EU imposes sanctions on Mikhail Piotrovsky, director of Russia's State Hermitage Museum

The European Union has imposed sanctions on Mikhail Piotrovsky, the director of Russia's State Hermitage Museum, as part of its 20th sanctions package adopted on 23 April. Piotrovsky, a vocal supporter of Russia's full-scale invasion of Ukraine, is cited for being a close associate of Vladimir Putin and for actively supporting the war, including justifying Russian cultural policies that incorporate Ukrainian museum items into Russia's State Museum Fund and enabling unauthorized archaeological excavations in occupied Crimea. The sanctions also target three other cultural officials involved in the Crimean digs. Meanwhile, Hermitage archaeologist Alexander Butyagin, arrested in Poland in December 2025 at Ukraine's request, was released in a prisoner exchange on 28 April.

Jean Shin’s Living Memorial to the Trees of Green-Wood Cemetery

Artist Jean Shin unveiled a new site-specific earthwork titled "Offering" (2026) at Brooklyn's Green-Wood Cemetery on April 18. The installation, situated in a meadow facing the cemetery's gates, consists of a long, oval-shaped mound of soil covering two felled oak trees. The work was inspired by traditional Korean tumulus burial mounds and involved a community ritual led by a Korean shaman, with volunteers planting wildflowers and shrubs on the mound.

Versailles Restores Royal Bedroom to Its 1789 Splendor

The Palace of Versailles has completed a multi-decade restoration of the King’s Private Bedroom, meticulously recreating the space as it appeared on October 6, 1789, the day the royal family fled the French Revolution. The project involved an intergenerational team of curators and master craftspeople who utilized archival descriptions and surviving fabric scraps to reconstruct the room's ornate Rocaille embellishments, silk tapestries from Lyon, and a central gilded bed carved from linden wood.

Emmanuel Perrotin, the Parisian gallery owner who conquered the world

Emmanuel Perrotin, the founder of the global Perrotin gallery network, reflects on a career defined by disruption and the democratization of contemporary art. From his early days as an outsider without industry connections to managing 160 employees across four continents, Perrotin has utilized high-profile stunts—such as Maurizio Cattelan’s $120,000 taped banana—and celebrity collaborations with figures like Pharrell Williams to build a powerhouse brand. His current focus involves institutionalizing his internal operations through digital tools and employee tutorials to maintain the gallery's momentum.

In Protest of Israeli Pavilion, Activists and Unions Plan Strike on Venice Biennale’s Opening Day

The Art Not Genocide Alliance (ANGA) has announced a 24-hour strike and rally on May 8, the day before the 2026 Venice Biennale opens to the public, in protest of the Israeli Pavilion. ANGA, formed in opposition to Israel's inclusion in the 2024 Biennale, refers to the current Israeli presentation—featuring Haifa-based artist Belu-Simion Fainaru—as the "Genocide Pavilion." Over 200 artists, curators, and culture workers have signed an open letter demanding Israel's exclusion, and a separate action called Solidarity Drone Chorus involved 60 artists. ANGA is collaborating with local labor and culture organizations including Biennalocene, Vogliamo Tutt'altro, S.a.L.E. Docks, and Mi Riconosci.

Nahmad Seeks to Reopen Modigliani Restitution Case With New Witnesses

David Nahmad's lawyers are asking a New York court to reconsider its April 3 decision in the restitution case over Amedeo Modigliani's *Seated Man with a Cane* (1918), which awarded the painting to the estate of dealer Oscar Stettiner. They cite new eyewitness testimony from Frédéric Allain, who recalls a different Modigliani—smaller, darker, and without a seated man or cane—hidden by the Van der Klip family in Paris during World War II, suggesting the wrong painting may have been the focus of the case. The filing also references a 1946 report describing the missing work as a self-portrait and a new catalogue raisonné by Marc Restellini that finds no link between the painting and Stettiner. Mondex, representing Stettiner's heirs, rejects the claims, asserting that *Seated Man with a Cane* bears Stettiner's name and was in the family's possession from 1944 to 1996.

After His Untimely Death, Rutherford Chang’s Survey Rewrites What a Square Can Do

Rutherford Chang, who died last year at age 45, is the subject of a posthumous survey at UCCA Center for Contemporary Art Beijing titled "Hundreds and Thousands." The exhibition centers on Chang's socially engaged works that explore value, circulation, and systems through the deceptively simple form of the square. His best-known piece, "We Buy White Albums" (2013–25), involved amassing roughly one percent of the first pressing of the Beatles' "White Album," highlighting how objects accrue personal and economic worth through use and history. Other works include melting 10,000 copper pennies into a cube and assembling Wall Street Journal portraits from 2008 into a grid that captures a year of crisis and change.

