Artist Tschabalala Self will co-chair the 2026 Met Gala, marking her first attendance at the event, which launches the Costume Institute's new exhibition “Costume Art.” She collaborated with designer Brandon Blackwood, a friend, to create her gown and style her look for the evening.
The New Museum has officially reopened its downtown New York campus following a significant expansion designed by the architectural firm OMA. The renovation introduces a massive internal staircase that connects all four floors, resolving long-standing circulation issues previously caused by a reliance on elevators. To mark the reopening, the museum debuted a site-specific facade sculpture by Tschabalala Self titled "Art Lovers" and a massive inaugural group exhibition, "New Humans: Memories of the Future," featuring over 150 international contributors.
Bidding has concluded for KAWS's 2019 screenprint, *Untitled (KAWS X Mocad)*, a limited-edition work produced for the artist's solo exhibition "Alone Again" at the Museum of Contemporary Art Detroit. The work was offered through Palm Beach Modern Auctions, with detailed condition reports and terms available to prospective bidders.
The Portland Art Museum (PAM) will open "Global Icons, Local Spotlight: Contemporary Art from the Collections of Jordan D. Schnitzer" in September 2025, featuring over 75 works from the collections of Oregon collector Jordan D. Schnitzer and his Family Foundation. The exhibition includes pieces by major 20th-century artists like Jasper Johns, Helen Frankenthaler, and Robert Rauschenberg, as well as contemporary figures such as Nick Cave, Mickalene Thomas, and Jeffrey Gibson, many shown publicly for the first time. Highlights include Christopher Myers' installation "Let the Mermaids Flirt with Me," debuting at PAM after its 2022 Art Basel Miami premiere.
Pharrell Williams's auction platform Joopiter has partnered with Martha Stewart for its first contemporary art sale, titled 'The Contemporary Take,' running through May 6. The 48-lot sale features works by blue-chip artists including George Condo, Jeff Koons, and Ed Ruscha, alongside emerging names like Tschabalala Self and Toyin Ojih Odutola. Stewart personally selected six lots, highlighting pieces by Amy Sherald, Damien Hirst, Ai Weiwei, Louise Bourgeois, Roy Lichtenstein, and Alex Katz. Estimates range from $4,000 to $1.2 million, and early bidding has been active, with works by Amy Sherald and Roy Lichtenstein drawing significant attention.
Tschabalala Self, the Harlem-born artist known for vibrant paintings and sculptures of everyday life, discusses her upcoming public commission "Lady in Blue" for the Fourth Plinth in London's Trafalgar Square. In an interview with Cultured, she reflects on her childhood, her love of storytelling, and her recent move to upstate New York, while also citing influences like Oliver Stone and Quentin Tarantino.
Komal Shah, a former tech executive and art collector, is hosting the Making Their Mark Forum in Washington, DC from March 5–7, 2025, coinciding with the presentation of her collection at the National Museum of Women in the Arts. The forum brings together museum leaders, artists, educators, and students to discuss the representation of women artists, following her 2023 exhibition “Making Their Mark” in New York, which featured 84 women artists and drew 50,000 visitors. Shah, who built her collection of works by women and artists of color through a strategy of “soft seduction,” has shifted toward a more activist stance after the re-election of Donald Trump and the subsequent attacks on DEI initiatives.
The Guggenheim Young Collectors Council (YCC) hosted its 2025 party at the museum's New York rotunda, honoring Korean artist Ayoung Kim as the recipient of the LG Guggenheim Award. The event featured a multisensory experience with tarot readings, motion-capture avatars, a performance by YCC Artist Collaborator LaJuné McMillian using LG OLED technology, and a DJ set by Kito, drawing a crowd of artists, curators, and collectors including Naomi Beckwith, Ella Emhoff, Tschabalala Self, and Moses Sumney.
« Vous souvenez-vous de la dernière critique négative que vous avez lue ? »
The traditional art of negative criticism is vanishing from mainstream media, replaced by a culture of polite consensus or violent but unprincipled social media attacks. Historically, critics like Baudelaire, Zola, and Huysmans used sharp, subjective arguments to defend avant-garde movements and challenge academicism, viewing the attack on certain artists as a necessary byproduct of championing others. Today, limited editorial space and a desire to support the arts have led French journalists to focus almost exclusively on praise, resulting in a loss of discernment and comparative analysis.
