filter_list Showing 46 results for "Brutalist" close Clear
search
dashboard All 46 museum exhibitions 22article culture 7trending_up market 5article news 4article local 3article policy 2rate_review review 2candle obituary 1
date_range Range Today This Week This Month All
Subscribe

Family of Nonagenarian Sculptor Is Fighting to Halt Demolition of Iconic Brutalist Fountain in Downtown San Francisco

The family of 96-year-old Quebecois sculptor Armand Vaillancourt is fighting to halt the demolition of his 710-ton concrete fountain, known as Québec Libre! or the Vaillancourt Fountain, in San Francisco’s Embarcadero Plaza. The city began dismantling the 1971 public artwork this week, citing a planned plaza renovation, and the disassembly is expected to cost $4 million. Vaillancourt’s son Alexis and the group Friends of the Plaza have filed an appellate petition challenging the city’s use of an emergency exemption under the California Environmental Quality Act, arguing that the fountain’s disrepair does not constitute a sudden emergency requiring immediate action.

vaillancourt fountain will be dismantled san francisco

The San Francisco Arts Commission board of directors voted eight to five on November 3 to dismantle the controversial Vaillancourt Fountain, a brutalist concrete sculpture by Armand Vaillancourt at Embarcadero Plaza. The city's recreation and parks department plans to spend $4.4 million on a disassembly consultant to take apart the fountain and store its pieces for three years, citing disrepair and safety hazards including corrosion, asbestos, and lead hazards. Critics, including the Cultural Landscape Foundation, dispute these claims, arguing the city deliberately neglected maintenance to justify removal.

san francisco may destroy vaillancourt fountain in redevelopment plan

San Francisco is considering destroying the Brutalist Vaillancourt Fountain by Armand Vaillancourt as part of a redevelopment plan for Embarcadero Plaza. City officials, including Recreation and Park Commission general manager Phil Ginsburg, have discussed the redevelopment for over a decade, and the San Francisco Arts Commission is preparing to vote on deaccessioning the fountain. The fountain, completed in 1971, has been fenced off since June 2024 due to safety concerns and has not had running water since then, with repairs estimated at $28.9 million.

Rafał Zajko Is Hatching a Plan

Rafał Zajko's exhibition 'The Egg Egg' at Arsenal Gallery in Białystok, Poland, brings together 50 works from the past decade across two floors of a former power station, organized into nine 'acts'. The show features modular installations like 'Funny Games' (2025), a set of pastel-colored platforms on wheels with ceramic reliefs, and monumental sculptures such as 'Sisyphus' (2025), a suspended ceramic bobbin evoking textile factory tools. Performances by Agnieszka Szczotka, including 'Song to the Siren' (2026), activate works like 'Amber Chamber III Echo' (2025), blending archaism, futurism, and themes of labor and technology.

San Francisco’s Vaillancourt Fountain Catches Fire During Controversial Removal

San Francisco's Vaillancourt Fountain, a Brutalist concrete structure at Embarcadero Plaza since 1971, caught fire on Wednesday morning as workers used blow torches to disassemble it. The fire ignited rubber tubing and debris inside the sculpture's cantilevered arms, producing smoke that forced the temporary evacuation of nearby paddle board courts. The fountain is being removed to make way for a $32.5 million redevelopment of the plaza and playground into a five-acre park.

An Entire Paul Rudolph House Is Up for Sale at an L.A. Design Fair

The Walker Guest House, a 1953 architectural pavilion designed by Paul Rudolph, has been transported from Florida and reassembled inside the Pacific Design Center in West Hollywood. It is being offered for sale for $2 million as part of the Basic.Space L.A. high-design shopping event, complete with original furnishings and architectural drawings.

The New Sotheby's Flagship Sets An Opening Date

Sotheby's has announced that its new flagship auction house and gallery space, located in the iconic Breuer Building on Madison Avenue, will open on November 8. The building, designed by Marcel Breuer in 1966, originally housed the Whitney Museum of American Art and later served as temporary home for The Frick Collection and the Metropolitan Museum of Art. The opening exhibition will feature works for Sotheby's marquee modern and contemporary art auctions, followed by pieces for Luxury Week in December. The building also includes a new restaurant from the team behind La Mercerie, and the galleries will be free and open to the public.

Sotheby’s Has Set a Debut Date for Its Landmark Breuer Building Headquarters

Sotheby's has announced that its new headquarters in the iconic Breuer Building at 945 Madison Avenue will open on November 8. Originally designed by Marcel Breuer for the Whitney Museum of American Art in 1966, the building later housed the Met Breuer and the Frick Collection during its renovation. Sotheby's purchased the Brutalist landmark from the Whitney two years ago and has renovated it with Pritzker Prize-winning architects Herzog & de Meuron and PBDW Architects, adding auction rooms and state-of-the-art gallery spaces while preserving original features like bluestone floors and concrete walls. The opening will coincide with a major modern and contemporary art exhibition, followed by fall marquee sales the week of November 17.

