Gagosian is set to present a solo exhibition of Nam June Paik’s work in Seoul, marking the first time in 25 years that a show in the artist’s home country has been organized in collaboration with his estate. Titled "Nam June Paik: Rewind / Repeat," the exhibition will be held at the APMA Cabinet and features approximately a dozen works, including rare early pieces from the 1960s such as "Media Sandwich" and the iconic "TV Bra for Living Sculpture."
Jonas Wood has unveiled a new series of paintings at Gagosian in Beverly Hills that transforms global tennis courts into geometric abstractions. Derived from years of photographing tournament broadcasts and Nintendo games, the works strip away players and equipment to focus on the flat bands of color, white lines, and nets that define the sport's architecture. The collection represents a systematic exploration of the ATP and WTA tours, utilizing the tennis court as a formal vehicle for color theory and composition.
This month’s gallery circuit features a series of high-profile solo exhibitions across the United States, headlined by a museum-quality survey of Jasper Johns at Gagosian. The selection highlights diverse artistic approaches, from Johns’s seminal 1970s crosshatch paintings to Yuko Mohri’s kinetic installations at Tanya Bonakdar and Gabriel de la Mora’s material-focused conceptual works at Perrotin. Other notable shows include Christina Quarles’s new paintings at Hauser & Wirth, which explore themes of loss and resilience.
Frieze Los Angeles 2026 opened amid concerns over the city's cooling art market, following a wave of gallery closures and a shift toward nomadic dealer models. Despite the economic downturn and the lingering shadow of previous regional fires, the fair week saw a resurgence of energy with 32,000 attendees and significant blue-chip sales, including a $3.75 million Ed Ruscha at Gagosian and a $2.8 million Njideka Akunyili Crosby at David Zwirner. The week was characterized by a mix of high-end commerce at the Santa Monica Airport and grassroots vitality at satellite events like Felix and the newly launched Post-Fair.
Billionaire Ari Emanuel, whose company Endeavor recently acquired the Frieze art fairs, kicked off the VIP opening of Frieze Los Angeles by acquiring three works by 86-year-old Black quiltmaker Yvonne Wells. Emanuel entered the Santa Monica Airport venue ahead of the general VIP crowd, purchasing textile portraits of Michael Jackson, Marilyn Monroe, and Elvis Presley from New York gallery Fort Gansevoort. The transaction, facilitated by Emanuel's long-time advisor Jeffrey Deitch, set a high-energy tone for an opening day that saw brisk sales, including a $3.75 million Ed Ruscha painting at Gagosian.
Artist Tod Lippy is launching a mobile protest piece titled "All Of the Gang" during Frieze Los Angeles, featuring an LED truck that displays emails and documents linking prominent art world figures to Jeffrey Epstein. The project highlights correspondence and associations involving major industry names like Larry Gagosian, Leon Black, and David A. Ross, aiming to confront the public with the industry's perceived complicity and lack of accountability.
Michael Heizer has unveiled a major exhibition titled "Negative Sculpture" at Gagosian’s West 21st Street gallery in New York. The installation features two massive works, Convoluted Line A and Convoluted Line B, which consist of steel liners filled with crushed red granite embedded into a raised gallery floor. To achieve the artist's vision of negative space without excavating the building's foundation, the gallery undertook a complex two-year engineering project to elevate the entire floor surface, matching the specific concrete hue of Heizer’s Nevada studio.
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Gagosian London is hosting an exhibition of all 126 photographs from Nan Goldin’s seminal work, "The Ballad of Sexual Dependency," to mark the 40th anniversary of the photobook's publication. The exhibition traces the evolution of the project from its origins as a DIY slideshow performance in New York nightclubs to its status as a cornerstone of contemporary photography, featuring intimate portraits of Goldin’s inner circle across New York, Berlin, and beyond.
Los Angeles is hosting a surge of high-profile exhibitions to coincide with the arrival of Frieze Los Angeles and its various satellite fairs. The city's gallery and museum circuit is currently anchored by major debuts and surveys, including Leiko Ikemura’s mystical explorations at Lisson Gallery, Sarah Sze’s immersive video and painting installations at Gagosian, and Alejandro García Contreras’s folklore-inspired ceramics at Anat Ebgi.
Frieze Los Angeles has returned to the Santa Monica Airport for its seventh edition, marking the first iteration since the fair was acquired by Ari Emanuel’s live events venture, Mari. The event features nearly 100 galleries from 22 countries, balancing global powerhouses like Gagosian and Hauser & Wirth with a strong contingent of local Los Angeles mainstays. Fair director Christine Messineo emphasized the fair's role as a central gathering point for the international collecting community within the city's sprawling landscape.
Ashley Stewart Rödder, a highly respected director at Gagosian, has passed away at the age of 42 following a prolonged illness. During her tenure at the gallery since 2019, she was instrumental in managing the careers of prominent contemporary artists including Nathaniel Mary Quinn, Stanley Whitney, Titus Kaphar, and Deana Lawson. Her career also included significant leadership roles at Salon 94 and David Zwirner, as well as board positions at the nonprofit Performa and the Children’s Art Guild.
Brazilian authorities are targeting the art collection and luxury assets of Daniel Vorcaro, the CEO of the recently liquidated Banco Master SA, as part of a massive fraud investigation. Following the bank's collapse due to insolvency and regulatory violations, liquidators filed subpoenas in a Miami federal court to probe Vorcaro’s dealings with blue-chip galleries and auction houses. Officials believe the financier may have funneled bank funds into high-value artworks and real estate to shield his wealth.
The global mega-gallery Hauser & Wirth is opening a new branch in Palo Alto, California, in the historic Downing Block building, a former U.S. Post Office. The gallery, designed by architect Luis Laplace, will open in the fall and aims to bring influential contemporary art exhibitions to the Bay Area.
Gagosian Gallery will open a new exhibition of Roy Lichtenstein's work titled "Painting with Scattered Brushstrokes" in March 2026. The show, drawing exclusively from the Lichtenstein family collection, will feature paintings, sculpture, and works on paper from the 1970s and '80s, focusing on his recurring brushstroke motif. It coincides with a major retrospective at the Whitney Museum and follows a period of intense market activity for the artist's work.