Akinsanya Kambon’s work is featured as a highlight in a curated guide of six must-see exhibitions during the EXPO Chicago 2026 art fair. The selection spans a diverse range of media and venues, including Josh Brainin’s frantic two-channel video installations at Tala and a thematic exploration of urban infrastructure hosted at the Chicago Cultural Center.
The Chicago art scene takes center stage with a curated guide to six essential exhibitions coinciding with the EXPO Chicago 2026 art fair. Highlights include Josh Brainin’s immersive two-channel video installation at Tala and a thematic exploration of Chicago’s urban infrastructure hosted at the Chicago Cultural Center, showcasing a diverse range of media from digital video to architectural critique.
The Figge Art Museum in Davenport, Iowa, is hosting a Music & Maker's Night on May 14, featuring a guided tour of the exhibition "Get Surreal (A Surreal Lens)" led by Co-Senior Curator Joshua Johnson. The event includes an art-making activity and live music in the museum's Quad City Bank & Trust Grand Lobby. The exhibition explores how photographers from the earliest days of the medium have used techniques like montage, double exposure, and digital manipulation to distort reality and create dreamlike imagery, featuring works by artists such as Alan Cohen, György Kepes, Olivia Parker, and Emmet Gowin.
The Vancouver Art Gallery, in partnership with Canada's National Observer, will open "Future Geographies: Art in the Century of Climate Change" on May 10, 2026. The exhibition, co-created by publisher Linda Solomon Wood and curator Eva Respini, features over 35 international artists including Ed Burtynsky, Huma Bhabha, Jean Shin, Clarissa Tossin, and Josh Kline. Works explore climate change through photography, sculpture, installation, and film, avoiding a doom-and-gloom tone in favor of poetic and thought-provoking approaches.
56 Henry Gallery has partnered with artist Josh Smith and art dealer Leo Fitzpatrick to curate an exhibition focused on small format paintings, all measuring 8 x 10 inches. The show brings together established artists and skaters, featuring works by Nicole Eisenman, Rita Ackermann, Wade Guyton, and Fred Tomaselli, among others. Smith contributed a painting of the film credits rather than his signature motifs, and the exhibition's spray-painted sign signals a deliberate departure from conventional gallery presentation.
Fort Works Art Gallery in Fort Worth, Texas, will present 'The Works,' a group exhibition running from September 6 to October 25, 2025, with an opening reception on September 6. The show features both local and international artists, including Greg Bahr, Rachel English, Jodi Gerbi, Joshua Goode, Alonsa Guevara, Kerri Menchaca, James Razko, Lawrence Schiller, and Jay Wilkinson, with many pieces debuting for the first time across various mediums. The exhibition coincides with the Fort Worth Art Dealers Association’s Fall Gallery Night.
Art adviser and Baer Faxt founder Josh Baer has proposed specific price limits for works by "ultra-emerging" artists—those fresh out of school, such as an MFA graduate from Yale. In his No Reserve newsletter, Baer advises collectors to pay no more than $15,000 for a large work and $5,000 for a small piece at a first solo show in a reputable gallery. The advice comes amid ongoing debate about inflated prices for young artists, following a column by Artnet News editor-in-chief Naomi Rea that questioned the market's pricing logic. LA gallerist Charlie James endorsed Baer's thresholds, though some collectors argue that pricing cannot be so neatly codified.
Artist Joshua Abelow is selling the 100-year-old former Methodist church in Harris, New York, that housed his unconventional gallery Freddy from 2016 until last year. Listed at $649,000, the 3,500-square-foot building served as both Abelow's home and studio, hosting over three dozen exhibitions featuring artists such as Rafael Ferrer, Cheryl Donegan, Jörg Immendorff, and emerging talents. Abelow, who moved to Santa Fe with his family, hopes a creative buyer will continue using the space for cultural endeavors. He has since launched a new collaborative venue called Gene & Fred in Santa Fe with Keith J. Varadi's Gene's Dispensery.
Artist Josh Kline’s recent essay on the devastating impact of New York City’s real estate market on the arts has sparked a heated debate regarding the city's future as a creative hub. While Kline argues that the 'polycrisis' of high rents and student debt is stifling artists born after 1975, this response critiques his generational focus, suggesting that the struggle for affordability is a structural issue affecting artists of all ages, particularly those from marginalized backgrounds who have faced these barriers for decades.
Anglo-Dutch painter Nick Goss has opened a new exhibition at Josh Lilley Gallery, featuring eleven paintings inspired by Eel Pie Island, a private marshy area on the Thames in Twickenham with a bohemian past—including 1960s rock concerts by The Rolling Stones, The Who, and Pink Floyd, a hippie commune, and a 1972 fire. In an interview with Paul Carey-Kent, Goss discusses how he blends fact and fiction, combining sources from hotel corridors, Pompeii, and the Sergeant Pepper album cover to create ambiguous, layered works that evoke half-remembered histories.
