Julian Cox, the deputy director and chief curator of the Art Gallery of Ontario (AGO), will step down from his position this April after an eight-year tenure. While the museum's official statement praised Cox for expanding the collection and establishing the Department of Global Africa & the Diaspora, it offered no specific reason for his departure, and Cox himself was not quoted in the announcement.
The Julia Stoschek Collection has made its United States debut with a sprawling exhibition titled "What a Wonderful World: An Audiovisual Poem," staged at the historic Variety Arts Theater in Los Angeles. Curated by Udo Kittelmann, the presentation features 45 time-based media works by a high-profile roster of artists including Marina Abramović, Arthur Jafa, and Anne Imhof, alongside early cinema classics. Eschewing traditional "white cube" gallery aesthetics, the show utilizes the dilapidated grandeur of the six-story theater, allowing for overlapping soundtracks and non-linear viewing experiences.
The RSM Art Gallery is presenting a solo exhibition titled "Ideas to Postpone the End of the World" by artist Julia Csekö, running from March 19 to May 5, 2026. The show features her text-based works, including wearable welcome dresses, storied flags, and paintings from her 'Speaking Truth to Power' series. An opening reception and artist talk are scheduled for March 19.
The RSM Art Gallery is presenting a solo exhibition titled "Ideas to Postpone the End of the World" by artist Julia Csekö. The show, on view from March 19 to May 5, 2026, features her text-based works including wearable welcome dresses, storied flags, and paintings from her 'Speaking Truth to Power' series. An opening reception and artist talk are scheduled for March 19.
Jackson Junge Gallery has launched its first group exhibition of the year, titled DUALITY, which showcases the work of 24 artists exploring the concept of the diptych. Each participant created two interconnected pieces designed to be viewed as a single entity, focusing on themes of opposition such as light and dark, authority and resilience, or realism and abstraction. Featured works include Sabrina Katz’s textural explorations of Lake Michigan and Julian Guyton’s sociopolitical commentary on the American experience.
The art world saw significant roster changes and leadership appointments this week, including Roberts Projects announcing representation of Esmaa Mohamoud and Cristin Tierney adding Debbi Kenote. Notable institutional moves include Charles Chemin being named Artistic Director of the Watermill Center and Julia Siemon stepping into a newly created Deputy Director role at the Bard Graduate Center. Additionally, the mid-season auction market showed unexpected strength, highlighted by Jeff Koons’s 'Winter Bears' selling for $7.6 million at Christie’s.
Researcher Julia May Boddewyn has published a new book, 'The Valentine Gallery: The Forgotten Story of Valentine Dudensing, Matisse, Picasso, and the US Market for Modern Art (1926-1947)', which unearths the history of a pivotal but overlooked New York gallery. Founded a century ago, the F. Valentine Dudensing Gallery was responsible for introducing European Modernism to America, hosting the first US solo shows for icons like Joan Miró and Piet Mondrian, and organizing the American debut of Picasso’s 'Guernica'.
Acclaimed Canadian abstract artist Julia Dault is shifting her focus from the international blue-chip art circuit toward community-based engagement. Following a period of personal reflection, Dault established Hot Pizza, a community art studio in Toronto dedicated to the motto "art for everyone," while simultaneously debuting her latest solo exhibition, "Primary Information," at Bradley Ertaskiran in Montreal.
Gwyneth Paltrow is partnering with Julien’s Auctions for a two-day sale on March 24–25 featuring personal items from her homes and wardrobe. The auction includes high-profile red carpet gowns by designers like Atelier Versace and Dior, design sketches for her iconic 1999 Oscars dress, and luxury furniture including pieces by Lindsey Adelman and Julian Mayor. A portion of the proceeds will benefit World Central Kitchen, a non-profit providing meals in response to humanitarian crises.
