Abstract Thinking at the Cafesjian Art Trust Museum

The Cafesjian Art Trust Museum in Shoreview has launched "Abstraction and Ourselves," an ambitious exhibition that bridges the gap between contemporary abstract painting and monumental glass sculpture. Curated by Jill Ahlberg Yohe, formerly of the Minneapolis Institute of Art, the show pairs the museum’s renowned glass collection—including works by Stanislav Libenský and Jaroslava Brychtová—with significant loans such as a Georgia O’Keeffe oil painting and works by Dyani White Hawk.

Exhibition at Mons Museum of Fine Arts explores Belgian art and the communist utopia

The Mons Museum of Fine Arts has launched "Plural Perspectives: Belgian Art and the Communist Utopia in the 20th Century," an exhibition running from April 11 to August 16. The showcase traces nearly a hundred years of Belgian artistic production influenced by the communist movement, featuring a diverse array of mediums including painting, sculpture, and monumental works by figures such as René Magritte and Frans Masereel.

FORGING PATHS: AFRO-BRAZILIAN ANCESTRY AND FEMININE POWER IN THE WORK OF NÁDIA TAQUARY

FORJAR CAMINOS: ANCESTRALIDAD AFROBRASILEÑA Y PODER FEMENINO EN LA OBRA DE NÁDIA TAQUARY

The exhibition "Ònà Irin: caminho de ferro" by artist Nádia Taquary has opened at Sesc Belenzinho in São Paulo, featuring large-scale sculptures and an immersive video installation. Curated by Amanda Bonan, Ayrson Heráclito, and Marcelo Campos, the show centers on a massive installation of iron rails that symbolize the Yoruba deity Ogum, the opener of paths. The works integrate traditional Afro-Brazilian materials such as cowrie shells, beads, and metals to explore spiritual protection and the historical significance of jewelry as a form of resistance and identity for enslaved and freed Black women.

BETWEEN EARTH AND CONCRETE DELCY MORELOS EXHIBITS IN LONDON

Colombian artist Delcy Morelos has unveiled her first UK public commission, titled "Origo," at London’s Barbican Centre. Located in the Sculpture Court—a space reactivated for the first time in ten years—the monumental oval installation is constructed from earth, clay, hay, and seeds, infused with aromatic spices like cinnamon and cloves. The work invites visitors to walk through earthen tunnels, creating a sensory experience that contrasts the organic, porous nature of soil with the Barbican’s rigid Brutalist concrete architecture.

The Order of Symbolism, Signs and Sensibility

The Museum of Modern Art of Rio de Janeiro (MAM Rio) is hosting a major retrospective titled 'Rubem Valentim: a ordem do sensível,' featuring approximately 180 works spanning four decades. Curated by Raquel Barreto and Phelipe Rezende, the exhibition showcases Valentim’s unique fusion of modernist abstraction with the spiritual symbols of Afro-Brazilian and Indigenous cosmologies. The presentation includes paintings, reliefs, and sculptures, culminating in monumental works like 'Templo de Oxalá.'

Portland artist Ami Maki debuts body-positive ‘Obese Landscapes’ exhibit at Multnomah Arts Center

Portland-based artist Ami Maki has unveiled her latest exhibition, "Obese Landscapes," at the Multnomah Arts Center. The showcase features eight large-scale charcoal drawings, some reaching seven feet in height, that draw visual parallels between the human form and natural topographies like rolling hills and rock formations. By utilizing earth tones and monumental scale, Maki seeks to reframe bodies often marginalized by societal beauty standards as majestic, natural environments.