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art collecting on a budget guide

The article reports that the ultra-contemporary art market has cooled, with high-end sales plummeting while works priced at $5,000 or less have grown. Art economist Clare McAndrew, author of the Art Basel & UBS Art Market Report 2025, notes that collectors are now buying art they genuinely like rather than for investment. The piece offers a practical guide for collecting on a $10,000 budget, featuring advice from gallerists, advisors, and collectors on finding affordable works.

Editor’s Letter: Still, Listening

The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, opens in May 2026, shifting focus from Eurocentric narratives to quieter, relational, and improvisational voices from the Global South. ArtAsiaPacific's May/June issue honors Kouoh's vision with features on artists including Gala Porras-Kim (a 2025 MacArthur Fellow), Khaled Sabsabi (representing Australia), and others like Liang Yuanwei, Yuko Mohri, Mona Hatoum, Tadanori Yokoo, Gayane Umerova, Li Yi-Fan, Hyeree Ro, and Ei Arakawa-Nash, with contributions from a curatorial team that carried Kouoh's work forward after her death in 2025.

10 Exhibitions to See in Venice Which Aren’t Part of the Biennale

Ocula's editors have curated a list of 10 must-see collateral exhibitions in Venice that are not part of the main Biennale. Highlights include Shirin Neshat's film trilogy "Do U Dare!" about YouTuber Nasim Aghdam, Hernan Bas's ironic paintings of tourists at Ca' Pesaro, and the group show "Outta Love" featuring Francesca Woodman, Jenny Saville, and Wolfgang Tillmans. Another notable exhibition is "Turāndokht" from Parasol unit, which brings together 11 female artists from Central Asia to challenge Orientalist stereotypes.

The waves that disappeared—Art duo Cooking Sections track lost tides in new installation

Art duo Cooking Sections, comprising Daniel Fernández Pascual and Alon Schwabe, have opened a new immersive installation titled "Waves Lost at Sea" at Centro Botín in Santander, Spain. The exhibition explores the disappearance of waves due to human activities such as sea dredging, port construction, and coastal development. Working with biologists and engineers from the University of Cantabria's GeoOcean project, the duo researched eleven lost waves globally. The installation features a white fabric structure, 11 slinky-like forms, and a soundscape composed by musician Duval Timothy, with 30-minute looped pieces for each lost wave. The show runs until March 1 and is part of Centro Botín's 30-year program that has previously supported artists like Tacita Dean and Mona Hatoum.

‘We are in a very special situation as collectors’: Petr Pudil on opening the Kunsthalle Praha in Prague, and the art he collects

Petr Pudil, a Czech businessman and co-founder of BPD partners, discusses his journey as an art collector and the opening of Kunsthalle Praha in Prague with his wife Pavlína. The museum, housed in a former 1930s electricity substation, opened in 2022 and features temporary thematic exhibitions from their collection of over 2,000 works, including pieces by Max Ernst, Alicja Kwade, and William Kentridge. Pudil reflects on his acquisition strategy, regrets, and favorite London spots during Frieze week.

Antony Gormley and Brian Eno donate works to auction for Gaza health workers

A coalition called Health Workers 4 Palestine has organized an art auction, Seeds of Solidarity, to support medical professionals in Gaza. Taking place on 1 February at the Savoy hotel in London, the auction features works donated by 21 visual artists including Antony Gormley, Brian Eno, Mona Hatoum, Lisa Brice, Caroline Walker, and Hassan Hajjaj. Proceeds will benefit the Gaza Medics Solidarity Fund, which provides stipends to doctors, supports mobile clinics, and helps reconstruct maternity wards in the enclave. The sale is curated by Zayna Al-Saleh, known for her Voices of Palestine auctions that have raised over $1.4 million.

Gallery lures collectors to Spain’s abandoned region with large-scale sculpture trail

The Albarrán Bourdais gallery, founded by Eva Albarrán and Christian Bourdais, is launching a large-scale sculpture trail on June 15 in the remote Matarraña region of eastern Spain. The trail winds through 5km of vineyards and hills, featuring 20 installations by artists including Mona Hatoum, José Dávila, and Christian Boltanski. This is part of their broader Solo Houses project, which began in 2010 with avant-garde architect homes and now includes a retreat for collectors, a winery, and plans for a hotel designed by Smiljan Radic set to open by 2028.

Running from one image to another, from one time to another, from one hope to another: at Circolo, in Milan, an exhibition on the contemporary Lebanese scene

The article reviews "Shifting Crossroads. Beirut Contemporary," an exhibition at Circolo in Milan that surveys the contemporary Lebanese art scene. It features internationally recognized artists like Mona Hatoum and Simone Fattal alongside emerging talents, including works from the Saikalis Bay Foundation, founded in 2024 by Nicole Saikalis and Matteo Bay. The show spans historical-archival investigation, photography, installation, painting, and sculpture, with pieces such as Stéphanie Saadé's "Stage of Life" (2021), Catherine Cattaruzza's "I am Folding the Land" (2022), and Joana Hadjithomas & Khalil Joreige's "Waiting for the Barbarians" (2013) exploring themes of memory, fragility, and geopolitical instability.

Scrappy: By Any Means Necessary

MotherShip Studios in San Marcos, Texas, announces its upcoming group exhibition "Scrappy: By Any Means Necessary," running from December 13, 2025, to February 7, 2026. Curated by Jennifer Moore, the show features works by eleven artists—Hollie Brown, Ellen Crofts, Lisa Guevara, Julia Hungerford, John Le, Elisa Lendvay, Niloofar Mofrad, Hilary Nelson, Gyan Shrosbree, Jim Shrosbree, and Narong Tintamusik—who explore the concept of "scrappiness" in artistic practice, embracing improvisation, process, and resourcefulness over polished finish.

Comment | Exhibitions comparing artists can be problematic, but the Barbican brings Giacometti, Bhabha and Hatoum together with perfect judgement

The Barbican in London has opened two new exhibition spaces in a redesigned former restaurant, showcasing the work of Alberto Giacometti alongside contemporary artists Huma Bhabha and Mona Hatoum. Curated by Shanay Jhaveri and Émilie Bouvard, the shows pair Giacometti's sculptures with Bhabha's and Hatoum's works, drawing formal and thematic connections without forcing comparisons. The exhibitions highlight shared preoccupations with the human body, vulnerability, and resilience, while allowing each artist's distinct approach—Giacometti's figuration versus Hatoum's found-object manipulation—to remain clear.