Hannah Black presents her first solo exhibition, "Harsh Muting," at the zaza' gallery in Naples. The show features five circular oil paintings that draw inspiration from the rotating word-play disks in Marcel Duchamp's surrealist film *Anemic Cinema*.
NIKA Project Space in Paris presents "Sour Things: The Door," a new installation by Palestinian artist Mirna Bamieh, on view from April 17 to May 23, 2026. Curated by Anne Davidian, the exhibition marks Bamieh's return to the gallery following her solo presentation that inaugurated NIKA's Paris space in 2024, and serves as the latest chapter in her ongoing "Sour" series.
During Fuorisalone 2026, Gucci presents "Gucci Memoria," an immersive exhibition curated by Demna at Milan's Chiostri di San Simpliciano. The project traces the House's 105-year history through a continuous narrative of installations across the cloisters, reflecting its evolving identity while staying rooted in its Florentine origins.
The Disobedience Archive, a mobile video archive initiated by Marco Scotini in 2005, is presented in dialogue with Raqs Media Collective at the Migros Museum für Gegenwartskunst in Zürich. The archive contains over one hundred documentary and art films at the intersection of art and activism, documenting forms of resistance, social struggle, and collective self-organization.
Giorgia Garzilli presents her solo exhibition “Everything’s coming up roses” at Spazio Libero in Stockholm. The show features a large painting installed across two arches, depicting an exhausted figure lying on the floor in a moment of aftermath—after giving a speech, playing poker, or closing an important deal.
The Malta Biennale 2026, titled "Clean / Clear / Cut," launched on March 11 and runs through May 29, transforming historical sites and cultural landmarks across Malta and Gozo into venues for contemporary art and critical dialogue. The biennale is under the artistic direction of international curator Rosa Martínez.
Pinacoteca Agnelli in Turin will present "Walter Pfeiffer: In Good Company," the first institutional survey in Italy dedicated to the Swiss artist's photographic work, running from April 30 to September 13, 2026. The exhibition features over one hundred photographs spanning from the 1970s to the present, exploring themes of artifice, desire, and the everyday.
Nørrebro Teater in Copenhagen is hosting its first major contemporary art exhibition, "In the Presence of Others," featuring works by Marina Abramović, Laurie Anderson, and Miranda July. The show focuses on the artists' engagement with sound and will be staged throughout the entire theatre building.
Reba Maybury presents her exhibition "I Come in Peace" at Secession in Vienna, an installation that spans four sites within the building—including the façade, foyer, and upstairs spaces. Maybury, an artist, writer, and political dominatrix, uses her multidisciplinary practice to explore themes of feminism, sexuality, labor, and power, directly engaging with the institution's history by questioning how to dominate the legacy of Gustav Klimt.
Paola Siri Renard presents "Double Star" at nouveaux deuxdeux in Munich, featuring sculptures assembled from fragments of architectural ornaments, equestrian monuments, industrial display systems, and skeletal forms. Her work extracts elements from historical structures—spanning Gothic, Greco-Roman, and Art Nouveau styles—and reconfigures them into unstable, evocative constellations.
The group exhibition "Containers Love Disorder" at Kunst Halle Sankt Gallen brings together seven artists and collectives active in Switzerland: Michèle Graf & Selina Grüter, Dominic Michel, Mathis Pfäffli, Matthias Sohr, Kelly Tissot, Paulo Wirz, and the collaborative project La Bibliothèque des Ready-Mades, initiated by Anaïs Wenger. The show explores strategies of arrangement, classification, and situatedness through a range of works.
Liliana Moro presents a new installation titled “| senza | soluzione di continuità” at Platea | Palazzo Galeano in Lodi. The work is described as a powerful yet subtle artistic gesture that renegotiates the function of the shop window as a public space, emphasizing responsibility and generosity.
The Bell Gallery at Brown University is presenting "Prisoners of Love: Until the Sun of Freedom," a new exhibition by internationally renowned sound, video, and installation artists Basel Abbas and Ruanne Abou-Rahme. The show is co-curated by Kate Kraczon, Director of Exhibitions and Chief Curator of the Brown Arts Institute (BAI) / The Bell, and Thea Quiray.
Consonni Radziszewski inaugurates its Milan space with "uYana umhlaba," the first solo exhibition in Italy by South African artist Buhlebezwe Siwani. The show presents a new body of work that expands on research begun in 2020 with the Inkanyamba series, first exhibited at the Galeria Municipal de Almada in Portugal.
Artist Matisse Mesnil has opened a solo exhibition titled "Sutura" at the Romero Paprocki gallery in Milan. The show marks a new phase in his practice, characterized by technical and methodological experimentation focused on metal as his primary material.