The Parrish Art Museum and The FLAG Art Foundation are hosting a talk on May 23, 2026, featuring artist Tschabalala Self and writer Camille Okhio to celebrate the exhibition "FRESH PAINT: Tschabalala Self." The event includes a conversation about Self’s painting "Adam and Eve" (2025), which is being shown for the first time in the U.S. as part of the FRESH PAINT series, a rotating single-artwork exhibition program that highlights new or rarely seen works.
The 2026 Met Gala, held at the Metropolitan Museum of Art under the theme 'Costume Art,' featured Black celebrities and socialites interpreting the human form as art on the red carpet. Notable attendees included Beyoncé in a skeletal silver gown by Olivier Rousteing, Colman Domingo inspired by Jean-Michel Basquiat, Rihanna in a custom Maison Margiela 'living sculpture' by Glenn Martens, and Venus Williams co-chairing the event while wearing a look referencing her own portrait by Robert Pruitt. Others like SZA, Tschabalala Self, and Cardi B offered surreal or literal nods to art history and body imagery.
New York City’s cultural landscape is undergoing a significant transformation with the reopening of the New Museum in its expanded 60,000-square-foot building designed by OMA. The inaugural exhibition, "New Humans: Memories of the Future," features over 200 contributors exploring the intersection of technology and humanity. Simultaneously, major institutions are launching landmark shows, including a massive Raphael retrospective at the Metropolitan Museum of Art and the 2026 Whitney Biennial, which focuses on artificial intelligence and climate grief.
The Metropolitan Museum of Art has launched the eleventh annual New York City Scholastic Art & Writing Awards exhibition, titled "Filling in the Gaps." Hosted at the Uris Center for Education, the showcase features 316 artworks and 300 literary pieces from local students in grades 7–12 who earned the prestigious Gold Key distinction. The exhibition highlights original works in painting, printmaking, and drawing, while providing digital access to the winning writing entries.
Hauser & Wirth New York has launched "Studio Visit," a sprawling group exhibition co-curated by artists Anicka Yi and Josh Kline in collaboration with Performance Space New York. Featuring works by 27 international artists including Jean-Michel Basquiat, Huma Bhabha, and Wolfgang Tillmans, the show pairs physical artworks with AI-generated "machine-generated memories" based on the artists' written recollections of their early workspaces. The project revives the spirit of Circular File, an experimental collective formed by Yi and Kline in the late 2000s.
The Metropolitan Museum of Art has unveiled details for its Spring 2026 Costume Institute exhibition, titled "Costume Art," and the accompanying Met Gala. Opening May 10, 2026, the exhibition will explore the relationship between the dressed body and art history by pairing garments with artworks from the museum's permanent collection. The event will also inaugurate the new 12,000-square-foot Condé M. Nast Galleries, designed by Peterson Rich Office, which are dedicated to fashion and cross-departmental displays.
The New Museum on Manhattan's Lower East Side will reopen to the public on March 21, 2025, after a two-year closure for an $82 million expansion designed by OMA's Shohei Shigematsu and Rem Koolhaas with executive architect Cooper Robertson. The expansion adds 61,930 square feet—including 9,600 square feet of gallery space, education facilities, artists' studios, and event spaces—bringing the total footprint to 119,600 square feet. The new building will be named after the late philanthropist and curator Toby Devan Lewis. The reopening will feature site-specific commissions by Tschabalala Self, Sarah Lucas, and Klára Hosnedlová, and a building-wide thematic exhibition, 'New Humans: Memories of the Future,' with works by over 200 modern and contemporary artists.
Frieze has published a guide to seven must-see exhibitions during Miami Art Week 2025, highlighting a diverse range of shows across the city. Featured presentations include a solo exhibition of new works by artist Tschabalala Self at the Bass Museum of Art, a survey of Afro-Cuban abstraction at the Pérez Art Museum Miami, and a group show of emerging Latin American artists at the Rubell Museum. Other notable exhibitions include a site-specific installation by Olafur Eliasson at the Institute of Contemporary Art, Miami, and a retrospective of the late painter Purvis Young at the Museum of Contemporary Art, North Miami.
Two of New York City's most influential contemporary art institutions, the Studio Museum in Harlem and the New Museum on the Bowery, are set to reopen this autumn after major architectural transformations. The Studio Museum will unveil its first purpose-built facility, an 82,000 sq. ft seven-story building on West 125th Street designed by Adjaye Associates with Cooper Robertson, featuring expanded exhibition space, artist studios, and a "reverse stoop" for public programming. The New Museum will debut a seven-story expansion to its flagship building at 235 Bowery, doubling its exhibition space and reinforcing its role as a hub for experimental art.
