Rare Wifredo Lam Portrait Lands in New York

The Hispanic Society Museum and Library has acquired Wifredo Lam’s 1927 painting "Portrait of a Boy," marking the first time a work by a Cuban artist has entered the institution's permanent collection. Purchased at a Sotheby’s auction after decades in a private collection, the portrait dates from Lam’s formative years in Cuenca, Spain. The work represents a rare, representational style from the artist's early career, predating the Afro-Cuban Surrealism for which he became globally renowned.

A New Brooklyn Art Fair With a Global Outlook Debuts This Spring

A New Brooklyn Art Fair With a Global Outlook Debuts This Spring

A new art fair called Conductor: Art Fair of the Global Majority will hold its inaugural edition in Brooklyn from April 30 to May 3, 2026. Organized by Powerhouse Arts, it will feature 27 galleries and 17 special projects, bringing together artists and galleries from Africa, Latin America, Asia, the Caribbean, the Middle East, Oceania, and Indigenous nations.

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London's The Gallery of Everything is presenting the first survey of Haitian painter Hector Hyppolite in a European commercial setting at Art Basel Paris, opening October 24. The solo booth in the fair's Premise sector features works by Hyppolite, including three pieces from the historic 1947 exhibition "Le Surréalisme en 1947," along with documentation, photos, and an essay by Manthia Diawara and Terri Geis. Hyppolite, a self-taught vodou priest who died in 1948, was championed by Surrealist founder André Breton after Breton encountered his work in Haiti in 1945.

Hurvin Anderson’s Luscious Paintings Explore the Meaning of Home

British painter Hurvin Anderson's exhibition at the Art Gallery of Ontario features his lush, layered paintings that explore themes of home, belonging, and cultural memory. The show includes his "Ball Watching" series, which reworks a 1983 photograph taken in Birmingham's Handsworth Park, transforming a personal snapshot into a meditation on place and identity.

The Bahamas returns to the Venice Biennale with a joy-filled posthumous collaboration

The Bahamas will return to the Venice Biennale in 2026 after a 13-year absence with a posthumous exhibition for artist John Beadle, who died in 2024 at age 60. Beadle was originally selected to represent the country in 2015 but the government withdrew funding. The exhibition, titled "In Another Man’s Yard," will feature Beadle’s work alongside that of his mentee, Lavar Munroe, using materials from Beadle’s studio including sails from Haitian migrant sloops. The pavilion is organized by commissioner Amanda Coulson and curator Krista Thompson, who raised private funds after the government declined to support the project.

Barbados's slavery museum and memorial faces major delays

Barbados's Heritage District at the Newton Enslaved Burial Ground, a major project including a memorial, national museum, archives, and cultural complex, is facing significant construction delays more than four years after its 2021 announcement. The site, one of the largest known burial grounds of enslaved Africans in the Western Hemisphere, is being developed under the Road (Reclaiming Our Atlantic Destiny) Programme led by Prime Minister Mia Amor Mottley. While a temporary pavilion for the National Performing Arts Centre opened in August 2025, the overall completion—initially slated for 2024—has been pushed back due to expanded archival digitization, supply-chain disruptions, and a fire at the Barbados Archives Department in June 2024. The memorial, designed by Adjaye Associates, is conceived as a landscape intervention using teak sourced from Ghana.

Re-Air: The Young Painter Curators Are Rushing to Work With

Artnet News resurfaces an interview with painter Taína H. Cruz, who is featured in both the Whitney Biennial and MoMA PS1's Greater New York exhibition. Cruz, born in 1998 and a recent MFA graduate from Yale School of Painting, creates moody paintings often depicting Black female figures, drawing on African American and Caribbean folklore, horror, fantasy, and personal imagery. The interview, conducted by Ben Davis, explores her influences and her response to the sudden surge of attention from major institutions.

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The Pérez Art Museum Miami (PAMM) has announced two major gifts totaling $7 million for its Caribbean Cultural Institute (CCI). The Mellon Foundation contributed an additional $2 million, while the Green Family Foundation (GFF) donated $5 million, leading to the institute's renaming as the Green Family Foundation Caribbean Cultural Institute. The funds will support operating expenses and the endowment of the CCI, which was originally established in 2019 with a $1 million Mellon grant. The Green Family Foundation, founded by Steven J. Green and Dorothea Green, has deep philanthropic roots in Miami, including ties to Florida International University and local art initiatives. Current CCI fellows include artist M. Florine Démosthène, writer Rianna Jade Parker, and anthropologist Celia Irina González.