The Julia Stoschek Foundation has launched its first major U.S. exhibition at the historic Variety Arts Theater in downtown Los Angeles. Curated by Udo Kittelmann, the show features over 40 time-based works ranging from early cinematic pioneers like Georges Méliès and Alice Guy-Blaché to contemporary icons such as Arthur Jafa and Doug Aitken. The exhibition utilizes the labyrinthine spaces of the 1924 Italianate theater to create a dialogue between the history of Hollywood and the evolution of media art.
Los Angeles is hosting a series of major exhibitions to coincide with the Frieze Los Angeles art fair, highlighting both historical activism and contemporary social critiques. Key shows include Judith F. Baca’s exploration of her iconic 'Great Wall of Los Angeles' mural at Jeffrey Deitch, a massive survey of time-based media from the Julia Stoschek Foundation at the Variety Arts Theater, and a collaborative project between MOCA and The Brick titled 'Monuments' that recontextualizes removed Confederate statues through the lens of contemporary Black artists.
The British Museum successfully raised £3.5 million ($4.8 million) to acquire the 'Tudor Heart,' a unique 16th-century gold pendant linked to Henry VIII and Katherine of Aragon. The funds came from over 45,000 public donations and major contributions from the Julia Rausing Trust, the Art Fund, the American Friends of the British Museum, and the National Heritage Memorial Fund, ensuring the artifact remains on public display.
A major retrospective of Chilean artist Lotty Rosenfeld's work is on view at Columbia University's Wallach Art Gallery through March 15. The exhibition, curated by Julia Bryan-Wilson and Natalia Brizuela, focuses on Rosenfeld's clandestine, antifascist art created during the Pinochet dictatorship, highlighting her use of coded public gestures—like altering street lane dividers into crosses and Xes—to build solidarity and protest political and economic oppression.
Mnuchin Gallery, a blue-chip art gallery on Manhattan's Upper East Side, will close at the end of February after 34 years, following the death of its founder Robert Mnuchin in December at age 91. The gallery, known for museum-quality exhibitions of Modern and postwar art, concluded its final show—a survey of Julian Schnabel's plate paintings—on Saturday. Partner Michael McGinnis said the decision to close was made to end on a high note, honoring Mnuchin's passion and vision.
The Louvre has released images of Empress Eugénie's crown for the first time since it was stolen and crushed during a heist of French crown jewels. Thieves used an angle grinder to cut into a display case, jammed the crown through a narrow opening, and dropped it while fleeing. Restorers, overseen by an expert committee, will repair the mostly intact crown without needing to reconstitute it. In other news, a rare Rembrandt drawing of a lion sold for $17.9 million at Sotheby's, breaking the artist's record for a work on paper, with proceeds benefiting the nonprofit Panthera. Thaddaeus Ropac is expanding to New York with a project space, hiring Emilio Steinberger as senior director. Calls are growing for former French culture minister Jack Lang to resign from the Institut du Monde Arabe over ties to Jeffrey Epstein. The historic Variety Arts Theater in Los Angeles reopened with a video art exhibition organized by collector Julia Stoschek and curator Udo Kittelmann.
The historic Variety Arts Theater in downtown Los Angeles is reopening after decades for a six-week exhibition titled "What a Wonderful World: An Audiovisual Poem." The show, running through March 20, presents a non-linear, late-night experience featuring over 120 years of moving images, from early cinema to contemporary video art, allowing visitors to wander freely from 5 p.m. to midnight.
Michael McGraw, a prominent figure in the design public relations world, is opening a new gallery called Dernier Cri on New York's Upper East Side. The space debuts on January 29, 2026, with an exhibition titled "Night Shift," featuring sculptural works by artists including Julian Mayor, Casey Johnson, Todd Marshard, Jessie Nelson, and Marit Harte, all rendered in a single black palette. McGraw, who has spent years shaping narratives for design studios and brands, describes the gallery as a physical extension of his work as a design publicist, aiming to showcase compelling art and design that inspires interior designers.
