Karen Archey, the head of curatorial at Düsseldorf's K20 and K21 museums, shares personal insights in an interview format. She reveals her obsession with painter Alice Neel, discusses a formative 2007 summer touring major European art events, and lists the poetry and audio currently occupying her attention.
Art Basel Hong Kong 2026 showcased a vibrant array of talent, with standout presentations across its curated sectors like Discoveries and Insights. Highlights included Vin Gallery's ceramic skeleton shadow puppets by Ako Goto, Lucie Chang Fine Arts' case for the late painter Zhu Xinjian, and gdm's pairing of Kongkee's lightbox sculptures with abstract works by Thai modernist Tang Chang. The fair also featured a monumental, self-sabotaged neon sign by Kongkee reading "Price / Value."
Lost John Constable Painting Rediscovered in Texas Bound for Auction
A long-lost, large-scale oil study by John Constable for his famous painting *The Cornfield* has been rediscovered and authenticated after decades in a rural Texas museum. Scientific analysis, including pigment tests and infrared reflectography, confirmed the materials and techniques match Constable's own, leading experts to declare it the largest known study for the 1826 masterpiece. The work, which had been mistakenly cataloged as a copy, will now be auctioned by Heritage Auctions in Dallas this June.
Advanced imaging and material analysis have officially reattributed the 1633 painting "Vision of Zacharias in the Temple" to Rembrandt van Rijn. The work, which had been dismissed by scholars in the 1960s as the product of a collaborator, underwent a rigorous two-year study by the Rijksmuseum’s conservation department. Using macro-XRF scanning and dendrochronological analysis, researchers identified characteristic pentimenti and period-accurate materials that confirm it as a masterpiece from the artist's early Amsterdam period.
A collection of 35 rare Rembrandt van Rijn etchings has been rediscovered in the Netherlands after being stored in a family safe for nearly a century. Inherited by Charlotte Meyer from her grandfather, the prints were authenticated by experts from the Rembrandt House Museum, who were stunned by their exceptional condition. The works had remained out of the public eye since the early 20th century until Meyer sought professional appraisal during the 2020 pandemic.
Seven notable art historical rediscoveries from 2025 are highlighted, including an early Eva Hesse painting found at a Goodwill thrift store that sold for $107,100 at Christie's, a previously unknown John Singer Sargent portrait unveiled at the Musée d'Orsay, a Salvador Dalí watercolor bought for $186 that fetched $61,400 at auction, and a John Constable drawing resurfacing after 200 years. Other finds include works by post-minimalist and old master artists uncovered in attics, estate sales, and private collections, often identified by sharp-eyed dealers or lucky amateurs.
The Van Gogh Museum in Amsterdam has opened an exhibition titled "Van Gogh and the Roulins. Together Again at Last," which reunites 14 of Vincent van Gogh's 23 portraits of the Roulin family, painted during his 15-month stay in the Yellow House in Arles (1888–89). The show features a full-scale recreation of the Yellow House façade, the original chair used by postman Joseph Roulin during sittings, and costumed actors portraying family members. It traveled from the Museum of Fine Arts, Boston, where it drew 280,000 visitors, and includes four additional paintings not shown in Boston, on loan from institutions such as the Stedelijk Museum, Kröller-Müller Museum, Kunst Museum Winterthur, and Museum Folkwang.
Artnet News has launched a new four-part podcast mini-series titled "How to Get Ahead in the Art World," produced in partnership with Art Market Mentors. Hosted by editor-in-chief Naomi Rea and produced by Sonia Manalili, the series features insights from top art-world insiders including Cat Manson (former Christie's leader turned career coach), Loïc Gouzer (former Christie's rainmaker and founder of Fair Warning), and Brooke Lampley (senior roles at Sotheby's and Gagosian). Each episode covers a key career lesson: taking ownership of your career, trusting your instincts, leading with passion, and embracing a layoff as a reset.
