150+ Works Celebrate Philadelphia’s Boxing Legends and Monuments in New Exhibition

The Philadelphia Museum of Art will present "Rising Up: Rocky and the Making of Monuments," an exhibition opening April 25, 2026, that explores the cultural significance of the Rocky statue and its connection to Philadelphia's boxing legends, immigrant neighborhoods, and public monuments. Featuring over 150 works by more than 50 artists—including Keith Haring, Rashid Johnson, Kara Walker, and Andy Warhol—alongside artifacts spanning 2,000 years, the show includes sculptures, paintings, video, and new commissions, timed to the 50th anniversary of the film "Rocky" (1976), the city's World Cup matches, and Philadelphia's Semiquincentennial.

Islamophobia, motherhood, war and immigration: Indy artists get political

Four Indianapolis-based artists—Salma Taman, Alejandra Carrillo, Bailey Jörk, and Iryna Bondar—are creating work that directly responds to contemporary political and social crises, including the war in Gaza, immigration, and political division. Their art, ranging from Taman's Arabic calligraphy painting promoting forgiveness to Carrillo's digital drawing protesting a migrant detention center, serves as a form of personal and communal expression in a fraught global climate.

Boulder County’s latest art exhibits

The Boulder County arts community is hosting a diverse array of exhibitions across its galleries and museums this spring. Key highlights include Jorge Vinent’s environmentally focused works at Ana’s Art Gallery, the group exhibition "Yes &…" at the Boulder Museum of Contemporary Art, and a historical exploration of segregation at the Collective Community Arts Center. The region is also showcasing student work from the Boulder Valley School District and various solo presentations by local artists like Rodney Carswell and Jessica Rohrer.

Required Reading

This week’s roundup of essential art reading highlights a diverse range of global initiatives, from the development of a new arts center in Compton by formerly incarcerated painter Mr. Wash to a mural project for displaced children in Lebanon led by artist Abed Al Kadiri. The report also covers a guerrilla projection protest at the Museum of Fine Arts, Boston, where activists criticized the institution for laying off staff members of color despite a massive endowment, and a poignant look at medical students graduating amidst the ongoing crisis in Gaza.

A Vienna una grande mostra dedicata a Daumier, l’artista della satira

The Albertina Museum in Vienna is hosting a major retrospective titled "Honoré Daumier – Mirror of Society," dedicated to the French artist Honoré Daumier (1808–1879). The exhibition features lithographs, drawings, paintings, and sculptures, with significant loans from the Städel Museum in Frankfurt. Daumier, known for his sharp satire and acute social observation, critiqued political abuses and social injustices of 19th-century European society. The show also recalls a previous Daumier exhibition held at the Albertina in 1936, which served as a political statement against Nazi oppression.

The Synthesis of Poetry and Violence: Inside the New Exhibitions at the Pinault Collection in Venice

La sintesi tra poesia e violenza. Ecco come sono le mostre alla Pinault Collection di Venezia

The Pinault Collection has unveiled its 2025 exhibition program across its two Venice venues, Palazzo Grassi and Punta della Dogana. This year, the institution opts for a multi-artist approach rather than a single-artist takeover, featuring Michael Armitage and Amar Kanwar at Palazzo Grassi, alongside Lorna Simpson and Paulo Nazareth at Punta della Dogana. The exhibitions focus heavily on global perspectives, spanning from Kenya and India to Brazil and the United States, addressing contemporary social tensions through diverse media.

The New Victoria & Albert Museum Opens in April: Once Again in East London

Ad aprile inaugura il nuovo museo del Victoria&Albert. Ancora una volta nell’East London

The Victoria & Albert Museum has announced the official opening date for the V&A East Museum, a new five-story cultural landmark in London’s Queen Elizabeth Olympic Park. Designed by architects O’Donnell + Tuomey, the museum will debut on April 18, 2026, featuring two permanent galleries titled "Why We Make" that showcase over 500 objects ranging from Renaissance paintings to contemporary fashion by Vivienne Westwood. The entrance will be anchored by a monumental bronze sculpture by Thomas J Price, marking the start of a robust contemporary commission program.

Hotel Room Transforms into Media Art Exhibition Space

South Korea's only media art fair, Loop Plus, was held from April 23 to 26 at the Grand Josun Busan Hotel in Haeundae, Busan. The fair transformed 26 hotel rooms on the 13th floor into exhibition spaces, featuring media artworks from 19 international galleries including Tang Contemporary Art, Esther Schipper, Chiwen Gallery, and Baek Art. Highlights included a 38-minute video installation by Russian artist group AES+F titled *‘Inverso Mundus’*, presented by Tang Contemporary Art, which humorously subverts societal absurdities. The event also included artist booths for Kang Lee-yeon and Lucia Levolino, and institutional booths for the Justice Foundation and Gwangju Media Art Platform. A related festival, Loop Lab Busan 2026, runs until June 28 across multiple venues in Busan.

