smithsonian drops text about trumps impeachments legendary painter beatriz gonzalez dies at 93 morning links for january 12 2025 1234769447

The Smithsonian's National Portrait Gallery removed wall text referencing President Donald Trump's two impeachments from its "America's Presidents" exhibition after installing a new portrait of him. The original label had noted Trump's political accomplishments and his impeachments for abuse of power and inciting insurrection, which had reportedly been a sore point for the Trump administration. Separately, Colombian painter Beatriz González died at age 93; she was known for reworking Old Master paintings in garish colors and later addressing political upheaval in her country.

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The Smithsonian Institution has been forced to close its 21 museums in Washington, D.C., indefinitely due to a continuing U.S. government shutdown that began on October 1. The National Gallery of Art had already closed the previous weekend. The Smithsonian had initially used its own funds to stay open, first planning to close on October 6 and then extending operations through October 11, but the ongoing shutdown—stemming from disagreements between Democrats and Republicans over health care policy—has now made closure unavoidable. The shutdown also threatens upcoming programming, including a planned Grandma Moses survey at the Smithsonian American Art Museum and a portraiture competition exhibition at the National Portrait Gallery, which has already been postponed.

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The Smithsonian Institution publicly affirmed its independence from the Trump administration after President Donald Trump attempted to fire National Portrait Gallery director Kim Sajet, citing her perceived criticism of him. Sajet has continued reporting to work, and the Smithsonian's Board of Regents backed Secretary Lonnie G. Bunch's authority over personnel decisions, while also directing him to ensure exhibits remain nonpartisan. Separately, Los Angeles's Museum of Contemporary Art (MOCA) closed its Geffen branch early on June 8 as National Guard troops clashed with anti-ICE protesters, though Russian artist Nadya Tolokonnikova continued her durational performance "Police State" inside the closed museum. The protests unfolded in front of Barbara Kruger's 1990 mural "Questions," which Kruger said was a prophetic commentary on the current political moment.

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The Andy Warhol Foundation for the Visual Arts and the Helen Frankenthaler Foundation have announced an $800,000 fund to support 80 visual arts programs at small and mid-sized organizations across the United States. Each recipient, previously funded through the National Endowment for the Arts' Challenge America initiative, will receive $10,000 to advance projects stalled after the Trump administration suspended that federal program. The announcement comes amid broader cuts to federal arts funding, including the departure of all 10 NEA grant directors and the termination of grants for organizations like n+1, SculptureCenter, Queer Art, and A.I.R. Gallery, which received notices citing misalignment with the administration's priorities.

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Kim Sajet, former director of the Smithsonian Institution’s National Portrait Gallery (NPG), has been appointed as the new director of the Milwaukee Art Museum, starting September 22. She left the NPG in June after a high-profile clash with President Donald Trump over diversity initiatives and funding. Sajet brings extensive experience from museums in the Netherlands and Australia, and during her 12-year tenure at the NPG, she doubled attendance and raised $85 million. She replaces Marcelle Polednik, who departed in May after nine years.

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The Trump administration is moving to eliminate the National Endowment for the Humanities (NEH) while simultaneously cutting its funding and reshaping its priorities. In early May, the NEH announced $9.55 million for 68 projects, a sharp drop from $26.2 million for 238 projects the previous year. The number of Summer Stipends was slashed from nearly 100 to just 18, with total funding cut by three-fourths to $144,000. Only one Media Project grant was awarded, down from ten. The administration has also sought to lay off NEH workers, cancel grants, and divert funds to a National Garden of American Heroes, a presidential pet project.

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Former South Korean first lady Kim Keon Hee was arrested on charges of stock price manipulation and election interference. Known for organizing exhibitions featuring artists like Andy Warhol and Mark Rothko, she joins her husband, former President Yoon Suk Yeol, in detention, marking the first time a former presidential couple in South Korea has been detained simultaneously. Separately, the article reports on the cancelation of queer art exhibitions at US museums, including Amy Sherald's Smithsonian show, amid Trump administration directives. It also covers the tragic death of Italian designers Mario Paglino and Gianni Grossi, celebrated for transforming Barbie dolls into high-value art pieces, who died in a car crash.

black arts institutions funding nea cuts 1234747703

The National Endowment for the Arts (NEA) has announced funding cuts to arts organizations across the U.S. as part of broader government spending reductions under the Trump administration. These cuts disproportionately affect Black-led art institutions, including the Museum of Contemporary African Diasporan Art (MoCADA), Museum Hue, and the Billie Holiday Theatre, which rely heavily on federal grants for programming and operations. While some organizations received final payments or avoided returning funds, they face an uncertain future as critical funding streams are terminated or made ineligible for renewal.

