From gallery to gavel: investment-grade art collection open to public

The Ann Bryant Art Gallery in East London, South Africa, is hosting a public viewing of an investment-grade art collection from a deceased estate before it goes to online auction through Thompson Property Sellers. The collection includes over 800 paintings, 600 collectables, a 1975 VW Beetle, and a 1976 Vespa, featuring works by artists such as Gabriel and Tinus de Jongh, Hargreaves Ntukwana, Amos Langdown, Christian Nice, Chris Tugwell, Jack Lugg, Tony Durheim, and Otto Klar. The event is part of the "Jazz in the City" festival, pairing jazz music with visual art to create a cultural experience.

Northside artists sow seeds of ancestral wisdom in Arboretum exhibit

An art exhibit titled "Where the Seed Remembers: A Celebration of Earth, Lineage and Memory" opened on March 29 at the University of Minnesota’s Landscape Arboretum’s Reedy Gallery in Chaska, featuring 10 artists of color. Co-curated by Northside artist Joshua Gillespie (Brotha Aśe), the show includes works by Ron Brown, Ayolanda Evans, Imani Mansfield, and Allena Sweats, among others, and opened with a libation ceremony by Vusumuzi Zulu and Mariama Imani. The exhibition runs through May 17.

ART AFRICA to host 2nd NEW FUTURES ARTS COLLABORATIVE 2026, in Cape Town, South Africa.

ART AFRICA has announced an open call for the second edition of its NEW FUTURES ARTS COLLABORATIVE, scheduled for 2026 in Cape Town, South Africa. The residency, titled "De-composition, Extraction and Regeneration," invites artists to collectively explore themes of extractivism, ecological crisis, and social justice, using artistic practice as a tool for transformation and regeneration.

Red Sea Museum Hosts Contemporary Art Exhibition to Showcase Marine Biodiversity

The King Abdulaziz Center for World Culture (Ithra), an Aramco initiative, is participating in Milan Design Week 2026 (April 20-26) by presenting the exhibition “Default is Not Universal” at the Isola Design Festival. The exhibition features works by eight designers from the Middle East and North Africa, including seven interactive stations that use artificial intelligence to collect visitor data and map cognitive patterns shaped by cultural influences. After its debut in Milan, the exhibition will travel to Saudi Arabia as the anchor international exhibition of Ithra Design Week later this year.

Savannah African Art Museum Celebrates Ribbon Cutting And Opening Of Two New Exhibitions

The Savannah African Art Museum will host a ribbon cutting and gallery opening on April 30th, unveiling two new exhibitions: The Liren Wei Collection, a permanent gallery of works from West and Central Africa, and “Roots and Rituals: Agriculture and Spirituality in the West African Interior,” which explores farming and spirituality in Mali and Burkina Faso. The free public event runs from 5:30 PM to 8 PM, with the ribbon cutting at 6:00 PM.

In Minor Keys: The 61st Biennale di Arte Venezia Opens Under Koyo Kouoh (1967–2025).

The 61st Biennale di Arte Venezia opens under the posthumous curatorial vision of Koyo Kouoh (1967–2025), the late Cameroonian-born curator who reshaped contemporary African and diasporic art discourse. The central exhibition, spanning the Giardini and Arsenale, features 111 participants including artists, collectives, and artist-led organizations from across the Global South, with works in textiles, film, sculpture, and performance that interrogate colonialism, migration, and ecological repair. The Biennale is also marked by a pronounced presence of African and diasporic narratives across national pavilions, including several first-time pavilions from the African continent.

Katherine El-Salahi, anti-apartheid activist, anthropologist and publisher, 1945–2026

Katherine El-Salahi, an anti-apartheid activist, anthropologist, and publisher, has died at age 81. Born Katherine Levine, she studied at Cambridge and SOAS before joining the clandestine group London Recruits in 1970, carrying out leaflet bomb propaganda and running guns into South Africa. She later became instrumental in the career of her husband, Sudanese painter Ibrahim El-Salahi, organizing his landmark 2013 retrospective at Tate Modern, building his archive, and securing gallery representation with Vigo Gallery.

Speaking in Signs: Kwame Akoto’s Worlds Across Contexts.

Ghanaian painter Kwame Akoto, known for his vibrant signboard works blending bold imagery with urgent text, is the subject of his first major French exhibition, 'Almighty God Art Works', at the Musée du quai Branly – Jacques Chirac in Paris. In an interview with ART AFRICA, Akoto discusses how his paintings transform when moving from the streets of Kumasi—where they function as everyday spiritual and commercial communication—into a European museum context, addressing themes of translation, shared authorship, and the shifting meanings of images across cultural and institutional boundaries.

