At the 2026 Met Gala, Black stars and socialites turned the human form into art

The 2026 Met Gala, held at the Metropolitan Museum of Art under the theme 'Costume Art,' featured Black celebrities and socialites interpreting the human form as art on the red carpet. Notable attendees included Beyoncé in a skeletal silver gown by Olivier Rousteing, Colman Domingo inspired by Jean-Michel Basquiat, Rihanna in a custom Maison Margiela 'living sculpture' by Glenn Martens, and Venus Williams co-chairing the event while wearing a look referencing her own portrait by Robert Pruitt. Others like SZA, Tschabalala Self, and Cardi B offered surreal or literal nods to art history and body imagery.

David Plowden’s Iowa Exhibit Opening Reception Today at 4:00 PM

The Sioux City Art Center is hosting an opening reception today at 4:00 PM for an exhibition of black-and-white photographs by David Plowden, titled "David Plowden’s Iowa." The show features 90 images taken from the 1960s through the 2000s, documenting Iowa’s rural communities, agricultural landscapes, barns, grain elevators, and small-town structures. The exhibition was organized by curator Christopher Atkins and originally toured the state from 2012–2014 via Humanities Iowa. The reception includes free margaritas in celebration of Cinco de Mayo.

at the MET's 'costume art', sculptural mannequins are scanned from real bodies

The Metropolitan Museum of Art's new exhibition 'Costume Art' features sculptural mannequins that are scanned from real bodies, including representations of corpulent and disabled bodies. The show uses 3D body scanning technology to create mannequins that accurately reflect diverse human forms, moving away from traditional idealized fashion mannequins.

The Metropolitan Museum of Art's new exhibition celebrates the human body as art

The Metropolitan Museum of Art's Costume Institute opened a new exhibition titled "Costume Art," curated by Andrew Bolton, which pairs historical and contemporary garments with artworks from the Met's collection spanning 5,000 years. The exhibition debuted at the 2026 Met Gala, co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with celebrities like Rihanna, Emma Chamberlain, and Hunter Schafer wearing looks inspired by masterpieces such as Van Gogh's "The Starry Night" and Klimt's "Mäda Primavesi." The show runs from May 10, 2026, to January 10, 2027, in the new Condé Nast Galleries, a 12,000-square-foot space that centralizes fashion displays within the museum.

Winnipeg exhibition traces the revival of Red River Métis beadwork

The exhibition 'Beading Métis Resurgence' at the University of Winnipeg's Gallery 1C03 showcases the work of renowned Métis artist Jennine Krauchi alongside four emerging Red River Métis beadworkers she has mentored. Curated by gallery director Jennifer Gibson and history professor Cathy Mattes, the show features Krauchi's centerpiece work 'The Lady'—a beaded coat, muff, hat, and boots—and explores beadwork as contemporary art, cultural knowledge, and intergenerational practice. The exhibition runs until July 10 and includes a table and chairs evoking the kitchen-table lessons where Krauchi passed down her skills.

Dyani White Hawk: LISTEN at the Nasher Museum of Art at Duke University

Dyani White Hawk's eight-channel video installation "LISTEN" (2020–ongoing) is on view at the Nasher Museum of Art at Duke University. The work features Indigenous women speaking in their native languages on their tribal homelands, with no subtitles or explanatory text, encouraging viewers to physically move closer to each screen to hear and engage with the speakers' voices and surrounding environments.

Vânia Quintão | Cold Afternoon (2023) | For Sale

Brazilian artist Vânia Quintão is offering her 2023 painting "Cold Afternoon" for sale through Inn Gallery. The acrylic-on-canvas work, sized 70 × 100 cm, depicts a suspended, cool-toned landscape under a diffuse blue sky. Quintão, a self-described cultural producer and fundraiser based in Belo Horizonte, has exhibited internationally including at the Louvre Museum in Paris and won prizes at The Holly Art Exhibition (London) and Art Connects Women (Dubai). The work is hand-signed, includes a certificate of authenticity, and is priced at US$1,500.

May art guide: Exhibitions in Dayton, Cincy, Columbus and more

May’s art guide highlights several exhibitions across Dayton, Cincinnati, and Columbus, including "The Future of Female" at the Dayton Society of Artists, a juried show exploring women-identifying artists' perspectives; "At This Moment" at the Main Library's 2nd Floor Gallery, reflecting on contemporary life; "Teresa Olavarria: Lichen" at The Contemporary Dayton, featuring works in vitreous enamel and bronze; and a color-themed collaborative exhibition at the Edward A. Dixon Gallery in partnership with Dayton Collaboratory. The guide also features a 35mm film series by photographer Jake Schneider documenting Greenville’s Swinging 8’s Square Dance Club.

