estate sought new representation after its longtime gallery, Blum, closed this summer. Gladstone senior partner Max Falkenstein said the gallery had long admired Colescott and that the partnership felt like a natural fit given the gallery's focus on identity and politics.

the studio museum in harlem basquiat painting

The Studio Museum in Harlem revealed its new building to the press ahead of its public reopening on November 15, showcasing a major new acquisition: Jean-Michel Basquiat's 1984 painting *Bayou*, the first Basquiat painting to enter the museum's collection. The work was gifted in 2023 by financier Joseph Perella and his wife Amy, with Joseph having mentored Raymond J. McGuire, an ARTnews Top 200 Collector and the museum's board chair.

art always too late after avant garde

This article argues that the traditional view of art as a vanguard force predicting cultural change is outdated in the early 21st century. It contends that the rapid acceleration of mainstream culture, driven by social media and news cycles, makes it nearly impossible for traditional fine art media like painting and sculpture to stay ahead of the curve. The author suggests that forward-looking art now emerges from para-artistic digital practices such as AI experiments, Red Chip art, NFTs, memes, and TikTok lore, which often challenge conventional aesthetic and ethical standards. Citing Claire Bishop's 2024 book *Disordered Attention*, the piece notes that contemporary artworks tend to be symptomatic of larger conditions rather than anticipatory, and that artists like Artie Vierkant, Joshua Citarella, and Brad Troemel have pivoted from art-making to art-adjacent content creation.

solange pessoa brazilian sculptor aspen art museum glasgow

Brazilian sculptor Solange Pessoa is the subject of a solo exhibition at the Aspen Art Museum, featuring her evolving installation *Bags – Aspen version* (1994–2025). The work, originally created in 1994, consists of burlap sacks filled with organic materials such as coffee beans, seeds, feathers, dried peppers, and records by Brazilian musicians, arranged in towers on a dirt-covered floor. Pessoa, who has long been based in Belo Horizonte, has recreated the piece in various locations over three decades, and this iteration marks one of her few solo museum shows outside Brazil.

maria helena vieira da silva venice retrospective

A major survey of Portuguese French artist Maria Helena Vieira da Silva (1908–92) is on view at the Peggy Guggenheim Collection in Venice through September 15, before traveling to the Guggenheim Bilbao. The exhibition highlights her maze-like abstractions, which feature vibrant tile-like squares and interwoven lines, and includes works from her World War II–era figurative period, such as *The Disaster* (1942). The show follows a traveling exhibition in Marseille and Dijon (2022–2023) and her inclusion in the Centre Pompidou’s 2021 “Women in Abstraction” exhibition, signaling a resurgence of interest in her work.

gordon robichaux gallery profile

Gordon Robichaux, a gallery located on the ninth floor of a high-rise in New York's Union Square, has opened two exhibitions dedicated to the late artist and curator Jenni Crain, who died suddenly from Covid-19 in 2021 at age 30. The shows feature an unrealized floor sculpture by Crain, completed by her foundation and collaborators, and an untitled exhibition including works by artists who influenced her, such as Tee Corinne, March Avery, and Kate Millett. The gallery is also dedicating its booth at Frieze New York to Crain, highlighting her role as a friend, curator, and salesperson during the gallery's early years.

kaws family koming to sfmoma

The San Francisco Museum of Modern Art (SFMOMA) will host "KAWS: Family," the first West Coast museum solo exhibition for the artist KAWS (Brian Donnelly). The traveling show, organized by the Art Gallery of Ontario, is currently on view at Crystal Bridges Museum of American Art in Bentonville, Arkansas, and will bring KAWS's signature cartoon-like characters—including Companion, BFF, and Chum—to the Bay Area.

'Trusting that first reaction is important': Nacho Polo and Robert Onuska on the process of collecting

Nacho Polo and Robert Onuska, co-founders of the design gallery Studiotwentyseven, discuss their art collection in an interview with The Art Newspaper. Housed in their Tribeca apartment, the collection spans painting, sculpture, and photography with an emphasis on materiality and sculptural form. They recount their first acquisition—Ron Gorchov's *Autolykos* (2019)—and their most recent purchase, Alex Katz's *Nine Women 5* (2009). The couple also shares their instinctive buying process, a regret over missing a Nick Cave sculpture, and their anticipation for the Jean and Terry de Gunzburg collection at Sotheby's this spring.

frieze seoul asian galleries asia pivot

Frieze Seoul returns for its fourth edition at Coex from September 3 to 6 with 120 galleries, maintaining last year's scale. Asian galleries now represent 64 percent of exhibitors, up from 48 percent, signaling a stronger regional identity. Notable non-returning galleries include Blum, Karma, and Neugerriemschneider. Meanwhile, Kiaf Seoul will run concurrently with 176 exhibitors, and Art021 Group suspended its 2025 Hong Kong show after a single edition. Gallery Weekend Beijing concluded its ninth edition with a new invitation-only model, and several Asian-rooted artists are featured in London Gallery Weekend. New institutions opened, including the Photography Seoul Museum of Art and the Naoshima New Museum of Art, while the inaugural Bukhara Biennial program was announced.