Artnet News asked several working artists—Manuel Mathieu, Hanna Salomonsson, Aki Sasamoto, Nigel Hall, Sharmistha Ray, and Miljohn Ruperto—to share the practical and philosophical lessons that sustain their creative practices. Topics include building trust with collaborators, navigating financial uncertainty, setting up shared studio spaces, using recycled materials, maintaining optimism at age 82, reframing rejection, and adapting to the expectation that artists must act as entrepreneurs before their first gallery show.
The article analyzes the auction performance of Chinese artists born after 1990 (post-90s) in the first half of 2025, based on data from the Artnet Price Database and the Artnet Intelligence Report. It highlights a shift from short-term speculation to longer-term competition, with the market showing more robust structure including stratified pricing and wider transactional geography. Key figures include Li Hei Di, whose large-scale painting sold for HK$2.67 million at Sotheby’s Hong Kong, and other artists like Zhang Zipiao, Yuan Fang, and Wang Qianyao achieving consistent mid-range prices between HK$300,000 and HK$800,000. Sales in Hong Kong reached HK$12.4 million, while artists also entered Western markets in New York and London.
The Norton Museum of Art in West Palm Beach, Florida, is hosting "Art and Life in Rembrandt’s Time: Masterpieces from the Leiden Collection," an exhibition featuring 17 Rembrandt paintings from the largest private collection of his works. The show includes over 200 additional paintings and drawings by Dutch Golden Age artists such as Frans Hals, Carel Fabritius, and Johannes Vermeer, including the only Vermeer painting held in private hands. The exhibition marks the first major Rembrandt show in Florida and the largest U.S. exhibition of 17th-century Dutch paintings from a private collection, timed to coincide with the 400th anniversary of New Amsterdam's founding.
Artist Friedrich Kunath, known for his sincere yet absurd paintings, discusses his unlikely friendship with tennis star Reilly Opelka, who is also an art collector. The two share a mutual obsession with each other's crafts—Kunath coaches Opelka in tennis, while Opelka seeks Kunath's insights on artists like Philip Guston. Kunath is preparing for his solo debut at Pace Gallery in New York this November, following his move from Blum Gallery, which closed shortly after. He reflects on the loneliness of both tennis and art, and his creative process, which draws heavily from music and film.
The Städel Museum in Frankfurt, Germany, is undertaking a major conservation treatment of Rembrandt van Rijn's monumental painting *The Blinding of Samson* (1636). The project, expected to last three to four years, will address signs of aging and previous restorations, remove non-original paint, and create a historically accurate frame. The conservation follows a 2021 research seminar and technical studies published in the journal *ArtMatters*, which revealed previously unknown underdrawing techniques and adjustments to the artist's color palette and composition.
Roberta Smith, the former New York Times co-chief art critic, interviews Larry Gagosian, the world's most famous art dealer, for Numero magazine. The conversation covers Gagosian's hands-on management of his 18 galleries, his admission of mistakes in closing locations in San Francisco and Geneva, and his view of his galleries as tryout spaces akin to off-Broadway. Gagosian shares anecdotes about his first Picasso purchase at Sotheby's for $900,000 (now worth $40 million), his early shows featuring David Salle and Warhol's Oxidation paintings, and his regret over selling Eli Broad's Basquiat skull painting for $80,000. Smith recalls attending Gagosian's first New York show in the 1970s, and the two reflect on their long, distant acquaintance.
A scientific paper published in PNAS reveals that Jackson Pollock's 1948 masterpiece *Number 1A* contains an extinct variety of manganese blue paint. Using Raman spectroscopy, researchers from Stanford University, City College of New York, and MoMA's conservation department identified the synthetic pigment, which was popular in the 20th century but phased out in the 1990s due to environmental concerns.
Mega-collector Ken Griffin revealed in a July interview with Stanford Business School Insights that his favorite artwork is Jackson Pollock's 'Blue Poles' (Number 11, 1952), currently owned by the National Gallery of Australia in Canberra. Griffin admitted he once offered the museum several hundred million dollars to buy the painting, but the Australians refused to sell. The interview, which went largely unnoticed by the art press, also features a playful exchange with the Australian interviewer, Michael Liu, who gloats that the painting remains in his home country.
