Venice’s top museum brings in 80-year-old performance artist as St. Mark’s Square hosts Lee Ufan exhibition

Gallerie dell'Accademia, one of Venice’s most historic museums, is hosting "Energy in Transition," a major retrospective marking performance artist Marina Abramović’s 80th birthday. The exhibition features iconic works such as "The Lovers: The Great Wall Walk" (1988) and "Balkan Baroque" (1997), for which she became the first woman to win the Golden Lion at the Venice Biennale. Visitors can interact with installations involving crystals, meditation platforms, and energy brushes, transforming Abramović’s once-violent performances into a healing journey. Separately, St. Mark’s Square is hosting an exhibition by Korean artist Lee Ufan, featuring his sculpture "The Kiss."

Iris Van Herpen’s Groundbreaking Work Presented in New Exhibit at Brooklyn Museum

The Brooklyn Museum opens "Iris Van Herpen: Sculpting the Senses," a mid-career retrospective of the Dutch fashion designer known for pioneering 3D-printed garments. The exhibition, which originated at the Musée des Arts Décoratifs in Paris in 2023, features over a decade of van Herpen's work, including her first 3D-printed garment from 2010, pieces worn by celebrities like Lady Gaga, Björk, and Beyoncé, and new works such as an algae dress grown from 125 million living organisms. Organized by senior curator Matthew Yokobosky, the show spans eleven themes exploring van Herpen's fusion of traditional craftsmanship with technology, science, and nature.

A Time of Transition

During the preview week of the 61st Venice Biennale, escalating protests targeted the national pavilions of Israel and Russia, with demonstrations by Pussy Riot, ANGA (Art Not Genocide Alliance), and Baltic pavilions. A major protest on May 8 drew over 3,000 people in solidarity with Palestine, and 27 national pavilions—including Austria, the Netherlands, France, and Japan—staged a strike, the first at the Biennale since 1968. The Golden Lion jury resigned after declaring they would not consider countries under ICC investigation (Israel and Russia), and the Biennale administration replaced the prize with a visitors' award, from which half the artists in the main exhibition have withdrawn.

The art of chaos

The 61st Venice International Art Biennale has opened in Venice, running until November, amid unprecedented turmoil. The main exhibition, "In Minor Keys," was curated by Koyo Kouoh, who died of cancer shortly after presenting her vision featuring 111 artists including Carsten Höller, Alvaro Barrington, and Laurie Anderson. Her death has eliminated the Lifetime Achievement Award this year. Additionally, the Biennale faces a funding crisis as the EU threatens to withdraw its €2 million subsidy over Russia's participation with 38 artists following the invasion of Ukraine. Iran, Nigeria, and Israel are absent from their pavilions, while the US Pavilion, now organized by the American Arts Conservancy under inexperienced leadership, features self-taught artist Alma Allen.

Joan Miró | Silence (1967) | For Sale

Joan Miró's 1967 lithograph 'Silence' is being offered for sale by Epicentrum Art Gallery for €6,000. The work is a limited edition print on Arches paper, hand-signed by the artist, and comes with a certificate of authenticity. Miró, a leading Surrealist and pioneer of automatism, created the piece during a prolific period of his career, and it is part of an edition of 100.

Independent Opens With Solo Presentations, Early Sales and (Most Importantly) Breathing Room

Independent art fair opened on May 14, 2026, at a new location in Lower Manhattan’s Pier 36, offering a larger, less central venue than its previous Tribeca home. The fair emphasizes solo presentations, which make up 70 percent of the booths, and features tightly focused displays. Gallerist Susanne Vielmetter reported early sales and museum reservations for works by Samuel Levi Jones, Robert Pruitt, and Nate Lewis. Brazilian gallery Almeida & Dale shares a booth with David Nolan Gallery, showcasing Chakaia Booker and Miguel Rio Branco, while New York dealer Charles Moffett reported strong interest in late Swiss artist Silvia Heyden’s tapestries.