Amy Sherald, the painter known for her tender portraits of Black American life, has signed with Creative Artists Agency (CAA), a major talent agency. Sherald, who has been represented globally by Hauser & Wirth since 2018, rose to fame after painting Michelle Obama's official portrait for the National Portrait Gallery. She was set to become the first Black contemporary artist to have a solo exhibition at the National Portrait Gallery in 2025, but canceled the show after a censorship controversy involving her painting 'Trans Forming Liberty.'
Tend Space Art Center in Chauncey, Ohio, has opened a new group exhibition titled 'Caretaker,' featuring works by five artists—Chloe Sampson, Zelda Thayer-Hansen, Ellie Dale, Julia Weber, and Isabella DeRose—all of whom attended Ohio University for their undergraduate degrees. Curated by Selena 'Len' Loomis, who also runs the campus galleries at OU’s School of Art and Design, the show explores themes of personal growth, self-care, and responsibility to others. The exhibition includes ceramics, sculpture, and performance-based photography, and is on display until Saturday at 48 Converse Street.
Installation artist Julia Rogers presents a new exhibition titled "What If…" at Swan Hill Studios in Shrewsbury, running from 22 January to 2 February 2026. The show draws inspiration from Rogers's lifelong habit of collecting lucky pennies, using this simple ritual as a lens to explore how meaning is formed and reinforced in everyday life. The exhibition opens with a private view on 22 January and is free to attend, with the artist present throughout the week.
The Aldrich Contemporary Art Museum in Ridgefield, Connecticut, has announced a new recurring exhibition series called the Aldrich Decennial, which will take place every ten years. The inaugural edition, titled “I am what is around me,” runs from June 7, 2026, to January 10, 2027, and features 40 artists living and working in Connecticut who have not previously exhibited in the state. Organized by chief curator Amy Smith-Stewart and curatorial and publications manager Caitlin Monachino, the survey spans the museum’s entire campus and includes high-profile names such as Dominic Chambers, Tammy Nguyen, Em Rooney, Aki Sasamoto, and Julia Wachtel, with artists ranging in age from Lucy Sallick (born 1937) to Remy Sosa (born 1995).
The New Museum in New York has announced that its OMA-designed expansion will open to the public on March 21, following nearly a decade of planning and a two-year closure. The 60,000-square-foot addition, located next to the original flagship on Bowery Street, doubles the institution's footprint and features new residency studios, exhibition spaces, a restaurant, a forum, and a Sky Room. The inaugural exhibition, "New Humans: Memories of the Future," will showcase 150 artists including Sophia Al-Maria, Meriem Bennani, Hito Steyerl, Tau Lewis, and Jamian Juliano-Villani, alongside permanent commissions by Tschabalala Self and Sarah Lucas. The building, designed by Shohei Shigematsu and Rem Koolhaas of OMA with executive architect Cooper Robertson, is one of the few museums worldwide designed by two Pritzker Prize winners.
The New Museum in New York will reopen on March 21, 2026, after a two-year closure for a major expansion. Designed by OMA / Shohei Shigematsu and Rem Koolhaas, the project adds 60,000 square feet to the existing SANAA-designed building, bringing the total footprint to nearly 120,000 square feet. New features include expanded exhibition space, a 74-seat Forum, an enlarged Sky Room, artist commissions by Tschabalala Self, Klára Hosnedlová, and Sarah Lucas, a larger bookstore, and a restaurant by Henry Rich with executive chef Julia Sherman. The reopening weekend will offer free admission funded by trustee Charlotte Feng Ford, and the museum will debut the exhibition “New Humans: Memories of the Future,” featuring over 200 artists including Francis Bacon, Salvador Dalí, and contemporary figures like Meriem Bennani and Hito Steyerl.