The 53rd annual Prix de West Invitational Art Exhibition & Sale is on view through August 3, 2025, at the National Cowboy & Western Heritage Museum in Oklahoma City. The show features more than 270 original paintings and sculptures by over 90 leading Western artists, including works by Thomas Blackshear II, John Coleman, Dan Friday, Teresa Elliott, Dan Ostermiller, Joshua Tobey, and Paul Moore. Highlights include John Coleman's monumental bronze sculpture "Victory! Plenty Coups" and Sandy Scott's bronze "Yonder is Jackson Hole."
Hauser & Wirth New York has launched "Studio Visit," a sprawling group exhibition co-curated by artists Anicka Yi and Josh Kline in collaboration with Performance Space New York. Featuring works by 27 international artists including Jean-Michel Basquiat, Huma Bhabha, and Wolfgang Tillmans, the show pairs physical artworks with AI-generated "machine-generated memories" based on the artists' written recollections of their early workspaces. The project revives the spirit of Circular File, an experimental collective formed by Yi and Kline in the late 2000s.
Two major paintings by 18th-century British artist Joshua Reynolds—David Garrick Between Tragedy and Comedy (1761) and Portrait of Joanna Leigh, Mrs Richard Bennett Lloyd (1775-76)—have been acquired by Waddesdon Manor in Buckinghamshire under the UK’s acceptance in lieu (AIL) scheme. The works, from the estate of Jacob Rothschild who died in February 2024, settled a combined £24.5 million in inheritance tax. Both paintings had been on loan to Waddesdon Manor, a National Trust property managed by Rothschild, since 1995.
Manchester International Festival (MIF) has opened a new exhibition titled 'Football City, Art United' at Aviva Studios, exploring the intersection of football and contemporary art. Co-curated by Hans Ulrich Obrist, Juan Mata, and Josh Willdigg, the show features 11 works pairing artists like Paul Pfeiffer, Philippe Parreno, Ryan Gander, and Rose Wylie with football figures including Eric Cantona, Edgar Davids, Ella Toone, and Lotte Wubben-Moy. Highlights include a sound installation recreating the stadium tunnel experience, a spotlight piece on celebrity isolation, and a documentary on sexism in women's football.
Manchester International Festival 2025 presents "Football City, Art United" at Aviva Studios, a group exhibition co-curated by former footballer Juan Mata, curator Hans Ulrich Obrist, and Josh Willdigg. The show pairs eleven international footballers with artists across media—including Ryan Gander with Eric Cantona, Keiken with Ella Toone, and Suzanne Lacy with Vivianne Miedema and Ali Riley—to explore intersections of sport and contemporary art. Works range from a holographic tribute to Diego Maradona by Jill Mulleady to an interactive installation by Stefano Boeri Architetti with Sandro Mazzola. The exhibition runs through August 24, 2025.
Josh Basseches, director and CEO of the Royal Ontario Museum (ROM), announced on June 5 that he will step down at the end of 2025 after a decade in the role. Under his leadership, the museum underwent three renovations and one expansion, including the reopening of the Weston Entrance, the creation of the Willner Madge Gallery Dawn of Life, and the launch of the C$130m OpenROM renovation project. Notable exhibitions during his tenure included Christian Dior, Kent Monkman: Being Legendary, and Auschwitz. Not long ago. Not far away.
Kelly Reichardt's new film *The Mastermind* premiered at the Cannes Film Festival, following J.B. Mooney (Josh O'Connor), a carpenter who orchestrates an art heist targeting four Arthur Dove paintings from a fictional Massachusetts museum. The heist is inspired by a real 1972 robbery at the Worcester Art Museum, and the film explores the tension between artistic value and monetary worth against the backdrop of Vietnam War-era America.
The Gallery at Hotel Willa and the Encore Gallery at the Taos Center for the Arts have emerged as vital "satellite" exhibition spaces in Taos, New Mexico. Managed by the nonprofit Paseo Project under Executive Director Matt Thomas, the Gallery at Hotel Willa has transformed 2,000 square feet of hospitality space into a hub for local talent, featuring high-profile fashion installations by Josh Tafoya and upcoming ecological exhibitions like "Disturbance." Meanwhile, the Encore Gallery leverages the high foot traffic of the Taos Center for the Arts to provide local artists with significant community exposure alongside film and theatrical programming.
The Federal Reserve cut its benchmark interest rate by 0.25 percentage points, the first reduction since December, bringing rates to their lowest level since late 2022. Art finance experts Anita Heriot of the Fine Art Group and Joshua Greenberg of Bank of America Private Bank told ARTnews that while the cut is unlikely to create new art buyers, it could stimulate art lending and borrowing against collections, as lower rates reduce the cost of carrying debt. The move signals a potential trend of further rate declines, which may encourage collectors to reengage with the market, especially amid softening art prices.
