Marat Guelman and the group + - Komma: First of all, it’s beautiful

Marat Guelman's exhibition at Ethan Cohen Gallery in New York (April 23–May 30, 2026) features AI-generated monoprints created in collaboration with the Montenegrin digital art group + - Komma. None of the works were painted by Guelman himself; instead, he programmed AI outputs based on historical models by artists like Picasso, Gauguin, Monet, Warhol, Lichtenstein, Turner, Matisse, and Richter. Every piece in the show incorporates an image of an atomic mushroom cloud, a motif Guelman uses to respond to Vladimir Putin's nuclear threats during the Ukraine war.

In the new film Nagi Notes, art is a vessel for characters’ desires

Japanese writer-director Koji Fukada's new film *Nagi Notes* premiered on 13 May at the Cannes Film Festival. The story follows Yuri (Shizuka Ishibashi), who visits the remote town of Nagi to sit for a sculptor friend, Yoriko (Takako Matsu). The film explores how characters use art—from drawings to sculptural busts—as a medium to express unspoken desires, grief, and identity, with key scenes set at the Nagi Museum of Contemporary Art featuring a permanent installation by Arakawa and Madeline Gins.

This First Nations artist wants your racist 'Aboriginalia' – video

Indigenous artist Tony Albert has issued a public call for Australians to donate their 'Aboriginalia'—objects that depict Aboriginal people and designs but were created by non-Indigenous people, often as caricatures or exoticized souvenirs. Over 3,000 items from Albert's own collection, including tea towels, ashtrays, and playing cards, are now on display in his solo exhibition 'Not a Souvenir' at the Museum of Contemporary Art (MCA) in Sydney, opening on 21 May.

Grayson Perry’s life story to be told in ‘outrageous’ musical

Grayson Perry’s life story is being adapted into a stage musical titled *Grayson the Musical*, co-created with Richard Thomas, composer of *Jerry Springer: The Opera*. The show follows Perry from his childhood in Chelmsford to his rise as a Turner Prize-winning ceramicist and tapestry-maker, featuring his iconic dresses and his teddy bear Alan Measles. Perry wrote the lyrics, with a book by screenwriter Sara-Ella Ozbek and direction by Sean Foley. A workshop production will run for five performances in July at Soho Theatre Walthamstow, the east London borough where Perry once kept a studio and which inspired his famous work *The Walthamstow Tapestry*.

Romanesco in a Max Mara Coat

Romanesco im Max-Mara-Mantel

Evelyn Taocheng Wang's first institutional solo exhibition in Italy, "Sweet Landscape," opens at the Museion in Bolzano. The Chinese-born, Rotterdam-based artist presents silk paintings, pastel canvases, and painted garments that probe the region's complex history beneath its idyllic Alpine scenery. Works such as "Frog Princess Checks Her Smartphone in front of Window of August Macke’s Hat Shop" (2026) and "Ancient Roman bust for Sale" (2026) blend local food motifs, cultural translation, and hybrid identity, questioning who gets to write history and how landscapes are perceived through secondhand experiences.

‘Entertainment is often violence shrouded in a fun disguise’: Marianna Simnett on being tickled for hours and having Botox injected into her throat

Marianna Simnett, a Croatian British multi-disciplinary artist, discusses her new exhibition 'Circus' at the Secession in Vienna, which features a light, sound, and sculpture installation in a pitch-black basement. The show includes works like 'Catherine Wheel' (2026), a blue spinning reflective skirt accompanied by the sound of the artist being tickled for four hours, and 'Fountain' (2026), a neon of a woman urinating referencing Balkan folklore. Simnett explores themes of violence, desire, pain, and power, often using her own body as a site of transformation, as in her earlier work 'The Needle and the Larynx' (2016) where she had Botox injected into her throat.

