The article is a table of contents for the February 2026 issue of Contemporary Art Review LA, listing numerous features, interviews, and reviews. It highlights an interview with artist Eddie Kang at Gana Art Los Angeles, alongside other content covering topics like olfactory art, tarot, video art, and reviews of exhibitions across Los Angeles galleries and museums.
The article is a table of contents for the February 2026 issue of the Contemporary Art Review LA, listing its featured articles, interviews, dealer profiles, and exhibition reviews. The content covers a wide range of subjects including olfactory art, tarot art, the Made in L.A. 2025 biennial, video art, and reviews of shows at various Los Angeles galleries and museums like MOCA, the Orange County Museum of Art, and Château Shatto.
"Ich glaube, ich habe viele Künstler nicht verstanden"
Adrian Searle, the long-standing chief art critic for The Guardian, is stepping down after three decades at the publication and nearly 50 years in art criticism. In a reflective interview, Searle discusses his transition from a practicing painter and educator to a critic, noting that his early interactions with students like Peter Doig and Isaac Julien helped him realize his true strength lay in writing rather than art-making. He recounts his experiences navigating the British art scene, from the decline of Greenbergian abstraction to his encounters with formidable figures like Richard Serra.
Alexander Calder, génial sculpteur de l’air et de la couleur célébré à la fondation Vuitton
The Fondation Louis Vuitton is hosting a major celebration of Alexander Calder, the American sculptor who revolutionized 20th-century art by introducing movement and play into the medium. The article traces Calder's formative years in Paris starting in 1926, where the young engineer-turned-artist gained avant-garde fame with his 'Cirque Calder'—a miniature circus of wire and fabric figurines. This period marked his transition from traditional painting to his signature 'drawings in space,' featuring wire sculptures of figures like Josephine Baker that projected dancing shadows and captured the kinetic energy of the era.
Lee Miller au musée d’Art moderne : la futur grande photographe passée de l’enfant rebelle au mannequin Vogue
The Musée d’Art Moderne in Paris is hosting a major retrospective dedicated to Lee Miller, tracing her evolution from a rebellious child in upstate New York to a celebrated Vogue model and pioneering surrealist photographer. The exhibition highlights her early life under the influence of her father, Theodore Miller, an amateur photographer who introduced her to the technical aspects of the darkroom, and her subsequent move to Paris in 1930 where she transitioned from being a muse for photographers like George Hoyningen-Huene to a formidable artist in her own right.
The V&A East Museum is set to open in Stratford’s Queen Elizabeth Olympic Park as a major new cultural hub for East London. Housed in a striking five-story building designed by O’Donnell + Tuomey—inspired by the couture tailoring of Cristóbal Balenciaga—the museum features two permanent galleries titled "Why We Make" and a dedicated space for major temporary exhibitions. The site emphasizes accessibility with a barrier-free entrance and a collection of over 500 objects spanning art, design, and performance, curated to highlight themes like social justice and environmental action.
A hand-signed original exhibition poster by the late conceptual artist Lawrence Weiner, titled "A Means to an End" (2006), has been made available for purchase through ArtWise in Brooklyn. Created for Weiner’s solo exhibition at Le Musée de Sérignan, the color offset lithograph features the artist's signature in black pen and exemplifies his career-long investigation into language as a sculptural medium. The work is priced at $700 and includes a certificate of authenticity from the gallery.
A 30-year media artist transforms: “I wanted to awaken tradition through painting”
Renowned South Korean media artist Park Chan-kyong has returned to his roots with a solo exhibition of paintings titled "Zen Master Eyeball" at Kukje Gallery. The show features over 20 satirical works that reinterpret Buddhist myths, shamanic traditions, and folk beliefs through a lens of "Zen Buddhist Grotesque Science Fiction." By utilizing traditional temple wall painting techniques and architectural layouts, Park explores themes of enlightenment, self-punishment, and the futility of contemporary visual consumption.
A new wave of gallery exhibitions is championing analog physicality and personal intimacy as a direct counter-response to the rise of AI-generated imagery. Artists like Ben Wolf Noam and Joseph Geagan are utilizing traditional mediums such as charcoal, lithography, and oil paint to capture spontaneous, sentimental moments of human connection, from family dinners to portraits of friends. These works emphasize the "hospitable mess" of real life, prioritizing the recognizable faces and tangible textures that AI often flattens.