Yves Klein Research Grant 2026: A Funded Residency for Emerging Scholars

The Yves Klein Foundation has launched its first Research Grant for 2026, offering a CHF 6,000 stipend and a one-week funded residency in Paris to emerging scholars under 35 who hold a PhD or postdoctoral degree. The program invites original research projects that deepen understanding of Yves Klein’s work, ideas, and legacy, with access to archives and scholarly guidance provided. Applications are due by 15 June 2026, with selection based on originality, scientific quality, and feasibility.

“Porous Grounds, Sacred Codes” at Marres, Maastricht

Seven artists with roots in West Africa—Yacine Tilala Fall, Selly Raby Kane, Maguette Dieng, Ican Ramageli, Hamedine Kane, Eva Diallo, and Babacar Traoré Doli—have jointly created a multi-sensory total installation at Marres in Maastricht. Titled “Porous Grounds, Sacred Codes,” the exhibition incorporates sculpture, sound, textiles, and video, connecting Zikr chanting of mantras, daily life in the Medina, and the trees of the dry landscape.

Nathaniel Mary Quinn's Museum Show | Herbie Hancock Returns Home | The Lake Plans Opening

Nathaniel Mary Quinn, a Chicago-born artist who grew up in the Robert Taylor Homes, will present his first solo museum exhibition in his hometown at the National Public Housing Museum. The show, titled "Nathaniel Mary Quinn: A Love Letter To My Mother," features ten works on canvas and paper, a recreated living room from his family's apartment circa 1984, and a reading room with historical materials about the housing project. Separately, Mariane Ibrahim gallery now represents Chicago-based artist Leasho Johnson, whose work draws on Jamaican mythology and appeared on the cover of Newcity's April 2026 issue. In other local news, a new social club called The Lake is set to open in River North this fall, designed by Robert A. M. Stern Architects, and construction has begun on the next phase of the Southbridge development on the site of the former Harold Ickes Homes.

M’barek Bouhchichi: Hands That Remember

Moroccan artist M’barek Bouhchichi presents 'Les mains des poètes' at Foundation H in Antananarivo, Madagascar, running until 17 October 2026. The exhibition stems from a residency in Madagascar where Bouhchichi collaborated with local artisans—blacksmiths, weavers, ceramists, and musicians—to create works that resist singular authorship. Central to the show is the revival of sorabe, the Arabico-Malagasy script, treated as an embodied, gestural practice rather than fixed writing.

KABARIN-JAVAKANTO: Speaking in Many Tongues

Fondation H in Antananarivo, Madagascar, presents 'Kabarin-javakanto: A Reading of the Fondation H Collection,' an exhibition curated by Abdellah Karroum that reinterprets the foundation’s international holdings through the Malagasy oratorical tradition of kabary. Rather than a conventional display, the show activates works from Africa and its diasporas across three galleries, emphasizing dialogue, community, and relational viewing.

Between Here and Elsewhere: A New Generation Steps Forward

The Javett Art Centre at the University of Pretoria will host 'Between Here and Elsewhere,' an exhibition featuring the Top 10 artists from the 2025/26 Tlhagella Incubation Programme. Curated by Puleng Plessie, the show opens on 1 May 2026 and presents works that explore themes of presence, memory, and belonging through a polyphonic, multi-perspectival approach.

‘Scattered Memories’: Fragments That Refuse to Fade

The Goethe-Institut Sudan, in collaboration with the Humboldt Forum Berlin, presents 'Scattered Memories,' a transcontinental exhibition at the Goethe-Institut Kairo from 1 to 3 May 2026. The show features Sudanese artists working across collage, film, music, performance, food, and storytelling to explore themes of loss, remembrance, and cultural memory. Public programs include discussions, guided tours, and a traditional coffee corner, transforming the exhibition into a space for communal gathering and exchange.

‘What Color is Your Sky Today?’: The Becoming of the Image

Armineh Negahdari, a Bordeaux-based artist, presents her first institutional solo exhibition in France at the Fondation Louis Vuitton's Open Space series. Titled 'What Color is Your Sky Today?': The Becoming of the Image, the show features a new body of drawings that use charcoal, pastel, and oil paint to explore unstable morphologies between human, vegetal, and animal forms. The works resist narrative closure, emphasizing drawing as an event rather than representation, with lines that accumulate, falter, and begin again. The exhibition is on view at Gallery 8 until 30 August 2026.