Virginia Museum of Fine Arts receives major gift of photography

The Virginia Museum of Fine Arts (VMFA) announced a major gift of 1,986 photographs from Joy of Giving Something, Inc. (JGS), a nonprofit founded by financier Howard Stein. The donation includes works by over 450 artists, spanning the 19th century to the present, with highlights such as rare daguerreotypes by Joseph-Philibert Girault de Prangey, prints by Gustave Le Gray and Eugène Atget, and significant holdings in American documentary photography from figures like Dorothea Lange and Walker Evans. The gift follows an earlier 2023 donation of portfolios and series, and positions VMFA to open five new photography galleries in 2027 as part of its expansion.

When satire met paper: ‘Ink & Outrage’ is now open at the Driehaus Museum

The Driehaus Museum in Chicago has opened 'Ink & Outrage: 18th-Century Satirical Prints in London & Dublin,' an exhibition of some 100 prints by Georgian-era caricaturists including James Gillray and Thomas Rowlandson. Curated by Silvia Beltrametti and William Laffan, the show explores the rise of visual satire in 18th-century England and features side-by-side comparisons of original English prints with unauthorized Irish copies, highlighting issues of plagiarism and intellectual property.

Discarded Things Alive Again: The Maeck Sculpture Foundation Grand Opening and Tour

The Maeck Sculpture Foundation opened in Burr Oak, Iowa, with a public tour led by artist Steven Maeck. The park features sculptures made from salvaged industrial materials like steel wheels and grain bins, transformed into balanced, lyrical forms. Maeck, who spent 25 years as an itinerant rug dealer before committing to sculpture full-time, described his work as modern sculpture rather than junkyard art, emphasizing form, rhythm, and spatial relationships over material origins.

Brook Hsu ”The Barcelona Pavilion (including work by Georg Kolbe)” at Kraupa-Tuskany Zeidler, Berlin

Brook Hsu's exhibition "The Barcelona Pavilion (including work by Georg Kolbe)" at Kraupa-Tuskany Zeidler in Berlin presents a series of works that interweave references to architecture, film, literature, and animal carcasses. The show's title alludes to Mies van der Rohe's iconic Barcelona Pavilion and the sculptor Georg Kolbe, whose work was originally installed there, while the list of pieces—ranging from paintings like "Daybreak:Orange Tree" to works dedicated to figures such as Anne Wiazemsky and Pasolini—creates a dense, associative network of cultural and personal memory.

Jackson Pollock breaks auction record with $181 million painting.

Jackson Pollock's painting *Number 7A* (1948) sold for $181.2 million at Christie’s in New York, shattering the previous auction record for the Abstract Expressionist artist by nearly three times. The evening sales also set new auction records for Mark Rothko and Constantin Brâncuși, and realized over $1 billion in a single evening, only the second time in auction history that threshold has been crossed.

CUANDO LOS OBJETOS HABLAN. MUSEO HECHIZO, DE JUAN JOSÉ SANTOS

Juan José Santos's book "Museo hechizo" (Metales Pesados, 2025) challenges the perceived neutrality of the Western museum, presenting it as an institution shaped by colonial logics of classification, extraction, and representation. The essay centers on the concept of "lo hechizo"—understood as both artisanal precariousness and disruptive enchantment—and explores small, community-based Latin American museum experiences that operate from precarity, reciprocity, and care. Santos argues that the museum is a space of conflict where voices, narratives, and ways of constructing history are contested, and he proposes thinking of the museum through its minor, situated, and alternative forms in Latin America.

“Magnanrama. Portraits, Networks, and News of Nathalie Magnan” at Villa Arson, Nice

Mousse Magazine reports on the exhibition “Magnanrama. Portraits, Networks, and News of Nathalie Magnan” at Villa Arson in Nice, which celebrates the life and work of Nathalie Magnan (1956-2016). Magnan was a media theorist, filmmaker, cyberfeminist, educator, webmistress, hacktivist, and interdisciplinary figure who navigated the internet and the high seas, contributing to the history of thought, technology, feminism, and LGBTQI+ struggles. The show presents portraits, networks, and news related to her legacy, positioning her as a mediator and artist despite her reluctance to use that term.

