jenny saville lands first solo show in venice should selfies be banned in museums and more morning links for november 13 2025 1234761536

Jenny Saville will have her first solo exhibition in Venice at the International Gallery of Modern Art at Ca’ Pesaro, running from March 28 to November 22, 2026, coinciding with the 2026 Venice Biennale. The show, supported by Gagosian, will feature 30 paintings curated by Elisabetta Barisoni. Separately, former Sotheby’s CEO Tad Smith expressed optimism about blockchain art ahead of Robert Alice’s NFT sale at Sotheby’s New York, and Ed Ruscha created a limited-edition chocolate bar shaped like California’s Central Valley. Other news includes the upcoming auction of Kirk Hammett’s Frank Frazetta painting and the closure of San Francisco’s Rena Bransten Gallery.

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The International Gallery of Modern Art at Ca’ Pesaro in Venice will host a major solo exhibition of works by British painter Jenny Saville in 2026, coinciding with the Venice Biennale. The show, curated by Elisabetta Barisoni, will run from March 28 to November 22 and feature around 30 paintings spanning Saville's career from the 1990s to the present, including a new series inspired by Venice. Mega-gallery Gagosian, which represents Saville, is supporting the exhibition.

gagosian teams up with movie director wes anderson to reimagine joseph cornells new york studio in paris 1234760319

Gagosian has partnered with filmmaker Wes Anderson to recreate the New York studio of Joseph Cornell at its Paris gallery space on 9 rue de Castiglione. The exhibition, curated by Jasper Sharp and titled “The House of Utopia Parkway,” will run from December 16 to March 14, 2026, transforming the gallery into a tableau that blends a time capsule with a life-size shadow box. It marks the first solo presentation of Cornell’s work in Paris in over four decades, featuring iconic glass-fronted “shadow boxes” such as *Pharmacy* (1943), *Untitled (Pinturicchio Boy)* (circa 1950), and *A Dressing Room for Gille* (1939).

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Greece's culture minister Lina Mendoni has publicly criticized the British Museum for hosting a lavish £2,000-a-ticket Pink Ball near the Elgin Marbles, attended by celebrities including Mick Jagger, Naomi Campbell, and Janet Jackson. Mendoni accused the museum of showing 'provocative indifference' by using the ancient Greek sculptures as mere 'decorative elements' for entertainment, echoing similar criticism from a fashion show held in the same gallery last year. Separately, disgraced Miami art dealer Les Roberts, previously charged with selling forged Andy Warhols, has opened a shop called Labubu Headquarters in Coconut Grove selling collectible monster figurines, despite bond conditions restricting him from working in the art industry. The article also reports that Richard Diebenkorn's estate has joined Gagosian, the J. Paul Getty Trust and the World Economic Forum will host a cultural table during Art Basel Paris, and Interpol has added stolen Louvre jewelry to its database.

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Frieze London 2025 opened with strong VIP preview sales, as major galleries reported brisk business by early afternoon. Thaddaeus Ropac sold a Robert Rauschenberg work for $850,000 and a Tony Cragg sculpture for $420,000, while Hauser & Wirth moved multiple pieces including a George Rouy for £275,000 and an Ellen Gallagher for $950,000. Gagosian sold a new Lauren Halsey sculpture before noon, and White Cube reported six sales. The fair's layout, which places mega-galleries at the back to encourage foot traffic to smaller booths, returned by popular demand.

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The Vancouver Art Gallery and the Walker Art Center have jointly acquired Nan Goldin's *Stendhal Syndrome* (2024), a slideshow-based video work with an original soundtrack. The acquisition was funded by the Curators’ Council Fund for Women Artists and the Jean MacMillan Southam Fund at the Vancouver Art Gallery. The work will make its Canadian debut at the Vancouver Art Gallery. First presented at Gagosian's New York gallery in September 2024 as part of Goldin's exhibition "You never did anything wrong," the piece pairs two decades of the artist's photographs with a personal voiceover, exploring the emotional power of art. It features images of classical, Renaissance, and Baroque masterpieces from institutions such as the Galleria Borghese, the Louvre, the Metropolitan Museum of Art, and the Prado, interwoven with portraits of Goldin's friends, family, and lovers.

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Photographer Sally Mann has spoken out about government censorship after her photographs were seized from the Modern Art Museum of Fort Worth in Texas earlier this year. The controversy stemmed from her 1990s images of her children, which included nude depictions that some critics characterized as "child porn," leading to their removal from an exhibition following an open letter from the conservative Christian advocacy group Danbury Institute. Though the photos were returned and charges dropped, Mann expressed deep concern about the future of American museums, warning of a "new era of culture wars" and describing the situation as "Orwellian." She noted that social media has given censors more tools, and that the Trump administration is actively rolling out policies targeting museum programs, including a review of the Smithsonian.