Finnish artist Pilvi Takala has opened a solo exhibition titled 'Breaking Ranks' at Kunsthall Trondheim in Norway. The show, which runs from February 19 to May 10, 2026, is documented with 28 images and is accompanied by guides in both English and Norwegian.
Yalda Afsah presents her first exhibition in Denmark, titled "Surge," at Kunsthal Thy. The show features two video works: "Curro" (2023), which explores human relationships with animals, and "Jarramplas" (2025), which initiates a new series centered on rituals and communal social dynamics.
Jenna Sutela's exhibition "With each cycle" at the Nicoletta Fiorucci Foundation in London features a site-specific iteration of her sculptural sound installation *Pond Brain*. The work, a water-filled bronze piece forged as the artist's neuroplastic portrait, functions as both instrument and fountain, creating feedback loops of sonic vibrations and dancing droplets inspired by cybernetic ideas of ponds as self-regulating living systems.
Nancy Lupo's exhibition "Meow Meow Real Estate" opens at the Nicoletta Fiorucci Foundation in London's Chelsea neighborhood, curated by Vittoria de Franchis. The show shares its title with Lupo's first novel, which follows a woman searching for an apartment—a quest that is both literal and existential. The foundation's Victorian architecture serves as the bourgeois dwelling central to the narrative.
On Tuesday, April 28, at IED Firenze (former Teatro dell'Oriuolo), the collective performance "In corpo presente" took place as the final act of a research project exploring contemporary meanings of freedom, presence, belonging, and collective action. Since December 2025, 50 students from various disciplines at IED Firenze have been involved in the project, guided by artist Jacopo Benassi.
Seven artists with roots in West Africa—Yacine Tilala Fall, Selly Raby Kane, Maguette Dieng, Ican Ramageli, Hamedine Kane, Eva Diallo, and Babacar Traoré Doli—have jointly created a multi-sensory total installation at Marres in Maastricht. Titled “Porous Grounds, Sacred Codes,” the exhibition incorporates sculpture, sound, textiles, and video, connecting Zikr chanting of mantras, daily life in the Medina, and the trees of the dry landscape.
Dominique White (b. 1993) presents her solo exhibition "All Great Powers Collapse from the Centre" at Kunsthalle Basel, transforming the galleries into immersive environments with her sculptures. The exhibition evokes a sense of submersion, as if walking along an ocean floor where orientation shifts and measures dissolve, creating a weighty, water-like atmosphere.
Edgar Calel, a Guatemalan artist born in 1987, is the subject of an exhibition at Kunsthalle Bern. His work draws on the rituals and traditions of his native Guatemala, focusing on the working conditions and environmental impact of export-oriented agricultural industries, particularly palm oil and coffee plantations that dominate the country's economy.
Marko Tadić presents his solo exhibition "Funga Robo" at Trotoar in Zagreb, showcasing recent works that explore speculative futures of cities through the lens of artistic ecologies. The exhibition title merges references to fungal mycelia and robotics, establishing a dialogue between biological systems and technological development.
Franco Bellucci's exhibition "Works (c. 2010–2018)" is on view at a. SQUIRE gallery in London. The show features his sculptures, which are composed of knotted, humble, and mass-produced materials like socks, bandages, cables, and plastic bags, reflecting a direct engagement with his immediate surroundings.
The Polygon Gallery in North Vancouver is presenting a major solo exhibition titled "Photolithics" by artist, curator, and scholar Tania Willard. The show, on view from March 7 to May 24, 2026, is a decade-long survey featuring new and existing works that demonstrate Willard's innovative use of photographic printing and presentation techniques.
The 2026 Whitney Biennial, curated by Marcela Guerrero and Drew Sawyer, has received generally lukewarm responses from critics, a notable shift from the more intense takedowns and boycotts that characterized recent editions of the exhibition. Left-oriented critics have criticized the curatorial framework as indeterminate and evasive, particularly in light of the Whitney Museum's controversial board decisions, including the recent closure of the museum's Independent Study Program.
Diego Gualandris presents "Floralia" at ADA gallery in Rome, an exhibition that explores themes of growth, nature, and human intervention through a poetic lens. The show features works that evoke the cycle of life and decay, using floral motifs to reflect on the fragility of existence and the tension between natural processes and external forces.
Artist and choreographer Nikima Jagudajev presents "Like", a new commission and exhibition at Scuola Piccola Zattere in Venice, running from 7 May to 18 October 2026. The work merges film and video game into a playable experimental piece, housed in the nonprofit's palazzo in Dorsoduro.
Ndidi Dike, a British-Nigerian sculptor and multi-disciplinary artist, presents her first major solo exhibition at an Austrian institution, titled "Rare Earth Rare Justice," at Secession in Vienna. The show features works across mixed media, painting, sculpture, collage, photography, video, and installation, addressing social, political, and economic conditions of the modern world.