The article introduces the annual 'Icons' issue of Art in America, profiling artists whose decades-long practices reflect deep commitment to their mediums. Featured artists include Paul Pfeiffer, who became hyper-aware of image grammar through early video work; Consuelo Jimenez Underwood, who found her voice in textiles; David Diao, who references Barnett Newman; and the late Joel Shapiro, who explored transformation through wood sculpture. The issue also includes an interview with Tehching Hsieh on freethinking and art, plus departments on curatorial challenges, a Bukhara Biennial curator Q&A, and an appreciation of Dara Birnbaum.
The Victoria and Albert Museum in London will host "Schiaparelli: Fashion Becomes Art" in March, the first major institutional exhibition in the U.K. dedicated to Italian couturier Elsa Schiaparelli. The show will feature around 200 objects, including garments, accessories, sculptures, and paintings, highlighting Schiaparelli's revolutionary use of color, surrealist collaborations with artists like Salvador Dalí, Jean Cocteau, and Man Ray, and her impact on 20th-century fashion. Key pieces include the Skeleton Dress, Tears Dress, and Shoe Hat, alongside works by Picasso and others that contextualize her creative circle.
The Rijksmuseum's 2023 Vermeer exhibition, which brought together 28 of the artist's 34 surviving paintings, was a historic success, drawing 650,000 visitors and inspiring extensive new research. A new book, *Closer to Vermeer*, presents findings from advanced imaging techniques and archival studies, revealing that Vermeer made significant changes to 30 of his paintings. For example, in *The Little Street* (1658–59), the door was originally painted shut, the children were absent, and the woman was positioned differently, showing how Vermeer deliberately opened the scene to viewers. Other alterations include modifications to *The Milkmaid* (1657–58) and *Diana and her Nymphs* (1653–54).
The article reports on several instances where fragmented masterpieces have been reunited in recent years. Examples include two halves of a medieval manuscript page from the Hours of Louis XII, Édouard Manet's split painting Au café and Corner of a Café-Concert, Giorgio Vasari's ceiling Allegories of Virtues, and two landscapes by Paul Cézanne cut from the same sheet of paper. These reunions were made possible through the work of art historians and curators, with exhibitions at institutions like the Getty Museum, London's National Gallery, and the Gallerie dell'Accademia in Venice.
Artnet News and Morgan Stanley have released an analysis of the global art market, examining auction performance by artists from different regions over the past decade. The report breaks down sales by region—North America, Europe, Asia-Pacific, Africa, Latin America and the Caribbean, and the Middle East—and by genre categories including Old Masters, Impressionist and Modern, Postwar and Contemporary, and Ultra-Contemporary. Key findings show that North American and European artists dominate the market, while African-born artists have seen notable but uneven growth, and Asia-Pacific-born artists have experienced a marked decline.
A group of Egon Schiele scholars and curators recently discovered that the artist had a secret niece, Gertrude "Gerti" Peschka, born to his sister Gertrude and fellow artist Anton Peschka before their marriage. The revelation came from a previously unexamined box of documents in the archives of Rudolf Leopold at the Leopold Museum in Vienna, including letters from Schiele's mother about the pregnancy and a note from Schiele congratulating his sister. Gerti died tragically of starvation in a Nazi-run psychiatric hospital. The discovery was made by Verena Gamper, then head of the Egon Schiele Documentation Center, and has been incorporated into the exhibition "Egon Schiele: Last Years" at the Leopold Museum.
Danielle Mckinney, a rising painter known for intimate depictions of Black women in moments of repose, shares insights into her creative process in a studio visit interview. She has two concurrent exhibitions: one at the Norton Museum of Art in West Palm Beach (through Oct. 4) and one at Marianne Boesky Gallery in New York (through June 13), where she debuts a series of watercolors and continues dissolving boundaries between figures and their domestic surroundings.