‘What My Mother Gave Me’: Monuments of Flesh

Nona Faustine’s first retrospective, ‘What My Mother Gave Me,’ is on view at the Center for Photography at Woodstock until 10 May 2026. The exhibition gathers nearly three decades of the artist’s work, spanning series such as *Young Mothers*, *Mitochondria*, and *White Shoes*, to explore themes of matrilineal memory, the Black female body, and the afterlives of slavery in urban spaces. Faustine’s photographs range from intimate depictions of young motherhood to defiant nude self-portraits that transform sites of erasure into counter-monuments of presence.

‘Rostos da Imigração’: Faces That Refuse Silence

Photographer Alfredo Cunha presents 'Rostos da Imigração' at the UCCLA gallery in Lisbon, a photographic exhibition featuring portraits of individuals from lusophone communities. The series resists anonymity and aestheticization, instead focusing on the lived experiences of migrants in contemporary Portugal. The exhibition is on view until 20 May 2026.

“Rodney Demps: The Surrealist of the Highwaymen" exhibition opening

The Cornell Art Museum will host the opening of "Rodney Demps: The Surrealist of the Highwaymen" on Friday, May 1, 2026. The exhibition highlights the work of Rodney Demps, a contemporary artist whose surrealist style connects to the legacy of the Florida Highwaymen, a group of African American landscape painters active in the mid-20th century.

East Africa meets Western Europe as Michael Armitage takes on Venice's Palazzo Grassi

The artist Michael Armitage opens a monographic exhibition titled 'The Promise of Change' at Venice's Palazzo Grassi, featuring 46 large paintings and nearly 100 sketches that survey his past decade of work. At 42, Armitage is the youngest artist to receive a solo show at the palazzo, which is owned by François Pinault and has previously hosted Albert Oehlen, Luc Tuymans, and Marlene Dumas. The exhibition highlights Armitage's fusion of East African and Western European artistic influences, drawing on his upbringing in Kenya and his training at London's Byam Shaw School of Art, the Slade, and the Royal Academy.

Venice Biennale 2026: How Do You Critique a Posthumous Exhibition?

The article, published by ArtReview, examines the upcoming 61st Venice Biennale (2026), titled *In Minor Keys*, which was conceived by artistic director Koyo Kouoh before her death from cancer in May 2025 at age 57. The exhibition, based on Kouoh's drafted concept and completed by a curatorial team including Rory Tsapayi, Siddhartha Mitter, Marie Hélène Pereira, Gabe Beckhurst Feijoo, and Rasha Salti, adopts a musical metaphor of "minor-ness" and aims to avoid the pitfalls of previous Biennales by focusing on soul frequencies and dissonant harmony rather than direct commentary on world crises. The author, Martin Herbert, questions how critics will respond to a posthumous exhibition of this unprecedented scale, noting that previous artistic directors like Robert Storr, Cecilia Alemani, Christine Macel, and Adriano Pedrosa have faced varied critical receptions.

Seafront gallery hosts major exhibition of local artists

The Fishing Quarter Gallery on Brighton seafront hosted the Bright On Open Call Exhibition, featuring works by 65 local artists. Curated by seascape painter Emma Christopherson, the exhibition presented a visual tour of Brighton from the sea through the city to the South Downs, including seascapes, portraits, and landscapes. Most works were available for purchase, and visitors could meet the artists. This is the second year Christopherson has organized the event, with plans to continue next year.

Exhibit reimagines the work of W.E.B. Du Bois

An exhibit at the African Diaspora Art Museum pairs the original sociological work of W.E.B. Du Bois with contemporary photographs of Black Atlantans, reimagining his early 20th-century data visualizations and writings through a modern lens. The show juxtaposes Du Bois's pioneering studies on Black life in America with current imagery, creating a dialogue between past and present.

Future cultural professionals in Africa will be trained by six Italian museums

I futuri professionisti della cultura in Africa saranno formati da sei musei italiani

The fourth edition of the International School of Cultural Heritage (Scuola Internazionale del Patrimonio Culturale) is underway, with 23 cultural professionals from 12 African nations participating in a hands-on training program hosted by six Italian museums. After online modules and a week of lectures in Rome, the residential phase runs from April 27 to May 22, 2025, placing participants at the Museo delle Civiltà (MUCIV), the Archaeological Parks of Praeneste and Gabii, the National Archaeological Museum of Taranto (MArTA), the National Archaeological Museum of Naples (MANN), the National Archaeological Museum of Reggio Calabria (MArRC), and the National Archaeological Museum of Agro Falisco and Forte Sangallo in Civita Castellana. The program, titled "Managing Art Collections: from ancient to contemporary," focuses on collection management, conservation, and public programming, linking archaeological heritage with contemporary practices.