DEL AMOR QUE MUEVE EL SOL Y LAS OTRAS ESTRELLAS. ENTREVISTA A AMALIA CROSS
The Museo de la Solidaridad Salvador Allende (MSSA) in Santiago has inaugurated a major collection-based exhibition titled "Del amor que mueve el sol y las otras estrellas," curated by art historian Amalia Cross. The show revisits the museum's unique history—from its origins during Salvador Allende’s presidency and the international "Operation Truth" to its period of exile following the 1973 coup and its eventual return to Chile. Featuring works by global icons such as Alexander Calder, Lygia Clark, and Yoko Ono, the exhibition emphasizes movement and collective action across various mediums including sculpture, video, and installation.
The AOY Art Center in Yardley, Pennsylvania, is launching its 14th annual Juried Show, featuring 137 selected works from over 425 regional submissions. Curated by Amanda C. Burdan of the Brandywine Museum of Art, the exhibition spans various mediums including painting, sculpture, and photography. The show opens April 10 with a public reception and includes specialized honors such as the Frumi Cohen memorial award for wildlife art.
Approximately Blue (AB), a contemporary art consultancy and brokerage, is deliberately operating without a public-facing brand, social media presence, or physical address. Founded by François-Luc Giraldeau and Emily Johnson, the firm focuses exclusively on primary market fine art prints and multiples, prioritizing deep research and direct, substantive relationships with collectors over visibility and hype.
Designer Gabriella Marcella has curated a new exhibition at Glasgow’s Glue Factory Galleries celebrating the global community of risograph printing. The show highlights work from her 'Riso Club' initiative, a non-profit program that distributes monthly sets of artist-designed postcards from cities ranging from Kyiv to Damascus. Originally developed in Japan in the 1980s as an affordable office tool, the risograph has been reclaimed by independent creatives for its unique soy-ink aesthetic and tactile, screenprint-like quality.
German artist Kerstin Brätsch has opened a comprehensive solo exhibition titled "MƎTAATEM" at Kunstmuseum Bonn. The presentation features a vast array of works that document her experimental approach to painting, including her signature use of glass, marbling, and collaborative processes that challenge the traditional boundaries of the medium.
Luc Tuymans at David Zwirner
Belgian painter Luc Tuymans has opened a new solo exhibition, "The Fruit Basket," at David Zwirner's Los Angeles gallery. The show, running from February 24 to April 4, 2026, presents a series of new paintings by the influential artist, continuing his decades-long exploration of the medium.
Museion in Bolzano has launched a major retrospective titled "Feedback. The Environments of Franco Vaccari," focusing on the influential Italian conceptual artist. The exhibition marks the first comprehensive institutional survey to prioritize Vaccari’s "environments"—immersive spaces that utilize photography, video, and archival materials to engage the viewer in a process of real-time feedback.
Clémentine Bruno’s artistic practice explores the tension between presence and absence, treating the canvas as a site of temporal layers rather than a flat surface for representation. Her work emphasizes the preparatory stages of painting—the laying of gesso and the construction of supports—allowing images to emerge reluctantly through processes of sanding, veiling, and partial erasure. Recent exhibitions, such as "Educational Complex" at Tonus and "Vision of Fading" at Mendes Wood DM, highlight her interest in how institutional structures and memory maps dictate what is retained and what is forgotten.
The acclaimed Venezuelan electronic musician Arca, born Alejandra Ghersi, is transitioning into the visual arts with her first institutional exhibition at the Institute of Contemporary Arts (ICA) in London. Titled "Angels," the body of work consists of visceral, heavily textured paintings created using a chaotic mix of oils, acrylics, melted plastic, and latex. Ghersi turned to the physical medium as a therapeutic response to professional burnout, using the permanent nature of painting to process personal trauma and reconnect with the raw creative enthusiasm she felt before her music career became a global profession.
Two concurrent solo exhibitions at Alexander Berggruen Gallery feature the work of artists Kevin McNamee-Tweed and Tajh Rust. McNamee-Tweed presents enigmatic, tenderly absurd ceramic scenes, while Rust debuts in New York with figurative paintings that explore perception and Black identity through portraits of leisure and experimental silvered glass works.