S.I. Newhouse’s 11-Foot-Wide Jackson Pollock Drip Painting Sells for Record-Breaking $181.2 M.

A Jackson Pollock drip painting, *Number 7A* (1948), formerly owned by media magnate S. I. Newhouse, sold at Christie’s on Monday night for a hammer price of $157 million, totaling $181.2 million with fees. The work, measuring nearly 11 feet wide, received over 60 bids in a 10-minute bidding war and set a new auction record for the Abstract Expressionist artist, surpassing the previous high of $61 million set in 2021. The winning bid was placed by a buyer represented by Christie’s global president Alex Rotter, with Swiss mega-dealer Iwan Wirth acting as an underbidder, possibly for collector Laurene Powell Jobs.

In Venice, Arthur Jafa and Richard Prince Ask: What Is Appropriate to Appropriate?

Arthur Jafa and Richard Prince are showing their work together in a joint exhibition titled "Helter Skelter" at the Fondazione Prada in Venice. Curated by Nancy Spector, the show explores the artists' shared practice of appropriation, a connection that began when Prince attended the debut of Jafa's video work AGHDRA (2021) and later deepened through conversations about race, property, and self-authorization. Jafa has long admired Prince's approach, calling him "the blackest white artist I know," and the exhibition pairs their works to examine how appropriation functions differently for a Black artist versus a white artist.

10 Art Shows to See in Los Angeles This May

Hyperallergic's May guide for Los Angeles highlights ten art shows, including a posthumous exhibition of Celeste Dupuy-Spencer's paintings at Jeffrey Deitch, Yoko Ono's first solo museum show in Southern California at The Broad, and a survey of Richard Mayhew's abstract landscapes at Karma. Other notable shows include Joe Brainard's matchbook miniatures at Chris Sharp Gallery, Gordon Parks's musical output at the California African American Museum, and a two-venue presentation of Magdalena Suarez Frimkess's ceramics and drawings.

top 200 collectors 2025 issue editor letter

The editor's letter for the 2025 ARTnews Top 200 Collectors issue recounts a cinematic moment at Art Week Riyadh in Saudi Arabia, where a government-affiliated collector described their role as "everyone and no one," reflecting the behind-the-scenes, museum-focused art acquisitions under Vision 2030. The issue features a report by Melissa Gronlund on the Gulf art scene, noting that Saudi Arabia is prioritizing museums and noncommercial programming before an independent market can emerge, while private collectors and foundations are also gaining ground. The article also highlights the cooling art market in Europe and the US, with collector Christen Sveaas criticizing blue-chip galleries for over-commercial pricing strategies.

Gozo Yoshimasu Wins £200,000 Serpentine x FLAG Art Foundation Prize

Tokyo-based poet and artist Gozo Yoshimasu has won the inaugural Serpentine x FLAG Art Foundation Prize, receiving £200,000 (approximately $272,000) along with solo exhibitions at Serpentine Galleries in London in fall 2027 and at the FLAG Art Foundation in New York in spring 2028. Yoshimasu, 87, emerged from the avant-garde scene of 1960s Tokyo and is known for blending poetry with performance, photography, audio recordings, and moving image. His work has been featured in the Shanghai Biennale, the Bienal de São Paulo, and major surveys such as “Poet Slash Artist” at Factory International. The prize was selected by a jury including Serpentine artistic director Hans Ulrich Obrist, FLAG Foundation director Jonathan Rider, MoMA curator Michelle Kuo, Museum MACAN director Venus Lau, and artist Rirkrit Tiravanija.

The 2026 Venice Biennale Is Quintessential Biennial Art

The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Swiss-Cameroonian curator Koyo Kouoh, opened in 2026. The main exhibition at the Arsenale and Giardini features works by artists such as Éric Baudelaire, Maria Magdalena Campos Pons, Mohammed Z. Rahman, Sohrab Hura, and Rose Salane, among others. The exhibition centers on themes of mourning, colonial history, slavery, and healing, with works like Baudelaire's video installation linking the flower trade to the transatlantic slave trade, and a tribute section honoring artists Beverly Buchanan and Issa Samb.