Robert Moore | Lil’ Lucy Figure (2022)

This article presents Robert Moore's "Lil' Lucy Figure" (2022), a mold-injected vinyl sculpture measuring 8 × 3 3/20 × 3 inches, available through APC Gallery in Miami Beach and Los Angeles. The work is hand-signed by the artist, comes with a certificate of authenticity, and is part of Moore's "Lil Lucy" series. Moore, a self-taught multidisciplinary artist born in 1983 in Des Moines, Iowa, creates paintings, sculptures, and installations that explore mental health, Black identity, and social justice, drawing on personal biography, art-historical references, and American iconography.

After Five Years of Community Building, Social Practice CUNY Initiative to End in 2027

The Social Practice CUNY (SPCUNY) initiative, a major program fostering the intersection of art and social justice across the City University of New York’s 25 campuses, will officially sunset in February 2027. Co-directed by artists Chloë Bass and Greg Sholette, the program will conclude following its final 2025–26 fellowship cohort. The decision to end the project stems from the directors' personal transitions, including Sholette’s upcoming retirement and Bass’s shift away from full-time teaching to focus on her studio practice.

Dartmouth Students Renew Calls to Remove Leon Black’s Name From Arts Center

Students at Dartmouth College have intensified their campaign to remove billionaire collector Leon Black’s name from the school’s visual arts center. The renewed push follows the release of Department of Justice files detailing Black’s extensive financial ties to the late sex offender Jeffrey Epstein, including $170 million in payments for tax and estate advice. While Black has denied all allegations of misconduct and his legal team maintains he was unaware of Epstein’s criminal activities, student leaders are citing the college's recent decision to strip César Chávez’s name from a fellowship as a precedent for moral accountability.

Trustees of Renowned West Coast Artist Residency Visited Epstein’s Island

Two trustees of the prestigious Djerassi Resident Artists Program, Alexander Maxwell Djerassi and Michael Molesky, were identified in recently released Department of Justice files as visitors to Jeffrey Epstein’s private island in 2011. The pair attended the "Mindshift Conference," a gathering of academics and professionals held two years after Epstein’s first conviction. The residency program, located in California's Santa Cruz Mountains, clarified that the visit occurred years before either individual joined the board and emphasized that neither Epstein nor Ghislaine Maxwell ever had any formal ties or donor history with the institution.

Segregation stories: Gordon Parks in the US south – in pictures

Jackson Fine Art in Atlanta is hosting "Gordon Parks: The South in Colour," a major exhibition curated by photographer Dawoud Bey. The show features over 30 works from Parks’ seminal 1956 "Segregation Story" series, including several previously unshown images of the Thornton, Causey, and Tanner families in Alabama. The exhibition coincides with the 70th anniversary of the series' original publication in Life magazine and the 20th anniversary of The Gordon Parks Foundation.

FAD News: Brooklyn Museum to Stage Art of Manga, the First Major Americas Survey of Manga as Fine Art

Brooklyn Museum will present 'Art of Manga' on October 3, 2026, the first large-scale exhibition in the Americas dedicated to manga as a fine art form. Organized by the Fine Arts Museums of San Francisco, the show features over 600 original hand-drawn manga artworks (genga) by influential Japanese artists including Araki Hirohiko, Oda Eiichiro, Takahashi Rumiko, and Tagame Gengoroh, spanning foundational figures to eight contemporary masters.

Walk & Talk: ‘Jewelry of the Afrofuture’ at The Walters with Baltimore Jewelry Center

The Walters Art Museum in Baltimore has debuted "Douriean Fletcher: Jewelry of the Afrofuture," a major exhibition dedicated to the self-taught metalsmith known for her costume designs in the film Black Panther. The showcase features large-scale gold and brass pieces alongside a recreation of Fletcher’s original workbench and personal ephemera, such as family photos and her mother’s Bible. The exhibition highlights her journey from working at a social justice nonprofit to becoming an international figure in narrative jewelry.

A $15 million Compton arts center is in the works thanks to this formerly incarcerated painter

Fulton Leroy Washington, the self-taught painter known as Mr. Wash, has unveiled plans for a $15-million community arts hub in Compton, California. Designed by the renowned firm Morphosis Architects, the proposed Art by Wash Studio & Community Center will provide housing, studio space, and a small-business incubator specifically for formerly incarcerated artists. The project was launched alongside Washington’s latest exhibition, “The City of Compton: Then & Now,” which serves as a fundraiser for the construction.