Canadian Museum of Human Rights Threatened With Legal Action Over Palestinian Nakba Show

The Canadian Museum for Human Rights in Winnipeg has been threatened with legal action by Shurat HaDin – Israel Law Center over an upcoming exhibition titled "Palestine Uprooted: Nakba Past and Present," scheduled to open June 27. The exhibition focuses on the 1948 expulsion of approximately 750,000 Palestinians, known as the Nakba, and features video testimonies, photography, visual art, and text exploring human rights violations and forced displacement. Shurat HaDin's letter, sent to the museum's board and senior leadership, argues the exhibition omits Jewish historical ties to the region, politicizes history, and could fuel hostility against the Jewish community. The organization demands the museum halt work on the show, commission an independent review, and retract statements about Israeli human rights violations, threatening litigation if the museum does not respond within 14 days. The museum has confirmed the letter is under review but stated the exhibition is still expected to open as scheduled.

2026 Sondheim Art Prize semifinalists to exhibit work at Reginald F. Lewis Museum

The Reginald F. Lewis Museum of Maryland African American History & Culture will host an exhibition of works by 16 semifinalists for the 2026 Janet & Walter Sondheim Art Prize, on view from May 21 through June 21. The show features a range of mediums including oil paintings, archival prints, video narratives, 3D sculptures, and multimedia installations. An opening reception on May 21 is free and open to the public. The five finalists—Thea Canlas, Leigh Davis, Brandon Donahue-Shipp, Curran Hatleberg, and Danni O’Brien—will exhibit separately at the Walters Art Museum from June 25 to September 13, with the $30,000 prize winner announced in August.

Meet the Hawaiʻi creatives behind a workout video featured in a New York art exhibition

A satirical workout video titled "20 minute workout" created by the Hawaiʻi-based artist initiative kekahi wahi is featured at the Whitney Biennial in New York. The video shows dancers in spandex stretching in front of the Captain Cook Monument at Kealakekua Bay on Hawaiʻi Island, set to electronic music. The project was part of a larger effort to reimagine public space and challenge commemorative monuments in Hawaiʻi, drawing on the energy of debates over Confederate statues in the continental U.S.

WUF13: Director of National Art Museum explains how art shapes cities and urban change [INTERVIEW]

At the 13th session of the World Urban Forum (WUF13) in Baku, Shirin Malikova, director of the Azerbaijan National Art Museum, gave an interview discussing how art reflects and shapes urban development. She cited historical examples such as Bernardo Bellotto's 18th-century vedute paintings, which were used to reconstruct Warsaw's historic center after WWII, and the Eiffel Tower, originally a temporary installation that became a permanent symbol of Paris. The museum also presented an exhibition at the forum focusing on Baku's transformation across different eras, highlighting how art captures the multilayered history and cultural identity of cities.

Theme and title announced for Wang Shu and Lu Wenyu’s 2027 Venice Architecture Biennale

Wang Shu and Lu Wenyu have announced the theme and title for the 2027 Venice Architecture Biennale: "Do Architecture – For the Possibility of Coexistence Facing a Real Reality." The curators posed a series of questions addressing global climate change, the coexistence of land and architecture, natural materials versus modern construction, and urban-rural development conflicts. They emphasized that architecture is not just theoretical but must be practiced firsthand, confronting real reality through real construction. The duo, founders of Amateur Architecture Studio, have a long history with the Biennale, having participated in 2006 and 2010, where they received a Special Mention for their project 'Decay of a Dome.' The twentieth edition of the Architecture Biennale opens in May 2027.