Not Just the Biennale: What to See in Venice in Spring 2026 Among Galleries, Independent Spaces, and Special Projects

Non solo Biennale: cosa vedere a Venezia nella primavera 2026 tra gallerie, spazi indipendenti e progetti speciali

The article highlights a curated selection of exhibitions to see in Venice during spring 2026, beyond the main shows of the 61st Venice Biennale. It features projects in galleries, independent spaces, and historic venues, including a group show titled "Waves" at Casa Sanlorenzo with works by Alexander Calder and Lucio Fontana, a video installation by Ieva Lygnugarytė at Oratorio dei Crociferi, a Judy Chicago survey at Galleria Alberta Pane, a solo show by Hanna Rochereau at Mare Karina, and a Barry X Ball retrospective at the Abbey of San Giorgio Maggiore.

INSIDE THE 2026 MET EXHIBITION ON FASHION AS ART

The Metropolitan Museum of Art's 2026 exhibition 'Costume Art' explores how standards of form, modesty, and exposure have evolved across history and cultures. The show is organized into sections examining the classical body, distorted bodies through corsets and bustles, and reclaimed bodies by designers like Rei Kawakubo, Duran Lantink, and Michaela Stark. Another section focuses on the 'Anatomical' and 'Mortal' bodies, highlighting universal experiences such as aging and mortality. Mannequins represent diverse body types—pregnant, plus-size, disabled, and non-conforming—modeled after real people including Sinéad Burke, Aariana Rose Philip, Aimee Mullins, and Yseult, with reflective steel faces designed by artist Samar Hejazi.

Total Museum's 'Somebody Has to Collect It' examines collecting as a responsibility

The Total Museum of Contemporary Art in Seoul has opened "Somebody Has to Collect It," an exhibition featuring works from the collection of French art collectors Catherine and Renato Casciani. Running from April 30 to May 31, the show marks the couple's first major presentation in Korea and inaugurates the museum's new "Collector/tion" project, which reframes collectors not as buyers but as actors at the intersection of capital, memory, and value-making. The exhibition includes 22 artists and collectives, with a focus on video art addressing themes such as precarious labor, state violence, colonial inheritance, climate crisis, and queer intimacy. It is also an official program of the 140th anniversary of diplomatic relations between Korea and France.

Un’importante collezione tedesca d’arte per la prima volta in mostra in Italia a Venezia

The Kelterborn Collection, a German private collection focused on video art and experimental installations, will be exhibited in Italy for the first time at Venice's Contemporary Forces platform from May 7 to September 27, 2026. The exhibition, titled "Who’s a good boy??," is curated by Anastasia Stravinsky and Mario von Kelterborn in collaboration with IKT – International Association of Curators of Contemporary Art, and features works by twelve artists including Joseph Beuys, Gary Hill, Laure Prouvost, and Ulay. The show aligns with the theme of the 61st Venice Biennale, exploring power "in minor keys."

Are the Visitors' Lions at the Venice Biennale an Opportunity for Art Criticism? Let's Seize It?

I Leoni dei Visitatori alla Biennale di Venezia sono un’opportunità per la critica d’arte. Cerchiamo di coglierla?

The article discusses the newly instituted "Leoni dei Visitatori" (Visitors' Lions) at the Venice Biennale, established after the resignation of the International Jury. The author, Alberto Villa, argues that this change shifts significant influence to art media and critics, as visitors will rely on reviews and recommendations from specialized magazines, websites, and social media to decide which pavilions to prioritize. Villa calls on critics to embrace this responsibility with heightened critical rigor, seeing it as an opportunity to revive the mediating role of art criticism.

I Try to Allow Chaos

"Ich versuche, Chaos zuzulassen"

Florentina Holzinger presents her exhibition "Seaworld Venice" at the Austrian Pavilion of the Venice Biennale, a spectacular underwater-themed installation that combines a theme park, sacred building, and sewage treatment plant. The work explores transformation from dirt to cleanliness, featuring water, dolphins in the lagoon, and boundary-pushing performance elements.

Maxwell Mustardo Sculpts Ancient Ornamentation in Brilliant Glazed Forms

Maxwell Mustardo creates ceramic vessels that blend ancient Greek forms like amphorae, kraters, and kylix with organic, fungal-like surface textures in fluorescent oranges, pinks, and greens. Based in New Jersey, he works as studio manager at the former residence of artist Toshiko Takaezu, and his practice focuses on pushing classical ornamentation—such as gadrooning—back into its natural origins, blurring the line between cultural artifact and living growth.