Now we open a Palestinian Pavilion at the Biennale. Interview with Tomaso Montanari

“Ora apriamo un Padiglione Palestina in Biennale”. Intervista a Tomaso Montanari

Tomaso Montanari, a member of the scientific committee for the exhibition "Gaza, il futuro ha un cuore antico. Materie e memorie del Mediterraneo" at Fondazione Merz in Turin, discusses the show's aim to highlight Gaza's 5,000-year history beyond the current war imagery. The exhibition, organized in collaboration with the Museo Egizio and the MAH – Musée d’art et d’histoire de Genève, juxtaposes ancient artifacts with contemporary artworks to assert the cultural and historical significance of Palestine. Montanari also addresses the upcoming Venice Biennale, criticizing the lack of a Palestinian pavilion and suggesting that the Turin exhibition itself serves as a de facto Palestinian pavilion, while calling for accountability for Israel's actions.

Beloved CUNY Social Practice Art Program to Shut Down

Social Practice City University of New York (SPCUNY), an artist-led initiative supporting social justice-minded art across the CUNY system, will cease operations in February 2027. Founded in 2021 by artists Chloë Bass and Gregory Sholette with support from the Mellon Foundation, the program distributed over $535,000 in fellowships to 129 faculty and student fellows. The closure is prompted by the departure of both co-directors from their academic positions at Queens College, leaving the independent project without a clear institutional pathway for leadership transition.

How the State Supports Provenance Research

Comment l’État soutient la recherche de provenance

The French Ministry of Culture has created two specialized missions to assist museums in researching the provenance of their collections, addressing looted artworks, human remains, colonial acquisitions, and illicit trafficking. The Mission for Research and Restitution of Looted Cultural Property (M2RS), established in 2019, focuses on Nazi-era spoliations (1933-1945) with a budget of €220,000 annually, while the newer Mission "Provenance," launched in 2024 under curator Catherine Chevillot, covers human remains, colonial-era objects, and illicit goods with a €450,000 budget. These missions provide expertise, funding, and coordination with institutions like the Commission for the Restitution of Property and Compensation of Victims of Anti-Semitic Spoliation (CIVS), though most museums still only initiate provenance checks during acquisitions or donations.

New York Court Orders Restitution of a Modigliani to the Oscar Stettiner Estate

La justice new-yorkaise ordonne la restitution d’un Modigliani à la succession d’Oscar Stettiner

A New York court has ordered the restitution of Amedeo Modigliani’s 1918 painting 'Seated Man with a Cane' to the heirs of Oscar Stettiner, a Jewish art dealer. The work was seized during the Nazi occupation of Paris and sold at a forced auction in 1944 before eventually being purchased by the billionaire Nahmad family via an offshore company in 1996. Judge Joel M. Cohen ruled that the evidence of Stettiner’s prior ownership was "unusually strong" and dismissed the defense's claims that the painting was a different version or that the claim was filed too late.

Santiago Yahuarcani: The Beginning of Knowledge

SANTIAGO YAHUARCANI: EL PRINCIPIO DEL CONOCIMIENTO

The Museu de Arte de São Paulo (MASP) is hosting "El principio del conocimiento," the first solo exhibition in Brazil for Peruvian artist Santiago Yahuarcani. Curated by Amanda Carneiro, the show features approximately 35 paintings on llanchama (tree bark) that explore the Uitoto worldview. The exhibition is organized into five thematic sections that navigate the sensory experience of the Amazon, the spiritual significance of sacred plants like coca and tobacco, and the brutal historical memory of colonial extraction.

Remembering Napoleon Jones-Henderson, an AfriCOBRA Founding Member Who Imbued Art and Life with Exuberant Energy

Napoleon Jones-Henderson, a founding member of the influential African American artist collective AfriCOBRA, has died. Born in Chicago in 1943, he studied at the Sorbonne and the School of the Art Institute of Chicago, where he was mentored by Bauhaus textile artist Else Regensteiner. In 1969, he co-founded AfriCOBRA, becoming known as "the weaver" of the group for his vibrant textile works that incorporated metallic threads and found objects. He later moved to Boston, taught at Massachusetts College of Art and Design, and maintained a prolific studio practice in Roxbury for over 50 years, creating works focused on empowerment, Pan-Africanism, and racial justice.