Cultured magazine has published a preview of artists to watch in 2026, focusing on the upcoming biennial season. The article features insights from a dozen industry insiders, including Diya Vij of Powerhouse Arts, who highlights Guadalupe Maravilla's healing-focused practice; Allan Schwartzman, who champions Yoko Ono's underrecognized legacy; Hans Ulrich Obrist, who anticipates Koo Jeong A's multisensory exhibitions; and Victoria M. Rogers, who spotlights Akinsanya Kambon's politically charged ceramics. Major events in 2026 include the 61st Venice Biennale (opening after the death of commissioner Koyo Kouoh), new Art Basel and Frieze fairs in Qatar and Abu Dhabi, and expansions at LACMA and the New Museum.
Dozens of ancient Egyptian artifacts from the newly discovered lost city of Aten—built under King Amenhotep III in the 1300s B.C.E.—will debut in the United States this summer at the de Young Museum in San Francisco. The exhibition, titled “Treasures of the Pharaohs,” features 130 objects spanning over 2,000 years of Egyptian history, including 20 relics from the Aten site itself. The show premiered in Rome in November 2024 and is organized with loans from the Egyptian Museum in Cairo and the Luxor Museum, with a catalog by famed archaeologist Zahi Hawass.
The article reports on the state of the art market at the end of 2025, noting that while it has been a difficult year with three years of contraction, there are signs of improvement. Recent sales in Miami and $2.2 billion in marquee auctions in New York last month have boosted optimism. Factors such as lower interest rates and easing geopolitical tensions are contributing to a slightly rosier outlook for 2026, though the article warns that some sectors will recover while others may not for some time.
Mario Cristiani, co-founder of Galleria Continua, reflects on the gallery's 20-year journey in Beijing, describing how a meeting with three friends united by admiration for artist Chen Zhen led to opening a space in China. He recounts the vibrant early 2000s art scene, the transformative impact of the 2008 Beijing Olympics, and the gallery's initial five years without sales, emphasizing that success in China required credibility, consistency, and genuine cultural integration rather than commercial exploitation.
The sixth edition of the Art Business Conference took place in Midtown Manhattan on May 22, drawing over 200 art professionals including gallery staff, auction-house specialists, and lawyers. Chaired by former Artnet executive editor Julia Halperin and founded by Louise Hamlin, the event featured keynotes and panels addressing the state of the art market, legal challenges, and the impact of tariffs. Christie’s CEO Bonnie Brennan reported a $700 million haul from recent auctions, noting a thin top end but strong activity for female Surrealists and Simone Leigh sculptures. Advisors Megan Fox Kelly and Alex Glauber described the market as 'recalibrating' rather than in crisis, with buyers showing increased selectivity.
Lévy Gorvy Dayan gallery is presenting a new exhibition that offers fresh insights into the work of Domenico Gnoli, the Italian painter known for his meticulous, oversized depictions of everyday objects and figures. The show highlights both his perfectionist technique and a playful, goofy side to his caricatures of reality, capturing the essence of la dolce vita.
In 2025, the art market faced significant challenges, including gallery closures and unfavorable auction results in the first three quarters, driven by geopolitical pressures such as US President Donald Trump's tariffs. However, a rebound occurred in autumn, with buoyant fairs like Frieze London and Art Basel Paris, and strong November auctions in New York totaling over USD 2 billion, carrying momentum to Art Basel Miami Beach. Key events included Gustav Klimt's *Portrait of Elisabeth Lederer* selling for USD 236.4 million at Sotheby's, a record for a Modern work, and a Frida Kahlo self-portrait setting a new record for a work by a woman. Meanwhile, several galleries closed, including Blum, Venus Over Manhattan, Clearing, Kasmin Gallery, Tilton Gallery, and Perrotin and Pace's Hong Kong outposts, while others expanded, such as Thaddaeus Ropac in Milan and Hauser & Wirth in Sicily.