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Haitian police conducted a two-day armed operation to evacuate thousands of artworks and documents from the Centre d’Art in Port-au-Prince, as gangs tightened control over the capital. The museum, founded in 1944 and housing works by artists such as Hector Hyppolite, Georges Liautaud, and Philomé Obin, had been forced to suspend operations in February after gang members stole solar panels and a generator. Under gunfire, authorities used armored vehicles to clear barricaded streets and removed an estimated 6,000 artworks and 3,600 documents to safety.

Keisha Scarville Awarded Brooklyn Museum’s $25,000 UOVO Prize

The Brooklyn Museum has named photographer and multimedia artist Keisha Scarville the winner of its sixth annual UOVO Prize. She will receive a $25,000 unrestricted grant, a public exhibition titled "Where Salt Meets Black Water" at the museum's Iris Cantor Plaza opening May 8, and a commission for a large-scale work on the façade of UOVO's Bushwick storage facility.

Pinta Panama Art Week 2026 Reaffirms the Country as a Hub for Regional Contemporary Art

PINTA PANAMA ART WEEK 2026 REAFFIRMS THE COUNTRY AS A HUB FOR REGIONAL CONTEMPORARY ART

The second edition of Pinta Panamá Art Week will be held from March 18-22, 2026, featuring works by Panamanian artists like Cisco Merel, Lulu Molinares, Arístides Ureña Ramos, and Isabel de Obaldía. Their projects, ranging from sculpture and textiles to immersive installations and studio visits, explore themes of memory, territory, and everyday life through the manipulation of materials and space.

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The Andy Warhol Foundation for the Visual Arts has announced its 2025 Arts Writers Grant recipients, awarding a total of $1.04 million to 31 writers. The grants, ranging from $15,000 to $50,000, are distributed across four categories: Articles, Books, Short-Form Writing, and a newly introduced Translation category with a $30,000 purse for translating books on contemporary visual art into English. Recipients include past and current contributors to ARTnews and Art in America, such as Glenn Adamson, Jeremy Lybarger, Zoé Samudzi, and Catherine G. Wagley.

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Conductor: Art Fair of the Global Majority will hold its first full edition at Powerhouse Arts in Brooklyn from April 30 to May 3, 2026, following a soft-launch invitational in 2025. Directed by Adriana Farietta, the fair will feature over 50 galleries and artists from Africa, Latin America, the Caribbean, South and Southeast Asia, the Middle East, Oceania, and Indigenous nations. Returning exhibitors include Carmo Johnson Projects (Brazil), while new participants include Yehudi Hollander-Pappi with Ana Raylander and Monique Meloche Gallery (Chicago) presenting Ebony G. Patterson. The 2026 edition will also include an installation by La Vaughn Belle, The House That Freedoms Built, originally commissioned for the Cooper Hewitt’s 2024 Triennial, along with symposia, talks, and fabrication activations.

Artists Decry Centre Pompidou’s Cancellation of Caribbean Art Exhibition

Nearly 150 artists, curators, and cultural figures signed an open letter denouncing the Centre Pompidou-Metz's abrupt cancellation of an exhibition centering on contemporary Franco-Creole, Caribbean French, and Guyanese art. The survey, titled "Van Lévé: Sovereign Visions from the Maroon and Creole Americas and Amazonia," was slated to run from October 2026 to April 2027 and would have featured artists including Julien Creuzet, Gaëlle Choisne, and the late Hervé Télémaque. Guest curator Claire Tancons had raised concerns about a scheduling overlap with Maurizio Cattelan's ongoing exhibition, leading to tense exchanges with museum director Chiara Parisi before the museum formally canceled the show on June 10, citing a "particularly difficult budgetary context."

WALTER OTERO A TROPICAL GALLERIST IN AMERICA S ECOSYSTEM

A new book titled "Walter Otero: un galerista tropical" is being published this March. It features an interview by curator Omar-Pascual Castillo with Puerto Rican gallerist Walter Otero, chronicling his journey from personal assistant to painter Arnaldo Roche Rabell to founding his influential San Juan gallery, Walter Otero Contemporary Art (WOCA). The book details the gallery's history, its roster of artists, and Otero's adaptation to the digital age and crises like Hurricane Maria.