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Marian Goodman Gallery has taken on representation of artist Edith Dekyndt, whose multidisciplinary practice spans video, sculpture, installation, and performance, with plans to debut her work at Art Basel Paris in October. In other industry moves, Salon 94 now represents Raven Halfmoon, Timothy Taylor Gallery represents Martha Tuttle, Templon adds Martial Raysse, Acquavella Galleries represents Harumi Klossowska de Rola, and Gagosian has hired Aaron Baldinger as a director. Additionally, Jennie Goldstein has been named the inaugural Kippy Stroud Curator at the Whitney Museum, and Sotheby's will sell a tranche of artworks from the collection of the late Leonard Lauder, including Gustav Klimt's Portrait of Elisabeth Lederer, estimated at over $150 million.

Rare early photographs reveal lost sites featured in Van Gogh’s paintings

Two rare photographic albums taken by art critic Gustave Coquiot in 1922 have been acquired by the newly established Van Gogh Academy in Auvers-sur-Oise, France, and are now on display. The images capture many of the sites in Arles that Vincent van Gogh painted in the late 1880s, including the Yellow House, the Langlois Bridge, and the Rhône riverbank. Several of these locations were later destroyed during World War II or by modernization, making Coquiot's photographs valuable historical records of Van Gogh's original subjects.

Chicago’s Obama Presidential Center has art at its core

The Obama Presidential Center is set to open on Chicago’s South Side on June 19, 2026. The $850m institution, designed by Tod Williams Billie Tsien Architects, features more than 25 site-specific contemporary art commissions integrated into its architecture and 19.3-acre campus. Ahead of the opening, the museum has partnered with Expo Chicago to preview these works, which include monumental contributions from artists such as Julie Mehretu, Mark Bradford, and Nick Cave.

The story behind Iran’s only Van Gogh: ‘At Eternity’s Gate'

A rare, inscribed lithograph by Vincent van Gogh, 'At Eternity's Gate,' resides in the collection of the Tehran Museum of Contemporary Art. The work, one of only seven surviving examples, was acquired in 1975 by Farah Pahlavi, the wife of the Shah of Iran, for the museum. It passed through notable hands, including those of US Vice President Nelson Rockefeller, before arriving in Tehran just before the 1979 Iranian Revolution.

The Venice Biennale’s Polite Fiction of Being ‘Above the Market’ Is Wearing Thin

The 61st Venice Biennale is underway, with art world figures flocking to Venice for the opening. While the Biennale is officially a non-selling curatorial platform, commercial interests are increasingly visible: galleries are funding artists' projects to recoup investments, auction houses like Christie's are hosting private selling exhibitions (including a 'Ghost Pavilion' at the Ca' Dario Palazzo), and fashion houses such as Bottega Veneta and Chanel are sponsoring events. Sotheby's has pulled support for the U.S. Pavilion, which is now crowdfunding, while Frieze is bankrolling the British Pavilion for a second time.

Jasper Johns Marks Time

The art world is currently reflecting on the enduring legacy of Jasper Johns, highlighted by a new Gagosian exhibition focusing on his 1970s output. Critic John Yau explores Johns's career-long fascination with materiality and the inevitable decay of art, noting how the artist uses newsprint and wax to acknowledge that nothing remains static in time.

Hiba Schahbaz: The Garden

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Hiba Schahbaz is the subject of her first major museum retrospective, "The Garden," at the Museum of Contemporary Art, North Miami. Curated by Jasmine Wahi, the exhibition features 80 works spanning 15 years, tracing the artist's evolution from traditional Indo-Persian miniature painting in Lahore to her current large-scale practice in Brooklyn. The show highlights her recurring use of the female nude—often a stylized self-portrait—navigating mystical landscapes filled with Sufi poetry, mythical creatures, and art historical references.

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Artist Amy Sherald has been named one of TIME magazine’s 2026 Women of the Year, a distinction honoring her leadership and commitment to equity. The recognition follows Sherald's high-profile decision to withdraw her solo exhibition, "American Sublime," from the National Portrait Gallery in Washington, D.C., after the institution attempted to censor or alter the presentation of her painting 'Trans Forming Liberty' (2024) due to political pressure. The Baltimore Museum of Art subsequently stepped in to host the show, where it has since shattered all-time attendance records for the institution.

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The Asia-Pacific art scene saw significant activity across multiple sectors. Art SG reported increased attendance and sales, while the SAM Art SG Fund acquired works for the Singapore Art Museum. JD.com announced plans for a major new museum in Shenzhen, and several appointments and award winners were named across the region. Auction houses Bonhams Hong Kong and Sotheby's Singapore posted strong sales results, with the latter setting new artist records.

