Critic Aruna D’Souza responds to a viral essay by artist Josh Kline regarding the extreme financial pressures of living and working in New York City. While Kline suggests that artists should abandon the city due to the affordability crisis, D’Souza argues that leaving is not a viable long-term solution and calls for a more proactive approach to systemic change within the urban art ecosystem.
"Die zeitgenössische US-Kunst ist von Problemen krank"
Artist Josh Kline has sparked a heated debate with a scathing critique of the American art scene, particularly targeting New York City as an unsustainable hub driven by market logic and inequality. Kline argues that contemporary art is "sick with problems" and urges young artists to abandon the city, calling for a shift from institutional critique to a broader industry-wide analysis of class and power. Meanwhile, the German art world sees significant movement with the upcoming auction of Georg Kolbe’s "Tänzerinnen-Brunnen" following a Nazi-looted art settlement, and the Berlin State Museums announcing a phased reopening of the Pergamon Altar starting in 2027.
Art21, the nonprofit documentary platform behind the PBS series *Art in the Twenty-First Century*, is celebrating its 25th anniversary and the 12th season of its Peabody Award-winning series. In an interview with *CULTURED*, Executive Director and Chief Curator Tina Kukielski discusses how the organization has evolved from its early days in 2001 to embrace digital platforms like YouTube and TikTok, producing over 575 films featuring more than 300 artists. The organization also offers educational programming through Art21 Educators and makes its archive freely available to a global audience of five million.
Art21 has announced its spring 2026 programming lineup, which includes new documentary premieres, film screenings, artist talks, and the second episode of the 12th season of its flagship series 'Art in the Twenty-First Century.' The season features artists such as Tomás Saraceno, Njideka Akunyili Crosby, Camille Henrot, and Ragnar Kjartansson, and coincides with the series' 25th anniversary.
Camille Henrot and Hillary Taymour, wearing Collina Strada, are featured in a Cultured magazine interview marking the reopening of the New Museum on March 21, 2026, after a 60,000-square-foot expansion by OMA. The conversation is part of a series pairing three artists from the inaugural exhibition "New Humans: Memories of the Future" with three downtown fashion designers. Henrot discusses her New York origin story, her film *In the Veins* premiering in the show, and her upcoming play *Commedia dell’Arte* at the Aspen Art Museum’s AIR Festival, while Taymour recounts moving from Los Angeles to New York in 2010 to pursue fashion design.
New York Art Week featured a range of exhibitions that blended banality with body horror, drawing comparisons to a malfunctioning theme park ride. The article highlights several shows that juxtapose mundane, everyday objects with grotesque, unsettling imagery, creating a disorienting experience for viewers. Artists presented works that explore the fragility and absurdity of the human body, often using visceral materials and jarring installations to provoke discomfort and reflection.
The article explores the creative freelancer's financial landscape, focusing on the tax write-off strategies used by artists, writers, musicians, and other cultural workers. It features anecdotes from figures like writer Michelle Tea, photographer Luisa Opalesky, artist Josh Kline, and musician Ben Levi Ross, who share the unusual items they have deducted as business expenses—ranging from cat food and luxury handbags to Skittles, NyQuil, and even a vintage truck used in a film.
The article analyzes the shifting dynamics of the global art market, reporting that regions outside the traditional 'big three' hubs of the US, UK, and China have increased their market share from 17% in 2015 to 24% in 2025. This shift is driven by nationally protective regulations like Brexit and tariffs, which have stifled the free circulation of contemporary art. While the US market remains dominant at 44%, countries such as South Korea, Switzerland, Japan, and Australia have seen growth, and emerging cultural energy is noted in places like Bangkok, Warsaw, Margate, and Qatar.
Artist Josh Kline’s recent essay on the devastating impact of New York City’s real estate market on the arts has sparked a heated debate regarding the city's future as a creative hub. While Kline argues that the 'polycrisis' of high rents and student debt is stifling artists born after 1975, this response critiques his generational focus, suggesting that the struggle for affordability is a structural issue affecting artists of all ages, particularly those from marginalized backgrounds who have faced these barriers for decades.
The Vancouver Art Gallery, in partnership with Canada's National Observer, will open "Future Geographies: Art in the Century of Climate Change" on May 10, 2026. The exhibition, co-created by publisher Linda Solomon Wood and curator Eva Respini, features over 35 international artists including Ed Burtynsky, Huma Bhabha, Jean Shin, Clarissa Tossin, and Josh Kline. Works explore climate change through photography, sculpture, installation, and film, avoiding a doom-and-gloom tone in favor of poetic and thought-provoking approaches.
