Bayeux Tapestry: A Blank Voyage That Tests Nothing

Tapisserie de Bayeux : un voyage à blanc qui ne teste rien

A confidential interim report obtained by La Tribune de l'Art reveals that the "blank voyage" test transport of the Bayeux Tapestry from Bayeux to London in February 2026 failed to measure actual risks to the artwork. The report admits that the vibration threshold used (2 mm/s) is arbitrary and based on paintings, not on a textile of this size and fragility. Because the tapestry has been stored and inaccessible since September 2025, no mechanical tests could be conducted beforehand to determine safe vibration levels, rendering the test meaningless. A second test took place on April 15, 2026, but its report has not yet been finalized; the actual loan is planned for July 2026, with transport via Eurostar.

‘I want people to see nature as a wondrous work of art’: Jon McCormack’s best phone picture

Photographer Jon McCormack captured a striking image of the Remarkable Rocks on Kangaroo Island, Australia, framing the Southern Ocean through a naturally eroded granite hollow. The photograph, taken at sunset, emphasizes the graphic simplicity and sculptural quality of the ancient rock formations, which have been shaped by wind and salt over 10,000 years of isolation.

new regulation around eu import law promises art market shakeup

A new European Union regulation, Regulation (EU) 2019/880, will take effect on June 28, requiring thorough provenance documentation for cultural objects over 200 years old (or 250 for archaeological items) imported into the EU. Importers must provide material evidence proving lawful acquisition from the country of origin, including the object's origin, export date, and chain of ownership, or face potential seizure. The rule builds on a 2019 anti-trafficking law and has sparked concern among EU-based dealers, who warn it could stifle the market for antiquities and non-European art.

Art lovers pack the Sugar Wharf for Go Troppo opening night

The Go Troppo exhibition opened on May 18, 2026, at the historic Sugar Wharf in Port Douglas, Australia, kicking off the Carnivale 2026 festivities. Organized by Port Douglas Artists Inc., the show features contemporary art from across Far North Queensland, tied to this year's Carnivale theme, "Ancient Wonders." The free exhibition runs daily from May 19 to May 24, drawing locals and visitors to view regional talent.

design la cavalarie cosima ungaro austin feilders

Cosima Ungaro and Austin Feilders, who run the creative agency Concept, have taken over the restoration and operation of Domaine de La Cavalerie, a 12th-century Knights Templar compound in France that was acquired by Emanuel Ungaro in 1985. The estate, which includes the original La Commanderie building, a 17th-century Bergerie, and 160 acres of land, has been updated with geothermal power, 1,000 additional olive trees, and a hospitality concept for stays and events. The article highlights the library as a key example of Ungaro's design philosophy, blending medieval roots with Italian antiques and artworks.

New SLAM exhibition brings ancient Rome to life in ‘Ancient Splendor: Roman Art in the Time of Trajan’

The Saint Louis Art Museum (SLAM) has opened “Ancient Splendor: Roman Art in the Time of Trajan,” a major traveling exhibition featuring a seven-foot-tall marble statue of Emperor Trajan and a vast array of artifacts from his reign. Organized in collaboration with the Italian organization StArt and curated by Roman expert Lucrezia Ungaro alongside SLAM’s Hannah Segrave, the show is structured into three thematic sections: the imperial household, the domestic lives of everyday Romans, and the public sphere. To enhance immersion, the museum has integrated sensory elements including scent stations that replicate ancient fragrances and a commissioned soundscape.

Treasures of the past shine in ‘Ancient Splendor’

The Saint Louis Art Museum (SLAM) is launching 'Ancient Splendor: Roman Art in the Time of Trajan,' a major exhibition featuring approximately 160 artifacts including imperial portraiture, mosaics, jewelry, and frescoes. Curated by Lucrezia Ungaro and Hannah Segrave, the show utilizes theatrical design and sensory elements like scents to immerse visitors in the Roman world. The exhibition is bolstered by significant loans from prestigious Italian institutions, including the Vatican Museums and the National Archaeological Museum of Naples.

Venezia Comics Celebrates Paolo Ongaro at Upcoming Festival

Italian cultural association Venezia Comics has announced an exhibition dedicated to comics artist Paolo Ongaro at its upcoming festival (1st–3rd May 2026). The exhibition, titled “Paolo Ongaro, il poeta dell’avventura” (“Paolo Ongaro: The Poet of Adventure”), will feature a range of his published work, with a focus on his series Spazio Chiama Atlantide. The event is organized in partnership with Storytelling Edizioni, which is also publishing the first volume of reprints of Ongaro’s stories. Ongaro, a recognized master of Italian comics born in Mestre in 1946, has worked for publishers such as Rizzoli, Mondadori, Disney, and Bonelli, and has drawn iconic characters including Tarzan, Diabolik, Mickey Mouse, and Martin Mystère. He will be present at the festival all three days for signings and chats.

Different Strokes promote self-taught artists

A five-day group exhibition titled 'Different Strokes' concluded at the Alliance Française de Dhaka, featuring 40 paintings by eight self-taught artists. Curated by artist and educator Alamgir Kabir, the show presented works in oil, acrylic, watercolour, and charcoal that depicted nature, women's lives, and marginalized communities in Bangladesh.

GALLERY: Wondai Regional Art Gallery’s October 2025 Open Art Competition

The Wondai Regional Art Gallery hosted its October 2025 Open Art Competition on Friday, 3 October, drawing artists, art lovers, and community members. Katrina O'Shanassey won the $3,000 Mayor’s Acquisitive Art Prize for her work 'Free Spirit', with Mayor Kathy Duff, Deputy Mayor Ros Heit, and gallery president Elaine Maddill present at the announcement.