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Vanity Fair published a two-part feature with unprecedented imagery of the Trump administration, shot by photographer Christopher Anderson. Diet Prada annotated the photos, highlighting that a floral still life by French impressionist Berthe Morisot, titled *Peonies* (1869), appears behind press secretary Karoline Leavitt and is currently available as a print through Walmart. The painting belongs to the National Gallery of Art in Washington, D.C., which lists it as not on view and declined to comment on whether it is on loan to the White House. The Trump administration has not responded to inquiries about the artwork's provenance or whether it was newly installed or left over from a previous administration.

The US Pavilion Is Taking Online Donations

The American Arts Conservancy (AAC), the nonprofit tasked with executing Alma Allen's 2026 US Pavilion at the Venice Biennale, is soliciting online donations from the public after receiving no corporate or foundation funding. Unlike previous pavilions backed by major foundations like Ford and Mellon, AAC's fundraising relies on private citizens, with a minimum $100 donation requested via its website. The State Department provided $375,000 but requires additional funding, and AAC's Executive Director Jenni Parido, a former pet food store owner, declined to name specific donors, though Instagram posts suggest wealthy Trump allies attended benefit events. Perrotin Gallery, which represents Allen, is providing operational support but not funding.

smithsonian teams up with saudi arabias alula project 1234742505

The Smithsonian’s National Museum of Asian Art (NMAA) has signed a formal partnership agreement with Saudi Arabia’s Royal Commission for AlUla (RCU), formalizing two years of behind-the-scenes collaboration. Signed by NMAA director Chase Robinson and RCU chief executive Abeer Al Akel, the deal covers joint archaeological research, exhibition loans, curatorial exchange, and professional development, with a focus on the ancient site of Dadan, a key stop on the Incense Road. The partnership is part of Saudi Arabia’s Vision 2030 plan to rebrand the kingdom as a global cultural destination.

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The US Department of State confirmed that Mexico-based artist Alma Allen will represent the United States at the 2026 Venice Biennale, opening next May. Jeffrey Uslip will serve as curator, and the commissioning institution is the American Arts Conservancy (AAC), with its executive director Jenni Parido as official commissioner. Allen, who has had only two museum solo shows in three decades, was approached directly by Uslip in October after the State Department had already approved him. The selection process broke from tradition: the National Endowment for the Arts was not involved due to time constraints and staffing transitions, and a prior proposal by artist Robert Lazzarini and curator John Ravenal fell through after negotiations with the University of South Florida’s Contemporary Art Museum collapsed. Allen’s pavilion, titled "Call Me the Breeze," will feature about 30 works exploring elevation and transformation, framed by the State Department as furthering the Trump Administration’s focus on American excellence.

Guggenheim Museum Appoints Melissa Chiu as Next Director

The Solomon R. Guggenheim Museum has appointed Melissa Chiu as its new director, effective September 1. Chiu joins the New York flagship after a 12-year tenure at the Smithsonian’s Hirshhorn Museum and Sculpture Garden, where she was credited with doubling attendance and significantly increasing fundraising. Her appointment is part of a leadership restructuring by Guggenheim Foundation Director and CEO Mariët Westermann, who will shift her focus toward the foundation's international outposts, including the upcoming Abu Dhabi location.

At the ‘art world Olympics,’ Team USA is chaotic

The US Pavilion at the 2026 Venice Biennale, often called the 'art world Olympics,' is mired in controversy and delays under the Trump administration. Curator Jeffrey Uslip insists the process has been smooth and artistically autonomous, but the selection of sculptor Alma Allen and commissioner Jenni Parido—a former pet supply shop owner with a new nonprofit—has raised eyebrows. The usual vetting process by the National Endowment for the Arts was disrupted, new language banning diversity, equity, and inclusion efforts was added to applications, and a government shutdown left only six months to fundraise and plan the exhibition, which coincides with the US's 250th anniversary.

Lynda Roscoe Hartigan Named Director of Smithsonian American Art Museum

Lynda Roscoe Hartigan has been appointed as the new director of the Smithsonian American Art Museum (SAAM) in Washington, DC, effective September 8. She returns to SAAM, where she began her career and later served as chief curator, from her current position as executive director and CEO of the Peabody Essex Museum in Salem, Massachusetts. She succeeds acting director Jane Carpenter-Rock, who will remain as deputy director.

