Marcel Duchamp & Sturtevant | Dialogues are mostly fried snowballs

Thaddaeus Ropac Milan is hosting a landmark exhibition titled "Dialogues are mostly fried snowballs," marking the first-ever joint presentation of Marcel Duchamp and Sturtevant. The show stages a cerebral confrontation between Duchamp’s original readymades, such as "Porte-bouteilles" and "Trébuchet," and Sturtevant’s radical repetitions of his work. By showcasing these pieces alongside archival materials and films, the exhibition traces how Sturtevant used Duchamp’s style as a medium to investigate the canonization and "understructure" of conceptual art.

In Giuseppe Penone’s Sculptures, Humankind and Nature Are One

Giuseppe Penone is preparing for his exhibition 'The Reflection of Bronze' at Gagosian's New York flagship, running from April 22 through July 2. The show, curated by former Whitney Museum director Adam D. Weinberg, features eighteen artworks from 1995 to the present, including the new sculpture 'Marsia (Marsyas)', and is designed to create a forest-like sensory immersion using materials like cork.

Antony Gormley: ‘Put a sculpture on the moon? No, that would be a bad idea’

Renowned British sculptor Antony Gormley is preparing for a major creative season, marked by two upcoming exhibitions at the Royal Museum of Fine Arts in Antwerp and Galleria Continua in San Gimignano, alongside the release of a new book dedicated to his drawings. Speaking from his David Chipperfield-designed studio in London, the artist reflects on his rigorous daily practice and his background in art history, contrasting his own ascetic, industrial aesthetic with the fleshy opulence of Flemish masters like Rubens.

V&A East Museum: Inside London’s New Venue In Stratford

The V&A East Museum is set to open in Stratford’s Queen Elizabeth Olympic Park as a major new cultural hub for East London. Housed in a striking five-story building designed by O’Donnell + Tuomey—inspired by the couture tailoring of Cristóbal Balenciaga—the museum features two permanent galleries titled "Why We Make" and a dedicated space for major temporary exhibitions. The site emphasizes accessibility with a barrier-free entrance and a collection of over 500 objects spanning art, design, and performance, curated to highlight themes like social justice and environmental action.

In an Age of Image Overload, AIPAD’s The Photography Show Reminds Us What a Photograph Can Do

The 2026 Photography Show, organized by AIPAD, opened to VIPs on April 22 at the Park Avenue Armory with record attendance and strong early sales. Featuring 80 domestic and international galleries, the fair showcased works ranging from early photographic experiments to contemporary digital and installation-based practices, with notable acquisitions by the Museum of the City of New York. AIPAD executive director Lydia Melamed Johnson reported a broad demographic of collectors, from established connoisseurs to first-time buyers.

'Elizabeth Murray and Betty Woodman' at David Kordansky Gallery, Los Angeles on 19 Mar–25 Apr 2026

David Kordansky Gallery in Los Angeles is presenting a two-person exhibition featuring the work of Elizabeth Murray and Betty Woodman, on view from March 19 to April 25, 2026. The show brings together paintings and ceramic sculptures from 1982 to 2015, highlighting the artists' shared exploration of the space between two and three dimensions, shaped canvases, and wall-mounted forms.

New works by gallery artists

Gow Langsford Gallery is presenting a group exhibition of new works by its roster of represented artists at its Auckland City gallery. The show features a diverse range of mediums including painting, sculpture, and installation, highlighting the current directions of contemporary practice in Aotearoa New Zealand.

17 must-see works of art at LACMA’s new David Geffen Galleries

The Los Angeles County Museum of Art (LACMA) has unveiled a selection of must-see works within its new David Geffen Galleries, marking a radical departure from traditional museum curation. Moving away from rigid chronological and geographic silos, the museum has organized its encyclopedic collection around four major bodies of water—the Atlantic, Pacific, and Indian Oceans, and the Mediterranean Sea—to highlight the historical movement of resources, ideas, and cultures. The single-level, fluid architectural space encourages visitors to meander through evolving installations that include high-profile acquisitions like Francis Bacon’s "Three Studies of Lucian Freud" alongside intricate Kuba ceremonial textiles.

