The Courtauld in London is opening 'Seurat and the Sea,' the first exhibition dedicated to Georges Seurat's seascapes, on February 13, 2026. The show will feature 26 paintings, oil sketches, and drawings created by the artist between 1885 and 1890, including works like 'The Beach at Gravelines' and 'Seascape at Port-en-Bessin, Normandy.'
Crystal Bridges Museum of American Art in Bentonville, Arkansas, will host a ticketed panel discussion on May 29, 2026, to celebrate its upcoming expansion. The conversation, titled "By Design: A Conversation on the Crystal Bridges Expansion," will feature museum founder Alice Walton, board chair Olivia Walton, and architect Moshe Safdie, moderated by Vanity Fair's Nate Freeman. The event takes place at the Heartland Whole Health Institute on the museum campus ahead of the formal expansion opening on June 6-7, which includes free programming and the debut of "Keith Haring in 3D," the first exhibition focused on the artist's three-dimensional work.
Serpentine Galleries in London and the FLAG Art Foundation in New York have announced a new biennial artist prize that will award £200,000 ($264,700) to five artists, one selected every two years, making it the largest single-artist prize in the United Kingdom. The total payout over the next decade is £1 million ($1.32 million). Each winner will receive a solo exhibition at Serpentine, which will then travel to the FLAG Art Foundation in New York. The prize launches in 2026, with the first exhibition scheduled for fall 2027 in London and spring 2028 in New York. Eligible artists must be actively working, have a strong exhibition record, and no more than 10 years of professional show history. A jury of art historians, curators, and artists will select winners from nominations.
Kelly Akashi presents her first exhibition with Lisson Gallery in New York, titled 'Heirloom,' featuring a new body of work that explores loss, grief, and absence through sculpture. The exhibition includes bronze, Corten steel, flame-worked glass, and carved stone pieces, many inspired by her garden and personal artifacts like an inherited stone ring and her grandmother's lace tablecloth. It coincides with her participation in the 2026 Whitney Biennial and a commission for John F. Kennedy International Airport's New Terminal One.
Gala Porras-Kim presents her first exhibition at kurimanzutto in Mexico City, titled "Future spaces replicate earlier spaces," running from April 11 to June 13, 2026. The show brings together works that examine how museums and conservation institutions reclassify objects removed from their original contexts, using reconstruction and resituating to explore their spatial, material, and temporal conditions. Central to the exhibition is the installation "The motion of an alluvial record" (2024), which recreates the humid marshland atmosphere of the Yucatán Peninsula inside the gallery, contrasting with the controlled climates of museums. Other works include drawings replicating wall decorations from the Techinantitla complex in Teotihuacan, which were fragmented and sold on the black market, and graphite drawings of objects by artist Brígido Lara, whose "original interpretations" of Totonac ritual clay objects were mistakenly catalogued as Pre-Hispanic artifacts in major museums.
The Metropolitan Museum of Art is opening "When Objects Dream," the first exhibition to examine Man Ray's rayographs in the context of his broader oeuvre. Opening September 14, the show features over 60 rayographs alongside 100 paintings, objects, drawings, and films spanning the artist's career. The exhibition is supported by the haute couture house Schiaparelli, whose founder Elsa Schiaparelli was a close friend and collaborator of Ray's, both central figures in the 1920s Parisian avant-garde.
A new exhibition titled 'Making Her Mark' opens at Penlee House in Penzance, Cornwall, featuring works by prominent British female artists such as Tracey Emin, Barbara Hepworth, Laura Knight, Elizabeth Forbes, and Gillian Ayres. The show is a collaboration between Penlee House, Worcester City Art Gallery and Museum, and Kirkcaldy Galleries in Fife, Scotland, with each contributing more than 20 works. It is the first exhibition launched under Art Fund's £5 million 'Going Places' programme, which unites 20 museums across the UK over five years to share and celebrate their collections.
The Eames House, designed by Charles and Ray Eames in the late 1940s in Los Angeles's Pacific Palisades, has reopened after a six-month closure due to smoke damage from the January 2025 wildfires. The property was saved from destruction partly because hundreds of surrounding trees were removed in 2024. The restoration has expanded visitor access, opening the studio for the first time, which will host exhibitions on the house's evolution and contemporary design influences. The first exhibition may focus on community rebuilding after the fires.