DACA Artist Uses Thread to Weave Immigration Stories

Arleene Correa Valencia, a DACA recipient and Bay Area artist, presents her debut solo exhibition "CÓDICE •• SOBREVIVIENDO A LA PERSECUCIÓN" at Fridman Gallery in Manhattan, on view through May 2. The show features large-scale acrylic and textile works on amate bark paper, including a 16-foot-long piece depicting border-crossing narratives. Valencia collaborates with her father, mother-in-law, and papermaker Jose Daniel Santos de la Puerta, and incorporates childhood letters that poignantly reflect family separation and undocumented life.

Georgia O'Keeffe Museum Launches Digital Catalogue Raisonné

The Georgia O’Keeffe Museum has launched Access O’Keeffe, a comprehensive digital catalogue raisonné that makes over 2,000 of the artist’s works available to the public for free. Based on the definitive 1999 scholarship by Barbara Buhler Lynes, the platform includes paintings, sketches, and letters, featuring advanced search tools that allow users to filter by color, medium, and theme. The project was completed despite a significant funding scare when a federal grant was briefly rescinded during the Trump administration before being restored via legal action.

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An exhibition titled "Before the Americas," originally scheduled to open at the Art Museum of the Americas in Washington, D.C., was canceled after the Trump administration deemed it a DEI program and cut its funding. The show, which surveys work by Afro-Latino, Caribbean, and African American artists from the Greater Washington area, has now opened at Gillespie Gallery at George Mason University School of Art in Fairfax, Virginia, thanks to about 50 to 60 private donors who stepped in to fund it. Curated by Cheryl Edwards, the exhibition features 39 artists from 17 countries, including Amy Sherald, Renee Stout, Alma Thomas, Elizabeth Catlett, and Alonzo Davis, and runs through November 15 before traveling to the University of Maryland Global Campus.

Melissa Chiu Appointed Head of Guggenheim New York

Melissa Chiu nommée à la tête du Guggenheim New York

Melissa Chiu has been appointed as the new director of the Guggenheim Museum in New York, effective September 1. Currently the head of the Hirshhorn Museum and Sculpture Garden in Washington, D.C., Chiu succeeds Mariët Westermann, who will transition to a strategic role overseeing the Solomon R. Guggenheim Foundation’s international network. Chiu brings a proven track record of fundraising, having secured nearly $250 million during her tenure at the Hirshhorn, and is credited with significantly increasing attendance and diversifying the museum's collections.

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The Smithsonian American Art Museum's Renwick Gallery has opened "State Fairs: Growing American Craft," the first exhibition since the Trump administration's August 2025 audit of all Smithsonian exhibitions, didactics, and collections. The audit, based on an executive order to "restore truth and sanity to American history," condemned discussions of racism, sexism, and oppression as revisionist history. The exhibition features over 250 works from across the United States, spanning the 19th century to the present, arguing that regional state and tribal fairs are essential sites for the development of American craft. It includes spectacular pieces like a 12-foot pair of Lucchese boots, a life-size butter sculpture, and works by artists such as Morgan Hill, Kelly Bohnenkamp, Betty Spindler, Linda Nez, Kaye D. Miller, and Peggie Hartwell.

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The National Endowment for the Arts (NEA) has updated its 2026 fiscal year grant guidelines, cancelling the Challenge America grants that targeted underserved communities and replacing them with a focus on projects celebrating the 250th anniversary of the United States (America250). The changes, announced in response to executive orders by President Donald Trump, eliminate DEI-related funding and require applicants to have a five-year history of arts programming. Organizations that had applied for the $10,000 Challenge America grants must now resubmit under the broader Grants for Arts Projects category, with extended deadlines.

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At Brooklyn's Pioneer Works, a drag queen professional wrestling event called Choke Hole, part of artist Raúl de Nieves's exhibition, was disrupted when audience member and performer Chiquitita stormed the stage. She objected to a skit that made light of Immigration and Customs Enforcement (ICE) deportations, shouting that 'ICE is not entertainment!' and hurling the microphone into a video screen. The performance, titled ARMAGEDDON, featured an alien queen plot involving nuclear codes and ICE, and Choke Hole later apologized, removing the segment from subsequent shows.

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The article examines how gender pay disparities and the fear of a "pink-collar" profession persist in the art museum world, triggered by comments from Meta CEO Mark Zuckerberg about "masculine energy" in the workplace. It recounts a 2020 forum where National Gallery of Art director Kaywin Feldman expressed concern that art museums becoming predominantly female could lower salaries, a remark initially seen as sexist but later contextualized by the author's investigation into the origins of such fears. The author traces the concept to a 2016 New York Times article citing research on how female-dominated fields see pay drops, and explores how even progressive leaders like Feldman can inadvertently perpetuate gender bias.