Jenna Sutela “With each cycle” at Nicoletta Fiorucci Foundation, London

Jenna Sutela's exhibition "With each cycle" at the Nicoletta Fiorucci Foundation in London features a site-specific iteration of her sculptural sound installation *Pond Brain*. The work, a water-filled bronze piece forged as the artist's neuroplastic portrait, functions as both instrument and fountain, creating feedback loops of sonic vibrations and dancing droplets inspired by cybernetic ideas of ponds as self-regulating living systems.

Zīnah (Adornment): Oman’s Pavilion Tunes the Biennale to Resonance Over Spectacle

At the 60th Venice Biennale, the Sultanate of Oman presents "Zīnah (Adornment)," a pavilion conceived by artist and curator Haitham Al Busafi. The immersive installation, on view at the Arsenale Artiglierie from 9 May to 22 November 2026, draws on the Omani tradition of adorning horses with silver (al-zaanah) to explore themes of relation, movement, and shared presence. Visitors enter through darkness into a field of Omani sand, beneath a canopy of silver elements that respond to movement with sound. The work incorporates drawings by students and emerging artists from a workshop in Muscat, emphasizing collective authorship.

Khaled Sabsabi Unveils Biennale Arte 2026 Showcase

Khaled Sabsabi will represent Australia at the 61st Venice Biennale in 2026 with two major installations. At the Australia Pavilion, he presents "conference of one's self," an immersive multisensory installation featuring eight monumental canvas paintings, suspended video projectors, and an analogue soundscape, all inspired by the 12th-century Sufi allegory "The Conference of the Birds." In a historic first for an Australian artist, Sabsabi also debuts a second work, "khalil," in the Biennale's main exhibition "In Minor Keys" curated by Koyo Kouoh at the Arsenale. Both works explore spirituality, migration, and shared humanity through a Sufi philosophical framework.

First Fridays celebrates art spaces

Every first Friday of the month, around 20 galleries and art spaces in Ithaca, New York, open their doors for free evening exhibitions from 5 to 8 p.m. as part of the First Fridays tradition, also known as Ithaca Gallery Nights. The event, now facilitated by artist and curator Michael Sampson since 2023, features both traditional venues like State of the Art Gallery and non-traditional spaces such as Greenstar Co-op and St. Luke Lutheran Church, aiming to expand participation and include newer artists. Featured shows include "Black and White and …" by Ileen Kaplan and David Watkins at SOAG, and "Geometric Abstraction" by Mauro Marinelli, Michael George, and Laura Dale George at The Gallery at South Hill.

Art in Our Region: What’s On in May

This article is a regional arts calendar for Grey Bruce, Ontario, detailing exhibitions and events taking place in May 2026. Highlights include Liz Zetlin's immersive video installation "More Than Human — a year in my garden" at the Tom, John Laughlin's "Lovers and Losers" at Grey Gallery, Tanya Zaryski's mixed-media show at Deep Water Gallery, and a stained-glass exhibition by Chris Malleck at the MAD Gallery. The Durham Art Gallery features Breanne Jeethan's "The System is Broken," and the Southampton Arts Centre presents complementary shows by Brian Hanley and Nancy Cornforth. The article also promotes the BiblioArts print and book arts fair, studio classes at Georgian Bay School for the Arts, and makers markets.

Bildmuseet opens the MFA exhibition from Umeå Academy of Fine Arts.

Bildmuseet in Umeå, Sweden, will host the Master's exhibition "Of Love and Care" from the Umeå Academy of Fine Arts at Umeå University, opening on 22 May 2026 with an Art Friday event featuring talks, performances, tours, live music, and a DJ. The exhibition showcases works by ten graduating artists—Christian Abrahamsson, Amanda Angeli Blombäck, Time Bohlin, Renan De Menezes Anan, Elna Dani Liljedahl, Joanne Löfling, Måns Palmberg, Sofia Tien, Fanny Åberg, and Tin Åling—whose pieces explore themes of love, care, mysticism, and the wonder of existence, moving beyond overtly political and consumerist messages. A media preview will be held on 20 May, and the exhibition runs through 23 August 2026.

No One Understood the 2026 Met Gala Theme Quite Like Bad Bunny

At the 2026 Met Gala, Puerto Rican superstar Bad Bunny arrived in a transformative look that made him nearly unrecognizable. He wore a black pussy-bow blouse, wrap blazer, and trousers, with prosthetics and makeup by Mike Marin turning him into an old man, accessorized with a cane. The gala's theme, inspired by the Metropolitan Museum of Art's 'Costume as Art' exhibition, had a dress code of 'Fashion is Art,' and Bad Bunny's choice specifically highlighted the aging body, aligning with the exhibition's focus on the body at all stages.