Mario Schifano, the artist who anticipated Arte Povera and beyond. What the exhibition in Rome looks like

The Palazzo delle Esposizioni in Rome has opened a major retrospective of Mario Schifano, curated by Daniela Lancioni and titled simply "Mario Schifano," running until July 12. The exhibition reconstructs the career of the Italian artist (1934–1998), who worked across painting, film, and music, and highlights his role as a precursor to Arte Povera. A centerpiece is the reconstructed dining room Schifano created for the Rome home of Marella and Gianni Agnelli in 1968, featuring 14 canvases and a planned but unrealized sand-filled room with a pyramid, a detail revealed by film producer Ettore Rosboch in a conversation with the curator.

Review: The Good, The Bad and The Venice Biennale

The article reviews the 2024 Venice Biennale, focusing on controversies over Russia's and Israel's participation. Protests erupted during opening week, leading the EU to cut funding and the International Jury to resign. As a result, awards like the Golden Lion and Silver Lion will be decided by public vote, with many pavilions and artists withdrawing in protest. The main exhibition, curated under the theme 'Minor Keys,' features standout works by Alfredo Jaar and Carrie Schneider, alongside national pavilions like Austria's provocative entry by Florentina Holzinger.

Exhibition | Sheroanawe Hakihiiwe, 'Thapiri/Sonho' at Fortes D'Aloia & Gabriel, São Paulo, Brazil

Fortes D'Aloia & Gabriel in São Paulo presents 'Thapiri/Sonho', the first gallery exhibition in the city by Yanomami artist Sheroanawe Hakihiiwe. The show features paintings and monotypes that translate daily encounters in the Venezuelan Amazon—animal traces, plant structures, and natural formations—into a graphic vocabulary of lines, dots, circles, and repeating patterns. Hakihiiwe's work draws on Yanomami oral traditions and mnemonic structures, linking observed reality with dream encounters. The exhibition follows his 2023 solo presentation at MASP and includes works previously shown at MAC Parque Forestal in Santiago, Chile, and Sala TAC in Caracas.

Arnaldo Pomodoro | Arnaldo Pomodoro - Untitled for Art and Research (Ca… (2003) | For Sale

Arnaldo Pomodoro's 2003 etching "Untitled for Art and Research (Ca…" is being offered for sale. The work is an artist's proof on wove paper, signed and annotated p.a., one of only 15 proofs aside from the regular edition of 150. It was created to support the "Art and Research" event in Milan, sponsored by the Mario Negri Pharmacological Research Institute, and published by Art 3, Alberto Serighelli. The piece is framed under UV Plexiglass and measures 12.75 x 12.5 x 1.5 inches framed.

Lee Ufan stars in Venice with a major exhibition by Dia Art Foundation

Dia Art Foundation presents a major solo exhibition of Lee Ufan at SMAC Venice, opening May 9, 2026, as an Official Collateral Event of the 61st Venice Biennale. Curated by Jessica Morgan, the show spans over sixty years of the artist's career, featuring historical and unseen paintings, monumental installations, and new site-specific works across eight rooms. It includes seminal series such as *From Point*, *From Line*, *From Winds*, *With Winds*, *Correspondance*, and *Dialogue*, tracing Lee's evolution from the 1960s to the present.

A True-to-Life Biennale

Hakim Bishara, editor-in-chief of Hyperallergic, reflects on the 61st Venice Biennale after returning to New York, describing it as historical, political, and thrilling. He counters critics who claimed the Biennale imploded due to boycotts and resignations, arguing it was more alive than ever. The late Koyo Kouoh's main exhibition "In Minor Keys" is praised for reflecting global woes and joys. The article also highlights a major strike by artists and cultural workers that disrupted the pre-opening, the first cultural strike in the Biennale's 131-year history, with 54 artists in the international exhibition and 22 national pavilion teams withdrawing from awards consideration in solidarity with the jury's resignation.

Maia Chao Performs the Museum

Artist Maia Chao will activate the seventh-floor galleries of the Whitney Museum of American Art with her performance "Being Moved" as part of the 2026 Whitney Biennial programming. The work explores the theatricality and choreography of a museum visit, examining the gap between the fantasy of profound encounter and the ambivalence of spectatorship. Chao, who studied cultural anthropology at Brown University and grew up with artist parents in Providence, Rhode Island, approaches the museum as a structure that quietly trains behavior and participation. Her earlier projects include "My Business (Cards)" (2017), which invokes Adrian Piper's work, and "Look at Art, Get Paid" (2015–20), which paid non-museum-goers to serve as guest critics.