The National Portrait Gallery in London is hosting "To Be Seen," the first major UK museum exhibition dedicated to the American photographer Catherine Opie. Curated in collaboration with the artist, the show spans over 30 years of work, including her seminal 1991 series "Being and Having" and her Holbein-inspired portraits of the LGBTQ+ community. The exhibition is further expanded through a series of interventions where Opie’s contemporary photographs are placed in direct dialogue with the gallery’s permanent collection.
The Munich gallery Filser and Gräf is presenting a two-person exhibition titled "Medèn ágan – Nothing in Excess," featuring artists Paris Giachoustidis and Toshihiko Mitsuya. The show uses the ancient Greek maxim as a curatorial framework, with Mitsuya's delicate, reflective aluminum sculptures and Giachoustidis's paintings of futuristic, cosmic landscapes exploring themes of balance, scale, and humanity's place in the universe.
Art Basel Hong Kong has launched a new curated section called 'Echoes,' dedicated to presenting works created within the past five years. The section features focused presentations from galleries worldwide, highlighting ten standout works by artists such as Hyun Nahm, Leelee Chan, and Tiffany Chung, who explore themes from digital consumption to colonial histories through diverse mediums.
The Cameron Art Museum (CAM) in Wilmington, North Carolina, has announced its upcoming summer exhibition, "Fresh Air: Inflatable Sculptures." Running from June 19 through September 6, 2026, the show features large-scale, immersive works by a roster of high-profile contemporary artists including Nick Cave, Andy Warhol, and Claire Ashley. The exhibition is designed to be interactive, utilizing scale and movement to engage visitors with contemporary art in an accessible, unconventional format.
The Lyon Museum of Contemporary Art (MAC Lyon) has launched a major seasonal program featuring three distinct exhibitions that explore memory, archives, and the evolution of contemporary media. Central to the program is Giulia Andreani’s solo exhibition, "Cold Painting," which presents sixty canvases created between 2011 and 2025 that interrogate historical power structures and the erasure of women from art history. Complementing this is a significant showcase of video art drawn from a massive donation by collectors Isabelle and Jean-Conrad Lemaître, alongside a retrospective dedicated to Jean-Claude Guillaumon.
The Princeton University Art Museum has unveiled "Photography as a Way of Life," an exhibition running from April 19 through September 7 that examines the interconnected careers of Minor White, Aaron Siskind, and Harry Callahan. Drawing heavily from the museum’s Minor White Archive, the show features unpublished color and black-and-white prints, rare slides, and archival materials that document how these three figures transitioned photography from a hobby or trade into a serious academic and artistic discipline.
MoMA PS1 has officially launched "Greater New York 2026," a massive building-wide exhibition featuring over 150 works by 53 artists and collectives. This quinquennial survey, which coincides with the institution’s 50th anniversary, showcases a diverse range of mediums including large-scale installations, painting, animation, and performance art. For the first time, the exhibition was organized by the museum’s entire curatorial team, resulting in a broad cross-section of the city's contemporary creative output.
Gow Langsford Gallery is presenting a group exhibition of new works by its roster of represented artists at its Auckland City gallery. The show features a diverse range of mediums including painting, sculpture, and installation, highlighting the current directions of contemporary practice in Aotearoa New Zealand.
The University of Wisconsin-Whitewater's Crossman Gallery recently hosted the BA & BSE Senior Show, a showcase of diverse artworks created by graduating students. The exhibition featured a wide range of mediums, including photography, painting, sculpture, and print design, highlighting the creative versatility of the senior class. The event served as a professional milestone for students, allowing them to navigate the gallery submission process and network with faculty and the community.
Dr. Brian Corr, an associate professor at Hastings College and internationally recognized glass artist, is presenting his first solo museum exhibition at the Museum of Nebraska Art (MONA). Titled "Of Light and Shadow," the show serves as a 20-year retrospective of Corr’s career, featuring large-scale glass installations and sculptures that explore the interplay of light, shadow, and contemplative space. A highlight of the exhibition is the U.S. debut of "One," a significant architectural installation originally created in 2007.
The Fullerton Museum Center has launched "OC Made," a new biennial juried exhibition dedicated exclusively to artists living and working in Orange County. Curated by Georgette Collard and Jasmine McNeal, the inaugural show features over 130 artworks by more than 100 local artists selected from a pool of 260 submissions. The exhibition includes a diverse range of mediums, from glass sculptures and ceramics to photorealistic paintings of local landmarks, and awarded top honors to artists Ramón Vargas, Jaime “Germs” Zacarias, and Mahta Jafari.