From Two Tons of Celadon, Jean Shin Sculpts a Metaphor for the Korean Diaspora

Artist Jean Shin has created "Celadon Landscape," a monumental installation at the Green-House at Green-Wood in New York, using nearly two tons of discarded celadon porcelain fragments donated by studios in Icheon, South Korea. The work features two large bulbous vessels covered in broken shards of cups, saucers, and pots, appearing to emerge from the earth as if unearthed in an archaeological dig. The installation is on view through January 17.

First Zurbarán exhibition at the National Gallery

The National Gallery in London has opened the first monographic exhibition in the UK dedicated to Francisco de Zurbarán, a leading 17th-century Spanish painter. The show brings together exceptional loans from public and private collections across the UK, Europe, and the United States, including works displayed together for the first time in over a century. Highlights include life-size depictions of saints, soaring altarpieces, and contemplative still lifes, with the exhibition running until 23 August.

Penarth artist holds first exhibition after a lifetime of painting

Stephen Stokes, a 66-year-old retired kitchen business owner from Penarth, Wales, has staged his first-ever art exhibition after a lifetime of painting. The show, held at Llanover Hall Arts Centre in Cardiff, features works spanning decades, including portraits, still lifes, and scenes painted from life. Stokes, who studied at art college in Liverpool in the 1980s, was inspired by post-Impressionist masters like Matisse, Van Gogh, and Monet. Around 80 people attended the opening, and several visitors expressed interest in purchasing his work, though he had not initially priced the pieces.

Landscape and Imagery Help MOWA Celebrate the Country’s 250th Birthday

The Museum of Wisconsin Art (MOWA) in West Bend has opened a new exhibition titled "The American Landscape: Beyond the Horizon," celebrating the role of Wisconsin artists in capturing the state's contributions to the United States ahead of the country's 250th birthday. The show features over 60 works, 60% from the museum's permanent collection and 40% borrowed from artists and collectors, including pieces by John Stuart Curry, Lois Ireland, Georgia O'Keeffe, Native American artists like Helen Lonetree and Lila Greengrass Blackdeer, and contemporary works by incarcerated artist M. Winston. Guest curator Rafael Salas, a professor at Ripon College, also includes three of his own works.

Why We Need Corporate Art Collections

The article traces the history and significance of corporate art collections, beginning with Deutsche Bank's acquisition of 57 early drawings by Joseph Beuys in the late 1970s, which led to the formal launch of its collection in 1980. Today, the Deutsche Bank Collection comprises over 57,000 objects displayed in 500 locations across 40 countries, and the bank sponsors events like the Frieze Art Fair. The piece also highlights the role of American banker David Rockefeller, who inaugurated Chase Manhattan Bank's Art at Work program in 1959, and notes that corporate collecting has deep roots in Renaissance banking, with institutions like Banca Monte dei Paschi di Siena commissioning art for their offices.

entering tilda swinton's ongoing world of ghosts, garments, and artistic fellowship

Designboom revisits Tilda Swinton's iconic sleeping performance piece, originally staged with artist Cornelia Parker, as part of a new exhibition titled 'Flat 19' that reconstructs Swinton's former London apartment alongside filmmaker Joanna Hogg. The show also features 'A Biographical Wardrobe,' displaying garments from Swinton's films, performances, and personal archives, creating an immersive exploration of her artistic collaborations and personal history.

Here is what the 2027 Venice Architecture Biennale curated by Chinese architects Lu Wenyu and Wang Shu will be about

Ecco di cosa parlerà la Biennale Architettura di Venezia 2027 dei curatori cinesi Lu Wenyu e Wang Shu

For the first time in the history of the Venice Architecture Biennale, two Chinese architects—Wang Shu (Pritzker Prize 2012) and Lu Wenyu—have been appointed as curators of the 20th International Architecture Exhibition, scheduled from May 8 to November 21, 2027. The duo, who co-founded Amateur Architecture Studio in 1997 and are partners in life and work, previously participated in the Biennale in 2010 under Kazuyo Sejima (receiving a Special Mention for their project "Decay of a Dome") and in 2016 under Alejandro Aravena. Their edition will follow the 2025 edition curated by Carlo Ratti and will be titled "Fare Architettura" (Doing Architecture), focusing on the coexistence of diversity in real reality.