The International Center of Photography Presents Photobook Fest

The International Center of Photography (ICP) is hosting its fifth annual Photobook Fest from May 8–10 at its Lower East Side campus in Manhattan. The event will feature over 80 international publishers, with a schedule of workshops, panels, and book signings.

Of the Love that Moves the Sun and the Other Stars: An Interview with Amalia Cross

DEL AMOR QUE MUEVE EL SOL Y LAS OTRAS ESTRELLAS. ENTREVISTA A AMALIA CROSS

The Museo de la Solidaridad Salvador Allende (MSSA) in Santiago has inaugurated a major collection-based exhibition titled "Del amor que mueve el sol y las otras estrellas," curated by art historian Amalia Cross. The show revisits the museum's unique history—from its origins during Salvador Allende’s presidency and the international "Operation Truth" to its period of exile following the 1973 coup and its eventual return to Chile. Featuring works by global icons such as Alexander Calder, Lygia Clark, and Yoko Ono, the exhibition emphasizes movement and collective action across various mediums including sculpture, video, and installation.

40 Years Later, Houston's FotoFest Keeps Its Edge

Houston’s FotoFest is celebrating its 40th anniversary with a massive retrospective titled "Global Visions: FotoFest at 40," featuring over 450 artists from 58 countries. Founded by Wendy Watriss and Frederick Baldwin after a transformative trip to the Rencontres d'Arles, the biennial was established to combat American parochialism by introducing international photography to the U.S. The current iteration spans multiple venues, including the Sawyer Yards Galleries and Project Row Houses, showcasing the festival's history of thematic curation ranging from Russian Pictorialism to contemporary Arab media.

‘Even more beautiful than I imagined’: the nifty Japanese printing gadget uniting artists worldwide

Designer Gabriella Marcella has curated a new exhibition at Glasgow’s Glue Factory Galleries celebrating the global community of risograph printing. The show highlights work from her 'Riso Club' initiative, a non-profit program that distributes monthly sets of artist-designed postcards from cities ranging from Kyiv to Damascus. Originally developed in Japan in the 1980s as an affordable office tool, the risograph has been reclaimed by independent creatives for its unique soy-ink aesthetic and tactile, screenprint-like quality.

Kerstin Brätsch at Kunstmuseum Bonn

German artist Kerstin Brätsch has opened a comprehensive solo exhibition titled "MƎTAATEM" at Kunstmuseum Bonn. The presentation features a vast array of works that document her experimental approach to painting, including her signature use of glass, marbling, and collaborative processes that challenge the traditional boundaries of the medium.

These Ghosts. Clémentine Bruno  by Michela Ceruti

Clémentine Bruno’s artistic practice explores the tension between presence and absence, treating the canvas as a site of temporal layers rather than a flat surface for representation. Her work emphasizes the preparatory stages of painting—the laying of gesso and the construction of supports—allowing images to emerge reluctantly through processes of sanding, veiling, and partial erasure. Recent exhibitions, such as "Educational Complex" at Tonus and "Vision of Fading" at Mendes Wood DM, highlight her interest in how institutional structures and memory maps dictate what is retained and what is forgotten.

The Met Hires Star Photography Curator for the Museum’s New Wing

The Metropolitan Museum of Art has appointed Oluremi C. Onabanjo as a curator in the Department of Photographs, poaching her from the Museum of Modern Art (MoMA). Onabanjo, formerly the Peter Schub Curator at MoMA, will be tasked with managing the landmark gift of over 6,500 photographs from the Walther Family Foundation and curating exhibitions with a focus on twentieth-century media.

New museum dedicated to AI promises an ethical approach

Dataland, billed as the world's first museum dedicated to AI art, is set to open on June 20 in Los Angeles at The Grand LA, a Frank Gehry-designed complex. Co-founded by Turkish-American artist Refik Anadol, the 35,000-square-foot privately-funded museum will feature five immersive galleries. Its inaugural exhibition, *Machine Dreams: Rainforest*, is an audiovisual experience based on millions of images and sounds of nature, inspired by a visit Anadol and co-founder Efsun Erkılıç made to the Amazon rainforest. Anadol is known for his generative AI piece at MoMA in 2022 and a projection on the Walt Disney Concert Hall.