Mimmo Paladino torna a Milano con una grande mostra dopo anni. Sotterranea e immersiva

Mimmo Paladino returns to Milan with a major exhibition after 15 years, opening on May 16 at Palazzo Citterio's underground Sala Stirling. The show features his iconic series "Dormienti" (Sleepers), 32 anthropomorphic terracotta sculptures in fetal positions, arranged in a theatrical, immersive installation. The exhibition also includes a soundscape by Brian Eno and a selection of 15 drawings on paper from 1973, curated by Lorenzo Madaro and organized by Grande Brera and the Archivio Paladino. It runs until July 26, 2026.

‘As If’ by Isabel Waidner, Reviewed

Isabel Waidner’s latest novel, 'As If', follows the surreal intersection of two actors, Lewis and Korine, who share an uncanny resemblance and wives with the same name. After meeting in a Central London sublet, the pair decide to swap lives: the younger Korine takes over a high-stakes audition for the grieving Lewis, while Lewis assumes Korine’s domestic and financial burdens. Set against the brutalist backdrop of London’s Barbican and Golden Lane estate, the narrative uses this identity swap to explore the thin line between performance and reality.

Signs of Life: Kunel Gaur’s Immersive Solo Exhibition at Method Delhi

Artist Kunel Gaur presents his solo exhibition "Signs of Life" at Method Delhi, running from December 11, 2025 to January 25, 2026. The show features immersive works that explore contemporary life through architectural materials like wood, concrete, metal, and acrylic, with series including "Colour Field Studies," "Interface Portraits," "KUMI," and "Tile Assemblies." Gaur's practice draws on graphic design, architecture, and brutalist influences to examine how identity, memory, and emotion are filtered through technology and industrial systems.

Brutalist home of England's first National Black Art Convention saved from demolition

The University of Wolverhampton’s School of Art building, an eight-story Brutalist landmark completed in 1969, has been granted Grade II listed status by the UK Department for Culture, Media and Sport, saving it from demolition. The building hosted the first National Black Art Convention in 1982, a pivotal event in the British Black arts movement, and is closely tied to the Blk Art Group, whose founding members include Keith Piper, Marlene Smith, and Claudette Johnson. The listing follows a campaign against the university's redevelopment plans, supported by a petition with over 6,600 signatures.

In Phibsborough Tower, artist Oisín Tozer prepares a fleeting exhibition

Artist Oisín Tozer is preparing a fleeting exhibition titled "Yearn" as part of Phizzfest 2025, a local festival in Phibsborough, Dublin. The exhibition is held in his studio at Richmond Road Studios, located within the brutalist Phibsborough Tower. Tozer, a 2023 fine art graduate of TU Dublin, has carved a large orchid design directly into the wall, emphasizing site-specificity and impermanence. The show is part of Phizzfest's visual arts strand, which also includes Jim Donnelly's "The Walk to the Workhouse" and Eileen Ferguson's "Area C." Tozer's work draws on philosophers Gilles Deleuze, Félix Guattari, and Mark Fisher, exploring desire and the political potential of inaccessible, temporary art.

Artists pay tribute to Lake Anne Plaza in exhibit opening Thursday

Reston Art Gallery and Studios (RAGS) will open a new exhibition titled “Art of Lake Anne” on Thursday, showcasing works by nine local artists who interpret Lake Anne Plaza, Reston’s original village center. The show features paintings, fiber art, and found-object sculptures by artists including Rosemarie Forsythe, Cindy Grisdela, Doug Fuller, Sandy Dovberg, Jennifer Duncan, Julia Malakoff, Wayne Schiffelbein, and Pat Macintyre. A reception will be held on Sunday, January 11, and the exhibition runs through February 5.

Amid a cost of living crisis for London’s artists, a charity has secured dozens of affordable studio spaces

Bow Arts, a UK charity founded in 1994, has acquired two buildings in east London to create permanently affordable studio spaces for artists. The purchases include a site in the Hackney Yards development, developed in partnership with housing association Notting Hill Genesis and supported by Arts Council England and the London Legacy Development Corporation, which will provide 38 studios by 2026, and the Brutalist Lakeside Centre in Thamesmead, already housing over 40 artist studios. This follows Bow Arts’ first owned building, Three Waters, acquired in 2022 on a 999-year lease with 70 studios. The charity now owns three of the 28 buildings it manages across London, with an annual turnover of £5.1 million, most of which is reinvested into the creative community.

Dozens of Suspended ‘Halos’ Glimmer in a Florentine Factory

Earlier this month, artist SpY installed "Halos," a large-scale installation of dozens of metallic discs suspended from the ceiling of a former railway factory in Florence. The work was part of the city's Bright Festival, transforming the brutalist industrial interior into a space of ethereal movement and reflection, with the discs interacting with natural breezes and glimmering light.