Sophie's Artist Lounge introduces new St. Louis hip-hop exhibition

Sophie's Artist Lounge, part of the Kranzberg Arts Foundation in St. Louis, will debut a new exhibition titled "To STL with Love" on September 4, 2025. Curated by Kris Blackmon, the show celebrates the history and impact of hip-hop culture in St. Louis, featuring visual art, photography, memorabilia, and artifacts from over 30 local artists and creatives, including Pacia Elaine, Brock Seals, Damon Davis, John Harrington, and Trackstar the DJ. The opening reception will include performances by GOODBROTHERLYZM, G.Wiz, KVtheWriter, and Bates.

"Journey in the Wake of Catastrophe": Yad Vashem Unveils New Art Exhibition

Yad Vashem – The World Holocaust Remembrance Center in Jerusalem has unveiled a new exhibition titled "Journey in the Wake of Catastrophe" by Israeli artist Tal Mazliach. The exhibition features eleven original works commissioned specifically for the show, which draw a visual and emotional connection between the Holocaust and the October 7th Hamas attack. Mazliach, a resident of Kibbutz Kfar Aza who survived the attack by barricading herself in her home for over 20 hours, is the second artist selected for Yad Vashem's 'Residency' Project. Her paintings incorporate tribal motifs, bold colors, and layered text, blending personal testimony with collective memory by drawing on Yad Vashem's archival collections.

The ‘Art of the Sixties’ exhibition opens with reception at Inkfish Gallery on Friday, Sept. 5

Inkfish Gallery in Des Moines, Washington, will open an exhibition titled 'Art of the Sixties' on Friday, September 5, 2025, from 4:30 to 7:30 p.m. The show, curated by George C. Scott of Inkfish Foundation and Fred Andrews of Des Moines Legacy Foundation with funding from 4Culture of King County, features works from the 1960s encompassing Pop Art, Op Art, Minimalism, Conceptual Art, Hot Rod Art, and Psychedelic Art. Artists highlighted include Andy Warhol, Peter Max, Margaret Keane, Ed 'Big Daddy' Roth, Robert Crumb, and Roy Lichtenstein.

‘We just wanted to do our small part’: how Texas's art community responded to deadly flash floods

Flash flooding in Texas's Hill Country over the 4 July weekend killed at least 137 people, devastating towns like Kerrville. Darrell Beauchamp, executive director of the Museum of Western Art, describes waking to evacuation efforts and later joining volunteer search groups along the river. The museum, located on high ground, was unharmed and opened the next morning as a refuge for first responders and locals, offering its parking lot and gallery space. Beauchamp received support from neighboring institutions like the Nimitz Museum, which offered archival supplies to help save art.

Red Calliope Gallery on Evers Hosts Art Exhibit

Red Calliope Gallery on Evers, a new art gallery and champagne bar in Plant City, Florida, is hosting an exhibit featuring local artists. The gallery, owned by self-taught artist Rachel and woodcraftsman Mark Dummeldinger, opened in March and recently held a juried competition called Dog Days of Summer, judged by local artist Liza Compass. Winners will be announced on August 2 at a public event with cash prizes, hors d'oeuvres, and entertainment.

Penang Art Exhibition ‘Subculture’ To Showcase Over 20 Local & International Artists

The heritage house gallery Cultprint is launching a major group exhibition titled 'Subculture' in George Town, Penang, featuring over 20 local and international artists. Running from March 7 to May 3, 2026, the show encompasses a diverse range of mediums including sculpture, photography, and installation, highlighting artists such as Alex Face, Ernest Zacharevic, and Jolene Liam.

Student artists explore creative compassion in new art exhibit | Emory University | Atlanta GA

Student artists at Emory University are exhibiting works from a compassion-focused visual arts course in a new show titled "Between Shadow and Light: Artwork on Compassion" at the Emory Center for Ethics' hallway gallery. The assignment, part of the Creative Conscience Project in partnership with the Emory Center for Ethics, asked students in Aaron Putt's "Introduction to Painting and Drawing" class to write personal notes on paper, crumple them, and create photorealistic still-life drawings incorporating intimate objects like family recipes, flowers, or seashells. The exhibit features drawings, paintings, and photographs by 13 students and will remain on display through January 2027.

British artist Stuart Robertson to unveil “Through The Artist’s Eye” at Bikaner House

British artist Stuart Robertson is set to debut a comprehensive new body of work at Bikaner House in New Delhi in April 2026. The exhibition, titled “Through The Artist’s Eye,” is the culmination of an 18-month residency at Dr Shroff’s Charity Eye Hospital in Daryaganj. Spanning photography, drawing, bronze sculpture, and cyanotypes, the collection documents the daily life, medical precision, and quiet compassion within one of India’s most prominent charitable medical institutions.

"Adorata: The Path of Enlovement" art exhibition and book debut in Phoenix

Rogue Valley artist and spiritual teacher Tiziana DellaRovere has launched a multi-media exhibition and book debut titled "Adorata: The Path of Enlovement" at the Langford Art Gallery in Phoenix, Oregon. The project features a collection of sculptures, paintings, and an illustrated book that explores the divine feminine through the figure of Mother Mary, focusing on themes of compassion and introspection.

In a Piacenza church, the light of designer Davide Groppi becomes a whisper suspended in time

In una chiesa di Piacenza la luce del designer Davide Groppi diventa un sussurro sospeso nel tempo

Renowned lighting designer Davide Groppi has unveiled a major anthological exhibition titled "Un’ora di luce" (An Hour of Light) at Volumnia, a gallery housed within the deconsecrated Church of Sant’Agostino in Piacenza. Curated by Marco Sammicheli, the retrospective spans forty years of Groppi’s career, featuring iconic works like Sampei and Moon alongside new site-specific debuts. The exhibition is structured in two parts: a series of enclosed "utopias" that create intimate light environments, followed by a dialogue between his minimalist fixtures and the soaring, historic architecture of the church.