Ai Weiwei to Reenact His Own Detention in 24-Hour Performance in Manchester

Artist and dissident Ai Weiwei will reenact his 81-day detention by China's Ministry of Public Security in a 24-hour performance titled "Sewing a Button" at Factory International's Aviva Studios in Manchester, England. The performance, part of his exhibition "Button Up!" running from July 2, 2025, will take place in a re-creation of his cell and involve Ai sleeping, eating, exercising, writing, washing, and being interrogated, with visitors able to book two-hour slots or a full 24-hour ticket. The work follows his earlier piece "S.A.C.R.E.D." (2013) and is joined by other commissioned works including "Eight-Nation Alliance Flags" and a new version of "History of Bombs."

Alma Allen’s US Pavilion Heads to Venice Amid Questions Over Selection Process

The selection of Alma Allen to represent the United States at the 2026 Venice Biennale has ignited controversy over the process. The U.S. State Department abandoned its traditional selection model, which involved a panel of experts convened by the National Endowment for the Arts, and instead handed control to a new nonprofit, the American Arts Conservancy, led by individuals with little museum experience. This shift has drawn criticism from prominent figures in the art world, with some artists declining to participate due to concerns over the political context and unfamiliar leadership.

David Nahmad maintains that his Modigliani was not looted by the Nazis

David Nahmad is continuing his legal battle to prove that his Modigliani painting, *Seated Man with a Cane* (1918), was not looted by the Nazis from the Jewish dealer Oscar Stettiner. Despite a recent New York ruling against him, Nahmad’s lawyers have filed a motion to review the case based on new eyewitness testimony. Two witnesses claim the painting they saw in the Van der Klip family—which bought the Nazi-looted work in 1944—is completely different from Nahmad’s painting, lacking a seated man or a cane. Nahmad’s legal team also cites a 1946 French bailiff report and a recent catalogue raisonné by Marc Restellini to argue that Mondex, the restitution firm working for Stettiner’s heirs, misidentified the work.

France's Château La Coste hosts four decades of work by designer Marc Newson

Australian designer Marc Newson is presenting a comprehensive survey of his four-decade career at Château La Coste in Provence. The exhibition, housed in a pavilion designed by Oscar Niemeyer, features fifteen seminal works including the iconic 1988 Lockheed Lounge and a complex 2017 glass armchair. A highlight of the show is the 6-meter-tall sculpture 'Electra,' originally commissioned for the 1996 Olympics but never installed, which has been restored and recently acquired by collector Philip Serafim.

art alex da corte artist whitney museum

Alex Da Corte, known for his dreamlike installations such as the Big Bird piece on the Met's roof, is taking on a new role as curator. He is co-organizing the Whitney Museum's upcoming Roy Lichtenstein exhibition with Meg Onli, the largest Lichtenstein show in New York since 1993. In a Q&A for Cultured's 2026 CULT100 honorees, Da Corte discusses his influences, including poet Miyó Vestrini and filmmakers Len Lye and Todd Haynes, and reflects on his six-year preparation for the show.

parties mother daughter holy spirit trans justice fundraiser

On Friday night, Bobbi Salvör Menuez, Whitney Mallett, and quori Theodor hosted a fundraiser vintage sale above Chinatown at lighting design studio Blue Green Works, benefiting the Trans Justice Funding Project. The event featured poetry and literary readings, with designer donations from Lena Waithe, Pedro Pascal, Chloë Sevigny, Julia Fox, Tommy Dorfman, Conner Ives, and Eckhaus Latta, plus archival pieces from co-organizer John Mollet's personal collection including Hermès and a Jean Paul Gaultier ballet costume. Guests included artists, writers, and photographers such as Collier Schorr, K8 Hardy, and Erin Markey.

Klimt, Modigliani, and Freud Lead $200M Lewis Collection at Sotheby’s London

Sotheby’s London will auction a collection of 50 masterpieces from billionaire Joe Lewis and his daughter Vivienne in June 2025, expected to exceed $200 million. Highlights include Gustav Klimt’s 1902 portrait of Gertha Felsőványi (estimate £20–30 million), Lucian Freud’s never-auctioned *Woman in a Grey Sweater* (1988), and Amedeo Modigliani’s *Homme à la Pipe* (1918), making its auction debut after 45 years unseen. The sale follows a successful March auction of School of London works from the same collection, which brought $47.7 million.