Hauser & Wirth New York has launched "Studio Visit," a sprawling group exhibition co-curated by artists Anicka Yi and Josh Kline in collaboration with Performance Space New York. Featuring works by 27 international artists including Jean-Michel Basquiat, Huma Bhabha, and Wolfgang Tillmans, the show pairs physical artworks with AI-generated "machine-generated memories" based on the artists' written recollections of their early workspaces. The project revives the spirit of Circular File, an experimental collective formed by Yi and Kline in the late 2000s.
Art Basel Paris returns to the Grand Palais in 2025 with 206 exhibitors from 41 countries, including 29 first-time participants. The article highlights nine new galleries in the main sector, such as Stevenson (Cape Town), Lodovico Corsini (Brussels), Crèvecœur (Paris), Jan Kaps (Cologne), The Approach (London), and 47 Canal (New York), each presenting distinctive artists and works that reflect global contemporary art trends.
"Sonne, Meer und Sicherheit"
The Art Cologne Palma Mallorca art fair has emerged as a strategic hub for wealthy German collectors, positioning the Mediterranean island as a safe and accessible alternative to more volatile global markets. While sales have been strongest in the lower price segments, the fair's revival highlights a trend toward 'lifestyle' art events that prioritize security and leisure. Simultaneously, the German art market faces a broader crisis of regionalization, where galleries are increasingly focusing on local buyers despite declining overall sales and a lack of transformative economic growth.
Art21 has announced the premiere of "Human Nature," the next episode of its documentary series *Art in the Twenty-First Century*, set to air on PBS on June 10, 2026. The episode features artists Lenka Clayton, Josh Kline, Delcy Morelos, and Sin Wai Kin, and explores themes of humanity's impact on the environment, social and economic systems, and interpersonal relationships. Directed by Ian Forster and produced by Andrea Chung, the episode will also be available on Art21.org, YouTube, and PBS Digital Platforms, with an advance screening on May 28 at the SAG-AFTRA Foundation Robin Williams Center in Manhattan.
A coalition of seven Zurich-based artist-run collectives, led by Peter Baracchi and his nomadic platform 6½, has taken over the former Museum Haus Konstruktiv building in Zurich's Selnau district. The project, titled "Oceans Flow Upwards," occupies 1,200 square meters across five floors and expands into over 2,000 square meters by activating the cellar, offices, storage, shop, café, and rooftop. Participating collectives include Hotel Tiger, Die Diele, Papillarya, MATERIAL, volumes, and zwischentext. Baracchi, who previously worked at Haus Konstruktiv as a technician and photographer, initiated the takeover after the museum relocated to Areal Löwenbräukunst, securing temporary cultural use from the City of Zurich in March. Rather than dividing the space into separate zones, the exhibition presents a single, integrated show where artists were invited by the collectives, not selected by open call.
New York è così cara che ormai non è più possibile produrre arte e cultura in città
Artist and curator Josh Kline has sparked a significant industry debate with his essay, "New York Real Estate and the Ruin of American Art," which argues that the city's prohibitive real estate market is dismantling its cultural foundation. Kline posits that the financialization of property and the disappearance of affordable lofts and mid-size galleries have created an unsustainable ecosystem where only those with independent wealth can survive. This economic pressure is forcing a generation of creative workers to choose between their practice and basic survival, leading to a stagnation of innovation.
Chanel and Art21 hosted a screening event at the Roxy Cinema in New York to celebrate the launch of their new docuseries "IRL/url," which premieres on TikTok. The evening featured remarks by Yana Peel, Chanel’s President of Arts, Culture & Heritage, and a screening of selected films from the series, followed by a conversation between Art21’s Executive Director Tina Kukielski and seven of the eight featured artists: Neïl Beloufa, Jacky Connolly, Julien Creuzet, Sara Cwynar, Xin Liu, Rachel Rossin, and Jacolby Satterwhite. The event also drew a crowd of notable artists, advisors, curators, and cultural figures.
CULTURED's food editor Mina Stone asked over two dozen artists to name their essential foods, from comfort dishes to simple staples. Responses range from Aya Brown's rice (rooted in her Black American and Japanese heritage) to Rob Pruitt's Caesar salad, Kaws's cheese, and Armando Nin's Dominican breakfast Mangú, with many artists citing coffee, eggs, and nostalgic family meals.
A wave of new artist-run and apartment galleries is emerging in New York's outer boroughs, driven by artists and organizers seizing unconventional, often temporary, spaces. These include the Gallery in Crown Heights, a massive group show staged in a vacant office loft secured with a two-month free lease, and the more established Iowa Projects, which presents solo exhibitions in a domestic setting.