미시시피미술관 '사진과 흑인미술운동, 1955-1985'(7/25-11/8) - Lounge

The Mississippi Museum of Art (MMA) presents "Photography and the Black Arts Movement, 1955–1985," a landmark exhibition exploring the role of photography in fostering Black visual culture and identity during the civil rights and Black Arts Movement eras. The show features approximately 150 works by over 100 artists, including Dawoud Bey, Gordon Parks, and Carrie Mae Weems, drawn primarily from the National Gallery of Art's collection, and runs from July 25 to November 8, 2026, as the final stop on a national tour.

Pioneering sculptor Geles Cabrera’s Mexico City retrospective marks centennial

A major retrospective of pioneering sculptor Geles Cabrera has opened at the Museo del Palacio de Bellas Artes in Mexico City, celebrating her centennial year. The exhibition, titled "Partituras Corporales," spans seven decades of her work, featuring nearly 100 sculptures in materials from volcanic stone to plexiglass, and highlights her radical focus on the expressive, often erotic, human body. It follows her recent receipt of Mexico's highest artistic honor, the 2024 Bellas Artes Medal in Visual Arts.

Frist Art Museum Celebrates 25th-Anniversary Year with Major Group Exhibition Spotlighting the Work of Nashville-Based Women Artists

The Frist Art Museum in Nashville is launching its 25th-anniversary year with a major group exhibition titled "In Her Place: Nashville Artists in the Twenty-First Century," on view from January 29 to April 26, 2026. The show features nearly 100 works by 28 Nashville-based women artists, including María Magdalena Campos-Pons, Alicia Henry, and Karen Seapker, and is cocurated by Sai Clayton, Katie Delmez, and Shaun Giles. It is part of the 2026 Tennessee Triennial for Contemporary Art and is accompanied by a catalogue published by Vanderbilt University Press.

Weekly News Roundup: July 7, 2025

The Sharjah Architecture Triennial announced its third edition theme, "Architecture Otherwise: Building Civic Infrastructure for Collective Futures," opening in November 2026, curated by Vyjayanthi Rao and Tau Tavengwa. The Noguchi Museum appointed Hitomi Iwasaki as head curator, while London nonprofit YDP announced an inaugural Duan Jianyu exhibition and permanent commissions by Christine Sun Kim and Danh Võ. Australia's Mordant family gifted major artworks to the Newcastle Art Gallery.

Toronto Biennial of Art announces 2026 artists and theme

The Toronto Biennial of Art has unveiled the artist list and thematic framework for its 2026 edition, titled "Things Fall Apart." Curated by Allison Glenn, the exhibition will feature over 30 artists and collectives, including 17 new commissions that explore themes of syncopation, rupture, and the connective power of global waterways. For the first time, the biennial will expand its physical footprint beyond the Greater Toronto Area to include site-responsive projects in Detroit, New York, and Anchorage.

At the Venice Biennale, the Cuba Pavilion presents "Hombres Libres" by Roberto Diago

The Republic of Cuba has announced its participation in the 61st Venice Biennale with a solo exhibition by artist Roberto Diago titled "Hombres Libres" (Free Man). Curated by Nelson Ramirez de Arellano Conde and located at Il Giardino Bianco, the installation features a series of sculptural heads crafted from salvaged materials like oxidized metal, wood, and plastic. These works, characterized by prominent surface scars, are designed to confront viewers and provoke a dialogue about the enduring nature of memory and dignity.

Krannert Art Museum reopening highlights gallery reinstallations, artist Ronny Quevedo exhibition

Krannert Art Museum in Champaign, Illinois, is reopening on August 28 with a major reinstallation of its Andean gallery, featuring the exhibition "Fragmented Histories: Andean Art Before 1600." The gallery, co-curated by Kasia Szremski and Allyson Purpura, moves away from a linear display to explore the mobility of objects, their histories of looting, and their ongoing cultural significance. The reopening also includes a solo exhibition by contemporary artist Ronny Quevedo, titled "Ronny Quevedo: a l l s t a r s," and reinstallations of European and American art in the Bow and Trees galleries.