Across Venice, Artists Defy Censorship to Mourn and Memorialize Gaza

The 2026 Venice Biennale, titled “In Minor Keys,” features numerous artworks that mourn and memorialize the destruction of Gaza, despite censorship pressures. The main exhibition opens with a poem by slain Palestinian poet Refaat Alareer, and includes works by artists such as Theo Eshetu, Mohammed Joha, Manuel Mathieu, and Avi Mograbi that directly or indirectly address the conflict. Outside the official Biennale, South African artist Gabrielle Goliath’s performance series “Elegy” was censored by her country’s culture minister after she proposed a version honoring murdered Palestinian poet Hiba Abu Nada, leading her to present the work independently at a church in Venice.

Künstler Harald Metzkes ist tot

German painter Harald Metzkes has died at the age of 97 in Wegendorf, Brandenburg, surrounded by his family. His son, sculptor Robert Metzkes, confirmed the news to the German Press Agency. Metzkes, who grew up in East Germany, was a leading figure of the Berlin School of painting and resisted the official doctrine of socialist realism, instead creating a personal "world theatre" of harlequins, circus scenes, and theatrical figures inspired by Rembrandt, Velázquez, and Paul Cézanne. His best-known work includes "Der Abtransport der sechsarmigen Göttin." After training as a stonemason and studying at the Dresden Academy of Fine Arts, he worked as a freelance artist in Berlin, supporting himself with book illustrations. His work gained international attention when one of his paintings was sent to the Venice Biennale in 1984, and after the fall of the Berlin Wall he built connections with Western collectors.

Some cry censorship, others cry antisemitism

"Die einen schreien Zensur, die anderen Antisemitismus"

A constitutional law scholar, Christoph Möllers, warns in an interview with Die Zeit about the dangerous escalation of cultural policy conflicts, sparked by Documenta 15, where accusations of censorship and antisemitism collide. In Poland, Adam Budak was removed as director of MOCAK in Krakow after just a few months, facing 79 allegations including mobbing and problematic leadership. Meanwhile, the New York spring auctions have launched, and Jason Farago's review of the Venice Biennale in the New York Times criticizes the shift from aesthetic innovation toward identity-driven art. Robin Pogrebin also reports on the merger of the Met and the Neue Galerie, described as a rare convergence of two museum models.

Valie Export ist tot

Valie Export, the pioneering Austrian media and performance artist, has died at age 85 in Vienna. Born Waltraud Lehner in Linz in 1940, she adopted the name Valie Export in the late 1960s, derived from a cigarette brand, and became internationally known for provocative works such as "Tapp- und Tastkino" (1968) and "Aktionshose: Genitalpanik." Her practice critically examined gender roles, power structures, and the representation of the female body through film, video, photography, and performance. She participated in major exhibitions including Documenta, the Centre Pompidou, and the Museum of Modern Art, and represented Austria at the Venice Biennale in 1980 alongside Maria Lassnig. She also taught as a professor of media and performance art in Berlin and Cologne, and the VALIE EXPORT Center opened in Linz in 2017.

Le coup d’envoi des ventes de New York

Le Journal des Arts' issue n°677 (May 15, 2026) leads with the opening of the Venice Biennale amid a tense climate. Other top stories include the final adoption of a French law on the restitution of cultural property looted during colonization, the V&A East museum's strategy to attract younger audiences, a report on how Monet's legacy in Giverny does not benefit everyone locally, and an analysis of the structuring market for works by the Nabis artists.

La Biennale de Venise s’ouvre dans un climat houleux

The 61st Venice Biennale opened amid intense controversy after its president, Pietrangelo Buttafuoco, announced the return of the Russian pavilion, which had been absent since the start of the Ukraine war. The European Commission suspended its €2 million subsidy for the 2028 edition, and the entire Biennale jury resigned on April 30. Buttafuoco later declared the Russian pavilion would remain closed, but protests erupted during the pre-opening days (May 6–8), drawing 28,000 professionals. Pussy Riot members, Femen activists, and the Free Nations League staged demonstrations, while the Israeli pavilion remained open despite a letter signed by nearly 200 artists calling for its exclusion.