Old toys, new life: Bloomingdale’s Step Mother Nature art gallery opens 'Child's Play'

Michael Greathouse's exhibition "Child's Play" opened at the Step Mother Nature gallery in Bloomingdale, featuring a dozen portraits of discarded stuffed animals. The show marks the gallery's third season reopening and is paired with a toy drive for the Saranac Lake Holiday Helpers, a local volunteer group that collects toys for children at Christmas. Greathouse's paintings depict battle-worn toys with scars, ripped fabric, and chipped paint, aiming to capture the history and soul of each object.

Art diary: Generations of Indian art converse at this showcase in Delhi | Hindustan Times

An ongoing group exhibition titled 'Echoes of Past and Future' at Divine Art Gallery in Delhi brings together 48 artworks by 48 artists, spanning generations of Indian modern and contemporary art. The show features works by masters such as Anjolie Ela Menon, Manu Parekh, and Himmat Shah alongside contemporary voices like Ashok Bhowmick and Bhaskar Rao, aiming to create a dialogue between past and present artistic expressions.

Annalee Davis at the 2026 Venice Art Biennale. Landscape as mourning, archive and resistance in the Barbados Pavilion

Annalee Davis alla Biennale Arte di Venezia 2026. Il paesaggio come lutto, archivio e resistenza nel Padiglione Barbados

Annalee Davis, an artist from Barbados, will represent her country at the 2026 Venice Biennale with an installation titled "Let this be my Cathedral" within the exhibition "In Minor Keys." The work addresses ecological grief, colonial memory, and the possibility of care without erasing conflict, using suspended plants and organic materials to create a threshold where loss, vulnerability, and wonder remain in tension. Davis discusses the influence of curator Koyo Kouoh, whose vision shaped the Biennale, and the importance of research as an integral part of her artistic process.

At Luckygirl Gourmet Gallery, Art Leads and Snacks Follow

Nikki Brovold has opened Luckygirl Gourmet Gallery in Portland's Pearl District, a hybrid space where art takes precedence over food. The gallery's inaugural exhibition, "Who's That Girl," features nine artists including Tom Relth, Eric Rue, Paul Solevad, Michelle Yamamoto, Richard Cutshall, and Paula Bullwinkel, with a focus on abstractive figuration and feminine perspectives. Brovold, who previously worked at a global consulting firm in New York and as a gallerist at the Portland Art Museum, curates the art while also offering a small selection of elevated snacks and drinks, such as Makabi & Sons cookies and Puff Coffee cold brew. The space is co-owned by Brovold's husband, Shawn Przybilla.

Go figure – when Barnaby Barford took over the Wallpaper* fashion pages

Barnaby Barford is marking 20 years of collaboration with David Gill gallery through the exhibition 'We Are Where We Are', featuring 35 ceramic sculptures and large-scale drawings. The show includes a new work titled 'Ascension'. To celebrate, Wallpaper* magazine revisits its November 2007 issue, in which Barford took over the fashion pages, dressing his found porcelain figurines in designer labels such as Missoni, Versace, Gucci, Christian Dior, and Prada, photographed by Theo Cook with fashion styling by Sophie Dean and Sébastien Clivaz.

Explore the projects of the 2024 and 2025 graduating classes of Ésad

Explorez les projets des promotions 2024 et 2025 de l’Ésad

The Ésad Saint-Étienne is presenting "recto verso," an exhibition running from April 29 to October 4, 2026, featuring projects by 84 young artists and designers who earned their DNSEP in June 2024 and June 2025. The show is designed as a non-linear, interactive space where objects, performances, and activations encourage visitors to explore both finished works and the preparatory stages behind them, including sketches, models, and archival materials. The exhibition is curated by the collective ppdesigner and Éric Jourdan, with production by the Cité du design.

Nancy Lupo “Meow Meow Real Estate” at Nicoletta Fiorucci Foundation, London

Nancy Lupo's exhibition "Meow Meow Real Estate" opens at the Nicoletta Fiorucci Foundation in London's Chelsea neighborhood, curated by Vittoria de Franchis. The show shares its title with Lupo's first novel, which follows a woman searching for an apartment—a quest that is both literal and existential. The foundation's Victorian architecture serves as the bourgeois dwelling central to the narrative.

Al Museo Egizio di Torino ora c’è un centro di ricerca per studiare la scrittura dell’Antico Egitto attraverso tremila anni di storia

The Museo Egizio di Torino has launched ME-Scripta, a new research center dedicated to the study, restoration, and digitization of ancient Egyptian written sources, including papyri, ostraca, and Coptic bindings. Funded by a €3 million grant from the Fondazione CRT, the center will operate under the direction of Susanne Töpfer and employ a dedicated team of curators, collaborators, a data manager, and an apprentice. ME-Scripta will pursue three major projects: reassembling and studying papyri from Assiut and Gebelein, analyzing ostraca, and restoring 17 Coptic bindings, with a goal of launching an integrated digital platform by 2034.