How This Artist Pivoted Into Surreal Sculpture After Decades of Photography [Interview]

Artist Nic Nicosia, known for decades as a photographer and member of the Pictures Generation, has pivoted into surreal sculpture after losing interest in fabricated images. His work was featured in the 1983 Whitney Biennial alongside Cindy Sherman and others, and in major exhibitions like Documenta IX. Now, after years of exploring sculpture in private, he is preparing for his largest museum exhibition since 2000: "Everyday Surrealism" at the Nasher Sculpture Center in Dallas, opening May 16, tracing his career through over 70 works.

Turner prize 2026 shortlist points to sculpture as a way of thinking about power, ecology and belief

The Turner Prize 2026 shortlist has been announced, featuring four artists—Simeon Barclay, Marguerite Humeau, Kira Freije, and a fourth unnamed artist—whose practices are rooted in sculpture and installation. The jury, chaired by Alex Farquharson (director of Tate Britain) and including Sarah Allen, Joe Hill, Sook-Kyung Lee, and Alona Pardo, praised the artists for their material intelligence and ability to link sculptural language to systems of power, memory, and belief. Barclay's work combines performance and industrial materials to explore British national identity, Humeau's speculative sculptures investigate non-human intelligence and belief systems, and Freije's hybrid figures examine vulnerability and identity through fabric and metal.

AIPAD : The Photography Show 2026 : Robert Koch Gallery – Booth B6

Robert Koch Gallery, a founding member of AIPAD, will present a group exhibition at The Photography Show 2026, held at the Park Avenue Armory in New York City from April 22–26. The gallery's booth B6 will feature the premiere of key early Edward Burtynsky images in a larger 48 × 60–72 inch format, previously unavailable at that scale, along with recent mine tailing images shown for the first time. Also on view will be photographs from Matt Black's American Geography and New World Atlas series, works by Mimi Plumb, whose retrospective is currently at the High Museum of Art, and pieces by historic photographers including Henri Cartier-Bresson, Robert Frank, Helen Levitt, and Man Ray.

Elizabeth Blackadder exhibition to showcase 'meaningful' 50 year collaboration with Scottish studio

Edinburgh’s Dovecot Studios is launching a major exhibition titled "Elizabeth Blackadder: Her Life in Colour" to celebrate the late artist’s 50-year collaboration with the tapestry studio. The show features over 30 tapestries and hand-tufted rugs, headlined by the debut of a newly created rug based on Blackadder’s 1975 painting, "The Red Bouquet." The exhibition also incorporates works from the Royal Scottish Academy’s collection to provide a comprehensive look at her legacy.

Texas Art Legend Robert Rauschenberg is Celebrated in Groundbreaking Nasher Exhibition

The Nasher Sculpture Center in Dallas has launched "Rauschenberg Sculpture," a major exhibition marking the first museum presentation dedicated exclusively to Robert Rauschenberg’s three-dimensional works in three decades. Organized by senior curator Dr. Catherine Craft in collaboration with the Robert Rauschenberg Foundation, the show features over two dozen works spanning the 1950s to the 1990s, including his iconic "Combines," rotating Plexiglas "Revolvers," and experimental clay and metal assemblages.

AOY Art Center’s 14th Juried Show set to open

The AOY Art Center in Yardley, Pennsylvania, is launching its 14th annual Juried Show, featuring 137 selected works from over 425 regional submissions. Curated by Amanda C. Burdan of the Brandywine Museum of Art, the exhibition spans various mediums including painting, sculpture, and photography. The show opens April 10 with a public reception and includes specialized honors such as the Frumi Cohen memorial award for wildlife art.

35th Anniversary High School Juried Art Show Opens at The Hyde April 18th

The Hyde Collection in Glens Falls, New York, is launching its 35th annual High School Juried Art Show on April 18, 2026. This year’s exhibition features 136 selected works from over 440 submissions, representing student artists from 18 regional school districts across five counties. A panel of professional jurors, including ceramicist Ava Tesoriero, painter Katie Langford, and fiber artist Joy Muller-McCoola, curated the selection which spans mediums from digital illustration to sculpture.