A ‘bird of Mexico City’ strikes a revolutionary pose: Pieter Henket’s best photograph

Photographer Pieter Henket describes the creation of his portrait "La Mujer" (The Woman), part of his series "Birds of Mexico City." The image features Ixchel Paz, a young Mexican woman wearing a lucha libre wrestling mask, captured in a dignified pose on the first day of the project. Henket explains how the series evolved from an earlier project, "Birds of New York," which celebrated young people in New York during the first Trump administration. After the pandemic, he traveled to Mexico City with his husband Roger Inniss, collaborated with stylist Chino Castilla and his team, and encouraged subjects to express their identities through costume and culture.

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A replica of a Christopher Columbus statue was installed on the White House grounds under the direction of the Trump administration. The sculpture is a reproduction of a monument that was toppled and thrown into Baltimore’s Inner Harbor by protesters during the 2020 racial justice movements. Created by artist Will Hemsley using scans of the original fragments, the project was previously funded by the National Endowment for the Humanities and has now been placed near the West Wing as part of preparations for the 250th anniversary of American independence.

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Artist George Condo has left Hauser & Wirth and will now be jointly represented by Sprüth Magers and Skarstedt, marking a return to galleries with which he had long-standing relationships. Condo first showed with Monika Sprüth in 1984 and was represented by Skarstedt from 2004 to 2019 before joining Hauser & Wirth in late 2019. Separately, a new BBC documentary titled *Turner: The Secret Sketchbooks* explores whether J. M. W. Turner's creative genius was shaped by childhood trauma and neurodivergence, featuring commentary from artists, actors, and a psychotherapist. The article also reports that Dana Awartani will represent Saudi Arabia at the 2026 Venice Biennale, and that the Trump administration has tightened H-1B visa rules, making it harder for arts institutions to hire foreign specialists.

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Visual artist Dread Scott, playwright Lynn Nottage, and dozens of cultural figures have launched "Fall of Freedom," a nationwide weekend of creative demonstrations scheduled for November 21–22, 2025, to protest rising authoritarianism under the Trump administration. The project invites arts communities to organize independent actions—such as storefront readings, pop-up performances, exhibitions, and workshops—at museums, galleries, classrooms, comedy clubs, or any community gathering space. Participating institutions include the Institute of Contemporary Art, Los Angeles, which will host a "Wear Your Rights" silk-screening workshop, and New York's Leslie-Lohman Museum of Art, which will turn a gallery into a library of queer art activism books. Other notable participants include artists Marilyn Minter, Robert Longo, and Amy Sherald, who recently canceled a Smithsonian exhibition after concerns over her painting of a Black transgender Statue of Liberty.

mika rottenberg says trumps smithsonian situation is fucked up 1234754705

Artist Mika Rottenberg, whose work is included in an upcoming show at the Smithsonian-run Hirshhorn Museum and Sculpture Garden, called the Trump administration's interference with the Smithsonian "fucked up" in a Vanity Fair article. She praised Amy Sherald for canceling a Smithsonian show, calling it "amazing." British artist Richard Long also expressed concern about the administration "strangling everything" at the institution. The article notes that many other artists with works slated for Smithsonian presentations—including Nick Cave, Paul Chan, Olafur Eliasson, Spencer Finch, and Rashid Johnson—declined to speak to Vanity Fair, reflecting a cautious environment. Dread Scott, however, has been vocal, calling for the regime to be driven from power and urging art institutions to support dissenting artists.

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Time magazine released its annual Time 100 list on September 20, 2025, naming the most influential people of the year across six categories. Four art world figures made the list: visual artists Yoshitomo Nara and Mickalene Thomas (categorized as an "innovator"), architect Annabelle Selldorf, and novelist/filmmaker/performance artist Miranda July. The list also includes corporate CEOs, Trump administration members, fashion designers, and athletes, with each entry accompanied by a write-up from a fellow celebrity.

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Donald Trump has ordered a national park to remove a famous 1863 photograph of an enslaved man known as 'The Scourged Back,' which shows his scarred back from brutal whippings. The Washington Post reported the order on September 15, citing anonymous sources, and noted that multiple national parks are affected by directives targeting signs and exhibits related to slavery. The specific park impacted was later identified as Harpers Ferry National Historic Park in West Virginia, with the President's House Site in Philadelphia also potentially affected. The order follows a broader crackdown on what the Trump administration calls 'corrosive ideology' in American museums, including a March executive order targeting Smithsonian-run institutions.