The Wellcome Collection in London has opened a new exhibition titled "The Institute of Sexology," celebrating the history of erotic art, film, and photography. The show features a wide range of objects including archival material, ethnographic and medical artifacts, erotica, and works by contemporary artists such as John Stezaker, Sharon Hayes, Zanele Muholi, and Timothy Archibald. It highlights pioneers of sexology like Sigmund Freud, Alfred Kinsey, and Marie Stopes, and marks the first exhibition after the institution's £17.5 million expansion, inaugurating a new gallery for large, year-long shows.
The Speed Art Museum in Louisville, Kentucky, will host "Abstract Expressionists: The Women" from May 16 to August 30, 2026. This is Kentucky's first exhibition devoted to Abstract Expressionism, featuring over 30 major female artists including Helen Frankenthaler, Joan Mitchell, Vivian Springford, Grace Hartigan, and Lee Krasner. The show includes works like Frankenthaler's *Circus Landscape* (1951) and Springford's *Scuba Series* (1972–1984/5), along with archival materials and a timeline of women's artistic achievements. Organized by the American Federation of Arts from the Christian Levett Collection and FAMM (Female Artists of the Mougins Museum), France, the exhibition is curated by Dr. Ellen G. Landau and presented locally by Tyler Blackwell.
The Art Institute of Chicago is offering members exclusive preview access to "Willem de Kooning Drawing" from June 11–13, 2025, before it opens to the public. This is the first exhibition to comprehensively examine de Kooning's drawing practice, featuring works from across his career—from his earliest drawings to late calligraphic paintings—and marks the museum's first solo presentation of the artist since 1969.
American painter Chase Hall opens his first exhibition since becoming a parent, titled “Momma’s Baby, Daddy’s Maybe,” at Galerie Eva Presenhuber in Vienna (through July 19). The show features his signature acrylic works on raw canvas with coffee stains, exploring American archetypes like cowboys, tennis players, and musicians. In a new CULTURED column called Studio Frequencies, Hall shares insights into his creative process, studio rituals, and the tools he relies on, including a hand-held staple remover from Japan and an espresso machine. He discusses working with one assistant, Kelsey, and the influence of his wife Lauren Rodriguez Hall as his first critic.
Aicon Art in New York has opened its first exhibition dedicated entirely to Indian miniature painting, titled "Courtly Visions: Indian Miniature Painting." The show features a breadth of works created between roughly 1630 and the early 19th century, showcasing the intricate detail and narrative scenes characteristic of the genre. It aims to highlight the diverse styles and themes that emerged from various royal courts across the Indian subcontinent.
Brooklyn-based architecture studio Peterson Rich Office has completed the redesign of five gallery spaces at the Metropolitan Museum of Art in New York, known as the Condé M Nast Galleries. The project transformed 12,000 square feet of a former courtyard into gallery and auxiliary rooms, revealing historic brickwork and facades from the 19th-century buildings by architects Richard Morris Hunt, Arthur Lyman Tuckerman, and Calvert Vaux. The spaces include the Orientation Gallery, High Gallery, Low Gallery, and Finale Gallery, each blending contemporary design with exposed historic materials. The first exhibition in the High Gallery is the Costume Art show, timed to coincide with the annual Met Gala.
Louvre Abu Dhabi has opened "Picasso, the Figure," its first exhibition dedicated entirely to Pablo Picasso, running until May 31. The show brings together around 60 works exploring Picasso's fascination with the human figure, spanning his cubist experiments, neoclassical portraits, surrealist compositions, and late works. It is presented in collaboration with Musée National Picasso-Paris and France Muséums, housed within Jean Nouvel's iconic floating dome on Saadiyat Island.