The Kunsthalle Bern has reopened after a year-long transformation led by director iLiana Fokianaki, marked by a new entrance designed by ALIAS architects and a trio of exhibitions by Black artists. The reopening follows a symbolic intervention by Ghanaian artist Ibrahim Mahama, who wrapped the building in jute sacks referencing the colonial history of Swiss cocoa extraction in Ghana, echoing Christo and Jeanne-Claude's 1968 wrapping of the same building. The inaugural shows feature solo exhibitions by Melvin Edwards, Tuli Mekondjo, and Tschabalala Self, with Edwards's retrospective traveling from the Fridericianum in Kassel to the Palais de Tokyo in Paris.
The exhibition "Making Their Mark: Works from the Shah Garg Collection" will be on view from February 27 to July 26, 2026, featuring approximately 80 works by nearly 70 influential women artists from the 20th and 21st centuries. Artists include Magdalena Abakanowicz, Cecily Brown, Sheila Hicks, Jenny Holzer, Julie Mehretu, Joan Mitchell, Faith Ringgold, Tschabalala Self, Amy Sillman, Lorna Simpson, Jaune Quick-to-See Smith, Pat Steir, Sarah Sze, Kara Walker, and Zarina. The show is organized into seven thematic sections—Gestural Abstraction, Luminous Abstraction, Pixelated Abstraction, Disobedient Bodies, Of Selves and Spirits, The Power of Form, and Craft is Art—juxtaposing emerging artists with their predecessors to highlight intergenerational connections and subversions of traditional art hierarchies.
Louis Vuitton has launched the Artycapucines VII collection, a collaboration with artist Takashi Murakami for its seventh edition of art-inspired handbags since 2019. Murakami was given full creative control over 11 new pieces, incorporating his signature motifs—such as rainbow grins, Monogram Multicolor in crocodile, skull camouflage, and tentacle-covered fuchsia calfskin—alongside a crystal-encrusted panda bag. The collection builds on over 30 previous artist collaborations with figures like Urs Fischer, Alex Israel, Park Seo-Bo, and Tschabalala Self.
Galerie Eva Presenhuber is hosting a group exhibition featuring the works of Aria Dean, Sandra Mujinga, and Tschabalala Self. The show explores the construction and erasure of the human body through diverse mediums, including Aria Dean’s 3D-animated film of an empty slaughterhouse and Sandra Mujinga’s spectral, fabric-based sculptures. By focusing on the architectures of violence and the labor of repair, the artists move away from traditional representation toward conceptual and structural critiques of subjecthood.
The Swiss Institute held its 2025 Benefit Gala at the Rainbow Room in Rockefeller Center, honoring artists Theaster Gates and Andro Wekua, patron Yan Du, Printed Matter (under Executive Director Lesley A. Martin), and the late curator Koyo Kouoh. The evening featured an a cappella performance by Tonewall, a paddle raise, a seated dinner, and an art auction led by Simon de Pury, with works by Chloe Wise and Michèle Sandoz. Attendees included collectors Maja Hoffmann, Eva Dichand, and Carola Jain; artists Chloe Wise, Tschabalala Self, and Sarah Morris; and other cultural figures.
The New Museum in Manhattan has officially unveiled its $82 million expansion, a transformative project designed by architects Rem Koolhaas and Shohei Shigematsu. The renovation has doubled the institution's footprint, adding three levels of gallery space and a new 'public spine' featuring an atrium staircase. To mark the reopening, the museum launched 'New Humans: Memories of the Future,' a massive 732-object survey curated by Massimiliano Gioni that explores the intersection of art, visual culture, and emerging technologies like AI.
The Sky High Farm Biennial, curated by former Downtown art star Dan Colen, opened in a cold storage warehouse in Germantown, N.Y., featuring over 160 works by 50 artists across two floors. The exhibition is loosely themed around humanity's relationship with the natural world, with immersive installations by Anne Imhof (a maze of cider crates) and Rudolf Stingel (a mirrored floor requiring paper booties). Highlights include works by Nan Goldin, Thiago Rocha Pitta, Stephen Lichty, Carrol Dunham, Pia Camil, and Ann Craven. The show balances informal and polished elements, offering a breezy summer experience while serving as a thesis on artist community.