Watch: Khaled Sabsabi and Michael Dagostino in Conversation

Artist Khaled Sabsabi and curator Michael Dagostino discuss their project 'conference of one’s self' for the Australia Pavilion at the 61st Venice Biennale. Sabsabi explains how the work draws on the twelfth-century Sufi poem 'The Conference of the Birds' by Farīd al-Dīn ʿAṭṭār, mapping its seven spiritual valleys and adding an eighth level of 'wholeness and completeness'. He also reflects on his childhood in Lebanon, migration to Australia, and how his return to Lebanon in 2002 reconnected him with his Sufi lineage, which informs his artistic practice focused on memory, displacement, and social justice.

The National Museum of Mexican Art’s Special Mission

The National Museum of Mexican Art (NMMA) in Chicago was founded in 1987 by a group of public school educators, led by Carlos Tortolero, to address a lack of Mexican history and culture in the curriculum. It has grown into a 48,000-square-foot institution with a collection of over 20,000 objects, spanning from Pre-Columbian times to the present, and was the first Latino museum in the U.S. to be accredited by the American Alliance of Museums.

The Clay Studio organizes "Radical Americana" exhibitions across Philadelphia

The Clay Studio has organized "Radical Americana," a sprawling exhibition series featuring 45 artists across 22 sites in the Philadelphia area. Curated by Jennifer Zwilling, the project includes a central "welcome hub" at The Clay Studio and 25 satellite exhibitions at venues such as the Museum for Art in Wood, Cliveden, and the Historical Society of Pennsylvania. Artists were prompted to reflect on the Declaration of Independence and envision a better future, resulting in works that explore feminism, social justice, and LGBTQ rights through media including ceramics, wood, fiber, metal, glass, paper, and bookmaking. Notable participant Roberto Lugo presents "American Crib: What's Happening?" at The Clay Studio, blending Puerto Rican heritage with historical references.

Local artist work on exhibit in Tulsa

Living Arts of Tulsa is presenting “Who Lives, Who Dies, Who Decides?”, an exhibition by Kenneth and Isabelle Watson Reams, with support from JustArts Gallery. Kenneth Reams, a former Arkansas death row inmate now serving a life sentence, created over 50 works including paintings, drawings, sculptures, and poetry alongside his wife Isabelle. The show opened April 3 and runs through April and May, exploring themes of incarceration, capital punishment, and social justice through the lens of Reams’ 31 years on death row.

Patchwork Lost – A Critique of the Princeton University Art Museum’s American Art Wing

The article critiques the newly opened American art wing at the Princeton University Art Museum, arguing that its curatorial approach prioritizes contemporary social justice narratives over historical accuracy and national pride. The author contends that the exhibition presents a fragmented, politicized view of American history, highlighting slavery and racial injustice while omitting or minimizing the contributions of Princeton alumni to the nation's founding, such as James Madison and John Witherspoon. Specific examples include the inclusion of a 2022 revisionist painting of the Signing of the Constitution and selective signage that emphasizes marginalized figures while ignoring male patriots.

Compton’s New Canvas: Mr. Wash and the Art of the Possible, Los Angeles

Fulton Leroy Washington, the Compton-based artist known as Mr. Wash, is spearheading a $15 million campaign to build a 14,000-square-foot community arts center and studio in his hometown. The project is being supported by his latest exhibition, "The City of Compton: Then & Now," and a showcase at Jeffrey Deitch’s Compton space titled "Don’t Turn Your Back On Us." Washington, who served 21 years of a life sentence before receiving clemency from President Barack Obama in 2016, gained international acclaim for his photorealistic "teardrop" portraits created while incarcerated.

An artist told the incredible story of a Calabrian village that no longer exists. The interview

Un artista ha raccontato l’incredibile storia di un borgo della Calabria che non c’è più. L’intervista

Italian artist Martin Errichiello has created [campanamuta], a six-part audio work broadcast on RAI Radio 3's Zazà program in late 2025 and now available on RaiPlay Sound. The piece tells the story of Eranova, a farming community founded in 1896 near Reggio Calabria that was destroyed by 1980 after the Christian Democratic party planned—but never built—a steel center on its land, now the site of the Port of Gioia Tauro. Errichiello weaves together interviews with former residents and his own original texts, using non-linear narration to explore the village's utopian origins and forced disappearance.

NYC Mayor Zohran Mamdani Calls on King Charles to Return Treasured Diamond to India

New York City Mayor Zohran Mamdani publicly called on King Charles III to return the Koh-i-Noor Diamond to India during the British monarch's visit to New York City on Wednesday. Speaking at a press conference before a 9/11 commemoration ceremony, Mamdani said he would encourage the King to return the diamond, which was given to Queen Victoria in 1850 after Britain's colonial governor-general arranged its exchange from a deposed Indian leader. The two leaders later met at the ceremony, but Buckingham Palace declined to comment on the discussion.