The Royal Ontario Museum (ROM) in Toronto has appointed Nicholas R. Bell as its new director and CEO, effective July 6. Bell, who currently leads the Glenbow museum in Calgary, succeeds Josh Basseches following a decade-long tenure. During his time at Glenbow, Bell was noted for securing a $250 million capital campaign and implementing a landmark free-admission policy, the first of its kind for a major Canadian museum.
A new mobile app called ArtWrld, founded by Josh Goldblum (CEO of Bluecadet), has launched to improve access to the Los Angeles and New York art scenes. The app provides up-to-date listings of gallery shows, museum exhibitions, talks, and events, allowing users to search by date, view editors' picks, and save shows on Google Maps. It aims to be "the AllTrails for art," making great shows more accessible and providing context for newcomers. Other projects filling the gap in local art coverage include Shana Nys Dambrot's newsletter "13 Things LA" on Substack and the anonymous Instagram account Diva Corp USA, which offers artist-on-artist criticism.
EXPO Chicago 2026 serves as the backdrop for a series of compelling exhibitions across the city, ranging from Josh Brainin’s frantic two-channel video installation at Tala to a group show at the Chicago Cultural Center exploring the city's physical and social infrastructure. These curated highlights showcase a mix of local talent and conceptual rigor, emphasizing Chicago's diverse contemporary art landscape during the major international fair.
New York è così cara che ormai non è più possibile produrre arte e cultura in città
Artist and curator Josh Kline has sparked a significant industry debate with his essay, "New York Real Estate and the Ruin of American Art," which argues that the city's prohibitive real estate market is dismantling its cultural foundation. Kline posits that the financialization of property and the disappearance of affordable lofts and mid-size galleries have created an unsustainable ecosystem where only those with independent wealth can survive. This economic pressure is forcing a generation of creative workers to choose between their practice and basic survival, leading to a stagnation of innovation.
Guillermo del Toro received a rare painting of Frankenstein's Monster by the late British artist Josh Kirby as a gift from collaborators during Oscars festivities, despite his film not winning Best Picture. The painting, which depicts Boris Karloff's iconic portrayal, was previously owned by famed horror collector Forrest J. Ackerman and was sourced through a gallery specializing in pop culture art.
Kid Cudi announced the debut of his documentary 'Echoes of the Past' on Instagram, revealing his transition into visual art under the painting persona Scotty Ramon. The film, directed by Joshua Charow and produced by MADSOLAR, explores Cudi's fine art journey and features an original score by the artist. A corresponding exhibition, also titled 'Echoes of the Past,' will open at Ruttkowski;68 in Paris on January 30, running through early March.
Pennsylvania Governor Josh Shapiro filed an amicus brief supporting Philadelphia's lawsuit against the Trump administration's removal of an exhibit about slavery at Independence National Historical Park. The exhibit, "Freedom and Slavery in the Making of a New Nation," memorialized nine enslaved people who worked at the President's House Site and included panels on the slave trade and economy. The Interior Department removed it citing President Trump's March 2025 executive order against what it called "historical revision." Philadelphia's suit argues the removal violated a 2006 agreement requiring city approval for exhibit changes.
A new biography, "Trudeau & Doonesbury: The Cartoonist Who Turned the News Into Art," chronicles the life and career of reclusive cartoonist Garry Trudeau. Journalist Joshua Kendall's work, based on archives and interviews, traces Trudeau's evolution from a Yale student creating the strip's precursor to the creator of a politically potent daily comic that ran for over four decades.
Student artists from across St. Tammany Parish participated in the 35th annual Salad Days Juried Exhibition of Student Art at the George Dunbar Gallery in Slidell. The event featured an opening reception and awards ceremony, with 80 artists submitting 174 works, of which roughly 30% were selected for display. Artist and arts advocate Joshua Wichterich served as the juror for the competitive show.
Offline gallery, a new brick-and-mortar space at 243 Bowery in New York (formerly Salon 94's location), has opened with a mission to bridge digital art and physical experience. Supported by the NFT marketplace SuperRare, the gallery is directed by Mika Bar-On Nesher and co-founded by Josh Long. It launched in July 2024 and has already hosted a book launch for Botto, an autonomous AI artist, and currently features a solo exhibition by Japanese multimedia artist Emi Kusano titled "Ego In The Shell," which explores AI, nostalgia, and pop culture. The gallery aims to create a tangible space where audiences can engage with digital and AI-generated art, fostering dialogue between crypto-natives and traditional art audiences.
A new group exhibition titled 'Football City, Art United' has opened at Aviva Studios in Manchester, pairing 11 legendary footballers with 11 contemporary artists to create original artworks inspired by the sport. Co-curated by footballer Juan Mata, curator Hans Ulrich Obrist, and filmmaker Josh Wilding, the show features painting, video, performance, architectural interventions, and playable installations, including highlights such as Stefano Boeri's immersive arena 'The Playmaker' and Paul Pfeiffer and Edgar Davids' sound-light installation 'Crowds and Power.' The exhibition runs through August 24, 2025.