7 Independent Phoenix Art Galleries to Explore This Summer

This article highlights seven independent art galleries in Phoenix, Arizona, that offer a cool respite from the desert summer heat. It profiles spaces like Alwun House, a historic 1912 home turned multimedia arts venue; Modified Arts and Eye Lounge, a 25-year-old artist collective; Bentley Gallery, a contemporary art space closing permanently in September; and The Sagrado Galleria, which focuses on South Phoenix community arts. Each gallery is described as a vital part of the local creative scene, showcasing everything from Indigenous-centered exhibitions to contemporary painting and sculpture.

Latino community organisation opens $33m arts centre in Boston

On 15 May, Inquilinos Boricuas en Acción (IBA), a Latino-founded nonprofit community development corporation, will open La Casa, a $33 million, 26,000-square-foot cultural center in Boston's South End. The largest Latino cultural center in New England, La Casa is designed by local firms Studio Enée and Annum Architects and features a terracotta-colored facade, energy-efficient design, and flexible spaces for civic engagement, education, and artistic expression. Initial programming includes artist residencies, workshops, and a mural by local artist Alvin “Acóma” Colon honoring Boston’s Puerto Rican residents. The building incorporates salvaged elements from the original turn-of-the-century Lutheran church that IBA repurposed in the 1960s.

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Naomi Beckwith, deputy director and chief curator of the Guggenheim Museum, has announced her four-person artistic team for Documenta 16, set to open in Kassel, Germany, in June 2027. The team includes Carla Acevedo-Yates, Romi Crawford, Mayra A. Rodríguez Castro, and Xiaoyu Weng, who will collaborate on the exhibition, publication, and programming for the quinquennial.

CISCO MEREL: LA CHANTIN

CISCO MEREL: LA CHANTIN

Kunsthalle Lissabon in Lisbon, Portugal, is presenting 'La Chantin,' the first solo exhibition in the country by Panamanian artist Cisco Merel. The exhibition features a site-specific installation exploring the house as an open, collective, and evolving system, inspired by the mobile, wooden 'shanty' structures built by the Afro-Caribbean diaspora during the construction of the Panama Canal.

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Gustave Courbet's 1855 masterpiece *The Artist's Studio* originally included a portrait of Jeanne Duval, the mixed-race actress and courtesan who was the muse and longtime lover of poet Charles Baudelaire. After a falling out, Baudelaire asked Courbet to remove her from the painting. Courbet painted over her figure with watercolor rather than oil, and over the past 170 years, the image of Duval has gradually reappeared as a pentimento—a ghostly trace of the erased figure.

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Refik Anadol's A.I. data sculpture "A Goal in Life," based on Lionel Messi's favorite goal from the 2009 Champions League final, sold for $1.87 million at Christie's. The artwork uses millions of data points, including Messi's biometric voice data, breathing patterns, and heartbeat rhythms, to recreate the moment in an immersive 16K-resolution mirrored room. Proceeds benefit education programs in Latin America and the Caribbean supported by the Inter Miami CF Foundation.

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A new art fair called Conductor, backed by Powerhouse Arts, will debut in 2026 with a mission to center artists and galleries from the Global Majority—communities from Africa, Latin America, the Caribbean, Southeast Asia, the Middle East, Oceania, and Indigenous Nations. A curated invitational preview runs May 7–11, 2025, at Powerhouse Arts' Gowanus space, featuring artists including Amanda Phingbodhipakkiya, Khaled Jarrar, Modupeola Fadugba, and the Brazilian collective MAHKU. The fair aims to reduce barriers by focusing on young galleries and individual artists, and by fabricating work onsite to avoid shipping and customs costs.

Naufus Ramírez-Figueroa “Lugar de Consuelo (Place of Solace)” at MoMA, New York

MoMA's Kravis Studio is presenting Naufus Ramírez-Figueroa's multimedia work "Lugar de Consuelo (Place of Solace)" (2020), marking the artist's first solo presentation at the museum. The work, jointly acquired in 2022 through MoMA's Latin American and Caribbean Fund and Fund for the Twenty-First Century, includes prints, drawings, costumes, sculptures, videos, and a related performance that explore political and personal histories of Guatemala.