Sheila Hicks en 2 minutes

Sheila Hicks, the American textile artist born in 1934, is profiled in a concise overview of her career. The article traces her journey from studying under Josef Albers at Yale and learning weaving from Andean artisans in Chile, to establishing her studio in Mexico and later Paris. It highlights her monumental commissions for hotels, embassies, and public spaces, as well as her intimate "Minimes" works. Key milestones include her 2014 piece "Pillar of Inquiry/Supple Column" at the Whitney Biennial, her 2017 installation at the Venice Biennale, and a major retrospective at the Centre Pompidou in 2018.

6 musées incontournables à visiter à Venise

Beaux Arts Magazine highlights six must-visit museums in Venice, including the Palazzo Ducale, Gallerie dell'Accademia, Peggy Guggenheim Collection, and the Pinault Collection venues Palazzo Grassi and Punta della Dogana. The article notes that during the Biennale, the city is filled with free pavilions, but the main museums have high entry fees, offset by passes like the Venice Museum Pass (€59) and Venice City Pass (€119). It also mentions a current Marina Abramović exhibition at the Gallerie dell'Accademia, marking her as the first living female artist honored there.

59th Carnegie International tests the limits of connection and inclusion

The 59th Carnegie International, titled "If the word we," opens at the Carnegie Museum of Art in Pittsburgh, curated by Ryan Inouye, Danielle A. Jackson, and Liz Park. The exhibition emphasizes community and collaboration, featuring immersive installations by artists such as Shala Miller, Jasleen Kaur, and Georges Adéagbo, whose work incorporates local thrift-store finds like Pittsburgh Steelers merchandise. Offsite programming extends to venues including the Mattress Factory and Children's Museum of Pittsburgh.

Artist Valie Export, Who Saw Right Through the Male Gaze, Dies at 85

Austrian artist Valie Export, a pioneering feminist performance and media artist, died on May 14, three days before her 86th birthday. Her death was confirmed by Thaddaeus Ropac Gallery. Export, born Waltraud Lehner in 1940, rejected traditional domestic roles and adopted her iconic all-uppercase name from a cigarette brand. She created guerrilla-style performances and films that directly confronted the male gaze and patriarchal society, often using her own body as a medium. Key works include “Genital Panic” (1968), in which she walked through a Munich cinema in crotchless pants, and “Tapp und Tastkino (Tap and Touch Cinema)” (1968), where she invited strangers to touch her bare breasts through a stage strapped to her chest.

A Poetic and Material Institutional Critique: Gala Porras-Kim at kurimanzutto and the Venice Biennale

UNA CRÍTICA INSTITUCIONAL POÉTICA Y MATERIAL: GALA PORRAS-KIM EN KURIMANZUTTO Y LA BIENAL DE VENECIA

Colombian artist Gala Porras-Kim presents her first solo exhibition at kurimanzutto gallery in Mexico City, titled "Espacios del futuro replican los del pasado" (2026), alongside her participation in the 2026 Venice Biennale. The show critically examines how museum conservation protocols transform objects by detaching them from their original material, ritual, and spiritual contexts. Central to the exhibition is "The Motion of an Alluvial Record" (2024), a greenhouse that recreates the humidity and temperature of Yucatecan mangroves, allowing clay and sediment to shift continuously, resisting the linear, stratified time of Western archives and evoking cyclical Maya cosmologies. Another series, "Uprooted" (2026), reproduces fragments of looted Teotihuacan murals from Techinantitla, now held by the Metropolitan Museum of Art and the Ethnological Museum of Berlin, reinstalling them near the floor to restore their original architectural scale and orientation.