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Jenny Saville, the British painter known for her monumental depictions of flesh, is the subject of her first major U.S. museum exhibition, "Jenny Saville: The Anatomy of Painting," now on view at the Modern Art Museum of Fort Worth, Texas. The show, which previously opened at London's National Portrait Gallery in June, brings together 45 works from across her career, including charcoal drawings and large-scale oil paintings. In a rare interview, Saville discusses seeing older works like *Plan* again and how the Fort Worth museum's architecture suits her largest canvases. The exhibition runs through January 2026, ahead of a major 2026 showcase in Venice.

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Y.Z. Kami's painting *Messenger (The Forrest)*, priced around $300,000, is currently on offer at Gagosian's Beverly Hills gallery. The work is part of a series the artist began in 2022 based on photographs taken during travels in India. Kami, born in Tehran in 1956 and based in the U.S. since 1984, is known for large-scale portraits in oil on linen. The painting is featured in Kami's exhibition 'The Domes' at Gagosian, which runs through August 8 and includes three Messenger paintings, one already sold. The show marks his first West Coast solo exhibition since 2016–17 at LACMA.

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British artist Jenny Saville has received her first major solo exhibition at a London museum, titled "Jenny Saville: The Anatomy of Painting" at the National Portrait Gallery. The show spans three decades of her practice across some 50 paintings and drawings, tracing her evolution from a Young British Artist (YBA) known for vast, sensitive paintings of women's bodies to her recent digital-era heads. The exhibition will travel to the Modern Art Museum of Fort Worth in Texas in October. The article also highlights Saville's record-breaking 2018 sale of *Propped* for $12.4 million at Sotheby's London, which made her the highest-selling living female painter at the time, and notes recent auction results including *Juncture* selling for $7.3 million.

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Artist Joe Coleman is the subject of a new documentary film, "How Dark My Love," directed by Scott Gracheff, which premiered at the Tribeca Film Festival in New York. Concurrently, Coleman has curated a group exhibition titled "Carnival" at Jeffrey Deitch gallery, featuring his own hyperrealistic paintings alongside works by artists such as Derrick Adams, George Condo, and Anne Imhof, as well as his personal collection of oddities and ephemera. The film centers on the creation of Coleman's magnum opus, a life-size portrait of his wife, Whitney Ward, titled "Doorway to Whitney," which took nearly four years to complete.

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The largest-ever exhibition of Diane Arbus's work, titled "Constellation," opens today at the Park Avenue Armory in New York City. Featuring over 450 prints—many previously unpublished—the immersive show debuted at LUMA Arles in 2023 and arrives in the U.S. with its original labyrinthine format. Curated by Matthieu Humery, the exhibition presents Arbus's iconic photographs of marginalized figures, celebrities, and everyday people without chronological or narrative order, emphasizing her equalizing gaze. The prints come from the collection of Maja Hoffmann, who acquired the complete set of printer's proofs from Neil Selkirk, the only person authorized by the Diane Arbus Estate to print from her negatives.

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The National Portrait Gallery (NPG) in London is in a last-minute push to raise £50 million ($60 million) to acquire Joshua Reynolds's 1776 portrait of Omai, a Polynesian visitor to Britain, before a temporary export ban expires on March 10. Despite raising roughly £25 million through a grassroots campaign involving public donations, a £2.5 million grant from the Art Fund, and £10 million from the National Heritage Memorial Fund, the NPG remains short of its goal and is reportedly in secret talks with the Getty Museum to jointly purchase the painting.

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This roundup covers multiple developments across the Asian art world. Notable events include the death of Korean artist Suki Seokyeong Kang at age 47; Robin Peckham leaving his role as co-director of Taipei Dangdai; Lucy Liu becoming a partner at Rachel Uffner Gallery, which will rebrand as Uffner and Liu; STPI Creative Workshop and Gallery presenting the first Southeast Asian solo show for Cuban artist Wifredo Lam; Art Week Tokyo returning with Adam Szymczyk curating its AWT Focus platform; Japanese painter Yu Nishimura joining David Zwirner; and the Rijksmuseum inviting Fiona Tan to curate a major exhibition. Other highlights include the 13th Seoul Mediacity Biennale, Tate Liverpool's planned 2027 reopening with a Chila Kumari Singh Burman retrospective, a Louvre-Doraemon collaboration, Boo Ji-hyun's permanent installation in Japan, Christie's Hong Kong Spring Asian Art Week sales totaling HK$567.6 million, and Sotheby's postponing a controversial Hong Kong auction of Buddhist relic-linked jewels. Hyundai Artlab named Jiaying Sim and Elvia Wilk as its 2025 Artlab Editorial Fellows.