Duo Who Sold Fake Warhol, Banksy Plead Guilty in $2M Fraud

A father and daughter from New Jersey, Erwin Bankowski and Karoline Bankowska, pleaded guilty in federal court on April 28 to running a counterfeit art scheme that sold fake works attributed to Andy Warhol, Banksy, Pablo Picasso, Richard Mayhew, and others. Between 2020 and 2025, they placed over 200 counterfeit pieces, many made by an artist in Poland, into galleries and auction houses across the U.S., defrauding buyers of at least $2 million. They fabricated provenance, forged gallery stamps and certificates of authenticity, and misrepresented Native American heritage works, violating the Indian Arts and Crafts Act. They face up to 20 years in prison, restitution of at least $1.9 million, and deportation after serving their sentences.

Pussy Riot protest at Venice Biennale forces Russian pavilion to briefly close

On the second day of the Venice Biennale preview, the activist group Pussy Riot staged a chaotic protest at the Russian pavilion, forcing it to temporarily close. Wearing pink balaclavas and carrying flares, about 40 activists—including members of Femen—gathered outside the pavilion, shouting slogans like "Blood is Russia's Art" and attempting to enter before being pushed back by police. Founding member Nadya Tolokonnikova led the protest, condemning Europe for allowing Russian participation despite the war in Ukraine. Separately, the Art Not Genocide Alliance (Anga) demonstrated outside the Israeli pavilion, which was locked from inside, over Israel's war in Gaza.

‘The doorbell went at 5am. Six masked men were outside’: Belarus Free Theatre bring totalitarian terror to the Venice Biennale

Belarus Free Theatre (BFT), an exiled troupe based in London, is presenting its first major visual art project, titled 'Official. Unofficial. Belarus.', at the Venice Biennale. The installation, masterminded by the founders' daughter Daniella Kaliada, features contributions from former political prisoners, painters, sculptors, composers, and world-renowned chef Rasmus Munk, who created a dish evoking detention under an authoritarian regime. The work includes a giant ball of banned books, surveillance cameras attached to an iron crucifix, and a custom scent of a freshly dug grave, all reflecting the terror of life under Belarusian dictator Alexander Lukashenko.

Father Daughter Counterfeiting Duo Face Twenty Years in Prison

A father-daughter duo from New Jersey, Erwin Bankowski (50) and Karolina Bankowska (26), pleaded guilty to creating and selling over 200 counterfeit artworks falsely attributed to artists including Andy Warhol, Pablo Picasso, Fritz Scholder, and Banksy. They admitted to wire fraud conspiracy and misrepresentation of Native American-produced goods, defrauding buyers out of at least $2 million. The pair fabricated provenances and collection histories, forged gallery stamps, and attempted to auction the works for up to $160,000 each. They each face up to 20 years in prison.

MoMA Curatorial Eye Comes to Greenwich Art Society

Caitlin Chaisson, a curatorial assistant in the Department of Painting and Sculpture at The Museum of Modern Art, will serve as juror for the Greenwich Art Society’s 109th Annual Juried Exhibition. The show runs from May 14 through June 11 at the Bendheim Gallery in the Greenwich Arts Council’s space at 299 Greenwich Avenue, featuring selected works by local artists competing for a place in one of the town’s established juried art events.

Kengo Kuma & Associates to expand campus of Pennsylvania’s Brandywine Conservancy & Museum of Art

Kengo Kuma & Associates has been selected to design an expansion of the Brandywine Conservancy & Museum of Art in Pennsylvania. The project will add new gallery spaces, educational facilities, and improved visitor amenities to the institution, which is known for its collection of American art and its conservation work along the Brandywine River.

The Met Costume Institute Unveils Its New Condé M. Nast Galleries

The Metropolitan Museum of Art's Costume Institute has unveiled its new 12,000-square-foot Condé M. Nast Galleries, named for the founder of Architectural Digest's parent company. Designed by the architecture firm Peterson Rich Office (PRO), the five-room exhibition space was carved from a former interior courtyard and gift shop, revealing historic brick and masonry facades that highlight the museum's architectural evolution. The galleries debuted alongside the exhibition "Costume Art," which explores the significance of dressed human form in fashion and fine art, curated by Andrew Bolton and celebrated at the Met Gala on May 4, 2026.

Everything to know about the Met Gala 2026: Theme, hosts and what to expect

The Met Gala 2026 will take place on the first Monday in May, with the theme "Costume Art" and a dress code of "Fashion is Art." The accompanying exhibition at the Metropolitan Museum of Art explores depictions of the dressed body throughout time, pairing garments with artworks from the museum's collection. Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour are named co-hosts, while Jeff Bezos and Lauren Sánchez Bezos serve as honorary chairs. The event will debut the newly named Condé M. Nast Galleries, a permanent 12,000-square-foot space in the museum's Great Hall, allowing the exhibition to run for nine months from May 10, 2026 to January 10, 2027.

