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Post-Fair delivers by keeping it simple

Post-Fair concluded its second edition in Los Angeles, featuring a curated selection of 31 galleries including PPOW, White Columns, and Tomio Koyama Gallery. Held in a former post office, the event maintained an open floor plan and a relaxed atmosphere that attracted high-profile attendees like artist Paul McCarthy and collectors Beth Rudin DeWoody and Maja Hoffmann. Sales were reported across various price points, with Ehrlich Steinberg selling half of its presentation of Joel Otterson’s sculptures.

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Michael Heizer has unveiled a major exhibition titled "Negative Sculpture" at Gagosian’s West 21st Street gallery in New York. The installation features two massive works, Convoluted Line A and Convoluted Line B, which consist of steel liners filled with crushed red granite embedded into a raised gallery floor. To achieve the artist's vision of negative space without excavating the building's foundation, the gallery undertook a complex two-year engineering project to elevate the entire floor surface, matching the specific concrete hue of Heizer’s Nevada studio.

Are we seeing the demise of statement stands at art fairs?

The era of the 'statement stand' at international art fairs is rapidly declining as galleries shift away from immersive, high-risk installations in favor of more conservative group presentations. Rising participation costs, the sheer volume of the global fair calendar, and the financial pressure to recoup expenses have made experimental booths like those once championed by Jeffrey Deitch or Gavin Brown an endangered species.

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French authorities have dismantled a massive decade-long ticket fraud scheme involving the Louvre and the Palace of Versailles, resulting in the arrest of nine individuals, including two museum employees. The scam, which allegedly involved Chinese tour guides bribing staff to reuse tickets for multiple groups, is estimated to have cost the institutions millions of euros. Investigators have already seized nearly €1.5 million in various currencies and bank accounts as part of an ongoing judicial probe into organized fraud and money laundering.

The annual Margaret Stonewall Wooldridge Hamblet Thesis Exhibitions return with “In No Particular order” in April 2026

The Margaret Stonewall Wooldridge Hamblet Thesis Exhibitions, titled "In No Particular Order: Senior Show 2026," will open on April 10, 2026, at Space 204 galleries within Vanderbilt University's E. Bronson Ingram Studio Arts Center. The showcase features the thesis work of ten graduating senior art majors: Caitlin Nitschke, Kira Tannenbaum, Lin Morales, Dorothy Chen, Paige Restel, Megan Grosse, Remi Marcus, Isaac Bevin Boakye, Izabella Burghardt, and Rubric Barredo. The opening coincides with a department-wide open house displaying work from all art classes.

The annual Margaret Stonewall Wooldridge Hamblet Thesis Exhibitions return with “In No Particular order” in April 2026

The Margaret Stonewall Wooldridge Hamblet Thesis Exhibitions, titled "In No Particular Order: Senior Show 2026," will open on April 10, 2026, at Vanderbilt University's Space 204 galleries. The showcase features the thesis work of ten graduating senior art majors: Caitlin Nitschke, Kira Tannenbaum, Lin Morales, Dorothy Chen, Paige Restel, Megan Grosse, Remi Marcus, Isaac Bevin Boakye, Izabella Burghardt, and Rubric Barredo. The opening coincides with a department-wide open house at the E. Bronson Ingram Studio Arts Center, displaying work from students across all art classes.

Modern mega gallery: Global art gallery to open Bay Area branch

The global mega-gallery Hauser & Wirth is opening a new branch in Palo Alto, California, in the historic Downing Block building, a former U.S. Post Office. The gallery, designed by architect Luis Laplace, will open in the fall and aims to bring influential contemporary art exhibitions to the Bay Area.

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Painter Louis Fratino has joined the mega-gallery David Zwirner, adding the powerhouse to his existing representation by Berlin's Galerie Neu and New York's Sikkema Malloy Jenkins. This multi-gallery arrangement is a departure from the typical practice of artists severing ties with smaller galleries when aligning with a global giant.