Keith Tyson, the Turner Prize-winning British artist, returns to Los Angeles with his first exhibition in the city since 2009, titled “The Generative Universe,” on view at Hauser & Wirth from May 28 to August 16. The show spans 30 years of his career, featuring paintings, sculptures, drawings, and mixed media works that explore generative systems—artworks created through rule-based structures shaped by mathematics, technology, nature, and the artist's own choices. Central to the exhibition is Tyson's early computer program “Artmachine,” which he developed in the 1990s to generate prompts for his own creative process, contrasting with today's AI image generators that respond to human prompts.
The Armenian Museum of America has extended its landmark exhibition "Arshile Gorky: Redrawing Community and Connections" through September 27, 2026, due to overwhelming interest and positive reviews. This is the first exhibition of Arshile Gorky's work in an Armenian museum, featuring paintings and drawings on loan from the Whitney Museum of American Art, the Housatonic Museum of Art, Yale University Art Gallery, private collectors, and other lenders. Curated by Kim S. Theriault and sponsored by the JHM Charitable Foundation, the show opened to coincide with the 100 Years of Arshile Gorky programming in Watertown, Massachusetts.
The Armenian Museum of America (AMA) in Watertown, Massachusetts, has extended its exhibition "Arshile Gorky: Redrawing Community and Connections" through September 27, 2026, due to overwhelming interest and positive reviews from publications such as Boston Art Review and Artscope magazine. Curated by Kim S. Theriault and sponsored by the JHM Charitable Foundation, the show is the first exhibition of Gorky’s work in an Armenian museum, featuring loans from the Whitney Museum of American Art, the Housatonic Museum of Art, Yale University Art Gallery, private collectors, and the Armenian diaspora.
Hauser & Wirth’s New York gallery on 22nd Street has opened ‘I See You You See Me’, its first exhibition dedicated to the radical Italian artist Carol Rama (1918–2015). Organized by Carlo Knoell, the show presents key works spanning six decades—from 1947 to 1998—across paint, textile, sculpture, and bricolage, highlighting Rama’s wildly original and non-conformist experimentation.
미국의 광부들 사진전 'Beneath the Surface' 순회: 내셔널 갤러리(DC)-밀워키미술관-에이먼카터미술관(포트워스, TX)
The National Gallery of Art in Washington, D.C., will present 'Beneath the Surface: Mining and American Photography' from May 23 to August 23, 2026, the first exhibition to focus exclusively on the relationship between resource extraction and American photography. Featuring 150 photographs by over 100 artists—including Richard Avedon, Walker Evans, Lewis Hine, LaToya Ruby Frazier, Dorothea Lange, and Gordon Parks—the show spans nearly 200 years, from early daguerreotypes of the California Gold Rush to contemporary large-scale works. After its Washington run, the exhibition will travel to the Milwaukee Art Museum (October 23, 2026–January 18, 2027) and the Amon Carter Museum of American Art in Fort Worth, Texas (February 14–May 9, 2027).
White Cube Mason’s Yard in London will present a solo exhibition by the artist duo TARWUK (Bruno Pogačnik Tremow and Ivana Vukšić), running from 9 July to 15 August 2026. The show debuts a major new site-specific installation alongside paintings and works on paper, marking the duo’s first exhibition at the gallery.
The National Gallery in London will stage its first exhibition of modern German paintings, 'German Expressionism: Modern Painting 1900–1918', in spring 2027, before traveling to the National Gallery of Ireland in Dublin in autumn 2027. This is the first UK and Ireland exhibition since the 1960s to cover both key Expressionist groups, Die Brücke and Der Blaue Reiter, featuring over fifty international loans from institutions such as Berlin's Neue Nationalgalerie, Brücke Museum, and the Art Institute of Chicago, alongside works from private collections.
Art Fund has launched a UK-wide touring programme called Going Places, backed by £5.36 million from the National Lottery Heritage Fund and the Julia Rausing Trust. The first exhibition, *Making Her Mark: A Celebration of Women in Art*, opened at Penlee House Gallery & Museum in Penzance, featuring over 60 works from three museum collections alongside community responses. It will travel to Worcester City Art Gallery & Museum and Kirkcaldy Gallery through 2027. The programme plans 12 major touring shows over five years, with six already scheduled, including exhibitions on green spaces, journeys, radical living, art and nature, and community making.