India at Venice Biennale 2026 curtain raiser: Many voices, one resonance

India has announced its participation in the 61st Venice Biennale with the India Pavilion exhibition titled 'Geographies of Distance: Remembering Home,' curated by Amin Jaffer. The exhibition, presented by the National Gallery of Modern Art and the Ministry of Culture, will feature works by five artists: Alwar Balasubramaniam, Ranjani Shettar, Sumakshi Singh, Skarma Sonam Tashi, and Asim Waqif. It will run from May 9, 2026, with previews from May 6-8. The pavilion is supported by Isha Ambani, chairperson of the Nita Mukesh Ambani Cultural Centre, and Sunil Munjal, founder of Serendipity Arts Foundation. Additionally, on May 8, Kochi-Muziris Biennale president Jitish Kallat will announce the curator for its seventh edition.

'Art is just about making trouble': Inside Auckland Art Gallery's bold new show

Auckland Art Gallery is preparing to open "Forever Tomorrow: Chinese Art Now," a major exhibition of contemporary Chinese art curated by Hutch Wilco. The show features works from the White Rabbit Collection in Sydney, including a massive 7-meter-high stone sculpture by Xu Zhen, paintings by Shang Liang, and photography by Pixy Liao, who recently won a 2026 Guggenheim Fellowship. Wilco spent three years organizing the exhibition, which includes playful sculptures, paintings, and multimedia works, with significant logistical challenges in transporting large pieces from China.

Plan your visit to “American 250: Common Threads,” now on view at Crystal Bridges Museum of American Art

Crystal Bridges Museum of American Art has opened a new special exhibition titled "American 250: Common Threads." The exhibition features a wide range of artworks, including historic documents, quilts, prints, and contemporary pieces, all reflecting on the American experience and national identity. A notable interactive work by artist Basil Kincaid involves local quilters assembling fabric squares decorated by Arkansas students.

Vasarely’s Hometown Honors Renowned Artist with Newly Restored Museum

The city of Pécs, Hungary, has reopened the Victor Vasarely Museum following a comprehensive renovation to mark the 120th anniversary of the artist's birth. The updated institution features a modernized building and a redesigned curatorial approach that showcases approximately 400 works, including monumental screen prints from the "VI-VA Album" that have been in storage for over 50 years. New interactive spaces and a focus on international dialogue place Vasarely’s Op Art legacy within the broader context of 20th-century geometric abstraction.

Philadelphia Museum of Art and PAFA team up for a massive American art show

The Philadelphia Museum of Art (PMA) and the Pennsylvania Academy of the Fine Arts (PAFA) have launched "A Nation of Artists," a massive collaborative exhibition marking the United States' 250th anniversary. Spanning 20,000 square feet across both institutions, the show features over 1,000 works ranging from 18th-century portraiture and Hudson River School landscapes to contemporary pieces by local artists. The exhibition was catalyzed by significant loans from the private collection of Philadelphia Phillies owner John Middleton and his wife, Leigh, which filled critical gaps in the museums' permanent holdings.

Wifredo Lam: When I Don’t Sleep, I Dream

The Museum of Modern Art (MoMA) in New York is hosting "Wifredo Lam: When I Don’t Sleep, I Dream," the first comprehensive U.S. retrospective of the Cuban modernist's career. Running from November 2025 to April 2026, the exhibition traces Lam’s artistic evolution from his formative years in Europe to his return to the Caribbean, where he integrated Afro-Caribbean histories and spirituality into the language of modern painting. The show features major loans, a documentary film, and a scholarly catalogue exploring his unique synthesis of Surrealism and decolonial thought.

The world is rediscovering the talent of Dutch designer Hella Jongerius

Il mondo sta riscoprendo il talento della designer olandese Hella Jongerius

Dutch designer Hella Jongerius is the subject of a major retrospective titled "Whispering Things" at the Vitra Design Museum in Weil am Rhein. The exhibition features approximately 300 works spanning her career, from her early graduation projects at the Design Academy Eindhoven and her involvement with the Droog Design collective to her long-standing corporate collaborations. The show coincides with Jongerius officially entrusting her extensive professional archive to Vitra, marking a significant milestone in her thirty-year career.

Met Gala Boycott Message Projected on Bezos’s Manhattan Penthouse

On May 3, 2026, the activist group Everyone Hates Elon projected messages condemning Jeff Bezos and Amazon onto Bezos's luxury penthouse in Manhattan's Madison Square Park, ahead of the Met Gala on May 4. The projections included a video testimony from Amazon warehouse worker Mary Hill, who called for honoring workers instead of billionaires, and slogans such as 'Boycott The Bezos Met Gala.' The group also projected onto the Chrysler and Empire State buildings. This action follows earlier protests, including littering the Met with fake urine bottles and wheatpasting posters across the city, all targeting Bezos's role as an honorary co-chair of the gala.