‘Rightstarter’ art exhibit at Antioch revisits hip-hop’s golden era

The Herndon Gallery at Antioch College is opening a group exhibition titled 'Rightstarter: Resistance, Rap and the Golden Era,' curated by artist Joshua Whitaker. The show, launching with a reception on May 9, explores the rap counterculture of the late 1980s and early 1990s, featuring works by artists from Dayton and beyond. It includes drawings, paintings, sculpture, installations, video, and performance, with a live jazz performance by G. Scott Jones and the Freedom Ensemble. The exhibition highlights how hip-hop served as a platform for social commentary against the backdrop of Reaganomics, the crack epidemic, the war on drugs, and the AIDS crisis.

Charlotte professor brings voice to African artists, reshaping the mold of contemporary art

Lisa Homann, an Associate Art & Art History Professor at UNC Charlotte, will participate in the 2024 Venice Biennale (May 9–Nov. 22) alongside West African Masquerade artist David Sanou. Homann co-curated the traveling exhibition "New African Masquerades: Artistic Innovations and Collaborations," which opened in New Orleans and will conclude at the Smithsonian National Museum of African Art. She was invited by Kevin Dumouchelle, the museum's main curator, to join the African Art in Venice Forum, a critical dialogue aimed at giving voice to contemporary African artists often excluded from mainstream contemporary art narratives. Homann's work with the Sanou family spans nearly two decades, beginning with David's father, Andre Sanou, in 2008.

Bold Solos, Global Dialogues: Inside Frieze New York 2026

Frieze New York 2026 will return to The Shed from May 13–17, featuring an expansive program of solo, dual, and curated presentations. The fair brings together 33 New York galleries alongside international exhibitors, with strong solo booths by Virginia Jaramillo (Hales), Akinsanya Kambon (Ortuzar and Marc Selwyn Fine Art), and Kelly Sinnapah Mary (James Cohan). Dual presentations include mor charpentier pairing Anas Albraehe and Nohemí Pérez, and Nara Roesler showing Jonathas de Andrade with Marcelo Silveira. Blue-chip galleries like Hauser & Wirth, White Cube, and Gagosian will present works by major artists including Cindy Sherman, Tracey Emin, and Nan Goldin. The Focus section, curated by Lumi Tan, highlights 11 emerging galleries with solo presentations by Antoni Miralda, Seba Calfuqueo, Reika Takebayashi, and Aki Goto.

Two Brazilian curators selected to organise 2027 Bienal de São Paulo

The Fundação Bienal de São Paulo has appointed Brazilian curators Amanda Carneiro and Raphael Fonseca as chief curators for the 2027 Bienal de São Paulo, Latin America's largest and longest-running visual arts event. Carneiro, a curator at the Museu de Arte de São Paulo (MASP) since 2018, also organized the main exhibition at the 2024 Venice Biennale. Fonseca, based in Lisbon, works at Culturgest, serves as curator-at-large for Latin American art at the Denver Art Museum, and is curating the Taiwan Pavilion at the 61st Venice Biennale. The event will take place at the Pavilhão Ciccillo Matarazzo in Ibirapuera Park, with further details expected in coming months.

Barbados's slavery museum and memorial faces major delays

Barbados's Heritage District at the Newton Enslaved Burial Ground, a major project including a memorial, national museum, archives, and cultural complex, is facing significant construction delays more than four years after its 2021 announcement. The site, one of the largest known burial grounds of enslaved Africans in the Western Hemisphere, is being developed under the Road (Reclaiming Our Atlantic Destiny) Programme led by Prime Minister Mia Amor Mottley. While a temporary pavilion for the National Performing Arts Centre opened in August 2025, the overall completion—initially slated for 2024—has been pushed back due to expanded archival digitization, supply-chain disruptions, and a fire at the Barbados Archives Department in June 2024. The memorial, designed by Adjaye Associates, is conceived as a landscape intervention using teak sourced from Ghana.

For the 2026 Venice Biennale, the RojoNegro duo brings a collective ritual to the Mexico Pavilion

Per la Biennale Arte 2026 il duo RojoNegro porta nel Padiglione del Messico un rituale collettivo

The article announces that the RojoNegro collective, formed by María Sosa and Noé Martínez, will represent Mexico at the 61st Venice Biennale in 2026 with a project titled "Actos invisibles para sostener el universo." Curated by Jessica Berlanga Taylor, the installation combines organic materials, sound, video, and performance to create a ritualistic space that invokes invisible presences, memories, and energies. The work draws on decolonial perspectives, centering Indigenous and Afro-descendant cosmogonies as living knowledge systems, and aims to activate a dialogue between situated ritual practices and the global context of the Biennale.