Artist Debuts and Inspired Duos Define the Can’t-Miss Booths at Independent

The article highlights standout booths at the Independent Art Fair, newly relocated to Pier 36 in Manhattan's Lower East Side. With 76 exhibitors, 26 of whom are presenting an artist's New York debut, the fair features notable presentations including Sprüth Magers' restaging of Gretchen Bender's 'TV Text & Image (PEOPLE WITH AIDS)', Omar Mismar's debut with abstract paintings on salvaged PVC banners referencing Lebanese protests, Carrie Schneider's large-format photographs from the Venice Biennale, and works by Kim Stolz and Raphael Egil at YveYANG. The fair runs through Sunday and aims for greater attendance and institutional influence.

Mario Schifano in mostra a Roma, non solo a Palazzo delle Esposizioni. Alla Galleria Lombardi il pittore che sapeva osservare

A major retrospective of Mario Schifano (1934–1998) continues at Palazzo delle Esposizioni in Rome through May 27, showcasing over 100 works from his entire career—from early informal and material pieces to the first monochromes of the 1960s, TV Landscapes, oversized 1980s paintings, and 1990s works. Concurrently, a smaller exhibition titled "Mario Schifano | Io guardo" is on view until May 16, 2026, at Galleria Lombardi in Rome. Curated by Lorenzo and Enrico Lombardi, it features about twenty works spanning thirty years of the artist's activity, including monochromes, advertising signs, anemical landscapes, the Futurism revisited cycle, equestrian paintings, and chromatic materials of the 1990s. The show is accompanied by a catalog with a critical text by Silvia Pegoraro.

Art Basel Hong Kong 2026: Where The World Comes To See

Art Basel Hong Kong 2026 returned to the Hong Kong Convention and Exhibition Centre from March 25–27, featuring 240 galleries from 42 countries and territories. The 13th edition introduced new sectors including Echoes, dedicated to works made within the past five years, and Zero 10, a digital art initiative making its Asia debut. The fair also transformed its Encounters sector with a collective curatorial framework based on the Five Elements, led by Mami Kataoka and three other Asia-based curators. Robb Report India covered the event through the perspectives of Indian artists Siddharth Kerkar and Jayesh Sachdev.

A Political Anthology of the United States: The Great Exhibition of Arthur Jafa and Richard Prince in Venice

Un’antologia politica degli Stati Uniti. La grande mostra di Arthur Jafa e Richard Prince a Venezia

Fondazione Prada presents "Helter Skelter: Arthur Jafa and Richard Prince" at Cà Corner della Regina in Venice, the 15th exhibition produced by the foundation in the city. Curated by Nancy Spector of the Brooklyn Museum, the two-person show brings together over fifty works—photographs, videos, installations, sculptures, and paintings—that explore the fractured identity of the United States through the lens of race, masculinity, popular culture, and appropriation. Both artists, though separated by more than a decade in age, share a practice of scavenging and recontextualizing images from film, comics, advertising, and social media to critique American society.

Semiha Berksoy: The Turkish Artist Who Made Her Life a Total Work of Art

Semiha Berksoy: l’artista turca che ha reso la sua vita un’opera totale

A major retrospective titled "Aria of All Colors" at the Istanbul Modern, running until September 6, celebrates the multifaceted Turkish artist Semiha Berksoy (1911–2004). Featuring over 200 works, the exhibition showcases her pioneering career as a painter, sculptor, opera singer, actress, costume designer, and performance artist. Berksoy became the first Turkish soprano to perform on European stages after studying in Berlin, and she helped found the Ankara State Opera. Her deeply personal paintings, often depicting her mother and cultural figures, are marked by a graphic, childlike style and a recurring "line of destiny." The show includes costumes, sketches, archival footage, and even a refrigerator door painted with her daughter's portrait.

Meet Ese Onojeruo: the exciting new talent behind the Venice Biennale’s British Pavilion

Ese Onojeruo has been appointed the Shane Akeroyd associate curator for the British Pavilion at the 2025 Venice Biennale, working with Turner Prize-winning artist Lubaina Himid on her exhibition 'Predicting History: Testing Translation'. The show features Himid's paintings—including 'Boatbuilders', 'Architects', 'Chefs', 'Tailors', and 'Gardeners'—which depict two figures negotiating belonging in a place they did not originally come from. Onojeruo, who previously held roles at South London Gallery, Chisenhale, and Tate, describes the collaboration as a 'full circle moment', having discovered Himid's work only after her formal art education.