"Etwas zaghaft, etwas ängstlich, etwas sicher"

The article surveys recent art-world commentary, focusing on a critical review of the Turner Prize shortlist in The Guardian, where Eddy Frankel calls the selection "timid, anxious, safe" and laments a self-perpetuating, elitist system. It also covers a Hyperallergic essay by Lisa Siraganian questioning whether artworks can possess personhood, sparked by Pierre Huyghe's Venice exhibition. Additionally, it reports on controversy at the Venice Biennale, where the jury preemptively excluded countries whose leaders are sought by the International Criminal Court—namely Russia and Israel—drawing sharp criticism from Die Welt's Marcus Woeller. A podcast interview with US sculptor Alma Allen, selected for the US Pavilion, rounds out the coverage.

GDR Women Without Filter

DDR-Frauen ohne Filter

The Kunsthaus Apolda in Thuringia is presenting a posthumous retrospective of Günter Rössler, the East German photographer who defined nude and fashion photography in the GDR, on what would have been his 100th birthday. The exhibition features 130 works spanning six decades, including fashion assignments, reportage from his travels abroad, and large-format black-and-white nudes. It is curated by his widow and estate manager Kirsten Schlegel, and complemented by an audio guide in which Rössler's models reflect on their collaboration with him.

Corcoran students commemorate America’s 250th year with interactive art exhibit

Graduate students at the Corcoran School of the Arts & Design, part of George Washington University, have created an interactive exhibition titled “American Made” to commemorate the United States’ 250th anniversary. The exhibit, on view at the Luther W. Brady Art Gallery until May 14, combines 21 traditional artworks from GW’s collection—including photographs, pottery, and textiles—with interactive elements such as a touchscreen map and audio components. The project was developed collaboratively by students in museum studies and interactive design programs, led by professors Laura Schiavo and Sam Shelton, as part of the school’s annual NEXT Festival. Featured works include Patricia Kennedy-Zafred’s contemporary quilt “Tagged,” which addresses the incarceration of Japanese Americans during World War II.

Manet and Morisot: Game On | Susan Tallman

The article recounts an incident in 1870 when Berthe Morisot, a young painter, sought advice from Édouard Manet on a double portrait of her mother and sister for the Paris Salon. Manet, a friend and fellow artist, visited her studio and, after deeming the work "very good" except for the dress, took up brushes and extensively retouched the figure of Morisot's mother from hem to head, leaving Morisot mortified. This moment, described as "mansplainting," is framed as a pivotal point in their artistic relationship, which the exhibition "Manet and Morisot" explores through paintings that dialogue with each other, including Manet's *The Balcony* and Morisot's *The Artist's Sister at a Window*.

According to the Turner Prize, one of the year’s best British artists is… French

The 2026 Turner Prize shortlist has been announced, featuring four nominees including French-born artist Marguerite Humeau, who is considered the front-runner despite the award's requirement of honoring a "British artist." Humeau, known for her futuristic biomorphic sculptures made from unusual materials like wasp venom and seaweed, lives in London but was born and raised in the Loire Valley. Other nominees include London-born Kira Freije, Simeon Barclay for his spoken-word performance "The Ruin," and Tanoa Sasraku, whose ICA show is described as "dreary" by the critic. The winner will be announced at Middlesbrough Institute of Modern Art in December.

Toronto art gallery hosting free party ahead of new exhibit

The Power Plant Contemporary Art Gallery in Toronto is hosting a free opening party on April 24 for its new exhibition, 'Colourful Parachutes: Imagining Alternative Futures Through the Power of Play.' The exhibition features interactive installations by ten international artists, including Temitayo Ogunbiyi, Leisure, Robin Rhode, and Claire Greenshaw, designed to be touched, climbed on, and altered by visitors.

Rika Nakajima: A New Book of the Dead, Part 3

連載 中島りか 新しい死者の書 第三回

Japanese artist Rika Nakajima reflects on the trial of Tetsuya Yamagami, who assassinated former Prime Minister Shinzo Abe in 2022, weaving together her own experience running the project space "Datsuisho – (a) place to be naked" in Tokyo's Yanaka district. As the space faced demolition in late 2025, Nakajima draws parallels between the trial's timing and the closure of her venue, recalling earlier events at the space that discussed the state funeral controversy and the cult issues exposed by the assassination. She describes attending the trial in Nara, observing Yamagami's demeanor, and connecting the case to broader themes of political aesthetics, fascism, and the theatricality of the judicial system.

Why AI Doesn't Steal Our Imagination – with Jenifer Becker

Warum KI uns nicht die Fantasie raubt – mit Jenifer Becker

Author and cultural scholar Jenifer Becker discusses the impact of artificial intelligence on creativity in the Monopol podcast "Fantasiemuskel." She argues that while AI-generated text is often generic, it can liberate us from the romantic myth of the solitary genius by demonstrating that most ideas already exist. Becker leads the "AI Lab Kit" at the Hildesheim Literature Institute, using experimental projects to push language models beyond their algorithmic comfort zones.

The miart 2026 fair is over and no longer has a director. Who will direct the 2027 edition? The name game

La fiera miart 2026 è finita e non ha più un direttore. Chi dirigerà l’edizione 2027? Il totonomi

The 2026 edition of the Milanese art fair miart has concluded, but its director Nicola Ricciardi is not expected to continue. The fair's owner, Fiera Milano, issued a closing statement with results and future dates, but failed to announce a successor, leaving the leadership for the 2027 edition in question.

Go See Diné Artist Eric-Paul Riege’s Largest Show to Date at the Henry Art Gallery

Diné artist Eric-Paul Riege has opened his largest exhibition to date, titled "ojo|-|ólǫ́," at the Henry Art Gallery in Seattle. The show features textile sculptures, looms, beading, video, and performance, and uniquely invites visitors to physically touch the artworks, allowing them to become part of the objects' material history through their interactions.

Artist’s sausage display eaten by gallery visitors

A conceptual art installation featuring a display of sausages was reportedly consumed by visitors at an art gallery. The incident occurred during an exhibition where the edible components of the artwork were mistaken for refreshments or intentionally consumed as an act of defiance or misunderstanding of the work's boundaries.

Helena Samarasinghe at Camberwell Space

British-South Asian artist Helena Samarasinghe is presenting her debut solo exhibition, "Reaching, Touching, Shedding," at Camberwell Space in London. The show features a series of vibrant drawings and sculptural cut-out installations that explore the intersections of sport, power, and identity. Developed during her residency as the 2024 Vanguard Prize winner, the works utilize oil, soft pastels, and charcoal to depict brown women engaged in activities like football, wrestling, and athletics, drawing stylistic inspiration from 19th-century Bengali Kalighat painting.

The Railway comes to Potters Bar Exhibition

The Potters Bar Museum is hosting a specialized exhibition titled "The Railway comes to Potters Bar," focusing on the historical impact of the rail network on the local community. The display features a collection of archival photographs, artifacts, and historical documents detailing the evolution of transport in the area.

melvin edwards sculptor dead 1234779467

Melvin Edwards, the pioneering sculptor known for his powerful steel assemblages and "Lynch Fragments" series, has died at the age of 88 in Baltimore. Edwards was a trailblazer who reframed Minimalism by infusing it with political and cultural weight, becoming the first Black sculptor to have a solo exhibition at the Whitney Museum in 1970. His work utilized industrial materials like chains and barbed wire to address histories of enslavement, anti-Black violence, and global conflict while maintaining a sophisticated abstract language.