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Seven works on paper by Egon Schiele have been restituted to the heirs of Fritz Grünbaum, a Jewish cabaret performer killed at Dachau concentration camp in 1941 after being forced to surrender his art collection to the Nazis. Six of these pieces will be auctioned at Christie’s New York in November 2024, with three watercolor portraits—including *Stehende Frau (Dirne)* (1912), *Selbstbildnis* (1910), and *Ich liebe Gegensätze* (1912)—headlining the 20th Century Evening Sale on November 9, and three more offered in the Impressionist and Modern Works on Paper Sale on November 11. Estimates range from $150,000 to $2.5 million per work, and proceeds will be split among Grünbaum’s heirs, who plan to fund a scholarship program for young musicians.

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Artist Oscar Yi Hou curated the group show "Deviations" at James Fuentes gallery in Tribeca, featuring 12 queer and trans artists including Juliana Huxtable, Martine Gutierrez, and Ser Serpas. The exhibition, on view through May 7, includes works by Yi Hou himself and explores themes of hybridity, queer intimacy, and the illusion of function through sculptures and paintings. Yi Hou, a 26-year-old breakout star on the gallery's roster, previously had a highly successful solo show "The Beat of Life" in November, with works acquired by institutions like the Brooklyn Museum.

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Artnet News, in collaboration with Morgan Stanley, analyzed auction data from the Artnet Price Database to assess the state of the European Old Master market since 2018. The investigation explores how efforts to contemporize Old Masters—through juxtapositions at art fairs like TEFAF and Masterpiece London, and gallery shows such as David Zwirner's 'Endless Enigma'—have correlated with market trends for Contemporary and Ultra-Contemporary artists whose work is visibly influenced by classical European art. The report also examines the impact of living artists inspired by Old Masters, suggesting that restricting analysis to historical works alone may underestimate their ongoing influence on the art market.

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Artnet News and Morgan Stanley have released a report analyzing the global art auction market across four major cities—London, Paris, Hong Kong, and New York—over the period from 2013 to 2023. Total auction sales for the first half of 2024 fell to $5.05 billion, down from $7.17 billion in the same period of 2023. The report highlights a dramatic 49 percent decline in London's auction sales following the 2016 Brexit vote, while New York has maintained its dominant position, driven by blockbuster collections like those of Peggy and David Rockefeller and Paul G. Allen. Hong Kong saw growth until the Chinese property crisis in 2022, and Paris has gained ground post-Brexit, with sales up 30 percent over 2013.

Artists v fascists, Khmer Rouge horrors, fab flowers and an eye-popping nude – the week in art

This week's art roundup from The Guardian features a major exhibition at Towner Eastbourne titled 'Comrades in Art: Artists Against Fascism,' which examines how artists, poets, and intellectuals used their work to resist the rise of extremism in 1930s Europe, drawing on the history of the Artists International Association (AIA). Other highlights include 'Hidden: Photography and Displacement Under the Khmer Rouge' at The Wiener Holocaust Library in London, a show of early Netherlandish drawings at the British Museum, Katharina Grosse's colorful installations at White Cube, and a flower-themed survey at Kettle's Yard. The image of the week is Sylvia Sleigh's 1963 portrait 'The Bridge (Johanna Lawrenson),' part of a new exhibition of the Welsh artist's work. The article also covers news items such as Lydia Ourahmane's Venice Biennale installation, a Holbein portrait mystery, a restored stained-glass window by Edward Burne-Jones and William Morris, and Anish Kapoor's call to exclude the US from the Venice Biennale due to 'politics of hate.'

Raghu Rai obituary

Raghu Rai, the renowned Indian photographer known for capturing his country's post-independence history through singular, enduring images, has died at age 83 from cancer. Rai's career spanned six decades, during which he documented events from the 1984 Bhopal gas disaster to the Bangladesh war of independence, and photographed figures including Indira Gandhi, Mother Teresa, and the Dalai Lama. He joined Magnum Photos in 1977 after being invited by Henri Cartier-Bresson, and worked as a staff photographer for the Statesman and as picture editor for India Today.

‘It was life-changing’: the celebrated art historian who spent 46 years sitting for Frank Auerbach

Art historian and curator Catherine Lampert is the subject of a career-spanning profile following the opening of her latest exhibition, 'Euan Uglow: An Arc from the Eye,' at MK Gallery. The article details her deep personal and professional relationships with giants of British figurative painting, including Lucian Freud, Frank Auerbach, and Euan Uglow. Lampert, who served as the director of the Whitechapel Gallery for over a decade, continues to be a prolific force in the art world, recently co-authoring Freud’s catalogue raisonné and curating major retrospectives.