The Nasher Museum of Art at Duke University has opened "Dis/orient," a new exhibition featuring works by nine artists from the Asian diaspora. The show includes a raindrop-shaped mirror, stacks of Botan rice bags, burned denim on canvas, and a video of a man attempting to chop an apple on a spinning record player. Curatorial associate Julianne Miao explains that the exhibition confronts orientalism and stereotypes about Asian art, which is often reduced to ancient scrolls and ceramics. Featured artists include Korakrit Arunanondchai, Stephanie Shih, Taiyo Kimura, Pinaree Sanpitak, Asuka Anastacia Ogawa, Ravelle Pillay, and local artist Lien Truong, whose painting "My mother, she fell from the sky" reimagines orientalist depictions of Asian women. The exhibition runs until July 19.
The article previews major New York City museum exhibitions opening in 2026, including a Carol Bove survey at the Solomon R. Guggenheim Museum (March 5–August 2), the first U.S. Marcel Duchamp retrospective since 1973 at the Museum of Modern Art, the New Museum's inaugural show in its OMA-designed expansion titled "New Humans: Memories of the Future," and a Goya exhibition at the Hispanic Society Museum & Library tied to the 250th anniversary of the United States. Each show highlights significant artistic milestones, from Bove's scrap-metal sculptures to Duchamp's readymades and Goya's war commentaries.
A €3 million contemporary art exhibition titled 'Contemporary Icons' will open at Gormleys Gallery in Dublin from January 15 to February 2, 2025. The show features over 40 works by blue-chip artists including Andy Warhol, Banksy, Tracey Emin, Bridget Riley, Damien Hirst, Keith Haring, Julian Opie, Salvador Dalí, Joan Miró, Francis Bacon, David Hockney, and Robert Indiana. Highlights include Warhol's 'Mick Jagger' (1975) priced at €139,500 and 'Orangutan' (1983) from his Endangered Species series at €220,000.
Reston Art Gallery and Studios (RAGS) will open a new exhibition titled “Art of Lake Anne” on Thursday, showcasing works by nine local artists who interpret Lake Anne Plaza, Reston’s original village center. The show features paintings, fiber art, and found-object sculptures by artists including Rosemarie Forsythe, Cindy Grisdela, Doug Fuller, Sandy Dovberg, Jennifer Duncan, Julia Malakoff, Wayne Schiffelbein, and Pat Macintyre. A reception will be held on Sunday, January 11, and the exhibition runs through February 5.
Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for January, highlighting exhibitions from coast to coast. Featured artists include Jeff Koons at Gagosian in New York, where he presents monumental stainless-steel sculptures of gods and goddesses alongside layered paintings, and Giorgio Griffa at Casey Kaplan, whose survey "Consistently Through Variation" spans five decades of his process-driven work. Other notable shows include Julian Schnabel at Mnuchin Gallery and Marisol at Matthew Marks Gallery in Los Angeles.
Artnet News has published its annual roundup of art world figures who died in 2025, honoring a diverse range of individuals including museum directors, painters, curators, philanthropists, and an archaeologist. Among those remembered are Julia Alexander, former director of the Yale Center for British Art; Sylvain Amic, recently appointed to lead the Musée d'Orsay; philanthropist Wallis Annenberg; abstract painters Timothy App and Jo Baer; curator Leonid Bazhanov; and Tony Bechara, painter and former director of El Museo del Barrio.
New York artist mentor Paddy Johnson released the inaugural New Visions Report on Wednesday, surveying 1,000 mid-career artists to assess their careers with the same data-driven approach used for other businesses. The report, produced with arts journalist Julia Halperin and Gray Market columnist Tim Schneider, reveals that 75 percent of surveyed artists earn $15,000 or less from their practice, 45 percent earned less in 2025 than in 2024, and 56 percent say debt influences their decisions. Despite these struggles, 73 percent remain optimistic about their careers. The report also found that even the most successful artists—those with gallery representation and museum shows—face debt and lack basic systems like estate plans, while 82 percent want more gallery and museum opportunities but are unsure how to achieve them.