Exhibition | Catherine Opie, 'To Be Seen' at National Portrait Gallery, London, United Kingdom

The National Portrait Gallery in London is hosting "To Be Seen," the first major UK museum exhibition dedicated to the American photographer Catherine Opie. Curated in collaboration with the artist, the show spans over 30 years of work, including her seminal 1991 series "Being and Having" and her Holbein-inspired portraits of the LGBTQ+ community. The exhibition is further expanded through a series of interventions where Opie’s contemporary photographs are placed in direct dialogue with the gallery’s permanent collection.

An Analog Tether

A new wave of gallery exhibitions is championing analog physicality and personal intimacy as a direct counter-response to the rise of AI-generated imagery. Artists like Ben Wolf Noam and Joseph Geagan are utilizing traditional mediums such as charcoal, lithography, and oil paint to capture spontaneous, sentimental moments of human connection, from family dinners to portraits of friends. These works emphasize the "hospitable mess" of real life, prioritizing the recognizable faces and tangible textures that AI often flattens.

What Makes a Photograph a Photograph? The Photography Show 2026 Offers New Perspectives

The Association of International Photography Art Dealers (AIPAD) has announced the 45th edition of The Photography Show, scheduled to take place at New York’s Park Avenue Armory from April 22–26, 2026. The fair will feature 77 galleries, ranging from long-standing participants like Edwynn Houk Gallery to first-time exhibitors such as Galerie Sophie Scheidecker and Central Server Works. A significant addition to this year's programming is the debut of "Focal Point," a new sector dedicated exclusively to solo presentations that explore the experimental and evolving nature of lens-based media.

CAM “Fresh Air: Inflatable Sculptures” exhibit set to open this summer

The Cameron Art Museum (CAM) in Wilmington, North Carolina, has announced its upcoming summer exhibition, "Fresh Air: Inflatable Sculptures." Running from June 19 through September 6, 2026, the show features large-scale, immersive works by a roster of high-profile contemporary artists including Nick Cave, Andy Warhol, and Claire Ashley. The exhibition is designed to be interactive, utilizing scale and movement to engage visitors with contemporary art in an accessible, unconventional format.

IN LYON, CONTEMPORARY ART HAS A HISTORY : THREE STAGES TO EXPLORE IT

The Lyon Museum of Contemporary Art (MAC Lyon) has launched a major seasonal program featuring three distinct exhibitions that explore memory, archives, and the evolution of contemporary media. Central to the program is Giulia Andreani’s solo exhibition, "Cold Painting," which presents sixty canvases created between 2011 and 2025 that interrogate historical power structures and the erasure of women from art history. Complementing this is a significant showcase of video art drawn from a massive donation by collectors Isabelle and Jean-Conrad Lemaître, alongside a retrospective dedicated to Jean-Claude Guillaumon.

“Photography as a Way of Life” at PU Art Museum

The Princeton University Art Museum has unveiled "Photography as a Way of Life," an exhibition running from April 19 through September 7 that examines the interconnected careers of Minor White, Aaron Siskind, and Harry Callahan. Drawing heavily from the museum’s Minor White Archive, the show features unpublished color and black-and-white prints, rare slides, and archival materials that document how these three figures transitioned photography from a hobby or trade into a serious academic and artistic discipline.

War-time exhibition: Yaacov Dorchin’s iron angels and sculptural language

Renowned Israeli sculptor Yaacov Dorchin, recipient of the 2004 Emet Prize and the 2011 Israel Prize for Visual Arts, opened his latest exhibition "Decapitated Fish and Additional Sculptures" at the Gordon Gallery in Tel Aviv on March 12, 2026—his 80th birthday and two weeks into the war with Iran. The exhibition, held without a large opening night due to the conflict, features about 15 sculptures spanning from 1993 to the present, including works in iron, steel, basalt, and other industrial materials. In an interview interrupted by an air raid siren, Dorchin discussed his approach to sculpting, the lyrical names of his heavy works, and how he reorganized the exhibition to create dialogues between older and newer pieces.