Dataland, the world's first museum dedicated to AI arts, will open on June 20 in downtown Los Angeles. Co-founded by new media artists Refik Anadol and Efsun Erkılıç, the 35,000-square-foot museum anchors the $1-billion Frank Gehry-designed Grand LA complex. Its inaugural exhibition, "Machine Dreams: Rainforest," created by Refik Anadol Studio, uses vast data sets from partners including the Smithsonian and London's Natural History Museum to immerse visitors in a machine-generated sensory experience of the Amazon rainforest. The museum features five immersive galleries, a 30-foot ceiling, and is powered by an open-access AI model called the Large Nature Model, which runs on Google Cloud servers using 87% carbon-free energy.
Michael and Bernadette Monroe, an elderly couple with deep roots in the art world, have moved into the Island House senior living community on Mercer Island. They describe the community as positive and stimulating, enjoying local amenities and trips to places like the Frye Art Museum.
The Metropolitan Museum of Art in New York will present "Seeing Silence: The Paintings of Helene Schjerfbeck," the first major U.S. museum exhibition dedicated to the Finnish painter (1862–1946). Featuring nearly 60 works on canvas, including loans from the Finnish National Gallery / Ateneum Art Museum and private collections, the exhibition runs from December 5, 2025, to April 5, 2026. It traces Schjerfbeck's artistic evolution from early naturalist works to her spare, experimental style, highlighting her resilience amid civil war, world wars, and Finland's independence.
Thelma Golden, director and chief curator of the Studio Museum in Harlem, is interviewed ahead of the museum's reopening in a new Adjaye Associates-designed building following a $300 million capital campaign. Golden reflects on her career, including curating the politically charged 1993 Whitney Biennial and the landmark exhibition "Black Male: Representations of Masculinity in Contemporary American Art" (1994–95), as well as her influential 2001 show "Freestyle," which introduced the concept of "post-Black" art. The article also highlights the museum's first exhibition in the new building, focusing on artist Tom Lloyd, whose work was featured in the museum's inaugural show in 1968.
The Image Centre in downtown Toronto will stage the North American debut of Magnum Photos' first-ever exhibition, originally titled 'Gesicht der Zeit' (Face of Time) and shown in Austria in 1955-56. The show, lost for half a century, was rediscovered in 2006 in the basement of the Institut Français in Innsbruck, Austria, along with its original poster and hanging instructions. It features 83 original gelatin-silver prints by legendary Magnum photographers including Henri Cartier-Bresson, Robert Capa, Inge Morath, Ernst Haas, and Marc Riboud. The exhibition will run concurrently with 'Chim’s Children of Europe,' a show devoted to Magnum co-founder David 'Chim' Seymour's 1949 Unesco project on postwar European children.
William Kentridge presents his first exhibition with Hauser & Wirth in New York, titled "A natural history of the studio." The show features his acclaimed episodic film series "Self-portrait as a coffee-pot" (completed in 2024) alongside over seventy works on paper and sculptures. Spanning two floors at 542 West 22nd Street and extending to the gallery's 18th Street location, the exhibition includes charcoal drawings used in the film's animation, Paper procession sculptures, and the animated video "Fugitive words" (2024). The installation, designed by longtime collaborator Sabine Theunissen, evokes Kentridge's Johannesburg studio environment.
The Acropolis Museum in Athens has opened "Allspice: Michael Rakowitz and Ancient Cultures," the first exhibition in a trilogy organized with the Hellenic Ministry of Culture and the nonprofit Neon. It is also the first time the museum has presented work by a living artist. The show pairs ancient objects from the University of Chicago’s Institute for the Study of Ancient Culture and the Thanos N. Zintilis Collection of Cypriot Antiquities with 14 works by Iraqi-American artist Michael Rakowitz, including pieces from his ongoing series "The invisible enemy should not exist," which recreates artifacts looted or destroyed from the National Museum of Iraq. Rakowitz’s lamassu reliefs, reimagined from the Palace of Nimrud, and a new commission featuring his mother’s recipes explore themes of lost heritage, memory, and diaspora.