First-Ever Atrium Gallery Exhibition honors Texas Trailblazing Women at McKinney Cotton Mill

MillHouse Foundation, in partnership with Cotton Mill Partners, has launched the inaugural America 250: Texas Trailblazing Wonder Women Exhibition at the newly opened Atrium Gallery inside the McKinney Cotton Mill Arts and Design District in McKinney, Texas. Running from June 12 through August 26, the exhibition features 24 large-scale original works by Texas artists honoring influential Texas women such as Barbara Jordan, Lady Bird Johnson, Ann Richards, Simone Biles, Beyoncé, and Selena Quintanilla. All artworks are available for purchase, and a Meet the Artists Reception on June 27 will announce award recipients including the $5,000 Texas Trailblazer Award.

The Raphaels, the Italian Gang and the Olive Oil Maker: The Spectacular Theft of 7 Paintings in Budapest During the Cold War

Les Raphaël, le gang italien et le fabricant d’huile d’olive : le spectaculaire vol de 7 tableaux à Budapest en pleine guerre froide

On November 5, 1983, thieves stole seven Renaissance masterpieces from the Museum of Fine Arts in Budapest, including two works by Raphael, two by Tiepolo, two by Tintoretto, and one by Giorgione, valued at $28 million. The heist was carried out by a small Italian gang from Reggio Emilia, who entered through a window using a scaffolding left by construction workers, leaving behind a screwdriver from the Italian brand USAG that the mastermind mistakenly thought would implicate American thieves. The operation was led by Ivano Scianti, with accomplices including Giordano Incerti, Graziano Iori, Giacomo Morini, and Carmine Palmese.

Kettle Art Gallery presents "OG’s Return to Deep Ellum" opening reception

Kettle Art Gallery in Dallas is hosting "OG's Return to Deep Ellum," an exhibition reuniting eight pioneering visual artists who helped shape the creative identity of the Deep Ellum district. The show features works by Bill Haveron, Brad Ellis, Brad Smith, Clay Austin, Dwayne Carter, Frank Campagna, Greg "Ozone" Contestabile, and Thor Johnson, alongside tributes to the late Albert Scherbarth and David "Mosquito" Hawley. The opening reception precedes a run through August 16.

Playable exhibition ‘The Art of Mini Golf’ at Battersea Arts Centre announces ninth hole artist - Danielle Brathwaite-Shirley

Rising Melbourne and Battersea Arts Centre (BAC) have announced that British artist and game designer Danielle Brathwaite-Shirley will design the ninth hole artwork for the playable exhibition 'The Art of Mini Golf' when it travels to London this summer. The exhibition, formerly known as 'Swingers', will take over BAC from 17 June to 26 July, featuring nine interactive golf hole artworks by leading women artists including Miranda July, Kaylene Whiskey, Saeborg, Delaine Le Bas, Natasha Tontey, BKTHERULA, Soda Jerk, and Pat Brassington. Brathwaite-Shirley's new commission, 'Enough Is Enough', uses video game language to critique technology's impact on society, addressing issues like surveillance, censorship, and wealth inequality.

Mythical Creatures at the Met Cloisters

The Metropolitan Museum of Art will present "Creatures of Myth and Imagination: Europe and the Americas" at the Met Cloisters from May 18 to October 18, 2026. The exhibition explores hybrid mythical beings in visual arts from 500 to 1500 CE, featuring over 50 objects including paintings, sculpture, ceramics, ivories, textiles, and metalwork drawn mainly from the Met collection. It marks the first time ancient American art will be shown at the Met Cloisters, with key loans from the Museo del Templo Mayor in Mexico City, including a never-before-seen-in-New-York sculpture of the Zapotec "bat lord."