Hunter Foster presents a solo exhibition titled "Involition" at Good Weather in Chicago. Running from February 6 through April 4, 2026, the show features a new body of work documented through an extensive series of installation views and a detailed works list.
Summerhall Arts in Edinburgh has launched "Catalyst: Art as Activism," a major exhibition featuring four solo shows by artists Eilidh Appletree, Taraneh Dana, Kasia Oleskiewicz, and Molly Wickett. The project utilizes sculpture and installation to confront urgent global issues including the climate crisis, capitalist extraction, disability rights, and the realities of migration. A central component, Eilidh Appletree’s "Net Worthy," uses materials like mycelium, soya wax, and sand to create a submerged seascape that warns of biodiversity loss and the ecological consequences of industrial food production.
On September 5, Giphy partnered with the Museum of Modern GIFs (MoMG) to launch the Giphy Gallery, a capsule collection featuring three original GIFs from each of over 75 artists. The collaboration, curated by MoMG founder Daniel Murray, debuted with a one-night immersive exhibition at Lume Studios in Manhattan's SoHo, timed to National GIF Day. The show included looped projections of works by artists such as Aleksey Efremov, Sholim, and Sam Rolfe, highlighting the GIF as a medium for artistic expression.
The Phoenix Art Museum is hosting a talk by a fashion curator and author, focusing on the history of fashion. The event is part of a broader exhibition at the museum dedicated to fashion history.
The Hilbert Museum of California Art at Chapman University will host "The Art of the Simpsons," the first-ever art exhibition dedicated to the iconic animated family. The exhibition, opening November 18, 2026, will feature original illustrations and production cels of Homer, Marge, Bart, Lisa, and other Springfield characters, celebrating the show's 39-year history and the museum's 10th anniversary.
Langworthy Cornerstone gallery in Salford is hosting a photography and art exhibition featuring local artists, including first-time exhibitor Joe Sambrook, aged 81. The show runs from September 17 to October 24 and is free to the public, highlighting work from homegrown photographers such as Keith Driscoll.
Nintendo is opening a dedicated Art Gallery on the second floor of its Nintendo Museum in Uji, Kyoto, on September 3, 2025. The gallery will display original character illustrations, concept drawings, and game art from iconic franchises such as Super Mario, The Legend of Zelda, Splatoon, and Mario Kart, offering visitors a behind-the-scenes look at the artistic development of Nintendo's games. The museum, which opened in October 2024 at a former Nintendo factory, already features historical products, interactive exhibits, and Hanafuda card workshops, with access managed via a lottery system.
Central Midtown Gallery is hosting an exhibition titled 'Putting the ‘Me’ in Anime: Self-Portrait in Iconic Anime and Manga Styles.' The show features contemporary artists creating self-portraits that emulate the distinctive visual languages of major anime and manga series, blending personal identity with iconic pop culture aesthetics.
The New York Times has published a curated list of recommended art gallery exhibitions opening in January. The article serves as a guide for viewers, highlighting specific shows across various commercial galleries that are deemed noteworthy for the month.
NYU Art Gallery 80WSE is presenting exhibitions focused on manga and other drawings. The shows highlight contemporary works that engage with the visual language of manga, alongside a broader selection of drawings by various artists. The exhibitions aim to explore the intersection of popular culture and fine art within an academic gallery setting.
The South Dakota Art Museum will present "Over a Hundred Thousand Images Later: Dan Kane, a Retrospective" from June 28 to September 28, 2025. The exhibition showcases the career of Dan Kane, a South Dakota-born photographer who has lived in Berlin for decades, featuring his analog black-and-white photographs that explore the male nude and South Dakota landscapes. Curated by Hunter O'Hanian, the show includes works from 1987 onward and is supported by anonymous and named sponsors.